The Life and Death of Peter Sellers (2004)
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- TV-MA
- 2h 2min
- Biography, Comedy
- 26 Aug 2004 (Australia)
- Movie
The feature adaptation of Roger Lewis' book about the actor best remembered as Inspector Clouseau in the Pink Panther movies.
Director:
Writers:
Awards:
- Won 9 Primetime Emmys. Another 22 wins & 35 nominations.
- See more »
Photos and Videos
Complete, Cast awaiting verification
| Geoffrey Rush | ... |
Peter Sellers
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| Charlize Theron | ... |
Britt Ekland
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| Emily Watson | ... |
Anne Sellers
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| John Lithgow | ... |
Blake Edwards
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| Miriam Margolyes | ... |
Peg Sellers
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| Peter Vaughan | ... |
Bill Sellers
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| Sonia Aquino | ... |
Sophia Loren
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| Stanley Tucci | ... |
Stanley Kubrick
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| Stephen Fry | ... |
Maurice Woodruff
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| Henry Goodman | ... |
Dennis Selinger
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| Alison Steadman | ... |
Casting Agent
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| Peter Gevisser | ... |
Ted Levy
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| David Robb | ... |
Dr. Lyle Wexler
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| Edward Tudor-Pole | ... |
Spike Milligan
(as Edward Tudor Pole)
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| Steve Pemberton | ... |
Harry Secombe
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| Nigel Havers | ... |
David Niven
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| Mackenzie Crook | ... |
Car Salesman
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George Cicco | ... |
Michael Sellers, 3 Yrs.
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| James Bentley | ... |
Michael Sellers, 7-10 Yrs.
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Eliza Darby | ... |
Sarah Sellers
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Lance Ellington | ... |
Singer / Ray Ellington
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| Lucy Punch | ... |
Lead Stewardess
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| Heidi Klum | ... |
Ursula Andress
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Nick Maloney | ... |
Interviewer - Switzerland
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Jane Milligan | ... |
Reporter - Pink Panther Premiere
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| Joseph Long | ... |
Carlo Ponti
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| Bob Sherman | ... |
Movie Executive
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| Sam Dastor | ... |
Hal Ashby
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| Mona Hammond | ... |
Ruth Attaway / Louise the Maid
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| Alan Williams | ... |
'Casino Royale' Director
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| Grant Russell | ... |
Plastic Surgeon
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Julian Littman | ... |
Businessman on Plane
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Tope Oluwole | ... |
Beautiful Black Woman
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Kate Burrell | ... |
Sophia's stand-in
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| Rosie Fellner | ... |
Emma - Selinger's secretary
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In-Sook Chappell | ... |
So Mi - Girl at Screening
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| Tom Wu | ... |
Burt Kwouk / Cato
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| Kenneth Hadley | ... |
Limo Driver
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Robert Wilfort | ... |
Motorcycle Delivery Man
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| Ty Glaser | ... |
'Millionairess' Girl with Phone
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Molly Hallam | ... |
Hilary - 'Strangelove' Assistant
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| Richard Ayoade | ... |
Photographer at Wedding
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| Simon Markey | ... |
Reporter - Sophia Loren Arrives
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| Bruce Mackinnon | ... |
Reporter #1 - Britt at Hospital
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Josh Cole | ... |
Reporter #2 - Britt at Hospital
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| Richard Syms | ... |
Newscaster #1
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Osmund Bullock | ... |
Newscaster #2
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Markus Napier | ... |
Maitre D' - Switzerland
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Kennie Andrews | ... |
Maintenance Man
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Vera Zaal | ... |
Car Showroom 60's Sci-Fi Girl
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Tiara Tian | ... |
Car Showroom Asian Beauty
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Charlotte Connoley | ... |
Car Showroom Blonde Bombshell
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Stephanie Jacob | ... |
Nurse with Wheelchair
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Gerrard McArthur | ... |
Wayne - Studio Engineer
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| Rest of cast listed alphabetically: | |||
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Gary Bunn | ... |
Peter Wyngarde (uncredited)
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Ray Donn | ... |
Studio Cameraman (uncredited)
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| Emilia Fox | ... |
Lynne Frederick (uncredited)
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Andrew Houghton | ... |
Pink Panther 1st Assistant Director (uncredited)
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| Polly Kemp | ... |
Doctor (uncredited)
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| Talia Lanning | ... |
Victoria Sellers (uncredited)
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John Perkins | ... |
Hospital Porter (uncredited)
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Chuen Tsou | ... |
Oddjob Chauffeur (uncredited)
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Directed by
| Stephen Hopkins | ||
Written by
| Roger Lewis | ... | (book) |
| Christopher Markus | ... | (teleplay) & |
| Stephen McFeely | ... | (teleplay) |
Produced by
| Ben Baker | ... | on-line video producer |
| Simon Bosanquet | ... | producer |
| Freddy De Mann | ... | executive producer |
| Pilar DeMann | ... | associate producer |
| George Faber | ... | executive producer |
| Juanita Diana Feeney | ... | associate producer |
| David Z. Obadiah | ... | producer: title sequence |
| Charles Pattinson | ... | executive producer |
| David M. Thompson | ... | executive producer |
Music by
| Richard Hartley | ||
Cinematography by
| Peter Levy | ||
Editing by
| John Smith | ||
Editorial Department
| Matthew Crocker | ... | post-production assistant |
| Michael Healey | ... | digital colorist |
| Christina Kim | ... | post-production coordinator |
| Curtis Lindersmith | ... | digital intermediate editor |
| Andrew Morgado | ... | post-production assistant |
| Jeff Schweikart | ... | post-production assistant |
| Hereward Selby | ... | first assistant editor |
| Lori Taffet | ... | post-production coordinator |
| Paul C. Warschilka | ... | assistant editor |
| Mark Wright | ... | negative cutter |
| Michael Moran | ... | post-production assistant (uncredited) |
Casting By
| Nina Gold | ||
Production Design by
| Norman Garwood | ||
Art Direction by
| Chris Lowe | ... | supervising art director |
| John Ralph | ||
| Lucy Richardson | ||
Set Decoration by
| Maggie Gray | ||
Costume Design by
| Jill Taylor | ||
Makeup Department
| Enzo Angileri | ... | hair stylist: Ms. Theron |
| Martin Astles | ... | makeup effects sculptor |
| Greg Cannom | ... | special makeup effects artist |
| Ashley Johnson | ... | hair stylist / makeup artist |
| Davy Jones | ... | prosthetic makeup artist |
| John Kim | ... | makeup effects technician |
| Mary Kim | ... | makeup effects production supervisor: Captive Audience Productions Inc. |
| Ameneh Mahloudji | ... | makeup artist |
| Veronica McAleer | ... | chief hair designer (as Veronica Brebner) / chief makeup designer (as Veronica Brebner) |
| Tamara Mills | ... | makeup trainee |
| Mark Nieman | ... | silicone prosthetic department supervisor: Captive Audience Productions |
| Tapio Salmi | ... | hair stylist / makeup artist |
| Rupert Simon | ... | additional hair stylist / additional makeup artist |
| Barbara Taylor | ... | crowd hair and make up |
| Todd Tucker | ... | special makeup effects artist |
| Keith VanderLaan | ... | makeup effects creator: Captive Audience Productions |
| Wesley Wofford | ... | special makeup effects artist |
| Barbara Sutton | ... | additional hairdresser (uncredited) |
| Elizabeth Yianni-Georgiou | ... | make-up and hair (uncredited) |
Production Management
| Michael Harm | ... | unit manager |
| Joseph Jayawardena | ... | unit manager |
| Rachel Neale | ... | unit production manager |
| Keri Putnam | ... | executive in charge of production |
| Greg Spence | ... | post-production supervisor |
| Janet Fries Eckholm | ... | additional post-production supervisor (uncredited) |
Second Unit Director or Assistant Director
| Mike Brewster | ... | second unit director |
| Rob Burgess | ... | third assistant director: crowd |
| Ben Lanning | ... | third assistant director |
| Cliff Lanning | ... | first assistant director |
| Matthew Sharp | ... | second assistant director |
| Nick Simmonds | ... | additional third assistant crowd director |
| Kevin Westley | ... | first assistant director: second unit |
Art Department
| David Balfour | ... | property master |
| John Bohan | ... | construction manager |
| Peter Brown | ... | supervising carpenter |
| Graham Caulfield | ... | drapesmaster |
| Dean Clegg | ... | stand-by art director |
| Stephen Daly | ... | storyboard artist |
| Mark Dowling | ... | standby painter |
| Paul Duff | ... | carpenter |
| Robert J. Dugdale | ... | scenic artist |
| Michael Finlay | ... | painter |
| Gavin Gordon | ... | chargehand carpenter |
| Robert Hill | ... | chargehand stand-by |
| Paul Kirby | ... | draughtsman |
| Cathal MacIlwaine | ... | stand-by carpenter |
| Tom Martin | ... | assistant construction manager (as Thomas Martin) |
| Duncan McDevitt | ... | propmaker |
| Graham Mitchell | ... | carpenter |
| Nina Ross | ... | graphics |
| Jamie Shelley | ... | painter |
| Gregor Telfer | ... | props |
| Kate Venner | ... | prop buyer/assistant decorator |
| Clive Ward | ... | head scenic painter |
| John Wells | ... | assistant propmaster |
| Jack Garwood | ... | stand-by props (uncredited) |
Sound Department
| Rick Ash | ... | re-recording mixer |
| Paula Boram | ... | foley artist |
| Victoria Brazier | ... | sound editor |
| Felicity Cottrell | ... | foley artist |
| Colette D. Dahanne | ... | adr mixer (as Colette Dahanne) |
| Zack Davis | ... | dialogue editor |
| Tim Hands | ... | supervising sound editor |
| Adam Jenkins | ... | re-recording mixer |
| Robin Johnson | ... | boom operator |
| Simon Kaye | ... | production sound mixer |
| Laura Lovejoy | ... | dialogue editor |
| Anna MacKenzie | ... | sound editor |
| Clare Mahoney | ... | foley artist (as Claire Mahoney) |
| James Mather | ... | foley editor |
| Doug Mountain | ... | supervising sound engineer (as Douglas Mountain) |
| Ryan Murphy | ... | sound recordist |
| Andy Neil | ... | adr mixer (as Andrew Neil) |
| Geoffrey G. Rubay | ... | sound effects editor |
| Ruth Sullivan | ... | foley artist |
| David Sutton | ... | boom operator / sound maintenance |
| Tami Treadwell | ... | adr recordist |
| Karen Vassar Triest | ... | sound editorial assistant (as Karen Vassar) |
| Alexander Beddow | ... | adr assistant (uncredited) |
| Bob Bowman | ... | first assistant sound editor (uncredited) |
| Jennie Evans | ... | additional sound editor (uncredited) |
Special Effects by
| Stuart Brisdon | ... | special effects supervisor |
| Paul Clancy | ... | senior special effects technician |
| Jack Firman | ... | special effects technician: Captive Audience Productions |
| Jonathan Edward Graham | ... | digital animation |
| Mark Haddenham | ... | special effects senior technician |
| David Johns | ... | snow effects technician |
| Kristen Lobstein | ... | special effects technician |
| Stephen Shelley | ... | snow effects supervisor |
| Brian Van Dorn | ... | special effects technician |
Visual Effects by
| Carmen Avila | ... | assistant photographer (as Carmen Yadira Avila) |
| Adrian Banton | ... | digital artist / digital compositor |
| Angus Bickerton | ... | visual effects designer |
| Jim Bowers | ... | digital matte painter |
| Camille Cellucci | ... | visual effects producer |
| Patrick Clancey | ... | digital opticals |
| James Clarke | ... | visual effects |
| Mike Connolly | ... | digital compositor: Baseblack |
| Neil Culley | ... | digital artist |
| Jerome Dewhurst | ... | di engineer |
| Stephen Elson | ... | visual effects producer: Baseblack |
| Sean Farrow | ... | digital artist / senior visual effects compositor |
| Andy Fowler | ... | visual effects producer |
| David Gibbons | ... | matte artist |
| Jon Graham | ... | digital artist / visual effects artist |
| Mick Harper | ... | digital artist |
| Tiana Harper | ... | visual effects coordinator |
| David Haslop | ... | digital artist |
| Barrie Hemsley | ... | visual effects producer |
| Sarah Hemsley | ... | production and operations |
| Tim Hey | ... | digital artist |
| Richard Higham | ... | digital artist |
| Robin Huffer | ... | digital artist |
| Mark Intravartolo | ... | digital effects artist |
| Tim Jones | ... | digital artist |
| Ntana Bantu Key | ... | second digital colorist: EFILM (as Ntana Key) |
| Duncan Kinnaird | ... | digital artist / senior visual effects compositor |
| Mark Kolpack | ... | visual effects producer: The Post Group |
| Robin S. Kurz | ... | digital compositor (as Robin Kurz) |
| Simon Leech | ... | digital artist |
| Kevin Lin | ... | digital cleanup artist |
| Christopher Lloyd | ... | visual effects editor |
| Natalie MacDonald | ... | digital compositor |
| Andrew MacLeod | ... | digital artist |
| Dan McRae | ... | scanning and recording |
| Warren J. Mills | ... | digital i/o |
| Steve Mitchell | ... | matte artist |
| Nick New | ... | digital artist |
| Jeff North | ... | digital artist |
| Roma O'Connor | ... | visual effects coordinator |
| Chris Panton | ... | digital artist |
| Joe Pavlo | ... | visual effects supervisor |
| Dylan Penhale | ... | digital systems manager |
| Paul Poetsch | ... | digital compositor: Baseblack |
| Glen Pratt | ... | digital artist |
| Dean Richichi | ... | digital artist |
| Petra Schwane | ... | digital compositor: Baseblack |
| Steven J. Scott | ... | digital intermediate colorist: EFilm |
| Foad Shah | ... | digital artist |
| Catherine M. Shaw | ... | visual effects coordinator |
| Matina Skouteri | ... | scanning and recording: Framestore CFC |
| Rupert Smith | ... | production and operations |
| Maria Stroka | ... | film recording producer |
| Marios Theodosi | ... | digital compositor |
| Paul Tuersley | ... | digital artist |
| Paola Varvaro | ... | digital cleanup artist |
| Victor Wade | ... | digital artist |
| Tim Walton | ... | digital artist |
| Val Wardlaw | ... | visual effects supervisor: Baseblack |
| Sharon Warmington | ... | digital artist |
| Andrew White | ... | cgi artist |
| Aubrey Woodiwiss | ... | film scanning recording |
| Peter 'Beak' Cvijanovic | ... | inferno artist: Post Group (uncredited) |
| Thomas Mathai | ... | data manager (uncredited) |
Stunts
| Nikki Berwick | ... | stunt performer (as Nicky Berwick) |
| George Cottle | ... | stunt performer |
| Carly Harrop | ... | stunt performer |
| Gary Powell | ... | stunt coordinator |
| David Ware | ... | stunt performer |
| Rowley Irlam | ... | stunt driver (uncredited) |
Camera and Electrical Department
| Simon Baker | ... | camera operator: "b" camera |
| Mike Brewster | ... | director of photography: second unit |
| Stuart Bunting | ... | grip camera |
| Barney Davis | ... | second assistant camera |
| Mark 'Rocky' Evans | ... | gaffer (as Mark Evans) |
| Alex Griffiths | ... | camera loader |
| Eugene Grobler | ... | balloon light operator |
| Rodrigo Gutierrez | ... | camera operator: "b" camera |
| Luke Andrew Haddock | ... | video assistant trainee |
| Rawdon Hayne | ... | first assistant camera |
| Scott Hillier | ... | hod electrical rigger |
| Nikos Kalimerakis | ... | best boy |
| Iain Mackay | ... | second assistant camera: "b" camera |
| Nick Ray | ... | grip |
| Peter Robertson | ... | camera operator: "a" camera |
| Ollie Upton | ... | additional still photographer (as Oliver Upton) |
| Martyn Welland | ... | electrician |
| Charlie Woodburn | ... | first assistant camera: aerial unit |
| Adam Dale | ... | aerial camera operator (uncredited) |
| Ian Speed | ... | libra technician (uncredited) |
Animation Department
| Paul Donnellon | ... | animator / character designer |
| John Sunter | ... | assistant animator: title sequence |
Casting Department
| Vanessa Baker | ... | adr voice casting |
| Rosalie Clayton | ... | casting assistant |
| Brendan Donnison | ... | adr voice casting |
| Tamara Gillon | ... | casting assistant |
Costume and Wardrobe Department
| Sally Crees | ... | costume assistant |
| Sally Davis | ... | costume assistant |
| Steve O'Sullivan | ... | costume assistant |
| Charlotte Sewell | ... | assistant costume designer |
| Marion Weise | ... | costume supervisor |
| Yvonne Otzen | ... | costume assistant (uncredited) |
Location Management
| Lucy Foulds | ... | location assistant |
| Martin Joy | ... | assistant location manager |
| Sue Quinn | ... | location manager |
Music Department
| Mark Berrow | ... | musician: violin |
| Richard Bissill | ... | musician: French horn |
| P.J. Bloom | ... | music consultant / music supervisor |
| James Seymour Brett | ... | music arranger / orchestrator |
| Richard Cookson | ... | musician: viola |
| David Crofts | ... | musician: ukulele |
| Karen Elliott | ... | music supervisor |
| Richard Ford | ... | music editor |
| Oliver Hug | ... | assistant music editor |
| Skaila Kanga | ... | musician: harp |
| Evyen Klean | ... | music consultant |
| The London Metropolitan Orchestra | ... | performer: London Metropolitan Orchestra |
| Gerard McCann | ... | music editor: pre-view |
| Yann McCullough | ... | assistant music engineer |
| Dave Jewerén Moore | ... | scoring assistant engineer |
| Magic A. Moreno | ... | Mag and Optical Transfer Engineer: Todd Hollywood |
| Emily Rogers Swanson | ... | music editor (as Emily Rogers) |
| Lee Scott | ... | music editor |
| Jamie Talbot | ... | clarinet |
| Warren Zielinski | ... | musician: violin |
| Rachel Bolt | ... | musician: viola (uncredited) |
| Allen Walley | ... | musician: double bass (uncredited) |
| Bruce White | ... | musician: viola (uncredited) |
Script and Continuity Department
| Nikki Clapp | ... | script supervisor |
| Lesley Cross | ... | script supervisor |
Transportation Department
| Gary Birmingham | ... | unit transport manager |
| Guy Bostock | ... | action vehicle coordinator |
| Ian Clarke | ... | vehicle technician |
| Chris Hammond | ... | minibus driver |
| Lee Isgar | ... | driver: Geoffrey Rush |
| Richard Magennis | ... | driver: props runaround |
| Sean Thornton | ... | picture vehicle technician |
Additional Crew
| Carolyn Allen | ... | set tutor |
| Guy Barker | ... | post-production accountant |
| Francesca Castellano | ... | production coordinator |
| Gavin Charlton | ... | chef |
| Paul Donnellon | ... | title designer: main titles |
| Kate Garwood | ... | assistant: Stephen Hopkins |
| Rob Grundy | ... | supervising armorer |
| Andrew Haddock | ... | video coordinator |
| Liam Hearne | ... | assistant post-production accountant |
| Sarah Hunt | ... | assistant production accountant |
| Nikki Inwood | ... | utility stand-in |
| Lee Isgar | ... | assistant: Geoffrey Rush |
| Carlton Jarvis | ... | set medical advisor |
| Aghi D. Koh | ... | executive in charge of development |
| Harvey Lowry | ... | operations manager: Captive Audience Productions |
| Duncan Manning | ... | chef |
| Zoe Margolis | ... | floor runner |
| Franka Mavrides | ... | production assistant |
| James McLaren | ... | production dailies |
| Y.J. Meira | ... | assistant: Mary Kim, makeup effects production supervisor: Captive Audience Productions Inc. (as Yvonne Jimenez) |
| Neil Morphew | ... | stand-in |
| Steve Morphew | ... | stand-in: Geoffrey Rush |
| Heather Noble | ... | assistant coordinator |
| Ginny Nugent | ... | production executive |
| Joe Oppenheimer | ... | development executive |
| Geraldine Patten | ... | production secretary |
| Justine Redfern | ... | assistant to producer |
| Emily Rice | ... | post-production accountant |
| Deborah Ross | ... | additional title designer |
| Paul Sacks | ... | set production assistant |
| Renee Sandmann | ... | assistant to executive producer |
| Richard Senior | ... | production runner |
| Emily Ann Sonnet | ... | production runner |
| Miranda Thompson | ... | studio executive |
| Rebecca Thornell | ... | clearance |
| Andrew White | ... | title designer |
| Jack Yiokoumi | ... | chef |
| Tim Bentinck | ... | adr loop group (uncredited) |
| Christopher Xavier Lozano | ... | stills photography (uncredited) |
| Paul Sacks | ... | additional set production assistant (uncredited) |
Production Companies
- HBO Films (presents)
- BBC Film (in association with)
- The De Mann Entertainment Company
- Company Pictures
Distributors
- Home Box Office (HBO) (2004) (United States) (tv)
- Frenetic Films (2004) (Switzerland) (theatrical)
- Icon Film Distribution (2004) (United Kingdom) (theatrical)
- Océan Films (2004) (France) (theatrical)
- Spentzos Films (2004) (Greece) (theatrical)
- R Film (2004) (Turkey)
- A-Film Distribution (2005) (Netherlands) (theatrical)
- Bontonfilm (2005) (Czechia) (theatrical)
- Lucky Red (2005) (Italy) (theatrical)
- Toshiba Entertainment (2005) (Japan) (theatrical)
- Vértigo Films (2005) (Spain) (theatrical)
- Warner Bros. (2005) (Germany) (theatrical)
- Warner Bros. (2005) (Argentina)
- Warner Home Vídeo (2005) (Brazil)
- A-Film Home Entertainment (2005) (Netherlands) (DVD)
- Argentina Video Home (2005) (Argentina) (DVD)
- Argentina Video Home (2005) (Argentina) (VHS)
- Home Box Office Home Video (HBO) (2005) (United States) (DVD)
- Home Box Office Home Video (HBO) (2005) (United States) (VHS)
- Scanbox Entertainment (2005) (Sweden) (DVD)
- Scanbox Entertainment (2005) (Finland) (DVD)
- Warner Home Video (2005) (Germany) (DVD)
- Warner Home Video (2005) (Switzerland) (DVD)
- British Broadcasting Corporation (BBC) (2006) (United Kingdom) (tv) (BBC2)
- Yleisradio (YLE) (2007) (Finland) (tv) (TV2)
- RTL Entertainment (2011) (Netherlands) (tv) (RTL4)
Special Effects
- Baseblack (additional visual effects)
- Keith Vanderlaan's Captive Audience Productions (makeup effects)
- Snow Business International (snow effects)
- The Post Group Production Suites
- The Senate Visual Effects (visual effects by)
Other Companies
- Shepperton Studios (movie studio)
- VooDooDog (animated title)
- Camera Revolution (libra technician)
- Casting Collective (extras casting)
- Chapman/Leonard Studio Equipment (cranes and dollies)
- Cutting Edge (negative cutting)
- Flying Pictures (aerial filming services provided by)
- Gearbox Sound and Vision (avid systems supplied by)
- Hothouse Music (music supervision by)
- Lee Lighting (lighting)
- Media Services (stationery supplier, post production)
- Mobile Mouthful (catering)
- North Carolina Film Office (film commission)
- Panavision (cameras equipment provided by)
- Post Logic Studios (digital film mastering)
- Todd-AO Studios (post-production sound services)
- Useful Company (video assist equipment)
- VooDooDog (character design)
Storyline
| Plot Summary |
The professional and personal life of actor and comedian Peter Sellers was a turbulent one. His early movie fame was based primarily on his comic characterizations, often of bumbling and foreign-accented persons, characters which he embodied. As his movie fame rose, he began to lose his own personal identity to his movie characters, leading to self-doubt of himself as a person and a constant need for reassurance and acceptance of his work. This self-doubt manifested itself in fits of anger and what was deemed as arrogance by many. In turn, his personal relationships began to deteriorate as his characterizations were continually used to mask his problems. His first wife, Anne Howe, left/divorced him and his relationships with his parents and children became increasingly distant. His relationship with his second wife, Swedish actress Britt Ekland, was based on this mask. In his later life, he tried to rediscover himself and his career with what would become his penultimate film role, that of Chance in Being There (1979). Written by Huggo |
| Plot Keywords | |
| Taglines | Never judge a man by his cover. See more » |
| Genres | |
| Parents Guide | View content advisory » |
| Certification |
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Additional Details
| Also Known As |
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| Official Sites | |
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| Filming Locations |
Box Office
| Opening Weekend United Kingdom | GBP125,748, 01 Oct 2004 |
Did You Know?
| Trivia | Peter Sellers did not give a pony to his son Michael as shown in the film. He gave it to his younger daughter by Britt Ekland several years later. The change was made in order to compress events for dramatic purposes. According to the screenwriter, the horse disappeared after a couple of weeks, and when his daughter wanted to know where it was, he replied that he had given it to Princess Margaret. See more » |
| Goofs | A cinema marquee advertises Ghost in the Noonday Sun (1974) despite the fact that this film was shelved until after Sellers' death and never received a theatrical release. Similarly, The Blockhouse (1973) didn't have a U.K. theatrical release but is shown playing on a London marquee. See more » |
| Movie Connections | Featured in Episode #1.9 (2004). See more » |
| Soundtracks | What's New Pussycat See more » |
| Crazy Credits | The frame freezes and the end credits start. After some informations about the last part of life of Peter Sellers have scrolled up the screen, the credits stop and the camera suddenly pulls back, revealing Geoffrey Rush watching the end titles sitting in front of a monitor on a studio set. He turns toward the camera, waves, gets up, leaves the set and walks to a trailer. The camera tries to follow him inside, but he turns and says "You can't come in here". The door closes, and the camera zooms in on the sign with the name "Peter Sellers". The film again fades to black and we see the rest of the end credits. See more » |
| Quotes |
[At Peter's wedding to the Swedish starlet Britt Ekland]
Peg Sellers: You've only known that bleedin' Nazi for 3 weeks. Peter Sellers: Peg, I couldn't be happier. Peg Sellers: Why are you making the same mistake all over again? Peter Sellers: Because, my love, they won't let me marry you. See more » |