- 1 win & 5 nominations.
- See more »
Photos and Videos
Cast verified as complete
Tom Wilkinson | ... |
James Manning
|
|
Emily Watson | ... |
Anne Manning
|
|
Hermione Norris | ... |
Priscilla
|
|
John Warnaby | ... |
Simon
|
|
Rupert Everett | ... |
Bill Bule
|
|
Richenda Carey | ... |
Sarah Tufnell
|
|
Linda Bassett | ... |
Maggie
|
|
Christine Lohr | ... |
Nurse
|
|
Alice O'Connell | ... |
Maggie's Daughter
|
|
John Neville | ... |
Lord Rawston
|
|
Peregrine Kitchener-Fellowes | ... |
Bill's Son Charles
|
|
Henry Drake | ... |
Bill's Son Freddy
|
|
David Harewood | ... |
Inspector Marshall
|
|
Sabine Tourtellier | ... |
Receptionist
|
|
Philip Rham | ... |
French Lawyer
|
|
Jeremy Child | ... |
Angus Burrell
|
|
Horlicks | ... |
Dog
|
|
Rest of cast listed alphabetically: | |||
Keith Bisset | ... |
Dr. Morgan (uncredited)
|
|
Leonard Silver | ... |
Minister (uncredited)
|
|
Terence Stamp | ... |
Joe (uncredited)
|
Directed by
Julian Fellowes |
Written by
Nigel Balchin | ... | (based on the novel by "A Way Through the Wood") |
Julian Fellowes | ... | () |
Produced by
Steve Clark-Hall | ... | producer |
Christian Colson | ... | producer |
Paul Smith | ... | executive producer |
Music by
Stanislas Syrewicz | ... | (music) |
Cinematography by
Tony Pierce-Roberts | ... | director of photography |
Editing by
Alex Mackie | ||
Martin Walsh |
Editorial Department
Marsha Bramwell | ... | cutting room trainee |
Alison Carter | ... | first assistant editor |
Sally Clayton | ... | production supervisor: VTR Digital Cinema |
Mike Fraser | ... | consultant: VTR Digital Cinema |
Heidi Freeman | ... | first assistant editor |
Steve Harrow | ... | post production consultant: Steeple Post Production Services |
Peter Hunt | ... | colour timer |
Rod Shelton | ... | producer: VTR Digital Cinema |
Laurent Treherne | ... | data supervisor: VTR Digital Cinema |
Mick Vincent | ... | colorist |
Casting By
Janey Fothergill |
Production Design by
Alison Riva |
Art Direction by
Niall Moroney |
Set Decoration by
Lee Sandales |
Costume Design by
Michele Clapton |
Makeup Department
Elaine Browne | ... | makeup artist |
Lesley Noble | ... | makeup artist |
Jamie Pritchard | ... | hairdresser: Mr. Everett |
Roseann Samuel | ... | hair designer (as RoseAnn Samuel) / makeup designer (as RoseAnn Samuel) |
Production Management
Orlagh Collins | ... | production manager |
Mark Harris | ... | post-production supervisor |
Ted Ladlow | ... | unit manager |
François Pulliat | ... | production manager: Paris |
Clare St. John | ... | post-production supervisor |
Second Unit Director or Assistant Director
David Brown | ... | first assistant director |
Lee Grumett | ... | third assistant director |
Toby Hosking | ... | second assistant director |
Aurélia Michon | ... | trainee assistant director: Paris |
Charles Senard | ... | second assistant director: Paris |
Art Department
Dave Allen | ... | construction manager |
Sarah Bicknell | ... | standby art director (as Sarah Stuart) |
Lionel Callari | ... | props standby: Paris |
Frank Carr | ... | stagehand |
Justin Chappell | ... | carpenter |
Lesley Cross | ... | production buyer |
Chris Cull | ... | prop master |
Jonathan Holbrook | ... | standby painter |
Pete Lennox | ... | standby carpenter |
Rob MacPherson | ... | standby props |
Kerry-Ellen Maxwell | ... | props trainee: FT2 |
Simon Riley | ... | standby props |
Fabrice Spelta | ... | art department assistant |
Sam Stokes | ... | assistant art director |
Stephen Thomson | ... | prop hand |
Denis Villand | ... | carpenter: Paris |
Penny White | ... | store woman |
Billy Wilson | ... | prop hand |
Dorrie Young | ... | art department trainee: FT2 |
Martin Kane | ... | props (uncredited) |
Sound Department
Hugo Adams | ... | foley editor: Reelsound |
Gillian Dodders | ... | supervising dialogue editor |
Nathan Duncan | ... | sound assistant |
Stan Fiferman | ... | foley artist: Reelsound |
Peter Gleaves | ... | adr mixer: Reelsound |
Andrew Griffiths | ... | sound maintenance |
Mark Heslop | ... | sound editor |
Melissa Lake | ... | foley artist: Reelsound |
Nicolas Le Messurier | ... | re-recording mixer (as Nic LeMessurier) |
Chris Munro | ... | sound mixer |
Tom Sayers | ... | supervising sound editor |
Richard Street | ... | re-recording mixer |
Kevin Taylor | ... | foley mixer: Reelsound |
Andy Thompson | ... | adr mixer: Reelsound |
Paul Wrightson | ... | dialogue editor: Reelsound |
Tony Currie | ... | additional dialogue editor (uncredited) |
Mike Grimes | ... | sound effects editor (uncredited) |
Nigel Heath | ... | adr recordist (uncredited) |
Ben Meechan | ... | sound effects editor (uncredited) |
Hilary Wyatt | ... | supervising dialogue editor (uncredited) |
Special Effects by
Michel Gery | ... | special effects assistant: Paris |
Daniel Lenoir | ... | special effects assistant: Paris |
Carol Styczen | ... | special effects assistant: Paris |
Piotr Styczen | ... | special effects coordinator: Paris |
Visual Effects by
Alan Church | ... | visual effects supervision |
Tim Davies | ... | inferno artist: VTR Digital Cinema |
Simon Giles | ... | visual effects supervision |
Safiya Gili | ... | combustion artist: VTR Digital Cinema (as Safiya Ravat) |
Danny Pagan | ... | data co-ordinator: VTR Digital Cinema |
James Tillett | ... | film recording supervisor: VTR Digital Cinema |
Stunts
Abbi Collins | ... | stunt performer |
Gary Connery | ... | stunt coordinator |
Neil Finnighan | ... | stunt performer |
Sarah Franzl | ... | stunt performer |
Steve Griffin | ... | stunt performer |
Dave Holland | ... | stunt coordinator / stunt performer |
Adam Kirley | ... | stunt performer |
Andy Merchant | ... | stunt performer |
Gordon Seed | ... | stunt performer |
Camera and Electrical Department
John Bailie | ... | first assistant camera |
Lionel Bailly | ... | electrician: Paris |
Peter Batten | ... | first assistant camera: second unit (as Pete Batten) |
Ashley Bond | ... | first assistant camera |
Stephane Canda | ... | key grip: Paris (as Stéphane Canda) |
Ciro Candia | ... | second assistant camera |
Ennio Di Santolo | ... | electrician (as Ennio De Santola) |
Laurent Dray | ... | grip: Paris |
Tommy Finch | ... | gaffer (as Christopher 'Tommy' Finch) |
Sam Garwood | ... | additional photography: second unit |
Dave Gray | ... | standby rigger (as David Gray) |
Guy Guermouh | ... | electrician: Paris (as Guy Guermout) |
Alice Hobden | ... | second assistant camera: second unit |
Bradley Hogan | ... | second assistant camera: second unit (as Brad Hogan) |
Stuart Howell | ... | camera operator |
Gary Hymns | ... | grip: second unit |
Giles Keyte | ... | stills photographer |
Chris Knoll | ... | electrician |
Franck Lependu | ... | electrician: Paris |
Quentin Markowski | ... | electrician: Paris |
Rod Marley | ... | first assistant camera: second unit |
Benjamin Miranda | ... | grip: Paris |
Eric Monin | ... | electrician: Paris |
Olivier Neveu | ... | gaffer: Paris |
Mickey Peerless | ... | electrician (as Micky Peerless) |
Vincent Plaidy | ... | camera loader: Paris |
Benjamin Prevost | ... | electrician: Paris |
Darren Quinn | ... | key grip |
Ed Rutherford | ... | first assistant camera: second unit |
Christian Thurot | ... | electrician: Paris |
Mathieu Ungaro | ... | grip: Paris |
Garie Wetherill | ... | video playback operator |
George White | ... | best boy (as George 'Spike' White) |
Lorraine Jones | ... | camera trainee (uncredited) |
Casting Department
Camilla Evans | ... | casting assistant |
Myriam Haquin | ... | crowd casting: Paris |
Costume and Wardrobe Department
Chloe Aubry | ... | costume assistant (as Cloe Aubry) |
Rose Goodhart | ... | costume supervisor |
Cristy Watson | ... | costume assistant |
Location Management
Tyson Barber | ... | location runner |
Gregory Bruneau | ... | location production assistant: Paris (as Grégory Bruneau) |
Sébastien Delepine | ... | location production assistant: Paris |
Lara Murray | ... | location manager |
Jane Soans | ... | location manager |
Grégory Valais | ... | unit location manager: Paris |
Charles Senard | ... | location scout (uncredited) |
Music Department
Niv Adiri | ... | music editor |
Zbigniew Graca | ... | conductor: Polish Radio Orchestra |
Julian Kershaw | ... | orchestrator |
Tadeusz Mieczkowski | ... | recording engineer: Polish Radio Studios |
Mike Ross-Trevor | ... | music mixing engineer: Whitfield Street Studios, London |
Devin Workman | ... | assistant engineer: Whitfield Street Studios, London |
Nora Mullally | ... | music business/legal services (uncredited) |
Script and Continuity Department
Sarah Critchley | ... | script clearances |
Penny Eyles | ... | script supervisor |
Transportation Department
Gary Barnes | ... | unit driver |
Mick Boddy | ... | driver: standby props |
Brian Brookner | ... | unit driver |
Marie-Elise Chocroun | ... | driver: Paris |
Graham Dolloery | ... | driver: minibus (as Graham Dollery) |
Matt Evans | ... | driver: facilities |
Geraldine Girault | ... | driver: Paris |
Georg Grohmann | ... | unit driver (as Georg Grohman) |
Mark Hatchwell | ... | driver: grip van |
John Hogbin | ... | driver: minibus |
Carl Isherwood | ... | facilities driver |
Russell King | ... | driver: camera truck |
Rob MacKnight | ... | driver: minibus (as Rob McKnight) |
Mac MacLean | ... | facilities captain (as Mac McLean) |
Nigel Morris | ... | driver: props runaround |
Maxime Mund | ... | driver: Paris |
Simon Saunders | ... | unit driver |
Mike Smith | ... | unit driver |
Colin Stephenson | ... | driver: facilities (as Colin Stevenson) |
Alexandre Vernerey | ... | driver: Paris |
Sean Warwick | ... | driver: standby construction |
Darren Watson | ... | driver: facilities |
Mike Wheeler | ... | unit driver |
Additional Crew
Adrien Adriaco | ... | assistant unit location manager: Paris |
Sarah Baker | ... | assistant: Paul Smith, Celador Films |
Georgie Bayford | ... | accountant: Celador Films |
Clare Bennett | ... | assistant co-ordinator |
Carey Berlin | ... | production assistant: DNA Films |
Alexandra Bouillon | ... | assistant: Steve Clark-Hall (as Alex Bouillon) |
Marie-France Calif | ... | production co-ordinator: Paris |
Steve Clark | ... | chef: Set Meals |
Mike Clark-Hall | ... | floor runner |
James Cooper | ... | production runner |
Rachel Cooper | ... | production assistant: DNA Films |
Ginger Corbett | ... | publicity: Premier Public Relations |
Mel Claus Crawford | ... | production co-ordinator (as Mel Claus) |
Matt Curtis | ... | title designer (as Matthew Curtis) |
Sean Desmond | ... | security manager |
Stephen Dover | ... | financial management: Celador Films |
John Ensby | ... | laboratory contact |
Larry Eydmann | ... | health and safety advisor (as Larry Eydman) |
Camille Gatin | ... | stand-in |
Yolandi Groblar | ... | catering assistant: Set Meals |
Hattie Harper | ... | assistant to director (as Harriet Harper) |
Kate Hudson | ... | publicity: Premier Public Relations |
Patrick Isherwood | ... | production accountant |
Rachel James | ... | post production accountant |
Nicky Jarvis | ... | unit nurse |
Claire Kendall-Price | ... | production trainee |
Lisa Leibo | ... | assistant: Christian Colson, Celador Films |
Ivana MacKinnon | ... | development executive: Celador Films |
Simon Maxwell | ... | production runner |
Cindy Newman | ... | supplier: Horlicks the Dog |
Ben Nicholas | ... | production assistant: DNA Films |
David Oliver | ... | stand-in |
Zohra Salhi | ... | production accountant: Paris |
Isaac Sananes | ... | assistant accountant |
Joan Smith | ... | cashier |
Joanne Smith | ... | general manager: DNA Films |
John Stewart | ... | chef: Set Meals |
Sue Summerskill | ... | chaperone |
Jen Lambert | ... | construction nurse (uncredited) |
Will Patrick Roberts | ... | runner (uncredited) |
Thanks
Cassandra Balchin | ... | the producers wish to thank for their assistance |
Charles Balchin | ... | the producers wish to thank for their assistance |
Freya Balchin | ... | the producers wish to thank for their assistance |
Jane Balchin | ... | the producers wish to thank for their assistance |
Stephen Critchlow | ... | the producers wish to thank for their assistance |
Gerard Crosnier | ... | the producers wish to thank for their assistance |
Donald Douglas | ... | the producers wish to thank for their assistance |
Zizi Durrance | ... | the producers wish to thank for their assistance |
Prudence Hopkins | ... | the producers wish to thank for their assistance |
Robert Jones | ... | the producers wish to thank for their assistance |
James Kay | ... | the producers wish to thank for their assistance |
Laurence Kaye | ... | the producers wish to thank for their assistance |
Cathy King | ... | the producers wish to thank for their assistance |
Sarah King | ... | the producers wish to thank for their assistance |
Martin Koch | ... | the producers wish to thank for their assistance |
Penelope Leach | ... | the producers wish to thank for their assistance |
Rhoda Lewis | ... | the producers wish to thank for their assistance |
Andrew Macdonald | ... | special thanks |
Alastair Mackenzie | ... | the producers wish to thank for their assistance |
Patrick Massey | ... | the producers wish to thank for their assistance |
Nora Mullally | ... | the producers wish to thank for their assistance |
Allon Reich | ... | special thanks |
George Stiles | ... | the producers wish to thank for their assistance |
Jesus Torres | ... | the producers wish to thank for their assistance: Le Caprice, London |
Production Companies
- Celador Films (presents)
- DNA Films (presents)
- UK Film Council (in association with)
- FilmFour (in association with)
Distributors
- Twentieth Century Fox (2005) (United Kingdom) (theatrical)
- Fox Searchlight Pictures (2005) (United States) (theatrical) (as Fox Searchlight Films) (presents)
- Twentieth Century Fox (2005) (Mexico) (theatrical)
- Twentieth Century Fox (2006) (Germany) (theatrical)
- 20th Century Fox Home Entertainment (2006) (United States) (DVD) (Both widescreen and fullscreen)
- 20th Century Fox Home Entertainment (2006) (Germany) (DVD)
- 20th Television (United States) (tv)
Special Effects
- Any Effects (special effects)
Other Companies
- AFM Lighting (lighting equipment)
- Blow Up (stills processing)
- British Broadcasting Corporation (BBC) (excerpt: "Monarch of the Glen" courtesy of)
- Celador Productions (excerpt: "Who Wants to Be a Millionaire" courtesy of)
- Cine Image Film Opticals (end roller)
- David Deane Associates (health and safety policy advisor)
- Digital Cinema at VTR (digital intermediate)
- Edit Hire (New Technology) (editing equipment)
- Edit Hire (New Technology) (post production facilities)
- Film Finances (completion guarantor)
- Goldcrest Post Production London (adr recorded at)
- Kodak (motion picture film)
- Lays International (facility vehicles)
- Lionhead Productions (developed in association with)
- Lusam Music (music published by)
- Mad Dog 2020 (extras casting)
- Media Safety (health & safety)
- Media Travel International (travel services)
- Mediacom 24-7 (travel agent)
- Midnight Transfer (editing equipment)
- Midnight Transfer (post production facilities)
- National Lottery (made with the support of)
- Near North Entertainment (insurance services)
- Panavision (camera equipment)
- Pinewood Shepperton (foley recorded at)
- Pinewood Shepperton (re-recorded at)
- Premier Public Relations (publicity)
- Production Copier Company (production equipment and services)
- Reelsound (post production sound)
- Sapex Scripts (post-production script)
- Set Meals (catering)
- Steeple Post Production Services (post-production consulting)
- The Polish Radio Orchestra (orchestra)
- The Polish Radio Studios (score recording facilities)
- The Staff at Le Caprice London (the producers wish to thank for their assistance)
- Vehicles in Vision (action vehicles supplier)
- Warner Bros. De Lane Lea (adr recording)
- Wavevend Communications (walkie talkies)
- Whitfield Street Studios (music mixed at)
- Willie's Wheels (facility vehicles)
Storyline
Plot Summary |
A cyclist is killed, swiped by a Range Rover in a village lane. James and Anne Manning become involved because the victim is the husband of their cleaner, Maggie. James, a solicitor in the city, soon comes to suspect William Bule, a millionaire playboy who has moved back to the village. William, pressed by James, confesses to the hit and run. But the confession is clouded by Anne's admission of her affair with William. Written by johnno.r@xtra.co.nz |
Plot Keywords | |
Genres | |
Parents Guide | View content advisory » |
Certification |
|
Additional Details
Also Known As |
|
Runtime |
|
Official Sites | |
Country | |
Language | |
Color | |
Aspect Ratio |
|
Sound Mix | |
Filming Locations |
Did You Know?
Trivia | Last full length cinema film of John Neville. See more » |
Goofs | When Anne and James met out in the rain for a last goodbye it was very obvious that the rain was manufactured. The rain came down mainly where they were standing and the WAY it came down was not realistic at all. See more » |
Movie Connections | Features Who Wants to Be a Millionaire (1998). See more » |
Quotes |
James Manning:
Oh, fuck Bill! Anne Manning: That's the thing really. I mean I do fuck Bill. Or rather he fucks me. See more » |