| Photos (see all 78 | slideshow) | Videos (see all 10) |
| Scarlett Johansson | ... | Charlotte | |
| Bill Murray | ... | Bob Harris | |
| Akiko Takeshita | ... | Ms. Kawasaki | |
| Kazuyoshi Minamimagoe | ... | Press Agent | |
| Kazuko Shibata | ... | Press Agent | |
| Take | ... | Press Agent | |
| Ryuichiro Baba | ... | Concierge | |
| Akira Yamaguchi | ... | Bellboy | |
| Catherine Lambert | ... | Jazz Singer | |
| François du Bois | ... | Sausalito Piano (as Francois du Bois) | |
| Tim Leffman | ... | Sausalito Guitar | |
| Gregory Pekar | ... | American Businessman #1 | |
| Richard Allen | ... | American Businessman #2 | |
| Giovanni Ribisi | ... | John | |
| Diamond Yukai | ... | Commercial Director (as Yutaka Tadokoro) | |
| Jun Maki | ... | Suntory Client | |
| Nao Asuka | ... | Premium Fantasy Woman | |
| Tetsuro Naka | ... | Stills Photographer | |
| Kanako Nakazato | ... | Make-Up Person | |
| Fumihiro Hayashi | ... | Charlie | |
| Hiroko Kawasaki | ... | Hiroko | |
| Daikon | ... | Bambie | |
| Anna Faris | ... | Kelly | |
| Asuka Shimuzu | ... | Kelly's Translator | |
| Ikuko Takahashi | ... | Ikebana Instructor | |
| Koichi Tanaka | ... | Bartender, NY Bar | |
| Hugo Codaro | ... | Aerobics Instructor | |
| Akiko Monou | ... | P Chan | |
| Akimitsu Naruyama | ... | French Japanese Nightclub Patron | |
| Hiroshi Kawashima | ... | Bartender, Nightclub | |
| Hiromi Toshikawa | ... | Hiromix (as Hiromix) | |
| Nobuhiko Kitamura | ... | Nobu | |
| Nao Kitman | ... | Nao | |
| Akira | ... | Hans | |
| Kunichi Nomura | ... | Kun | |
| Yasuhiko Hattori | ... | Charlie's Friend | |
| Shigekazu Aida | ... | Mr. Valentine | |
| Kazuo Yamada | ... | Hospital Receptionist | |
| Akira Motomura | ... | Old Man | |
| Osamu Shigematu | ... | Doctor | |
| Takashi Fujii | ... | TV Host (as Mathew Minami) | |
| Kei Takyo | ... | TV Translator | |
| Ryo Kondo | ... | Politician | |
| Yumi Ikeda | ... | Politician's Aide | |
| Yumika Saki | ... | Politician's Aide | |
| Yuji Okabe | ... | Politician's Aide | |
| Dietrich Bollmann | ... | German Hotel Guest | |
| Georg O.P. Eschert | ... | German Hotel Guest | |
| Mark Willms | ... | Carl West | |
| Lisle Wilkerson | ... | Sexy Businesswoman | |
| reste de la distribution par ordre alphabétique: | |||
| Nancy Steiner | ... | Lydia Harris (voice) (uncredited) | |
Réalisé par | |||
| Sofia Coppola | |||
Scénaristes(WGA) | ||
| Sofia Coppola | (written by) | |
Musique originale | |||
| Kevin Shields | |||
Image | |||
| Lance Acord | (director of photography) | ||
Montage | |||
| Sarah Flack | |||
Création des décors | |||
| K.K. Barrett | |||
| Anne Ross | |||
Direction artistique | |||
| Mayumi Tomita | |||
Décorateur de plateau | |||
| Towako Kuwajima | |||
| Tomomi Nishio | |||
Création des costumes | |||
| Nancy Steiner | |||
Maquillage | |||
| Akemi | .... | hair stylist | |
| Akemi | .... | makeup artist | |
| Fukushi Kawata | .... | assistant hair/makeup | |
| Morag Ross | .... | key hair stylist | |
| Morag Ross | .... | key makeup artist | |
| Yoko Sato | .... | assistant hair/makeup | |
Directeur de production | |||
| Anthony Katagas | .... | production supervisor (as Anthony G. Katagas) | |
| Keizo Shukuzaki | .... | unit manager | |
Assistant réalisateur | |||
| Roman Coppola | .... | additional director: additional Japan unit | |
| Shu Fujimoto | .... | second second assistant director | |
| Hiroya Igawa | .... | chief assistant director | |
| Motonobu Kato | .... | second second assistant director | |
| Takahide Kawakami | .... | first assistant director | |
| Taiichi Sugiyama | .... | second assistant director | |
Art Department | |||
| Chie Che | .... | assistant property master | |
| Tomiko Ishiyama | .... | assistant set decorator | |
| Takahiro Kikuchi | .... | additional assistant set decorator | |
| Momoko Nakamura | .... | assistant art director | |
| Rika Nakanishi | .... | art department coordinator | |
| Hitomi Nimura | .... | assistant set decorator | |
| Ryo Nobuka | .... | additional assistant set decorator | |
| Keisuke Sakurai | .... | property master | |
| Ryo Sugimoto | .... | assistant art director | |
| Toru Takahashi | .... | leadman | |
| Michelle Tomaszewski | .... | assistant designer | |
Technicien du son | |||
| Dawn Angel | .... | mix facility support | |
| Richard Beggs | .... | sound designer | |
| Richard Beggs | .... | sound re-recording mixer | |
| George Berndt | .... | additional adr editor | |
| David A. Cohen | .... | adr editor (as David Cohen) | |
| David A. Cohen | .... | dialogue editor (as David Cohen) | |
| Ethan Derner | .... | mix facility support | |
| Matthew Hartman | .... | sound intern | |
| Glenn Kasprzycki | .... | sound recordist | |
| Michael Kirchberger | .... | supervising sound editor | |
| Robert Knox | .... | re-recording supervisor | |
| Drew Kunin | .... | production sound mixer | |
| James Levine | .... | mix facility coordinator | |
| Everett Moore | .... | assistant sound editor | |
| Marnie Moore | .... | foley artist | |
| Jory K. Prum | .... | foley recordist | |
| Brian Sarvis | .... | re-recording engineer | |
| Julia Shirar | .... | sound effects editor | |
| Kira Smith | .... | boom operator | |
| Kent Sparling | .... | sound re-recording mixer | |
| Daniel Sperry | .... | sound engineer: Dolby (as Dan Sperry) | |
| Howard Stein | .... | mix facilities management: American Zoetrope | |
| William Storkson | .... | foley supervisor | |
| Deborah Wallach | .... | additional adr editor | |
| Gene Radzik | .... | stereo sound consultant: Dolby (uncredited) | |
Visual Effects | |||
| Travis Dutch | .... | scanning and recording (uncredited) | |
| Robert Rowles | .... | video I/O (uncredited) | |
Cascadeur | |||
| Hirofumi Nakase | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Lance Acord | .... | camera operator | |
| Yoshio Ishikawa | .... | first best boy electrician | |
| Takuro Ishizaka | .... | second assistant camera | |
| Anne Joyce | .... | camera operator: karaoke (as Anne Rice) | |
| Takeshi Kagami | .... | electrician | |
| Michiaki Kamochi | .... | second best boy electric | |
| Akira Kanno | .... | best boy grip | |
| Yasushi Miyata | .... | additional second assistant camera | |
| Takuji Murata | .... | camera loader | |
| Masayuki Nishimura | .... | electrician | |
| Yoshio Sato | .... | still photographer | |
| Satoshi Tsuyuki | .... | key grip | |
| Nobuko Uranishi | .... | additional first assistant camera | |
| Yuji Wada | .... | gaffer | |
| Mark Williams | .... | first assistant camera | |
Casting Department | |||
| Daiki Chiba | .... | casting assistant | |
| Stephanie Hayman | .... | additional casting: Japan | |
| Ryôichi Kondô | .... | casting: Japan (as Ryoichi Kondo) | |
| Hiroto Nakagaki | .... | casting assistant | |
| Miwa Sakaguchi | .... | casting production assistant | |
| Hauko Sone | .... | casting assistant | |
| Akira Yamaguchi | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Anita Louise Brown | .... | wardrobe supervisor (as Anita Brown) | |
| Noriko Hattori | .... | wardrobe supervisor: Kyoto | |
| Masae Sakurai | .... | set costumer | |
| Haruka Takahashi | .... | wardrobe supervisor | |
Editorial Department | |||
| Kim Aubry | .... | post-production: American Zoetrope | |
| Susan Finch | .... | additional assistant editor | |
| Bob Fredrickson | .... | color timer | |
| Jamie Kirkpatrick | .... | assistant editor | |
| Jennifer Letterman | .... | editing facilities: Red Car Post | |
| Yuji Oshige | .... | video editor: karaoke | |
| Howard Shur | .... | clip editor: TV | |
| Heidi Zellner | .... | negative matcher: West Coast Editorial | |
| Jen Choi | .... | editorial intern (uncredited) | |
Music Department | |||
| Richard Beggs | .... | music editor | |
| Roger Joseph Manning Jr. | .... | composer: additional music | |
| Jill Meyers | .... | music clearances | |
| Brian Reitzell | .... | composer: additional music | |
| Brian Reitzell | .... | music producer | |
| Brian Reitzell | .... | music supervisor | |
| William Storkson | .... | composer: additional music | |
Transportation Department | |||
| Akira Ebata | .... | driver | |
| Eiji Fujii | .... | driver | |
| Kiyotaka Inagaki | .... | driver | |
| Sakae Kaminaka | .... | driver | |
| Osamu Sasaki | .... | additional driver | |
| Tomoo Senuma | .... | driver | |
| Yuki Shimizu | .... | additional driver | |
| Minoru Tsuruno | .... | driver | |
Divers | |||
| Hitoshi Abe | .... | office production assistant | |
| Tony Adrid | .... | shipping: JASA Logistics | |
| Mikiko Anzai | .... | location coordinator | |
| Ashley Bearden | .... | product placement coordinator | |
| Susan H. Bodine | .... | legal services: Epstein, Levinsohn, Bodine, Hurwitz and Weinstein | |
| Eva Z. Cabrera | .... | script supervisor | |
| Andrea F. Cannistraci | .... | legal services: Epstein, Levinsohn, Bodine, Hurwitz and Weinstein (as Andrea Cannistraci) | |
| Shari Chertok | .... | researcher | |
| Alison Cohen | .... | legal services: Epstein, Levinsohn, Bodine, Hurwitz and Weinstein | |
| Blake Crawford | .... | stand-in: Mr. Murray | |
| Maureen Duffy | .... | completion bond: Film Finances Inc. | |
| Anita Ekberg | .... | film clip: "La Dolce vita" courtesy of (as Ms. Anita Ekberg) | |
| Jonathan Ferrantelli | .... | assistant: Ross Katz | |
| John B. Finn | .... | production accountant: USA (as John Finn) | |
| Hirohito Gotou | .... | bilingual assistant | |
| Hiroshi Harada | .... | key set production assistant | |
| George T. Hayum | .... | legal services: Armstrong Hirsch Jackoway Tyerman & Wertheimer | |
| Susan Hebert | .... | assistant: Sofia Coppola | |
| Koji Hirano | .... | set production assistant | |
| Ai Ichiki | .... | assistant production office coordinator | |
| Sayuri Kanamori | .... | assistant: Giovanni Ribisi and Anna Faris | |
| Takuya Kaneko | .... | assistant location manager | |
| Hiroko Kawasaki | .... | production consultant | |
| Masashi Kitasato | .... | film clip: Chillsphere 001 Flow courtesy of | |
| Brian Kobo | .... | bilingual coordinator | |
| Tomoko Kojima | .... | assistant: Natsuko Nezu | |
| Kiyoshi Kurokawa | .... | location manager: Kyoto | |
| Masako Matsumura | .... | assistant production office coordinator | |
| Ross Miller | .... | insurance: Dennis Reiff & Associates | |
| Eriko Miyagawa | .... | bilingual assistant | |
| Taro Miyake | .... | office production assistant | |
| Atsushi Naito | .... | production attorney: Japan (as Atsushi Naito Esq.) | |
| Katumi Nakane | .... | bilingual assistant | |
| Natsuko Nezu | .... | production accountant: Japan | |
| Kimiko Onishi | .... | script translator | |
| Angela Panetta | .... | stand-in: Ms. Johansson | |
| Bennett Pozil | .... | production financing: Natexis Banques Populaires | |
| Dennis Reiff | .... | insurance: Dennis Reiff & Associates | |
| Yumiko Sekiguchi | .... | bilingual assistant | |
| Tomohiko Seki | .... | set production assistant | |
| Tsutomu Shimada | .... | film clip: Chillsphere 001 Flow courtesy of | |
| Kazuko Shingyoku | .... | production office coordinator | |
| Keizo Shukuzaki | .... | key location manager | |
| Naoki Takagi | .... | assistant: Scarlett Johansson | |
| Yoko Takeuchi | .... | bilingual assistant | |
| Koichi Tanaka | .... | assistant: Bill Murray | |
| Kumi Tanaka | .... | assistant: Bill Murray | |
| Greg Trattner | .... | completion bond: Film Finances Inc. | |
| Barry Tyerman | .... | legal services: Armstrong Hirsch Jackoway Tyerman & Wertheimer (as Barry W. Tyerman) | |
| Maremi Watanabe | .... | office production assistant | |
| Kurt Woolner | .... | completion bond: Film Finances Inc. | |
| Masahiro Yoshikawa | .... | production coordinator | |
| Alison S. Cohen | .... | production counsel (uncredited) | |
| Shannon Lail | .... | production executive: Zoetrope (uncredited) | |
| Joey Cruz Manalang | .... | liaison (uncredited) | |
| Kara Mazzola | .... | assistant: Fred Roos (uncredited) | |
| Tony Muro | .... | publicist (uncredited) | |
Thanks | |||
| Rima Acord | .... | thanks | |
| Wes Anderson | .... | thanks | |
| Eleanor Coppola | .... | thanks (as Mom) | |
| Francis Ford Coppola | .... | thanks (as Dad) | |
| Roman Coppola | .... | thanks (as Roman) | |
| Joe Dapello | .... | thanks | |
| Takashi Fujii | .... | thanks (as Mathew Minami) | |
| Hiroshi Fujiwara | .... | thanks: Park Hyatt Tokyo | |
| Aya Furuse | .... | thanks: Mathew's Best Hit TV | |
| Janet Grillo | .... | thanks | |
| Josh Hartnett | .... | thanks | |
| Susan Hebert | .... | thanks | |
| Hiroko | .... | thanks | |
| Yosuke Imataki | .... | thanks: Mathew's Best Hit TV | |
| Spike Jonze | .... | thanks (as Spike) | |
| Hidesuke Kataoka | .... | thanks: Mathew's Best Hit TV | |
| Tadahito Kawada | .... | thanks: Mathew's Best Hit TV | |
| Anton Kawasaki | .... | thanks | |
| Nobuhiko Kitamura | .... | thanks | |
| Kozo Komurasaki | .... | thanks: Mathew's Best Hit TV | |
| Hiroshi Kunimasa | .... | thanks | |
| Helmut Lang | .... | thanks | |
| Pat Lucas | .... | thanks | |
| John Lydon | .... | thanks | |
| Kelly Lynch | .... | thanks | |
| Tatsuya Matsui | .... | thanks | |
| Shinichi Matsumoto | .... | thanks: Mathew's Best Hit TV | |
| Lorne Michaels | .... | thanks | |
| Peter Miles | .... | thanks | |
| Damon Murray | .... | thanks | |
| Masatoshi Nagase | .... | thanks | |
| Christopher Neil | .... | thanks (as Chris Neil) | |
| Shinji Nishigaki | .... | thanks: Mathew's Best Hit TV | |
| Hiroaki Nishimura | .... | thanks: Mathew's Best Hit TV | |
| Nobuaki Okaji | .... | thanks: Park Hyatt Tokyo | |
| Akihiro Okamoto | .... | thanks: Mathew's Best Hit TV (as Akihiko Okamoto) | |
| Akira Okano | .... | thanks | |
| Keanu Reeves | .... | thanks | |
| Brad Rosenberger | .... | thanks | |
| David O. Russell | .... | thanks (as David Russell) | |
| Yuji Sadai | .... | thanks | |
| Toshihide Saito | .... | thanks: Mathew's Best Hit TV | |
| Greta Seacat | .... | thanks (as Gretta Seacat) | |
| Tomoaki Shiono | .... | thanks: Mathew's Best Hit TV | |
| Eddie Simon | .... | thanks | |
| Paul Simon | .... | thanks | |
| Stephen Sorrell | .... | thanks | |
| Erwin Stoff | .... | thanks | |
| Anna Sui | .... | thanks | |
| Jack Sullivan | .... | thanks | |
| Masaki Takahashi | .... | thanks: Mathew's Best Hit TV | |
| Toshinari Takahashi | .... | thanks | |
| Jean Touitou | .... | thanks | |
| Tsukasa | .... | thanks: Mathew's Best Hit TV | |
| Yukio Tsutsumimoto | .... | thanks: Mathew's Best Hit TV | |
| Jessica Tuchinsky | .... | thanks | |
| Bart Walker | .... | thanks | |
| Kate Waters | .... | thanks | |
| Takao Yamamoto | .... | thanks: Mathew's Best Hit TV | |
| Takuo Yasuda | .... | thanks | |
| Tetsurou Yoshida | .... | thanks | |
| Minako Yoshii | .... | thanks: Mathew's Best Hit TV | |
| Recent Posts (updated daily) | User |
|---|---|
| More Than This... | tiger_suits |
| Bob talking about kids | MyLuck |
| Great movie, but weak final shot | henry_is_the_don |
| The perfect movie. | buffsplz-1 |
| Bonus Track on Soundtrack | tanasije |
|
|
|
|
|
| The Graduate | Midnight Cowboy | Yi yi | Big Fish | Closer |
|
IMDb Note des utilisateurs:
|
IMDb Note des utilisateurs:
|
IMDb Note des utilisateurs:
|
IMDb Note des utilisateurs:
|
IMDb Note des utilisateurs:
|
| Full cast and crew | Company credits | External reviews |
| IMDb Comedie section | IMDb USA section | Add this title to MyMovies |
Death in Vegas' spellbinding song "Girls" perfectly sets the tone for Sofia Coppola's second feature film, the bittersweet, intelligent, mature and absolutely wonderful Lost in Translation. Trying to summarize the movie is almost pointless because the emotions the film sparks within you (in my case, at least) can't be described in words. The basic story follows Bob Harris (Bill Murray) and Charlotte (Scarlett Johansson), a washed-up, depressed actor and an emotionally confused newlywed respectively, as they accidentally meet on Park Hyatt Hotel in Tokyo. The two form an unusual bond, but a bond that is infinitely stronger than that which they share with their respective wife and husband (Charlotte's partner is a jittery photographer who doesn't pay very much attention to her; Bob's better half keeps calling him, pestering him about which colour they should choose for the carpet back home). Bob and Charlotte's relationship is not really a sexual thing so much as a matter of emotional understanding. They're both stuck in life, unsure of what to do with the rest of it and certainly not very satisfied with what they've done with it so far. It's very touching to watch, in a refreshingly non-sappy way.
The film isn't all mid-life-crisis slit-your-wrists drama, though - it is also hilarious at many points, mainly thanks to Bill Murray, who turns deadpan exasperation into an artform in a role specifically written for him. The pressure on him is high because he is basically the heart and soul of the film, but he nails the part and he's so great I was really surprised to see that he was nominated for an Oscar (since the Academy rarely hands out awards to performances that are actually *good*). Scarlett Johansson is stunning and convincing in her role and more than holds her own against Murray. Giovanni Ribisi as the aforementioned dorky husband and Anna Faris as a brain dead actress are perfectly cast and it's hard not to hate them.
Sofia Coppola's direction is amazing, both stylistically original, passionate and spellbinding. There are many gorgeous images of Tokyo on display here and she finds the right balance between these eye-catching visuals, Murray's comedy and Johansson's angst. Her style is very different from her father's and shouldn't be compared. She clearly shows that she is fully capable of having a career of her own without putting her faith in Hollywood nepotism.
Favourite scenes? Bob's "Santury time" scene is pure comic gold, and the most emotional part, in my opinion, is the karaoke scene during Bob and Charlotte's night out, when Murray sings his version of Bryan Ferry's "More than this". The scene, the way I see it, says so much about the characters and what they're going through. In fact, I'd call it the most important scene in the entire film. Then again, maybe Sofia Coppola just wanted to hear Bill's awesome singing voice (he's actually really good!).
Overall the film is just perfect. The acting, the direction, the soundtrack, plot, themes, humour, visuals... what's not to like? I know some were turned off by the supposedly "slow" pace, which I just thought helped the movie become more captivating. The central relationship needs to take its time to feel realistic. Honestly, what do you want, car chases? It's an existential drama, not Run Lola Run. Sheesh.
For relaxing times... make it Lost in Translation time.