Eternal Sunshine of the Spotless Mind (2004)

Note des utilisateurs:

8.5/10   

Réalisateur:

Michel Gondry

Writers (WGA):

Charlie Kaufman (story) &
Michel Gondry (story) ...

Release Date:

19 mars 2004 (USA)

Genre:

Drame | Romance

Accroche:

I already forget how I used to feel about you.

Plot:

A couple undergo a procedure to erase each other from their memories when their relationship turns sour, but it is only through the process of loss that they discover what they had to begin with.

Plot Keywords:

Memory | Crush | Train | Beach | Audio Cassette

Awards:

Won Oscar. Another 36 wins & 50 nominations

Avis des utilisateurs:

Interior Landscape

Ensemble

Jim Carrey	...	Joel Barish
Kate Winslet	...	Clementine Kruczynski
Gerry Robert Byrne	...	Train Conductor
Elijah Wood	...	Patrick
Thomas Jay Ryan	...	Frank
Mark Ruffalo	...	Stan
Jane Adams	...	Carrie
David Cross	...	Rob
Kirsten Dunst	...	Mary
Tom Wilkinson	...	Dr. Howard Mierzwiak
Ryan Whitney	...	Young Joel
Debbon Ayer	...	Joel's Mother
Amir Ali Said	...	Young Bully
Brian Price	...	Young Bully
Paulie Litt	...	Young Bully

Autre(s) titre(s):

Du soleil plein la tête (Canada: French title) [fr]
Eternal Sunshine of the Spotless Mind (France) [fr]

MPAA:

Rated R for language, some drug and sexual content.

Durée:

108 min | Turkey:95 min (TV version)

Pays:

USA

Langue:

Anglais

Couleur:

Couleur

Aspect Ratio:

1.85 : 1

Son:

DTS | Dolby Digital

Classification:

USA:R (certificate #40598) | Iceland:L | India:A | Chile:Y7 | Portugal:M/16 | South Korea:15 | Argentina:13 | Australia:M | Brazil:14 | Canada:14A (British Columbia/Ontario) | Canada:G (Québec) | Finland:K-11 | France:U | Germany:12 | Hong Kong:IIB | Netherlands:AL | New Zealand:M | Norway:11 | Peru:PT | Philippines:R-13 | Singapore:NC-16 | Spain:13 | Sweden:11 | Switzerland:10 (canton of Geneva) | Switzerland:10 (canton of Vaud) | Switzerland:16 (canton of Zurich) | UK:15

Emplacements De Pelliculage:

123 Valentine Lane, Yonkers, New York, USA

Company:

Anonymous Content

Anecdotes:

A Metro North Commuter Railroad train from the New Haven line (red striped) doubled for the Long Island Railroad (which are blue striped).

Goofs:

Continuity: In the scene where Mary first comes into Joel's apartment, Patrick and Stan had been drinking beer. At first, just before the door is opened, they are both Rolling Rock (green bottles). After she has entered, Stan's beer turns into a Labatt Blue (brown bottle).

Guillemet:

[first lines]
Joel: [voice over] random thoughts for Valentine's day, 2004. Today is a holiday invented by greeting card companies to make people feel like crap.

Movie Connections:

Referenced in Knocked Up (2007)

Soundtrack:

Concerto No. 8 in D Major, Opus 99

Interior Landscape

Of all Kaufman's screenplays that delve into the interior landscapes of its characters, Eternal Sunshine is the most fully formed and moving story of the bunch, a rumination on the possibilities and consequences inherent in making the process of removing unwanted memories from your consciousness as easy as going for a checkup. Kaufman here plays on our desire to forget the bad things that happen to us and what happens when we are given the power to forget those things permanently, and the conclusion he arrives at is that it ultimately creates as many - if not more - problems than it solves. At the very least, it can result in making the same mistakes again ("Those who ignore history are doomed to repeat it"); at the worst, it eliminates the possibility of our ever reconciling and coming to terms with our life experiences, the way we relate to the people who help to shape our lives and whose lives we shape through ours.

The film explores these ideas in a novel and engaging way: by taking the audience inside the mind of Joel Barish (Jim Carrey), a man who, after breaking up with his girlfriend Clementine Kruczynski (Kate Winslett), discovers later that she has had her memory of him wiped clean from her mind. He finds out how she had this procedure done and, despondent not only about the breakup but even more so about her having completely erased him from her mind, searches out the doctor who performed the procedure and signs up to have the same procedure done to him, so that he may also have no memory of her. He is rendered unconscious for the procedure but his subconscious is still active. Once the procedure is initiated and he becomes aware that his memories of the woman he loved - and still loves - are vanishing from his brain, he starts having second thoughts and wants the procedure stopped. His challenge then becomes to figure out how to protect as much of his memory of her as he can, and to find a way stop the procedure despite the fact that he is in an unconscious state.

The manner in which he comes to realize and confront his dilemma is played out entirely within his interior landscape, a realm which (as anyone who remembers their dreams upon waking from sleep can attest) is a very surreal extension of our day-to-day experiences. Michel Gondry's visual style and direction works exceptionally well here in conveying the slippery, chaotic unpredictability of the worlds we construct from our memories and experiences; the clever interplay between this interior world and the goings-on of the outside world helps keep the viewer off-balance just enough to illuminate the fuzzy line of demarcation separating the two worlds and the peculiar manner in which they play off one another.

Jim Carrey and Kate Winslett do an exceptional job of bringing this abstract story concept to life with characters that are endearing, poignant, believable and utterly human. The supporting players are equally impressive: Tom Wilkinson as the mind-eraser doctor, Mark Ruffalo and Elijah Wood as the technicians, Kiersten Dunst as the receptionist all have relationships to the main protagonists and to one another that come to light as the story unfolds and help to propel the plot; as friends of Joel and Clementine, David Cross and Jane Adams are hilarious as a couple who seem to be stuck in the same rut that compelled the protagonists to break up and have each other erased from their respective minds. Kaufman juggles all these relationships masterfully and in such a way as to ensure none of them are superfluous to the ideas he is trying to get across in this story.

While there are elements of the plot that seem to place this movie in the realm of science fiction, the focus of the movie stays on the interior states, emotions and relationships between the characters. As such, the film is more of a romantic comedy than anything - albeit unlike any other romantic comedy you're ever likely to see. I saw a late showing of this movie with my girlfriend the day it was released at a local multiplex and there were only 20 or so people in the theater, yet at the film's conclusion everyone broke out in a spontaneous round of applause. This gives an idea of how compelling this movie can be. If you give this film a chance to creep under your skin, you will likely find yourself reflexively thinking about your feelings toward the important people in your life, as well how you relate to those feelings, as well as your memories and how you relate to them. A thought provoking, moving and entertaining film - I can imagine that a working title of this film might have been "Warts And All."