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The Upside of Anger
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The Upside of Anger (2005) More at IMDbPro »

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The Upside of Anger (2005) -- When her husband unexpectedly disappears, a sharp-witted suburban wife and her daughters juggle their mom's romantic dilemmas and family dynamics.
The Upside of Anger (2005) -- When her husband unexpectedly disappears, a sharp-witted suburban wife and her daughters juggle their mom's romantic dilemmas and family dynamics.

Overview

Note des utilisateurs:
7.0/10   11,145 votes
MOVIEmeter: ?
Up 11% in popularity this week. See rank & trends on IMDbPro.
Réalisateur:
Mike Binder
Scénariste (WGA):
Mike Binder (written by)
Contact:
View company contact information for The Upside of Anger on IMDbPro.
Release Date:
1 avril 2005 (USA) suite
Genre:
Drame | Comedie | Romance suite
Accroche:
Sometimes what tears us apart helps us put it back together suite
Plot:
When her husband unexpectedly disappears, a sharp-witted suburban wife and her daughters juggle their mom's romantic dilemmas and family dynamics. full summary | add synopsis
Awards:
5 wins & 7 nominations suite
Avis des utilisateurs:
An Upside to This Year's Movies suite

Ensemble

  (in credits order) (complete, awaiting verification)

Joan Allen ... Terry Ann Wolfmeyer

Kevin Costner ... Denny Davies

Erika Christensen ... Andy Wolfmeyer

Keri Russell ... Emily Wolfmeyer

Alicia Witt ... Hadley Wolfmeyer
Evan Rachel Wood ... Lavender 'Popeye' Wolfmeyer

Mike Binder ... Adam 'Shep' Goodman
Tom Harper ... David Junior

Dane Christensen ... Gorden Reiner

Danny Webb ... Grey Wolfmeyer
Magdalena Manville ... Darlene
Suzanne Bertish ... Gina
David Firth ... David Senior
Rod Woodruff ... Dean Reiner (as Roderick P. Woodruff)

Stephen Greif ... Emily's Doctor

Arthur Penhallow ... Himself
Richard Mylan ... Disc Jockey

Robert Perkins ... Town Car Man

William Tapley ... Dr. Lewis
Owen Oakeshott ... Builder Foreman (as Owen Oakshoot)
Bella Sabbagh ... Radio Station Receptionist
Kathryn Wade ... Ballet Dancer
Michelle Denholm ... Ballet Dancer
Natalie Domanski ... Ballet Dancer
Sophie Gorrod ... Ballet Dancer
Carolyn Logan ... Ballet Dancer
Alison McWhinney ... Ballet Dancer
Natasha O'Brien ... Ballet Dancer
Stina Quagebeur ... Ballet Dancer
Olivia Ratcliffe ... Ballet Dancer
Laura Suttle ... Ballet Dancer
Nicola Wallis ... Ballet Dancer
Miki Weatherford ... Ballet Dancer
Nao Yamazato ... Ballet Dancer
Gavin Munn ... Wedding Band - The Gavin Munn Band
Nicholas White ... Wedding Band - The Gavin Munn Band

Peter Hajioff ... Wedding Band - The Gavin Munn Band
Chris Banks ... Wedding Band - The Gavin Munn Band
Roger Batting ... Wedding Band - The Gavin Munn Band
reste de la distribution par ordre alphabétique:
Danny McCluskey ... Fan (uncredited)
Peter Rnic ... Bodyguard (uncredited)
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Réalisé par
Mike Binder 
 
Scénaristes
(WGA)
Mike Binder (written by)

Produit par
Jack Binder .... producer
Chris Curling .... associate producer
Mark Damon .... executive producer
Alex Gartner .... producer
Andreas Grosch .... executive producer
Stewart Hall .... executive producer
Peter Heslop .... line producer
Sammy Lee .... producer
Andreas Schmid .... executive producer
 
Musique originale
Alexandre Desplat 
 
Image
Richard Greatrex 
 
Montage
Steve Edwards 
Robin Sales 
 
Distribution des rôles
Danielle Roffe 
 
Création des décors
Chris Roope 
 
Direction artistique
Tim Stevenson 
 
Décorateur de plateau
Neesh Ruben 
 
Création des costumes
Deborah Lynn Scott  (as Deborah Scott)
 
Maquillage
Sarita Allison .... makeup artist
Chris Benoit .... hair stylist
Elle Elliott .... hair stylist: Mr. Costner
Daniel Galvin Senior .... colour consultant
Teresa Kelly .... hair stylist
Teresa Kelly .... makeup artist
Sian Richards .... hair designer
Sian Richards .... makeup designer
John Schoonraad .... makeup effects designer/supervisor
Felicity Wright .... hair stylist supervisor
Felicity Wright .... makeup supervisor
 
Directeur de production
Jack Binder .... unit production manager
Jay Coquillon .... post-production supervisor
 
Assistant réalisateur
Jack Binder .... second unit director
Chris Burgess .... additional third assistant director
Melanie Dicks .... first assistant director
Martin Krauka .... second assistant director
Sarah MacFarlane .... third assistant director
Andrew McEwan .... first assistant director: second unit (uncredited)
 
Art Department
Lee Bryant .... chief dressing props
Alfie Burgess .... stand-by props
Stephen Campbell .... stand-by art director
Steven Campbell .... stand-by art director
Lee Reilly .... stand-by carpenter
Zoe Scivoletto .... assistant set decorator
Andrew Tapper .... art department assistant
Ian Williamson .... stand-by painter
Terry Wood .... property master
 
Technicien du son
Stuart Bagshaw .... sound editor
Howard Bargroff .... sound re-recording mixer
Tony Bell .... sound maintenance
Matthew Desorgher .... sound maintenance
Phillip A. Hamilton .... adr recordist
Christopher Harvengt .... adr supervisor
Stewart Henderson .... adr editor
Dan Johnson .... sound re-recording mixer
Hugh Johnson .... sound re-recording mixer
Gareth Llewellyn .... assistant sound re-recording mixer
Miriam Ludbrook .... dialogue supervisor
Zak Melemendjian .... adr editor (as Peter Melemendjian)
Michael Miller .... adr mixer
Jeremy Price .... supervising sound designer
Jeremy Price .... supervising sound editor
John Rodda .... sound mixer
Brian Simmons .... sound mixer
Barnaby Smyth .... supervising foley editor
Graeme Stoten .... adr supervisor
Gareth Thomas .... sound trainee
David Turner .... sound technical coordinator
Michele Woods .... supervising sound editor
 
Effets spéciaux
Ben Ashmore .... special effects coordinator
Paddy Burnside .... special effects engineer
Tom Harris .... special effects supervisor
Alan Hedgcock .... special effects makeup
Paul Kelly .... special effects supervisor (as Paul Kelley)
Jules Pellicci .... special effects production coordinator
Simon Rose .... special effects makeup
Simon Rose .... special effects technician: exploding head effects
Cliff Wallace .... special effects makeup
 
Visual Effects
Gary J. Brown .... Inferno artist
Sally Clayton .... digital film producer
Safiya Ravat .... digital effects artist
Anthony Wonsoff .... digital compositor
 
Cascadeur
Rod Woodruff .... stunt coordinator
 
Camera and Electrical Department
Jim Alloway .... second camera operator
David Ashby .... second camera grip
Robin Browne .... director of photography: second unit, Detroit
Paul Buffery .... stand-by rigger
Paul Chedlow .... still photographer
Bob Cooke .... clapper loader
Russell Diamond .... grip
Terry Eden .... best boy
Dan Garlick .... second camera grip
Simon Gilmour .... camera loader
Gary Hedges .... electrician
Dermot Hickey .... focus puller
Alice Hobden .... second camera loader
Andrew Hoehn Jr. .... first assistant camera: Detroit
Demetri Jagger .... video playback operator
Brian Jones .... gaffer
Andy O'Connor .... electrician
Peter O'Connor .... focus puller: second camera
Gerry Vasbenter .... Steadicam operator
Gerry Vasbenter .... camera operator
Zoe Whittaker .... video assist operator: dailies
 
Casting Department
Gary Davy .... casting: UK
 
Costume and Wardrobe Department
Elena D'Cruze-Reynolds .... junior costume assistant
Lucy Denny .... costume assistant
Rebecca Duncan .... wardrobe supervisor
Sarah Fawkner .... costume runner
Laura N. Flores .... costume production assistant
Rebecca Gore .... wardrobe assistant
Mari Grimaud .... costume supervisor
Karen Hobbs .... costume assistant
Sally Mason .... wardrobe supervisor
Linda Millen .... wardrobe mistress
Elizabeth Wilson .... assistant costume designer (as Lizzy Wilson)
Elizabeth Wilson .... assistant costume designer
 
Editorial Department
Jeremy Baxter .... post-production assistant
Joe Fineman .... post-production consultant
Steve Harrow .... post-production consultant
Michael Nouryeh .... assistant editor
Rod Shelton .... digital intermediate producer
Lance Stubblefield .... assistant editor
Cliff Thomas .... color grader
Laurent Treherne .... digital intermediate supervisor
Mick Vincent .... colorist
Tracey Wadmore-Smith .... associate editor
Mat Whitecross .... documentary editor
Jim Passon .... final color timer (uncredited)
 
Music Department
Maggie Bazin .... music clearance coordinator
Alexandre Desplat .... conductor
Alexandre Desplat .... orchestrator
Dave Jordan .... music supervisor
Solrey Lemonnier .... music producer
Gordan Nikolitch .... orchestra leader
Jon Olive .... music editor
Jojo Villanueva .... music coordinator (as Jo Jo Villanueva)
 
Transportation Department
Martin Jones .... driver
Simon Jones .... driver
Graham Kelly .... action vehicle coordinator
Andy Noland .... genny driver
Chris J. Smith .... picture vehicle technician
 
Divers
Jasa Abreo .... assistant: Kevin Costner
Huda Abuzeid .... assistant: Jack Binder
Sonya A. Avakian .... production assistant
Linzi Baltrunas .... assistant location manager
Terry Blyther .... location manager
Sean Bradley .... representative: Media 8 Entertainment
Lesley Broderick .... production accountant
Carn Burton .... location finder
Clair Chrysler .... lead stand-in: Joan Allen
Valentina Coccia .... assistant production coordinator
Merryn Conaway .... assistant: Jack Binder
Christopher Coote .... floor runner
Kerstin Dyroff .... production coordinator: VIP Medienfonds
Billy Edwards .... charge hand stand-by propman
Mike Fraser .... digital film consultant
Robin Green .... second assistant accountant
John Gunnery .... stand-in
Chaz Harris .... assistant: Jack Binder
Alexander Hodgson .... production assistant
Jessica L. Jordan .... representative: Media 8 Entertainment
Maggie Murray .... assistant accountant
Eva Neufahrt .... controller
Brian O'Shea .... executive: Media 8 Entertainment
Claire Packer .... assistant: Sammy Lee
Jenna Piccolo .... executive
Aris Piliguian .... assistant: Alex Gartner
Pam Plummer .... assistant: Joan Allen
Bill Ridealgh .... unit medic
David Rumble .... production assistant
Bella Sabbagh .... stand-in: Alicia Witt
Nicole Sacker .... assistant: Jack Binder
Katryna Samut-Tagliaferro .... production coordinator
Caroline Sax .... script supervisor
Richard Senior .... floor runner
Diane Slattery .... publicist
Charlie Somers .... location scout
Tamara Stuparich de la Barra .... creative executive: Media 8
Jelena Tadic .... executive
Michael J. Urann .... representative: Media 8 Entertainment
Matthew Waldman .... production liaison
Oli Wennink .... post-production assistant to producer
Rachel Zimmerman .... assistant: Mike Binder
Christa Zofcin .... business affairs executive
Richard Rowntree .... assistant: Steve Harrow (uncredited)
 

Production CompaniesDistributorsTechnicien des effets spéciauxOther Companies
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Additional Details

Autre(s) titre(s):
An deiner Schulter (Germany)
Les bienfaits de la colère (France) [fr]
Une femme en colère (Canada: French title) [fr]
suite
MPAA:
Rated R for language, sexual situations, brief comic violence and some drug use.
Durée:
USA:118 min
Pays:
USA | Germany | UK
Langue:
Anglais
Couleur:
Couleur
Aspect Ratio:
2.35 : 1 suite
Emplacements De Pelliculage:
Ann Arbor, Michigan, USA suite

Curiosités

Anecdotes:
Mike Binder wrote the script specifically to give Joan Allen a juicy starring role. suite
Goofs:
Continuity: When the family toasts to Hadley, the amount of bloody Mary in Hadley's glass changes between shots suite
Guillemet:
Lavender "Popeye" Wolfmeyer: Anger and resentment can stop you in your tracks. That's what I know now. It needs nothing to burn but the air and the life that it swallows and smothers. It's real, though - the fury, even when it isn't. It can change you... turn you... mold you and shape you into something you're not. The only upside to anger, then... suite
Movie Connections:
Featured in Creating 'The Upside of Anger' (2005) (V) suite
Soundtrack:
Swan Lake, Op. 20 suite

foire aux questions

This FAQ is empty. Add the first question.
53 out of 73 people found the following comment useful:-
An Upside to This Year's Movies, 10 April 2005
10/10
Author: jhclues de Salem, Oregon

Life doesn't come with an instruction manual or a script to follow, it's basically improv on a daily basis, and as it plays out people and things often are not who or what they seem to be on the surface. It's reality, as opposed to the way you expect, hope or want it all to be; truth, as opposed to an individual perception of truth. That's life. And "The Upside of Anger," written and directed by Mike Binder, explores some hard realities that differ drastically from expectations and perceptions.

The film opens with a funeral, a somber note which in a sense prepares you for what is to follow, after a flash back of three years, at which point the story begins. Terry Wolfmeyer (Joan Allen) is at loose ends because her husband has run off with his secretary, leaving her and four daughters behind to fend for themselves. Angry, distraught and a stone's throw from bitter, Terry turns to alcohol to deaden the effects of what has been a life-altering experience. Luckily-- or maybe not-- Terry has a neighbor, Denny Davies (Kevin Costner), an ex-pro baseball player turned radio talk show host, with whom to share a drink and commiserate. Her daughters (three teens and one in college) are supportive, as well-- to a point. But they are each in their own way also struggling to understand why their father deserted them. By all accounts, this was in no way a dysfunctional, angst-ridden family, so the actions of their father is a mystery to them all. Naturally, it's a pivotal point in their lives, and before any of them can move on, especially Terry, they have to know why he did what he did. In the meantime, with or without this needed closure, life is happening to and around them.

Binder (who also appears in the film as the producer of Denny's radio show) displays an astute knowledge of human nature with this film, and how random the myriad twists and turns of life can be. He holds your attention from the opening scene (who's funeral is it, anyway?), and just when you think you know where the story is going it takes an unexpected turn. And he is in no way attempting to manipulate his audience; rather, he is giving you a reflection of the way life so often simply does not go the way you think it's going to. It's a succinct look at relationships, and of how fragile-- as well as resilient-- we all can be.

As Terry, Joan Allen sets vanity aside to create her character and turns in an Oscar caliber performance in doing so. When she gets up in the morning she looks like a middle-aged woman with insufferable problems and a hangover, a woman in the throes of coping with a traumatic experience who is desperate to reconnect with a life she no longer has and who will do anything within her power to hang on to what she has left. She's walking a tightrope over a deep abyss and she's understandably on edge, so when one of her girls tugs the rope and compromises her control and security, she quite naturally lashes out, proving the old adage you always hurt the one you love. There's a scene in which a grieving Terry draws her hands to her breast and, head lowered, utters a cry, and anyone who has ever known any kind of grief or loss in their life will at that moment know exactly what she is going through. It's a terrific piece of acting, a performance that is altogether affecting and memorable.

And, as performances go, Kevin Costner, too, puts vanity aside to create a character that is entirely convincing. Denny Davies is paunchy, his hair is thin and most of the time he looks as though he's had one beer too many. Still, he's engaging, and you get the feeling there's a complex individual hiding behind an external simplicity that perhaps helps to mask his true feelings about a lot of things in his life, including his career on the diamond. Why, for example, does he refuse to talk about baseball on his sports talk show? In it's purity, this is arguably Costner's finest performance ever.

Top notch performances are turned in, as well, by Erika Christensen, Evan Rachel Wood, Keri Russell and Alicia Witt as Terry's daughters, respectively, Andy, Popeye, Emily and Hadley; and by Binder himself as Shep. In the end, "The Upside of Anger" is an involving, memorable film that celebrates life and leaves you with a sense of hope, that no matter how bad things get we all have the capacity to get through it and somehow find the light at the end of the tunnel. And that's the magic of the movies.

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