| Photos (Voir toutes les 52 | Diaporama) | Videos (see all 13) |
| Jim Carrey | ... | Joel Barish | |
| Kate Winslet | ... | Clementine Kruczynski | |
| Gerry Robert Byrne | ... | Train Conductor | |
| Elijah Wood | ... | Patrick | |
| Thomas Jay Ryan | ... | Frank | |
| Mark Ruffalo | ... | Stan | |
| Jane Adams | ... | Carrie | |
| David Cross | ... | Rob | |
| Kirsten Dunst | ... | Mary | |
| Tom Wilkinson | ... | Dr. Howard Mierzwiak | |
| Ryan Whitney | ... | Young Joel | |
| Debbon Ayer | ... | Joel's Mother | |
| Amir Ali Said | ... | Young Bully | |
| Brian Price | ... | Young Bully | |
| Paulie Litt | ... | Young Bully | |
| Josh Flitter | ... | Young Bully | |
| Lola Daehler | ... | Young Clementine | |
| Deirdre O'Connell | ... | Hollis | |
| reste de la distribution par ordre alphabétique: | |||
| Lauren Adler | ... | Rollerblader (uncredited) | |
Réalisé par | |||
| Michel Gondry | |||
Scénaristes(WGA) | ||
| Charlie Kaufman | (story) & | |
| Michel Gondry | (story) & | |
| Pierre Bismuth | (story) | |
| Charlie Kaufman | (screenplay) | |
Produit par | |||
| Georges Bermann | .... | executive producer | |
| Anthony Bregman | .... | producer | |
| David L. Bushell | .... | executive producer (as David Bushell) | |
| Linda Fields | .... | associate producer (as Linda Fields Hill) | |
| Steve Golin | .... | producer | |
| Michael Jackman | .... | associate producer (as Michael A. Jackman) | |
| Charlie Kaufman | .... | executive producer | |
| Glenn Williamson | .... | executive producer | |
Musique originale | |||
| Jon Brion | |||
Image | |||
| Ellen Kuras | |||
Montage | |||
| Valdís Óskarsdóttir | (as Valdis Oskarsdottir) | ||
Distribution des rôles | |||
| Jeanne McCarthy | |||
Création des décors | |||
| Dan Leigh | |||
Direction artistique | |||
| David Stein | |||
Décorateur de plateau | |||
| Ron von Blomberg | |||
Création des costumes | |||
| Melissa Toth | |||
Maquillage | |||
| Michelle Johnson | .... | key hair stylist (as D. Michelle Johnson) | |
| Peter Owen | .... | wig maker | |
| Kyra Panchenko | .... | key makeup artist | |
| Francesca Paris | .... | hair stylist: Mr. Carrey | |
| Noriko Watanabe | .... | hair stylist: Ms. Winslet | |
| Noriko Watanabe | .... | makeup artist: Ms. Winslet | |
| Allen Weisinger | .... | makeup artist: Mr. Carrey | |
| Rose Chatterton | .... | hair stylist (uncredited) | |
| Nicki Ledermann | .... | additional makeup artist (uncredited) | |
| Evelyne Noraz | .... | additional key makeup artist (uncredited) | |
Directeur de production | |||
| Ray Angelic | .... | assistant unit production manager | |
| David L. Bushell | .... | unit production manager (as David Bushell) | |
| Michael Jackman | .... | post-production supervisor (as Michael A. Jackman) | |
| Jeff Roth | .... | executive in charge of post-production | |
Assistant réalisateur | |||
| Scott Ferguson | .... | second assistant director | |
| Michael Hausman | .... | first assistant director | |
| Peter Thorell | .... | second second assistant director | |
| Noelle Stehman | .... | additional second assistant director (uncredited) | |
| Adam T. Weisinger | .... | additional second assistant director (uncredited) | |
Département Art | |||
| Liz Bonaventura | .... | scenic artist (as Elizabeth Bonaventura) | |
| James Boniece | .... | key construction grip | |
| Garp Brown | .... | scenic artist (as Garf Brown) | |
| Brian Buteau | .... | set dresser | |
| Ruth Deleon | .... | on-set dresser (as Ruth A. DeLeon) | |
| Paul George Divone | .... | shop craftsman | |
| James Donahue | .... | scenic artist | |
| Natalie N. Dorset | .... | assistant set decorator | |
| David Scott Gagnon | .... | set dresser (as D. Scott Gagnon) | |
| Emily Gaunt | .... | scenic artist | |
| Jonathan Graham | .... | key construction grip | |
| Roman Greller | .... | set dresser | |
| Anne Beiser Haywood | .... | charge scenic artist | |
| Brent Haywood | .... | construction coordinator | |
| James Hoff | .... | camera scenic artist (as Hollis James Hoff) | |
| Miguel Jimenez | .... | key construction electric | |
| Roberto Jiménez | .... | key construction electric (as Roberto Jiminez) | |
| Hinju Kim | .... | assistant art director | |
| Zbigniew 'Ziggy' Kouros | .... | key construction grip (as Zbigniew Kouros) | |
| Julius Kozlowski | .... | scenic artist | |
| Gordon Krause | .... | key shop craftsman | |
| Kevin Ladson | .... | property master | |
| Mark Lane-Davies | .... | scenic artist | |
| Michael Leather | .... | leadperson (as Mike Leather) | |
| Addy McClelland | .... | art department coordinator | |
| Mike Melchiove | .... | shop craftsman | |
| Nick Miller | .... | construction coordinator (as Nicholas R. Miller) | |
| Ronald Miller | .... | shop craftsman | |
| Scott P. Murphy | .... | assistant art director | |
| Morgan Pitts | .... | props | |
| Paul Proch | .... | creator: Joel's Sketchbook | |
| Sean Robinson | .... | key shop craftsman | |
| John Roche | .... | set dresser | |
| Sam Z. Rogers | .... | shop scenic | |
| R. Vincent Smith | .... | assistant property master | |
| Patricia Sprott | .... | scenic foreman | |
| Robert Vaccariello | .... | foreman shop craftsman (as Robert A. Vaccariello) | |
| Andrew M. Velechenko | .... | shop craftsman (as Andrew M. Velenchenko) | |
| Eric Bryant | .... | art department assistant (uncredited) | |
| Jeffrey Rollins | .... | set dresser (uncredited) | |
| Ray Tintori | .... | art department intern (uncredited) | |
Effets spéciaux | |||
| Mark Bero | .... | special effects | |
| Brent Ekstrand | .... | lead animator | |
| Drew Jiritano | .... | special effects coordinator | |
| Thomas Viviano | .... | special effects (as Thomas L. Viviano) | |
Visual Effects | |||
| Tricia Barrett | .... | digital compositor: Custom Film Effects | |
| Ryan Beadle | .... | digital I/O: Custom Film Effects | |
| Steve Caldwell | .... | digital compositor: Custom Film Effects | |
| Mark Dornfeld | .... | visual effects supervisor: Custom Film Effects | |
| Michael Eaves | .... | digital color timer: efilm (as Mike Eaves) | |
| Michele Ferrone | .... | producer: visual effects, Custom Film Effects | |
| Martin Garner | .... | computer graphics supervisor | |
| Adam Gass | .... | digital editorial: Custom Film Effects | |
| R.J. Harbour | .... | digital compositor: Custom Film Effects | |
| Shaina Holmes | .... | digital compositor: Custom Film Effects | |
| Ara Khanikian | .... | Flame artist: Buzz Image Group | |
| Ara Khanikian | .... | Inferno artist: Buzz Image Group | |
| Alexandre Lafortune | .... | 3d animator: Buzz Image Group | |
| Alexandre Lafortune | .... | digital effects artist | |
| Melanie La Rue | .... | visual effects coordinator: Buzz Image Group (as Mélanie Larue) | |
| Pierre-Simon Lebrun-Chaput | .... | matte painter: Buzz Image Group | |
| Stéphane Loiselle | .... | visual effects coordinator: Buzz Image Group | |
| François Lord | .... | 3d animator: Buzz Image Group | |
| Francois Metivier | .... | senior Inferno artist: Buzz Image Group (as François Métivier) | |
| Lori C. Miller | .... | digital compositor: Custom Film Effects (as Lori Miller) | |
| Louis Morin | .... | visual effects supervisor: Buzz Image Group | |
| Martin Pelletier | .... | 3d animator: Buzz Image Group | |
| Laurie Powers | .... | digital supervisor: Custom Film Effects | |
| Glenn Silver | .... | 3d animator: Buzz Image Group | |
| David Smithson | .... | data wrangler: Custom Film Effects | |
| Mary C. Snyder | .... | digital compositor: Custom Film Effects (as Mary C. Hoffer) | |
| Gabriel Tremblay-Beauvais | .... | 3d animator: Buzz Image Group (as Gabriel Tremblay) | |
| Robin Tremblay | .... | lead matte painter: Buzz Image Group | |
| Amani Williams | .... | digital compositor: Custom Film Effects | |
| Derek Bird | .... | digital compositor (uncredited) | |
| Dennis Dorney | .... | digital lineup (uncredited) | |
| Pam Kray | .... | 16mm projectionist (uncredited) | |
| Kevin Lin | .... | digital cleanup artist (uncredited) | |
| Thomas Mathai | .... | data manager (uncredited) | |
| Mark Sawicki | .... | effects photography (uncredited) | |
Cascadeur | |||
| Danny Aiello III | .... | stunts | |
| Bill Anagnos | .... | stunts (as Billy Anagnos) | |
| E.J. Evans | .... | stunts | |
| John R. Favre | .... | stunts (as John Favre) | |
| Stephanie Finochio | .... | stunts | |
| Cort Hessler | .... | stunt driver (as Cort Hessler III) | |
| Artie Malesci | .... | stunts | |
| Pee Wee Piemonte | .... | stunts | |
| Stephen A. Pope | .... | stunts (as Stephen Pope) | |
| Michael Russo | .... | stunts (as Mike Russo) | |
| Brian Smyj | .... | stunt coordinator | |
Département Casting | |||
| Blythe Cappello | .... | casting: Los Angeles | |
| Linda R. Chen | .... | casting assistant: New York (as Linda Chen) | |
| Natasha Cuba | .... | casting associate | |
| Sage Lehman | .... | casting assistant: New York | |
| Kristian Sorge | .... | extras casting assistant | |
| John Srednicki | .... | casting assistant: Los Angeles | |
| Grant Wilfley | .... | extras casting | |
Département Costume et garde-Robe | |||
| Hilary Basing | .... | production assistant: costume department (intern) | |
| Cara Czekanski | .... | additional costumer | |
| Lisa R. Frucht | .... | wardrobe supervisor (as Lisa Frucht) | |
| Jill Kliber | .... | assistant costume designer | |
| Colleen Morris | .... | tailor | |
| David Page | .... | costumer: Mr. Carrey | |
| Laura Steinman | .... | costume dyer/distresser | |
| Deirdre N. Williams | .... | wardrobe supervisor | |
Dpartement Editorial | |||
| Kenny Becker | .... | deluxe color timer | |
| Angela Beresford | .... | post-production assistant | |
| James Haygood | .... | additional editor | |
| David A. Smith | .... | assistant editor | |
| Jeffrey M. Werner | .... | additional editor | |
| Katrina Whalen | .... | post-production assistant | |
| Paul Zucker | .... | additional editor | |
| Jack Lewars | .... | assistant color timer: Efilm (uncredited) | |
| Martha Pike | .... | digital intermediate editor (uncredited) | |
| Jeff Schweikart | .... | post-production assistant (uncredited) | |
Département Musique | |||
| Steve Bartek | .... | orchestrator | |
| Christine Bergren | .... | music legal and clearance | |
| Tom Biller | .... | music recordist | |
| Dana Bourke | .... | additional music engineer | |
| Jon Brion | .... | conductor | |
| Jon Brion | .... | music producer | |
| Tass Filipos | .... | music editor (as Anastassios Filipos) | |
| Peter Gordon | .... | orchestrator | |
| Jason Gossman | .... | additional music engineer | |
| Chris Holmes | .... | additional music engineer | |
| Kathy Nelson | .... | music guru | |
| Jen Pray | .... | music consultant (as Jennifer Pray) | |
| Robert Puff | .... | music preparation | |
| Steven Rhodes | .... | additional music engineer | |
| Reed Ruddy | .... | additional music engineer | |
| Edgardo Simone | .... | orchestrator | |
| Patrick Spain | .... | additional music engineer | |
| Nick Vidar | .... | music programmer | |
| Greg Hamilton | .... | additional music preparer (uncredited) | |
| Nick Vidar | .... | music editor (uncredited) | |
Divers | |||
| Stefanie Azpiazu | .... | assistant: Mr. Bregman | |
| Nicholas R. Bell | .... | production assistant (as Nick Bell) | |
| Fred Berger | .... | intern | |
| Dotan Bonen | .... | security: Mr. Carrey | |
| Christian Brockey | .... | assistant production coordinator | |
| Bobb Bruno | .... | assistant: Jon Brion | |
| Brian Cantaldi | .... | first assistant accountant | |
| David Catalano | .... | production assistant | |
| Linda R. Chen | .... | intern (as Linda Chen) | |
| Ben Conable | .... | production assistant (as Benjamin Conable) | |
| Mary Cybulski | .... | script supervisor | |
| Robert Darwell | .... | attorney | |
| Liesl Davis | .... | intern (as Liesel Elain Davis) | |
| Philip DeRise | .... | production secretary | |
| Stephanie DeTiege | .... | assistant: Mr. Carrey | |
| Kat Donahue | .... | location assistant | |
| Maureen Duffy | .... | completion guarantor | |
| Tracy Ershow | .... | production assistant | |
| Kathleen Fellegara | .... | on-set medic (as Kathy Fellegara) | |
| Rich Fellegara | .... | on-set medic | |
| Frances Fiore | .... | unit publicist | |
| Noah Fox | .... | production assistant | |
| Andrew Goodman | .... | production assistant | |
| Kristy Hamer | .... | accounting assistant | |
| Amro Hamzawi | .... | assistant: Mr. Gondry | |
| Susan Hegarty | .... | dialect coach: Ms. Winslet | |
| Arthur Hur | .... | assistant: Michel Gondry | |
| Lindsey Jaffin | .... | office production assistant | |
| Cynthia Kao | .... | production assistant | |
| Kate Karbowniczek | .... | production assistant | |
| Erica Kay | .... | production coordinator | |
| Matthew G. King | .... | production assistant | |
| David Koch | .... | production assistant | |
| Sage Lehman | .... | intern | |
| Chris Marsh | .... | assistant location manager (as Christopher Marsh) | |
| Patrick McDonald | .... | key set production assistant | |
| Hillary Meyer | .... | payroll accountant (as Hillary R. Meyer) | |
| Valerie Nolan | .... | intern | |
| Alison Norod | .... | production assistant | |
| Oona Overholtzer | .... | assistant: Mr. Kaufman | |
| Derek Pastures | .... | parking coordinator | |
| Currie Person | .... | location assistant | |
| Michal Podell | .... | attorney | |
| Ruth Pollock | .... | assistant: Ms. Winslet (as Ruth Pollack) | |
| Chris Prapha | .... | assistant: Mr. Golin | |
| Gary S. Rake | .... | production assistant | |
| Adrian Scartascini | .... | assistant: Mr. Gondry | |
| Jeff Schlesinger | .... | assistant: Mr. Bushell | |
| Paula Schmit | .... | completion guarantor | |
| Eugy Septimo | .... | intern | |
| Talley Singer | .... | second assistant: Mr. Carrey (as Taylor Singer) | |
| Debbie Stampfle | .... | production assistant | |
| Greg Trattner | .... | completion guarantor (as Gregory Trattner) | |
| Daniel Tresca | .... | location assistant (as Dan Tresca) | |
| Gayle Vangrofsky | .... | location manager | |
| Andy Wheeler | .... | production accountant | |
| Alex Zoppa | .... | intern | |
| Andrew Zoppa | .... | intern | |
| Zach Zoppa | .... | intern | |
| Dylan Gallagher | .... | photo double: Jim Carrey (uncredited) | |
| Amber Gristak | .... | stand-in: Kate Winslet (uncredited) | |
| Kristen Marie Holly | .... | stand-in: Kirsten Dunst (uncredited) | |
| Matthew Makar | .... | production assistant (uncredited) | |
| Cyril Merle | .... | assistant: Michel Gondry (uncredited) | |
| Tony Muro | .... | publicist (uncredited) | |
| Jimmy Price | .... | location scout (uncredited) | |
| Jennifer Skyler | .... | stand-in: Kate Winslet (uncredited) | |
| Jeremiah Zazueta | .... | production assistant (uncredited) | |
Merci | |||
| Mario Badescu | .... | thanks | |
| Karen Baird | .... | special thanks | |
| Ted Baker | .... | thanks | |
| Heidi Bivens | .... | special thanks | |
| Gerry Robert Byrne | .... | special thanks | |
| Anne Carey | .... | special thanks | |
| Kevin Dillon | .... | special thanks | |
| Paul Dorf | .... | thanks | |
| Cyril Drabinsky | .... | special thanks | |
| John Fluevog | .... | thanks | |
| Julie Fong | .... | special thanks | |
| Paul Frank | .... | thanks | |
| Dr. Hauschka | .... | thanks | |
| Ted Hope | .... | special thanks | |
| Betsey Johnson | .... | thanks | |
| Will Keenan | .... | special thanks | |
| Laura Kightlinger | .... | special thanks | |
| Drew Kunin | .... | special thanks | |
| J.F. Lazartigue | .... | thanks | |
| Steve Madden | .... | thanks | |
| Laura Madrigano | .... | thanks | |
| Nicole Miller | .... | thanks | |
| Susan E. Morse | .... | special thanks (as Susan Morse) | |
| Thomas Pink | .... | thanks | |
| Ellen Pompeo | .... | special thanks | |
| Victor Rasuk | .... | special thanks | |
| Amy Rosen | .... | special thanks | |
| Leon Silverman | .... | special thanks | |
| Doctor Gwenn Smith | .... | thanks: Long Island Jewish Medical Center | |
| John Srednicki | .... | special thanks | |
| Diana Victor | .... | special thanks | |
| Karen Walker | .... | thanks | |
| The Zacks | .... | special thanks | |
|
|
|
|
|
| The Howling | Titanic | Before Sunrise | The Chronicles of Narnia: The Lion, the Witch and the Wardrobe | Basic Instinct |
|
IMDb Note Générale:
|
IMDb Note Générale:
|
IMDb Note Générale:
|
IMDb Note Générale:
|
IMDb Note Générale:
|
| Casting et équipe complète | Remerciements de la Société | Revues externes |
| Films du Top 250 IMDb | IMDb Drame section | IMDb USA section |
| Add this title to MyMovies |
It happens to both the best and worst of us at some time in our lives. Love . If you haven't experienced this yet just wait, you will. It is inevitable that at some time in our journey through life that we will come across someone that fascinates us so profoundly that we feel as though we could spend the rest of our lives with this magnetic individual. There is no exact science to the concept of love. Many believe that the idea of love goes beyond the reasonable or the logical to a more diverse level of the illogical, irrational, and the unreasonable. Why is it that we find ourselves attracted to people that, on the surface, seem as though they would never be compatible with our own lifestyle? Why is it that when we do fall in love with a certain individual and think at first that this is a perfect match, we find over time that less tolerable marks are more frequent on the surface? And why is it that we overlook some individuals that, although at first there is no real 'love connection' per say, we seem to have a somewhat pure liking for someone and that it takes us longer then it should to see that person for who they really are to us? Love is a complicated subject that can't be taught, it can only be experienced for what it is . utterly confusing and yet at the same time completely fulfilling.
The story is a twisted and complicated tale from the same man who brought movie-going audiences such award-savvy features as Being John Malkovich and Adaptation. Joel Barish seems like the average, normal guy who stays pretty isolated from communicating his true feelings to others and yet reveals spectacular insight only to the confines of his journal. He doesn't like going on impulses and gut feelings but rather relies more on common sense and the logical sense of self-direction. That is until he meets Clementine. They flirt with each other and eventually find themselves falling in love with one another . That is until one day Joel finds out that Clementine has undergone a radical procedure to have him erased from her memory because she was unhappy. So, in an act of self-gratification, Joel decides to undergo the procedure himself, erasing every argument, every embarrassment, every thought he has had involving Clementine. But as the procedure goes on, Joel begins to realize that beyond the quarrels and the less flattering incidents there were beautiful memories that he never wants to forget. So he does the unthinkable . Joel attempts to outrun the erasers through a dizzying chase through his mind. The story for Eternal Sunshine of the Spotless Mind is hauntingly brilliant and, in some cases, personally gratifying. The concepts and the feelings expressed behind the script of this film hit so hard to home that it feels as though we our seeing our own love lives played out on screen. Granted Sunshine does tend to veer off into the ridiculously absurd but when evaluating what one takes away from this film, it is pure genius.
Quite amazingly this low budgeted independent feature showcases a surprising amount of A-list talent but manages to have those performers express well beyond their famous names. Jim Carrey, who has unsuccessfully attempted to make a mark in drama with lead performances in Man on the Moon and The Majestic, gives a thoroughly convincing and commanding performance in the role of Joel Barish. And Carrey's performance is only complimented by his interaction with Kate Winslet, who acts opposite of him as Clementine. Though the two give dramatically different personas to their characters and look as if they would never be quite compatible with each other based on surface actions, which is the idea the filmmakers are trying to express. It's not what is right in front of us that should define a relationship; it is the memories themselves and the experiences of the two individuals. Elijah Wood, in his first role outside the Lord of the Rings franchise which recently wrapped up in December, gives an effective performance as a man one can't help but despise for his methods of obtaining someone's affection but at the same time feel pity for his plight, which is that he feels love eludes him. And Kirsten Dunst performs well within the film despite her appearance that protrudes a sense of innocence that feels off-base or awkward that distracts from the actions of her character. Not to say that she doesn't perform well or that the character is a pointless one, not in the least, but perhaps it is the fact that her innocence, based on her name and the characters she has played, carries a stigma with her role.
Overall, Sunshine, as awkward and thoroughly confusing at it may seem and is, manages to express, in the most informal of ways, the feelings and thoughts we should all have when examining a relationship, in that it is not the superficial features but the underlining memories that make it all worth while. When a relationship hits that unfortunate moment where it all seems to be breaking down, we, as human beings, seem to instantly draw ourselves to the negative aspects of that person, as Joel did early in the procedure, in an attempt of sorts to make everything right within our mind. What Eternal Sunshine successfully expresses is that when breaking down the relationship moment by moment, more often then not the happier events outweigh the bad and that should be our determining factor to keep the relationship going. Too many moments are wasted on gut-instincts and logic, when it comes to love one must live every moment for what it is because we only have one shot in this world and we might as well make it worthwhile. What happens if that relationship doesn't work? You pick yourself up, let the relationship go, and, in time, move on. If you try your best and nothing seems to work in that relationship then perhaps it will never work and you shouldn't play out a fantasy that you know will never be. We have all experienced moments where we feel as though there is opportunity to ask someone out or express how one feels for a certain individual but have chickened out due to nerves, 'gut-instincts', or views of superficial matters. Eternal Sunshine promotes the ideology of living within the present and letting the course of the matter play out as it may. If we all relied on nerves and logic, would anyone really fall in love?