Directed by
Brad Peyton |
Writing Credits (in alphabetical order)
Lee Hoverd | ... | (co-writer: narration) |
Brad Peyton |
Cast (in credits order)
Nadia Litz | ... | Evelyn | |
Joshua Close | ... | Devin | |
Heidi Ford | ... | Rich Girl 1 | |
Sarah Kanter | ... | Rich Girl 2 (as Sahrah Kanter) | |
Sunday Muse | ... | Rich Girl 3 | |
Maurice Dean Wint | ... | The narrator |
Produced by
James Mauro | ... | producer (as Jim Mauro) |
Music by
Philip Stanger |
Cinematography by
Dylan Macleod | ... | (as Dylan MacLeod) |
Editing by
Kathy Weinkauf |
Casting By
Marissa Richmond |
Production Design by
Lyne Wagner |
Set Decoration by
Robert Steele |
Costume Design by
Heather Goodchild |
Makeup Department
Derrick Dea | ... | hair department head |
Derrik Dea | ... | key hair stylist |
Silvie Esteves | ... | assistant makeup artist (as Silvie C. Esteves) |
Diana Iliescu | ... | assistant makeup artist |
Debra Johnson | ... | hair consultant |
Mary Monforte | ... | makeup designer |
Hellen Park | ... | assistant makeup artist |
Production Management
James Mauro | ... | production manager |
John Nadalin | ... | assistant production manager |
Second Unit Director or Assistant Director
Jamie Estrada | ... | third assistant director |
Meshach Lavender | ... | second assistant director |
Jesse Majerczyk | ... | third assistant director |
Stuart Williams | ... | first assistant director |
Art Department
Joanne Alfonsi | ... | painter |
Karl Crosby | ... | head carpenter |
David Elliott | ... | on-set dresser |
Alain Goraguer | ... | property master (as Paul Vernon) |
Habib Hooshiarian | ... | painter |
Al McFeeters | ... | stand-by carpenter |
Ian McInnes | ... | carpenter |
Naomi McQuade | ... | set dresser (as Naiomi McQuade) |
Katherine Miller | ... | set dresser |
Joe Mohos | ... | assistant property master |
Yassara Monteleone | ... | model maker |
Glen Smith | ... | construction coordinator |
Lucy Smith | ... | set dresser |
Pam Staples | ... | painter |
Polly-Jean Vernon | ... | property master (as Paul Vernon) |
Jennifer Wardle | ... | key scenic artist (as Jen Wardle) |
Sound Department
Christian Carruthers | ... | re-recording engineer |
Matt Chromecki | ... | sound recordist |
Joseph Cohen | ... | boom operator |
Robin Crumley | ... | assistant sound editor |
Louis DiFlorio | ... | foley recordist |
Mark Gingras | ... | sound effects editor |
Rich Gorton | ... | foley artist |
John Laing | ... | dialogue editor |
Diep Le | ... | assistant sound editor |
Greg Shim | ... | adr recordist |
Stunts
Kevin Rushton | ... | stunt coordinator |
Camera and Electrical Department
Robert Arber | ... | electrician |
Michael Bailey | ... | second assistant camera |
Jeremy Benning | ... | steadicam operator |
Stephen Butson | ... | first assistant camera (as Steven Butson) |
Joseph Chan | ... | second assistant camera |
Amelia DeFalco | ... | grip |
Tyson Erb | ... | electrician |
Sophie Giraud | ... | still photographer |
Jonah Hart | ... | gaffer |
Peter Irvine | ... | key grip |
Sean Jordan | ... | electrician |
Rob Matassa | ... | best boy electric |
Sean McBride | ... | grip |
Ray McCleary | ... | gaffer |
Michael Melnechenko | ... | grip |
Roger Noke | ... | grip |
Eduardo Sarmiento Jr. | ... | electrician |
Chris Schillinger | ... | grip |
Greg Shean | ... | electrician |
Glen Smith | ... | grip |
Anthony Vaccaro | ... | grip |
Jonathan Williams | ... | gaffer |
Costume and Wardrobe Department
Edward Gurney | ... | on-set key wardrobe |
Michael Ryan Kerr | ... | wardrobe cutter |
Editorial Department
Rob Ruzic | ... | assistant editor |
Script and Continuity Department
Jill Carter | ... | script supervisor |
Melanie Orr | ... | daily script supervisor (as Melanie Henrich) |
Additional Crew
Ella Cooper | ... | jeweler |
Stephen Dann | ... | production assistant |
Ryan Hupponen | ... | production assistant |
Heather Ross | ... | production coordinator |
Vera Santamaria | ... | production assistant |
Eduardo Sarmiento Jr. | ... | production assistant |
Bill Seaward | ... | production assistant |
Hanna Tower | ... | production coordinator |
Thanks
Colin Brunton | ... | special thanks |