| Photos (see all 24 | slideshow) | Videos (see all 3) |
| Sat. July 11 | 3:00 PM | USA |
Réalisé par | |||
| Florent Emilio Siri | (as Florent Siri) | ||
Scénaristes(WGA) | ||
| Robert Crais | (novel) | |
| Doug Richardson | (screenplay) | |
Produit par | |||
| Susanne Bohnet | .... | co-producer | |
| Stephen J. Eads | .... | associate producer (as Stephen Eads) | |
| Mark Gordon | .... | producer | |
| Manfred D. Heid | .... | co-producer (as Manfred Heid) | |
| Hawk Koch | .... | executive producer | |
| Gerd Koechlin | .... | co-producer | |
| Josef Lautenschlager | .... | executive producer | |
| Arnold Rifkin | .... | producer | |
| Josef Steinberger | .... | co-producer | |
| Andreas Thiesmeyer | .... | executive producer | |
| David J. Wally | .... | executive producer (as David Wally) | |
| Bruce Willis | .... | producer | |
| David Willis | .... | co-producer | |
| Bob Yari | .... | producer | |
Musique originale | |||
| Alexandre Desplat | |||
Image | |||
| Giovanni Fiore Coltellacci | |||
Montage | |||
| Richard Byard | |||
| Olivier Gajan | |||
Distribution des rôles | |||
| Scot Boland | |||
| Victoria Burrows | |||
Création des décors | |||
| Larry Fulton | |||
Direction artistique | |||
| Keith P. Cunningham | |||
Décorateur de plateau | |||
| Cindy Carr | |||
Création des costumes | |||
| Elisabetta Beraldo | |||
Maquillage | |||
| Katalin Elek | .... | makeup artist: second unit | |
| Zoltan Elek | .... | assistant makeup artist | |
| Annette M. Jones | .... | hair stylist: second unit | |
| Erma Kent | .... | assistant hair stylist | |
| Gerald Quist | .... | key makeup artist | |
| Kenneth Walker | .... | key hair stylist | |
Directeur de production | |||
| Lynn Andrews | .... | production supervisor | |
| Brad Goodman | .... | post-production supervisor (as Bradley M. Goodman) | |
| Robert Katz | .... | executive in charge of production | |
| Hawk Koch | .... | unit production manager | |
| John Portnoy | .... | post-production executive | |
Assistant réalisateur | |||
| William H. Burton | .... | second unit director (as Billy Burton) | |
| Dieter 'Dietman' Busch | .... | second assistant director (as Dieter Busch) | |
| Mark Carter | .... | second second assistant director | |
| Mark Cotone | .... | first assistant director | |
| Mathew Dunne | .... | first assistant director: second unit | |
| David Kelley | .... | second assistant director: second unit | |
| Brandon Lambdin | .... | second second assistant director: second unit (as Brandon W. Lambdin) | |
| Kelly Stevens | .... | dga trainee | |
Art Department | |||
| Gregory P. Alcus | .... | on-set dresser | |
| Ron Ashmore | .... | paint supervisor | |
| Jennifer Blair | .... | art department coordinator | |
| Peggy Casey | .... | lead buyer | |
| Kevin Cross | .... | set designer | |
| Perry E. Ellis | .... | second gang boss/swing gang | |
| Joe Elvington | .... | set laborer | |
| Tim Fassino | .... | set dresser | |
| Luke Freeborn | .... | set designer | |
| Lance Gunnin | .... | general foreman | |
| Steve A. Hagberg | .... | construction coordinator | |
| Sarah Harwich | .... | construction purchaser | |
| Bill 'Kauhane' Hoyt | .... | stand-by painter | |
| Sean Lyons | .... | stand-by painter: second unit | |
| C.J. Maguire | .... | property master | |
| Bryan McBrien | .... | greens foreman | |
| Steven O'Bannon | .... | hod carrier | |
| Nick Papac | .... | assistant property master | |
| Tyler Patton | .... | gang boss | |
| Rick Polikowski | .... | propmaker | |
| Edmond Scott Ratliff | .... | set dresser | |
| Rudy Reachi | .... | assistant property master | |
| Shane Reed | .... | leadman | |
| Karen Teneyck | .... | graphic designer | |
| Todd Wolcott | .... | stand-by greensman | |
| Tony Wright | .... | labor foreman | |
| Michael A. Casey | .... | set dresser (uncredited) | |
Effets spéciaux | |||
| Larz Anderson | .... | special effects coordinator | |
| Chad Baalbergen | .... | special effects | |
| Gary D. Bierend | .... | special effects | |
| Laurent Brett | .... | title designer | |
| Mike Edmonson | .... | on-set special effects coordinator | |
| Jeff Miller | .... | special effects | |
Visual Effects | |||
| Eric Algren | .... | Flame artist | |
| Baptiste Andrieux | .... | visual effects producer | |
| Tim Bird | .... | Inferno artist | |
| Matthew W. Brucell | .... | computer effects | |
| Amanda Burton | .... | digital artist | |
| A.J. Calomay | .... | assistant digital effects artist | |
| Jean-Marc Demmer | .... | lead Inferno artist | |
| Del DePierro | .... | visual effects match mover | |
| Feliciano di Giorgio | .... | visual effects supervisor: Creo Collective (as Feli di Giorgio) | |
| Erin Hicke | .... | visual effects coordinator | |
| Wensen Ho | .... | digital compositor | |
| Michael Johnson | .... | digital effects artist | |
| Kurt Lawson | .... | digital artist | |
| Andy Lesniak | .... | computer graphics supervisor | |
| Yann Mallard | .... | digital effects artist | |
| Ariel Oclarino | .... | senior systems administrator | |
| Steven Schmidt | .... | visual effects coordinator (as Steve Schmidt) | |
| Haure Sebastien | .... | senior modeler | |
| Brad Sutton | .... | digital restoration | |
| Wilson Tang | .... | digital restoration | |
| Cecile Tecson | .... | digital artist | |
| Mike Tosti | .... | production technology | |
Cascadeur | |||
| James Ashley | .... | additional stunt double: Bruce Willis | |
| Joey Box | .... | stunts | |
| Ben Bray | .... | stunts | |
| Logan Brown | .... | stunts | |
| Bobby Burns | .... | stunts | |
| Heather Burton | .... | stunts | |
| William H. Burton | .... | stunt coordinator (as Billy Burton) | |
| William H. Burton | .... | stunts | |
| Jack Carpenter | .... | stunts | |
| Mark Chadwick | .... | stunts (as Mark 'Lucky' Chadwick) | |
| Danny Downey | .... | stunt double | |
| Danny Downey | .... | stunts | |
| Dane Farwell | .... | stunts | |
| Cory Fleming | .... | utility stunts | |
| Conrade Gamble | .... | stunts | |
| Dale Gibson | .... | stunts | |
| Kanin Howell | .... | stunts | |
| Clint Kale Jones | .... | stunts | |
| Al Leong | .... | stunts | |
| Jack Lucarelli | .... | stunts | |
| Cliff McLaughlin | .... | stunts | |
| John Meier | .... | stunts (as John C. Meier) | |
| Austin Priester | .... | stunts | |
| Larry Rippenkroeger | .... | stunt double: Bruce Willis | |
| Gunter Simon | .... | additional stunt double: Mr. Willis | |
| Sven-Ole Thorsen | .... | stunts | |
Casting Department | |||
| Amanda S. Burns | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Roberta Bilé | .... | costumer | |
| Faye Sevilla | .... | key costumer | |
| Lori Stilson | .... | costumer: Mr. Willis | |
Editorial Department | |||
| Ron Barr | .... | digital intermediate editor | |
| Jill Bogdanowicz | .... | digital intermediate colorist | |
| Asim Matin | .... | associate editor | |
| Julia Nessling-Douglas | .... | digital intermediate producer | |
| Mark Sahagun | .... | digital intermediate assistant | |
| Stephen R. Sheridan | .... | color timer | |
| Mark Vandermeulen | .... | apprentice editor | |
Music Department | |||
| Cyrille Aufort | .... | additional orchestrator | |
| Alexandre Desplat | .... | conductor | |
| Alexandre Desplat | .... | orchestrator | |
| Richard Glasser | .... | music supervisor | |
| Gerard McCann | .... | scoring music editor | |
| Stephen McLaughlin | .... | score engineer | |
| Guy-Paul Romby | .... | music preparation | |
| Jim Schultz | .... | music editor | |
| Norbert Vergonjeanne | .... | music preparation | |
Transportation Department | |||
| Bart Allsup | .... | co-transportation captain | |
| Shawn Coulter | .... | driver | |
| Manny Demello | .... | transportation captain | |
| J. Armin Garza II | .... | driver: camera car | |
| Hugh Kelly | .... | driver | |
| Michael A. Moreno | .... | driver | |
Divers | |||
| Crisoforo Aguilar | .... | key set production assistant | |
| Damien Alexander | .... | stand-in: Jonathan Tucker | |
| Asia Argento | .... | acting coach | |
| Bruce Benson | .... | pilot | |
| Laurent Brett | .... | title designer: main titles | |
| Stephen Bridgewater | .... | drama coach | |
| Damon E. Burke | .... | production assistant | |
| Kevin A. Canamar | .... | construction medic | |
| Dominique Carrara | .... | special visual consultant | |
| Elsie Choi | .... | assistant: Mr. Rifkin | |
| Jennifer Clark | .... | second assistant accountant | |
| Conor Copeland | .... | assistant: Mr. Gordon | |
| Tom Dames | .... | assistant accountant | |
| Jason Douglas | .... | production assistant | |
| Virginie Drouot | .... | assistant: Mr. Siri | |
| Erin Eggers | .... | production executive | |
| Vincent Joseph Flaherty | .... | armorer: second unit | |
| Cliff Fleming | .... | aerial coordinator | |
| Cory Fleming | .... | pilot (as Corey Fleming) | |
| Stacy Foot | .... | assistant production coordinator | |
| Kelli Gillam | .... | post-production accountant | |
| Eric Glasser | .... | set production assistant | |
| Suraj Gohill | .... | production lender: Comerica Bank | |
| Rick Gold | .... | assistant: Neil Sacker | |
| Katherine Gourley | .... | accounting clerk | |
| Andrea Hanson | .... | assistant: Mr. Yari | |
| Michael J. Harker | .... | completion bond company representative | |
| David Henri | .... | computer/video playback coordinator | |
| Matthew Hirsch | .... | production coordinator | |
| Craig Hosking | .... | pilot | |
| Jason Inman | .... | set medic | |
| Judith Jennings | .... | studio teacher | |
| Kristopher Kyer | .... | acting coach | |
| Stevie Lazo | .... | production accountant | |
| Lindsey Liberatore | .... | assistant: Mr. Gordon | |
| Michael J. Linowes | .... | legal counsel | |
| James Linville | .... | first assistant accountant | |
| Jonas C. Matz | .... | production medic | |
| Jonas C. Matz | .... | set medic | |
| Eddie Michaels | .... | unit publicist | |
| Ryan Miningham | .... | production assistant | |
| Matthew Morrissey | .... | playback supervisor | |
| Jillian Neal | .... | assistant: Mr. D. Willis | |
| Stevie Nelson | .... | key assistant location manager | |
| Mark Palmer | .... | craft service | |
| Michael Papac | .... | armorer | |
| Michael M. Piehler | .... | production secretary | |
| Sarah Platt | .... | assistant: Mr. Koch | |
| R. Scott Poole | .... | location manager | |
| Rick Poyner | .... | key assistant location manager | |
| Liz Probst | .... | lead payroll accountant | |
| Errol Reichow | .... | location scout | |
| Stephen Richards | .... | production assistant | |
| Robert Rizzolo | .... | production assistant | |
| Todd Shotz | .... | assistant: Mr. Wally | |
| Rick Shuster | .... | pilot | |
| Robert Sica | .... | assistant armorer | |
| Mollie Stallman | .... | key production assistant: second unit | |
| Janna Stern | .... | script supervisor | |
| Oliver Streuli | .... | production assistant | |
| Shelly Strong | .... | production executive | |
| Daniel Stutz | .... | business and legal affairs executive | |
| J. Wesley Tillman | .... | fixtures technician | |
| Melissa Verdugo | .... | stand-in | |
| Ian Watermeier | .... | staff coordinator | |
| Louise Weber | .... | assistant: Mr. Willis | |
| Peter Weireter | .... | police technical advisor | |
| Deborah Wettstein | .... | finance executive | |
| Chris Winn | .... | craft service | |
| Jeff Winn | .... | craft service | |
| Catherine Zappa | .... | assistant: Daniel Stutz and Meredith Grindlinger | |
| Kim Thio | .... | location medic (uncredited) | |
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| Full cast and crew | Company credits | External reviews |
| IMDb Action section | IMDb USA section | Add this title to MyMovies |
Tense. Engrossing. Gripping from start to finish. All words to describe a conversation with Johnny Betts. But they also adequately describe Bruce Willis' latest movie Hostage. The movie could also be referred to as Redemption because that's definitely what you'll see this as if you have been disappointed with Bruce's recent efforts.
However, I would recommend that you not go into the movie expecting a Die Hard clone. Hostage sacrifices heavy action and humor for a darker, more character-driven tale, and it works. THIS is how a thriller should be! Things start off on an intense note as we see a grizzled-looking Bruce Willis attempting to negotiate with a psycho who has locked himself and his family in their house. He's got a gun, and he's clearly not right in the head. I will not reveal what happens, but flash forward a year later and having burnt himself out in the negotiation business, Willis is now a police chief in a smaller town. You think he'll be called on to use his negotiation skills again? If you say "no" then please let me slap you upon the cheek.
The thrills only intensify from there once the trailer park trio takes Kevin Pollack's family hostage. I really like the fact that we have two sets of bad guys here. There are the white collar criminals who remain faceless, yet ruthless in their desire to get what they want. Then there are the blue collar boys who make a stupid mistake and get in way over their heads.
I also appreciate the fact that the blue collar bad boys aren't one-dimensional. Jonathan Tucker plays the older brother (Dennis Kelly), and he does a great job of making his character somewhat sympathetic. He's a small-time wannabe tough guy who gets himself in a very bad situation that only escalates as the movie progresses. As the situation worsens, we see that Dennis regrets what he's done. He obviously wants to be anywhere else at the moment. He's scared, but he continues to try to talk tough. He's reaping the consequences of falling in with the likes of Mars.
Mars, portrayed by the show-stealing Ben Foster, is a long-haired, black clothes-wearing troublemaker. His back story is completely a mystery at the beginning, but we deliberately begin to see that he may not be quite as sympathetic as the others. Is he pure evil? Cold-blooded? Misunderstood? Regretful? Revealing anything would be a disservice to your viewing enjoyment, so I'm not saying anymore except that the character is very well-developed.
I know it's only March, but other than Million Dollar Baby, Hostage is the best movie I've seen this year. If you want a fun, suspenseful night at the movies then ignore the critics whining and moaning about clichés and improbabilities and go check out Hostage. I love the irony in the fact that half of the negative reviews on Rottentomatoes complain about the clichés in the movie. Wow, at least THAT complaint isn't cliché or anything. Try a little originality yourself.
Some of these critics like to go to Wal-Mart before a movie like this and purchase the biggest, most industrial strength Nitpicker they can find. You didn't know that was an actual tool? Oh yes. They're owned by every single uptight critic who white-knuckle clenches his Movie Snobbery PhD degree at all action and thriller movies. Don't listen to 'em. Hostage is a movie for movie fans, not movie elitists.
THE GIST Are you in the mood for a dark, intense, edge-of-your seat thriller? Then Hostage will most certainly entertain. If you're the type of moviegoer who only knows how to complain about clichés and coincidences then I'm sure you'll do the same here. I recommend loosening up and enjoying life a little.
Rating: 4.5 (out of 5)