58
Metascore
39 reviews · Provided by Metacritic.com
- 80Dallas ObserverLuke Y. ThompsonDallas ObserverLuke Y. ThompsonSoderbergh seems to have found his vision again. It'll be a great day when he returns to writing his own material, but until then, this is none too shabby.
- 80L.A. WeeklyElla TaylorL.A. WeeklyElla TaylorFor sheer urbane elegance coupled with technical mastery and lush, old-fashioned élan, no one working for the studios today comes close to the versatile Soderbergh.
- 75ReelViewsJames BerardinelliReelViewsJames BerardinelliEnjoyable, and will likely appeal to anyone who appreciated the 2001 film.
- 75PremiereGlenn KennyPremiereGlenn KennySoderberg provides a cornucopia of fizzy, post–New Wave imagery, fitting for a picture that’s pretty much all about surfaces.
- 70New York Magazine (Vulture)Ken TuckerNew York Magazine (Vulture)Ken TuckerSo fizzy it nearly fizzles out.
- 70Village VoiceDennis LimVillage VoiceDennis LimFunnier and sprightlier than Eleven, which exhibited a genial self-consciousness but never thought to challenge the genre textbook, Twelve is committed to not taking itself seriously.
- 70The Hollywood ReporterKirk HoneycuttThe Hollywood ReporterKirk HoneycuttStephen Mirrione's fast-paced editing and David Holmes' pop-rock score propel the story ever forward whether one follows the twists or not.
- 70VarietyTodd McCarthyVarietyTodd McCarthyThis smooth inside job benefits from heightened bonhomie among the players, fab Euro locations and a diminished obligation to stick to the heist genre boilerplate.
- 60NewsweekDavid AnsenNewsweekDavid AnsenBusier, messier and thinner than its predecessor...the studied hipness can get so pleased with itself it borders on the smug.
- 33Entertainment WeeklyLisa SchwarzbaumEntertainment WeeklyLisa SchwarzbaumWhat's on screen is lazy, second-rate, phoned-in -- a heist in which it's the audience whose pockets have been picked.