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The Brothers Grimm (2005)
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Vue d'ensemble
Note Générale:
Réalisateur:
Scénariste (WGA):
Ehren Kruger (written by)
Date de sortie:
26 août 2005 (USA)
suite
Accroche:
Eliminating Evil Since 1812 suite
Intrigue:
Will and Jake Grimm are travelling con-artists who encounter a genuine fairy-tale curse which requires genuine courage instead of their usual bogus exorcisms. full summary | add synopsis
Récompenses:
1 win
&
1 nomination
suite
Avis des utilisateurs:
So there is a use to enchantment!
plus de (472 total)
US TV Schedule:
Ensemble
(Vue d'ensemble du casting, par ordre d'apparence)| Petr Ratimec | ... | Young Will | |
| Barbora Lukesová | ... | Mother Grimm (as Barbara Lukesova) | |
| Anna Rust | ... | Sister Grimm | |
| Jeremy Robson | ... | Young Jacob | |
| Matt Damon | ... | Wilhelm Grimm | |
| Heath Ledger | ... | Jacob Grimm | |
| Radim Kalvoda | ... | Gendarme | |
| Martin Hofmann | ... | Gendarme | |
| Josef Pepa Nos | ... | German War Veteran | |
| Harry Gilliam | ... | Stable Boy | |
| Miroslav Táborský | ... | Old Miller | |
| Roger Ashton-Griffiths | ... | Mayor | |
| Marika Sarah Procházková | ... | Miller's Daughter (as Marika Prochazkova) | |
| Mackenzie Crook | ... | Hidlick | |
| Richard Ridings | ... | Bunst |
Détails supplémentaires
MPAA:
Rated PG-13 for violence, frightening sequences and brief suggestive material.
Parents Guide:
Durée:
118 min
Pays:
Couleur:
Rapport de forme:
1,85 : 1 suite
Son:
Classification:
Netherlands:12 |
Canada:G (Quebec) |
Canada:PG (Ontario) |
Australia:M |
Hong Kong:IIB |
Finland:K-11 |
Canada:14A (Alberta/British Columbia/Manitoba/Nova Scotia) |
UK:12A |
Ireland:12A |
Switzerland:12 (canton of Geneva) |
Switzerland:12 (canton of Vaud) |
Philippines:PG-13 |
Norway:11 |
Brazil:14 |
Germany:12 |
Sweden:11 |
Belgium:KT |
Slovakia:12 |
Switzerland:12 (canton of Zurich) |
Argentina:13 |
Malaysia:U |
Hungary:16 |
Iceland:12 |
South Korea:15 |
Portugal:M/12 |
Czech Republic:12 |
USA:PG-13 |
Singapore:PG
Lieux de tournage:
Société:
Curiosités
Anecdotes:
Goofs:
Continuité: The spell book in the castle changes position on the table.
suite
Guillemet:
[first lines]
Sister Grimm: Mama, it's so cold.
Mother Grimm: It's very, very cold. Will. Put another log on the fire, lad.
Young Will: There isn't any more firewood, mama.
suite
Sister Grimm: Mama, it's so cold.
Mother Grimm: It's very, very cold. Will. Put another log on the fire, lad.
Young Will: There isn't any more firewood, mama.
suite
Connexions De Film:
Référencé sur What the Pythons Did Next... (2007) (TV)
suite
Bande son:
Rock-a-Bye Baby
suite
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Liens liés
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I don't think myself overly literary for reading Bruno Bettelheim's "The Uses of Enchantment," but forgive me for being obscure. In his book, Bettelheim analyzes common fairy tales for their underlying psychological and cultural meanings. He makes a great argument for the telling of fairy tales, even if they are slightly (or more than slightly) graphic, which is why I am partly able to explain my fascination with this film.
It's not really overly good really, as you've probably seen more of a seven out of ten, but yet it fascinates me. Perhaps it's the psychological element between the two brothers (which is done quite well) about the importance/existence of magic, or the surreal score peppered with Brahms and Dario Marianelli originals. (I have no idea who this guy is, but the soundtrack is so weird that I want it.) Perhaps it's the horror invoked by the fairy tale images of our childhood, brought horribly to life in the (thankfully) twisted mind of Terry Gilliam.
Oh, a little note about Terry Gilliam. You're going to have to forgive him because his pace can be a little bit feverish, and he tends to lose the viewer that's not paying attention. (He did make "Time Bandits" and "Monty Python and the Holy Grail," and you know how much of THAT made sense.) Do not question how the Grimm boys get from one end of Germany to another so quickly. Your head will explode.
Basically, this film makes me happy for a couple of reasons: one, the dialogue. It's strangely antiquated one minute, then purely Hollywood the next. (Don't worry about the anachronisms they're supposed to be there, they're funny.) Two, his name starts with Heath and ends with Ledger. Now, I didn't used to like this guy. I thought he was just a deep throated Aussie, but the boy's got range. I didn't know he could lack confidence so well. (Now I'm teasing, but really, he's quite good.) Damon was wonderful as always, proving over and over again that he may not be the prettier, but he's the smarter half of "Ben-att". Three, they're fairy tales in their ghoulish, bloody glory. Wait till you see both Little Red Riding Hood scenes, you'll totally freak out. It's nightmarish in such a way that you can't take your eyes off it. It's not morbid fascination, like a car accident, but something deeper, the sense of childlike wonder that make kids watch the most disgusting thing (like insects or TOADS) for hours.
What is the point? You might ask. Why should I see this piece of rubbish instead of "The 40 Year Old Virgin" for the 6th time? Or, in the long run, rent "The Princess Bride"? (You should rent both by the way, it'd make a lovely double feature.) Well, I still can't watch the waxing scene, but here's the real point: Fairy tales have a purpose. They give us comfort when we are in crises, and delight and frighten us when we need to have fun. What we see in Ledger's character (Jacob) is the child who shelters himself with fairy tales. What we see in Damon's (the older, Will) is the adult who wants to take him away from him. And as Bettelheim says, fantasy is not nearly as cruelly unforgiving as reality, so let him keep them. I still need a little Sleeping Beauty now and then. There's something strangely comforting about waking to true love's kiss.