Inglourious Basterds (2009)

Note Générale:

8,6/10   

Réalisateur:

Quentin Tarantino

Scénariste:

Quentin Tarantino (written by)

Date de sortie:

21 août 2009 (USA)

Genre:

Drame | Guerre

Accroche:

Once upon a time in Nazi occupied France...

Intrigue:

In Nazi-occupied France during World War II, a group of Jewish-American soldiers known as "The Basterds" are chosen specifically to spread fear throughout the Third Reich by scalping and brutally killing Nazis. The Basterds soon cross paths with a French-Jewish teenage girl who runs a movie theater in Paris which is targeted by the soldiers.

Plot Keywords:

Nazi | Jewish American | Movie Theater | Third Reich | Nazi Occupied France

Récompenses:

1 win & 1 nomination

Avis des utilisateurs:

No Matter How You Spell It

US Showtimes:

Culver Plaza Theatres

8:00pm

(personalize)

Ensemble

Brad Pitt	...	Lt. Aldo Raine
Mélanie Laurent	...	Shosanna Dreyfus
Christoph Waltz	...	Col. Hans Landa
Eli Roth	...	Sgt. Donny Donowitz
Michael Fassbender	...	Lt. Archie Hicox
Diane Kruger	...	Bridget von Hammersmark
Daniel Brühl	...	Pvt Fredrick Zoller
Til Schweiger	...	Sgt. Hugo Stiglitz
Gedeon Burkhard	...	Cpl. Wilhelm Wicki
Jacky Ido	...	Marcel
B.J. Novak	...	Pfc. Smithson Utivich
Omar Doom	...	Pfc. Omar Ulmer
August Diehl	...	Major Dieter Hellstrom
Denis Menochet	...	Perrier LaPadite
Sylvester Groth	...	Joseph Goebbels

Autre(s) titre(s):

Inglorious Bastards (USA) (working title)

MPAA:

Rated R for strong graphic violence, language and brief sexuality.

Durée:

153 min

Pays:

USA | Allemagne

Langue:

Anglais | Allemand | Français | Italien

Couleur:

Couleur

Rapport de forme:

2,35 : 1

Son:

SDDS | Dolby Digital | DTS

Classification:

USA:R (certificate #45325) | UK:18 | New Zealand:R16 | Ireland:16 | Sweden:15 | Finland:K-15 | Australia:MA | Germany:16 (bw) | Canada:13+ (Quebec) | Canada:18A (Alberta/British Columbia/Manitoba) | Canada:14A (Ontario) | Netherlands:16 | Norway:15 | Singapore:M18 | Portugal:M/16 (Qualidade) | France:-12 | Hong Kong:IIB (cut) | Hong Kong:III | South Korea:18 | Iceland:16 | Japan:R15+ | Argentina:16 | Hungary:18 | Brazil:18 | Chile:14 (re-rating) | Chile:TE (original rating) | Italy:VM14 | Spain:13 | India:A | South Africa:16LV

Lieux de tournage:

Babelsberg, Potsdam, Brandenburg, Germany

Société:

Universal Pictures

Anecdotes:

The role of Col. Hans Landa is that of a notorious and merciless "Jew Hunter", In real life, Christoph Waltz has a son who is a rabbi.

Goofs:

Anachronismes: At various times during the movie the distinctive enamel decorated Perrier-Jouet cuvée Belle Epoque champagne bottle is shown. Although this bottle design was created in 1902 by Emile Galle it was quickly forgotten. In 1964, Pierre Ernst discovered four of these bottles and the design was re-released two years later to celebrate the seventieth birthday of Duke Ellington.

Guillemet:

Adolf Hitler: Nein, nein, nein, nein, nein, nein! How much more of these Jew swine must I endure? They butcher my men like they were fish bait! I have heard the rumors myself! Soldiers of the Third Reich, who have brought the world to its knees, now pecking and clucking like chickens. Do you know the latest rumor they've conjured up in their fear-induced delirium? The one that beats my boys with a bat. The one they call "the Bear Jew" is a golem!
General Frank: Mein Fuhrer, that is just soldier's gossip. No one really believes that the Bear Jew is a golem.

Connexions:

figure dans Spike's Guys Choice (2009) (TV)

Bande son:

L'INCONTRO CON LA FIGLIA

No Matter How You Spell It

..."Inglorious" as our local theater decided to display its title on their marquee, minus the second word. It is terrific cinema.

I don't hesitate to recommend this film to all but the over-squeamish. Let them never know what they're missing.

I did hesitate to give it ten stars because of my experience of Tarantino's previous films. In every case, save "Reservoir Dogs," they have improved with additional watching.

So although I gave it ten stars, I did so reluctantly. It leaves me no "up" to go to.

Yes Christoph Waltz is the Nazi we've all imagined the worst to be. He is cultured, sophisticated, suave and most sadistic, the kind of man who can make a glass of milk a threat and who puts out his cigarette abruptly in a strudel, grinding it into the whipped cream as if he were grinding his heel into a victim.

To understand Tarantino's films, you need only have a sense of dialogue, color and pacing. The colors are as bright as necessary and when necessary, brighter yet. In the French farmhouse of the opening scene, they are muted and dark, but excessively so. Outside a brilliant sun is shining, but in the one room of the house, everything is bathed in shadows and black.

It is a brilliant setting for an interrogation by Waltz, as the "Jew Hunter" of the SS, who dangles his host French farmer over the precipice of revealing what he cannot reveal numerous times, then pulls him back with obsequious lines of friendship and understanding.

A second sadistic German, well-played by August Diehl, later functions as important actor in the final plot twist. Diehl's Nazi Major, who has an ear for German accents, is almost as good as Waltz....almost.

Film classes will study much from this movie. They should look lovingly at the superb pacing. Tarantino knows just how long to draw out a scene, building suspense in the manner of Hitchcock, then at just the breaking point, suddenly coming to a resolution.

For color, look for a final shot at a French Theater, where its secretly Jewish proprietor is staging a surprise for the upper reaches of Nazi leadership.

We see her, played by Melanie Laurent, awaiting the hated German dignataries who will arrive for a film preview of the latest Deutsch film masterpiece, a propaganda piece about a German hero and his dubious accomplishments.

Laurent is framed on a balcony, reflected in the glass mirrors of the gorgeous theater, her red lips and low cut dress reflecting everywhere the intensity of her designs on her guests. It is a single shot that would be worth an entire film.

There are thankfully many more such images, many more paced scenes of exquisite dialog and suspense.

In short, see it. I'm sure you'll see it again and again.