Lords of Dogtown (2005)

Note Générale:

6,9/10   

Réalisateur:

Catherine Hardwicke

Scénariste (WGA):

Stacy Peralta (written by)

Date de sortie:

3 juin 2005 (USA)

Genre:

Biographie | Drame | Sport

Accroche:

They came from nothing to change everything.

Intrigue:

The film follows the surf and skateboarding trends that originated in Venice, California during the 1970's.

Plot Keywords:

Surf | Swimming Pool | 1970s | Skateboarder | Skateboarding

Récompenses:

1 win & 7 nominations

Avis des utilisateurs:

Lords Of Dogtown

Ensemble

Emile Hirsch	...	Jay
Victor Rasuk	...	Tony Alva
Rebecca De Mornay	...	Philaine
John Robinson	...	Stacy
Michael Angarano	...	Sid
Nikki Reed	...	Kathy Alva
Johnny Knoxville	...	Topper Burks
Heath Ledger	...	Skip
Vincent Laresca	...	Chino
William Mapother	...	Donnie
Julio Oscar Mechoso	...	Mr. Alva
Brian Zarate	...	Montoya
Pablo Schreiber	...	Stecyk
Elden Henson	...	Billy Z
Mitch Hedberg	...	Urethane Wheels Guy

Autre(s) titre(s):

American Knights (Philippines: English title)
Dogtown Boys (Germany)

MPAA:

Rated PG-13 for drug and alcohol content, sexuality, violence, language and reckless behavior - all involving teens.

Durée:

107 min

Pays:

USA | Allemagne

Langue:

Anglais | Espagnol

Couleur:

Couleur

Rapport de forme:

1,85 : 1

Son:

DTS | Dolby Digital | SDDS

Classification:

Sweden:7 | Philippines:R-13 | Ireland:15A | USA:Unrated (unrated DVD version) | Brazil:16 | UK:15 (extended version) | Australia:M | Argentina:16 | Iceland:16 | Malaysia:18PL | Malaysia:U (cut version) | USA:PG-13 (certificate #40754) | Norway:11 | Singapore:PG | UK:12A | Czech Republic:U | Switzerland:14 (canton of Geneva) | Switzerland:14 (canton of Vaud) | Germany:12 | Finland:K-11

Lieux de tournage:

Imperial Beach, California, USA

Société:

Columbia Pictures Corporation

Anecdotes:

The cameraman-skater for the pool scenes was 1980s skateboarder Lance Mountain, a Powell Peralta rider.

Goofs:

Continuité: In the opening sequence of the Boyz making their way to the beach, Jay goes from bare feet, to white slip on shoes, to bare feet again.

Guillemet:

Sid: [the Z-Boys want to drain and skate Sid's pool] No way, my dad said "Sid, are you high?"
Jay: Tell him we'll fill it back up when we're done.
Sid: He said if you got hurt, you'd sue us.
Jay: We're not gonna sue you.
Sid: He said your parents would.
Stacy: Our parents can't even afford lawyers.
Tony: Hey, let me talk to him.
Sid: Sorry, the only Mexicans my father talks to push lawn-mowers.

Connexions:

Références "Charlie's Angels" (1976)

Bande son:

Loose

Lords Of Dogtown

Although there has been much controversy about whether the movie has really portrayed 'Dogtown' and the z-boys accurately, i feel this is not even necessary. If you feel unsatisfied with what you have learnt about the z-boys and Dogtown go and watch Peralta's documentary Dogtown and Z-boys. Lords of Dogtown has the intention of entertainment and i personally exetremely enjoyed it. Lords of Dogtown tells the story of how a group of Venice street kids changed the face of skateboarding (and, to some degree, youth) culture in the mid- to late 1970s. The adolescent adopted the Zephyr Shop, a surf store run by Skip Engblom (Heath Ledger), as their home away from the own dysfunctional homes. Engblom recruited the best skaters for the Zephyr Team. Including: Tony Alva (Victor Rasuk), responsible Stacy Peralta (John Robinson) and troubled bad-boy innovator Jay Adams (Emile Hirsch). With the introduction of urethane wheels (revolutionary for the boys skating style as now the wheels gripped, they could "climb walls")and the timely South Cal drought meaning swimming pools were to be emptied, giving the boys perfect locations to practice their gravity-defying maneuvers, Zephyr became the be-all-end-all of the skateboarding scene.

"Lords of Dogtown" follows the rise and inevitable fall of the team, efficiently conveying the events with a flat accuracy that emphasizes history over character development. Director Catherine Hardwicke ("Thirteen") does an outstanding job of re-creating the seedy '70s atmosphere so much so that you could be forgiven for assuming you were watching archival outtakes from "Z-Boys." Hardwicke really nails that sense of post-Vietnam, rejection of authority of SoCal.

Hardwicke also understands the thrilling nature of speed for these kids. She employs a point-of-view camera from a skateboard's wheel to convey the rush. Hardwicke's most important achievement, however, was how she portrayed that skating was indeed these boys life. You really could see how skating for character Jay Adams was an outlet for the psychological pain he was experiencing. Hardwicke was very devoted to her character's individual portrayals. She has 3 contrasting personalities of main characters and shows this also through camera techniques. Jay being the more kinesthetic, hard, "go-go-go" character has many hand held shots and the zoom is employed more, creating a rough, jerky portrayal. Stacey Peralta being the strangely responsible one with a job has straight on, clean cut shots. Tony Alva, however, our most competitive Z-boy by far is filmed often from below, giving him a larger than life presence.

The movie was composed exceptionally and not too 'Hollywood' ( that is focusing on unrealistic character relations and excruciatingly social-analytical). It moved just fast enough to stop you from being potentially bored by the many skating scenes if you did not fit that demographic. However, even there i felt Hardwicke handled this amazingly too. I have never thought in my life i would ever watch a skating movie but i simply adored this one. Character relations were conveyed so realistically. The boys relationships were almost to real, you could feel the unspoken tension between them as the Zephyr team starts to go their separate ways. Hardwicke shows that true, stereotypical male bonding, that is that their love of skateboarding in the end is what brings them together.

Featuring a great soundtrack - including much Jimi Hendrix, David Bowie and the classic Wish You Were Here, i gave this movie a real thumbs up.