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Lost in Translation (2003)
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Vue d'ensemble
Note Générale:
Réalisateur:
Scénariste (WGA):
Sofia Coppola (written by)
Date de sortie:
3 octobre 2003 (USA)
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Accroche:
Everyone wants to be found. suite
Intrigue:
A movie star with a sense of emptiness, and a neglected newlywed meet up as strangers in Tokyo, Japan and form an unlikely bond. full summary | add synopsis
Plot Keywords:
Photographer
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Commercial
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Translation
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Japan
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Hotel
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Récompenses:
Won Oscar.
Another 70 wins
&
59 nominations
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Avis des utilisateurs:
A great film, but the rating was lost in translation
plus de (1712 total)
Ensemble
(Vue d'ensemble du casting, par ordre d'apparence) | Scarlett Johansson | ... | Charlotte |
 | Bill Murray | ... | Bob Harris |
 | Akiko Takeshita | ... | Ms. Kawasaki |
| Kazuyoshi Minamimagoe | ... | Press Agent |
| Kazuko Shibata | ... | Press Agent |
| Take | ... | Press Agent |
| Ryuichiro Baba | ... | Concierge |
| Akira Yamaguchi | ... | Bellboy |
| Catherine Lambert | ... | Jazz Singer |
 | François du Bois | ... | Sausalito Piano (as Francois du Bois) |
| Tim Leffman | ... | Sausalito Guitar |
 | Gregory Pekar | ... | American Businessman #1 |
| Richard Allen | ... | American Businessman #2 |
 | Giovanni Ribisi | ... | John |
| Diamond Yukai | ... | Commercial Director (as Yutaka Tadokoro) |
Détails supplémentaires
MPAA:
Rated R for some sexual content.
Parents Guide:
Durée:
102 min
Couleur:
Rapport de forme:
1,85 : 1 suite
Son:
Classification:
Indonesia:Dewasa |
Canada:PG (British Columbia/Manitoba/Nova Scotia/Ontario) |
Malaysia:18PL (re-rating) |
Malaysia:(Banned) (uncut version) |
Iceland:L |
Hungary:14 |
Greece:K |
Argentina:13 |
Australia:PG |
Brazil:14 |
Canada:14A (Alberta) |
Canada:G (Québec) |
Chile:TE |
Finland:K-11 |
Germany:6 (bw) |
Hong Kong:IIB |
Italy:T |
Netherlands:AL |
New Zealand:PG |
Norway:A |
Peru:PT |
Philippines:PG-13 |
Portugal:M/12 |
Singapore:PG (edited for re-rating) |
Singapore:R(A) (original rating) |
South Korea:15 |
Spain:13 |
Sweden:Btl |
Switzerland:12 (canton of the Grisons) |
UK:15 |
USA:R |
Singapore:M18 (DVD rating)
Lieux de tournage:
Société:
Curiosités
Anecdotes:
The entire budget for the film was $4 million. It grossed over $6.5 million (over 1 1/2 times its budget) at the US box office after becoming available commercially on DVD.
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Goofs:
Continuité: When Charlotte takes the subway, the orange "you are here" circle on the map indicates that she's at Shibuya station. When she gets to the platform, a sign says she's at Omotesando station, one stop away on the Ginza line.
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Guillemet:
[first lines]
Ms. Kawasaki: Welcome to Tokyo.
Bob: Thank you very much.
Ms. Kawasaki: My name is Kawasaki. Nice to meet you.
Bob: I've heard of you. Thank you.
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Ms. Kawasaki: Welcome to Tokyo.
Bob: Thank you very much.
Ms. Kawasaki: My name is Kawasaki. Nice to meet you.
Bob: I've heard of you. Thank you.
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Connexions De Film:
Référencé sur "The Suite Life of Zack and Cody: Lost in Translation (#2.23)" (2006)
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Bande son:
Muyu
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Liens liés
| Casting et équipe complète | Remerciements de la Société | Revues externes |
| IMDb Comedie section | IMDb USA section | Add this title to MyMovies |
It's very interesting to see all of the ratings that Lost In Translation received in different countries. In Canada it is only PG, while in America it's rated R! And really, the only explanation for this is a brief scene at a strip joint that shows some nudity. I really look down on that R rating because Lost In Translation is a good-hearted film that should be enjoyed by all ages. Notice how during the 2003 Oscar season two films played the "only one special effect: the effect on the audience" card; one being this film and the other being Mystic River. Both are great films, both are rated R in the U.S., but only one of them can carry along its story without brutal murders.
So what can I say about Lost In Translation that hasn't been said a million times already? It's all true. It's subtle, down-to-earth, and allows the audience to observe and relate to the characters, Bob and Charlotte. Both of them have a life crisis to deal with, and I guess if you're thousands and thousands of miles away from your problems it makes it easier to take an objective look at them, even if they do follow you. Bob and Charlotte confide in each other and develop a relationship. That's what it's all about, and every scene is precious. It's a real and true to life kind of film. We never hear the lines: "Oh, Charlotte, I'm so glad I went to Japan. You've changed my life in such a profound way and you'll always be in my heart." That's because that just isn't the way it goes in real life. The feeling is there, the characters know it, the audience knows it, so it has to be left at that.
So, yeah, I love this movie. It's clearly the highlight of Bill Murray's career and marks the perfect first real stand-out in Scarlett Johanson's. It's so rare to see a movie that only has an interest in its characters (and only two of them, at that!) and makes them so charming, lovable, and familiar. This is a great example of non-Hollywood Hollywood films: the well-known actors and producers going to the roots of independent film-making. In an age where half the movies out there are packed with CGI, this is refreshing to see.
My rating: 10/10