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Stuart Beattie (written by)
6 août 2004 (USA) suite
It started like any other night
A cab driver finds himself the hostage of an engaging contract killer as he makes his rounds from hit to hit during one night in LA. He must find a way to save both himself and one last victim. full summary | add synopsis
Nominated for 2 Oscars. Another 11 wins & 36 nominations suite
With patience it is a very effective thriller whose plot problems are covered by a great director and a strong cast plus de (766 total)
Réalisé par | |||
| Michael Mann | |||
Scénaristes(WGA) | ||
| Stuart Beattie | (written by) | |
Produit par | |||
| Bryan H. Carroll | .... | associate producer | |
| Gusmano Cesaretti | .... | associate producer | |
| Frank Darabont | .... | executive producer | |
| Michael Doven | .... | associate producer: Mr. Cruise | |
| Robert N. Fried | .... | executive producer (as Rob Fried) | |
| Peter Giuliano | .... | executive producer | |
| Julie Herrin | .... | associate producer | |
| Michael Mann | .... | producer | |
| Julie Richardson | .... | producer | |
| Chuck Russell | .... | executive producer | |
| Michael Waxman | .... | co-producer | |
Musique originale | |||
| James Newton Howard | |||
Image | |||
| Dion Beebe | |||
| Paul Cameron | (director of photography) | ||
Montage | |||
| Jim Miller | |||
| Paul Rubell | |||
Distribution des rôles | |||
| Francine Maisler | |||
Création des décors | |||
| David Wasco | |||
Direction artistique | |||
| Daniel T. Dorrance | |||
Décorateur de plateau | |||
| Sandy Reynolds-Wasco | (as Alexandra Reynolds Wasco) | ||
Création des costumes | |||
| Jeffrey Kurland | |||
Maquillage | |||
| Lois Burwell | .... | makeup artist: Tom Crusie | |
| Judith A. Cory | .... | hair stylist: Mr. Cruise | |
| Deidra Dixon | .... | hair stylist: Mr. Foxx | |
| Jake Garber | .... | special makeup effects artist | |
| Cleve Gunderman | .... | special makeup effects artist | |
| Keith Hall | .... | makeup department head | |
| Jamie Kelman | .... | special makeup effects artist | |
| John Kim | .... | makeup effects technician | |
| Araxi Lindsey | .... | hair stylist: Ms. Pinkett Smith | |
| LaLette Littlejohn | .... | makeup artist: Mr. Foxx | |
| Bart Mixon | .... | special makeup effects artist | |
| Matthew W. Mungle | .... | prosthetic makeup artist | |
| Matthew W. Mungle | .... | special makeup effects artist | |
| Kenny Myers | .... | makeup artist: Tom Cruise (as Kenneth R. Myers) | |
| Roddy Stayton | .... | hair department head | |
| Keith VanderLaan | .... | makeup effects creator: Captive Audience Productions | |
| Terrie Velasquez | .... | hair stylist | |
| Jay Wejebe | .... | key makeup artist | |
| Wesley Wofford | .... | prosthetics makeup | |
| Gabriel De Cunto | .... | special makeup effects artist (uncredited) | |
| Mary Kim | .... | makeup effects production supervisor (uncredited) | |
| Jim Knell | .... | production photographer: Captive Audience Productions (uncredited) | |
Assistant réalisateur | |||
| Ty Arnold | .... | additional second second assistant director | |
| Carla Bowen | .... | second assistant director | |
| Bryan H. Carroll | .... | second unit director | |
| Gusmano Cesaretti | .... | second unit director | |
| Joel Kramer | .... | second unit director | |
| Michael Waxman | .... | first assistant director | |
| Wayne Witherspoon | .... | second second assistant director | |
| Susan M. Elmore | .... | second second assistant director (uncredited) | |
Technicien du son | |||
| Jon Ailetcher | .... | sound mixer: second unit | |
| Mike Anderson | .... | boom operator | |
| Paul Aulicino | .... | assistant sound editor | |
| Bruce Barris | .... | first assistant sound editor | |
| Gary Blufer | .... | sound transfer | |
| Thom Brennan | .... | supervising foley editor | |
| Eddie Bydalek | .... | sound re-recordist | |
| Derek Casari | .... | adr engineer | |
| Derek Casari | .... | adr foley | |
| William Cawley | .... | assistant sound editor (as Bill Cawley) | |
| Mike Chock | .... | sound editor | |
| Marc Deschaine | .... | assistant sound editor | |
| Doc Kane | .... | adr mixer | |
| Elliott Koretz | .... | sound designer (as Elliott L. Koretz) | |
| Elliott Koretz | .... | sound supervisor (as Elliott L. Koretz) | |
| Elliott Koretz | .... | supervising sound editor (as Elliott L. Koretz) | |
| Dawn Kratofil | .... | sound librarian | |
| Tom Lalley | .... | sound re-recordist engineer | |
| Mary Jo Lang | .... | foley mixer | |
| David Lucarelli | .... | adr recordist | |
| Craig Mann | .... | sound re-recordist | |
| Michael Minkler | .... | sound re-recording mixer | |
| Alyson Dee Moore | .... | foley artist (as Alyson Moore) | |
| Scott Morgan | .... | foley recordist | |
| Steve Nelson | .... | sound editor (as Steven F. Nelson) | |
| Myron Nettinga | .... | sound re-recording mixer | |
| Nancy Nugent | .... | dialogue editor (as Nancy Kyong Nugent) | |
| Lee Orloff | .... | production sound mixer | |
| Michael Payne | .... | sound editor | |
| Kurt Peterson | .... | sound rigger | |
| Charleen Richards | .... | adr mixer (as Charleen Richards-Steeves) | |
| John Roesch | .... | foley artist | |
| Kim Secrist | .... | sound editor | |
| Greg Steele | .... | adr mixer | |
| John C. Stuver | .... | supervising dialogue editor | |
| Becky Sullivan | .... | supervising adr editor | |
| Bill Talbott | .... | stage engineer | |
| Knox White | .... | boom operator | |
Effets spéciaux | |||
| Ozzy Alvarez | .... | lab technician | |
| John J. Downey | .... | special effects | |
| Matt Downey | .... | special effects | |
| Paula D. Fisher | .... | special effects office coordinator (as Paula Fisher) | |
| Thomas L. Fisher | .... | special effects coordinator | |
| Ronald D. Goldstein | .... | special effects foreman | |
| Harvey Lowry | .... | director of operations: Captive Audience | |
| Bruce Minkus | .... | special effects foreman | |
| Dirk Rogers | .... | life cast, mold maker, prop fabrication: W.M. Creations (uncredited) | |
Visual Effects | |||
| Joseph Bailey | .... | digital compositor: big red pixel | |
| Ken Blackwell | .... | visual effects editor | |
| Jeremy Bloch | .... | digital effects artist: big red pixel | |
| Steven Fagerquist | .... | digital compositor | |
| Tyler Foell | .... | digital effects supervisor | |
| Tyler Foell | .... | visual effects producer | |
| Tarn Fox | .... | digital compositor: big red pixel | |
| Peter Gray | .... | 24p high definition systems engineer | |
| Perry M. Kimura | .... | digital film scanning and recording: EFilm/Deluxe | |
| John G. Kirby | .... | digital effects artist: big red pixel | |
| Katrina Leigh | .... | accountant: Big Red Pixel | |
| Jonah Loop | .... | visual effects producer: big red pixel | |
| David B. Moulder | .... | visual effects coordinator | |
| Patrick Phillips | .... | visual effects | |
| Liz Radley | .... | video & computer graphics supervisor | |
| Gerald Ragland | .... | digital intermediate assistant | |
| César Romero | .... | digital compositor | |
| Robert Rossello | .... | visual effects supervisor: Big Red Pixel | |
| David Sosalla | .... | visual effects supervisor: Pacific Title & Art Studio | |
| Robert Stadd | .... | visual effects supervisor | |
| John E. Sullivan | .... | visual effects producer | |
| John E. Sullivan | .... | visual effects supervisor (as John Sullivan) | |
| James D. Tittle | .... | digital visual effects coordinator: Pacific Title | |
| Jeff Varga | .... | visual effects | |
| Andy Davis | .... | digital compositor: Big Red Pixel (uncredited) | |
Département Casting | |||
| Benjamin Gerry | .... | casting associate | |
| Chris Gray | .... | extras casting | |
| Barbara Harris | .... | voice casting | |
| Lindsey Hayes Kroeger | .... | casting associate | |
| Justine Hempe | .... | casting associate | |
| Ron Lunceford | .... | extras casting associate | |
| Jesse Jam Miranda | .... | casting associate | |
| Michele Short | .... | casting associate | |
| Pamela Lynn Thomas | .... | casting associate | |
Département Costume et garde-Robe | |||
| Terry Anderson | .... | assistant costume designer | |
| Corey Bronson | .... | costume supervisor | |
| Toby Bronson | .... | set costumer | |
| Kendall Errair | .... | costumer: Mr. Cruise | |
| Betsy Glick | .... | costumer | |
| Carlane Passman | .... | costume supervisor | |
| Carin Richardson | .... | key costumer | |
| Shoshana Rubin | .... | set costumer | |
| Jack Taggart | .... | head ager and dyer | |
Dpartement Editorial | |||
| Mike Chiado | .... | digital intermediate technologist | |
| Martin Cohen | .... | post-production executive | |
| Rob Doolittle | .... | digital on-line editor | |
| Shane Harris | .... | assistant colorist | |
| Joe Hathaway | .... | telecine colorist | |
| Mo Henry | .... | negative cutter | |
| Alex Hepburn | .... | first assistant editor | |
| Kevin Hickman | .... | assistant editor | |
| Erin Michelle Hopkins | .... | assistant editor | |
| Brennan Ieyoub | .... | assistant editor | |
| Adam Kimmerlin | .... | assistant editor | |
| Mike Koz | .... | first assistant editor | |
| Nina Lucia | .... | first assistant editor | |
| Chris McCaleb | .... | post-production coordinator | |
| Meghan L. Noble | .... | assistant editor | |
| Brian Scott Olds | .... | post-production assistant | |
| Missy Papageorge | .... | digital intermediate producer | |
| Thatcher Peterson | .... | digital intermediate producer | |
| Sam Restivo | .... | post-production assistant | |
| Erik Rogers | .... | digital intermediate producer | |
| Kurt Smith | .... | laboratory color timer | |
| Stefan Sonnenfeld | .... | colorist | |
| Kristina Trirogoff | .... | first assistant editor | |
| Jorge Tanaka | .... | digital intermediate assistant (uncredited) | |
Département Musique | |||
| Jon Ailetcher | .... | music playback | |
| Gui Amabis | .... | score coordinator | |
| Pete Anthony | .... | conductor | |
| Pete Anthony | .... | orchestrator | |
| Jeff Atmajian | .... | orchestrator | |
| Michael Boustead | .... | additional music editor (as Mike Boustead) | |
| Brad Dechter | .... | orchestrator | |
| Sandy DeCrescent | .... | music contractor | |
| Eddie Delena | .... | music recordist | |
| Eddie Delena | .... | score recordist | |
| Clay Duncan | .... | music score programmer | |
| Craig Eastman | .... | musician: rebecca, tenor violin and hurdy gurdy | |
| Michael Farrow | .... | additional score recordist | |
| James Flamberg | .... | music editor | |
| Bruce Fowler | .... | additional orchestrator conductor | |
| Thomas Graham II | .... | score recordist (as Thomas Graham) | |
| Vicki Hiatt | .... | music supervisor | |
| James T. Hill | .... | electronic score mixer | |
| James T. Hill | .... | electronic score recordist | |
| Todd Homme | .... | executive music supervisor | |
| Fred Johnston | .... | music playback | |
| Todd Kasow | .... | music editor | |
| Zachary Koretz | .... | composer: additional music | |
| Tim Lauber | .... | score recordist | |
| Jason Lloyd | .... | scoring crew | |
| Shawn Murphy | .... | score mixer | |
| Shawn Murphy | .... | score recordist | |
| David Olson | .... | assistant music editor | |
| Antonio Pinto | .... | composer: additional music | |
| Tom Rothrock | .... | composer: additional music | |
| Steven L. Smith | .... | music preparation | |
| Del Spiva | .... | additional music editor | |
| Tom Steel | .... | scoring crew | |
| Philip Tallman | .... | music editor | |
| Jim Weidman | .... | music editor | |
Département Transport | |||
| Howard Bachrach | .... | transportation captain | |
| Rich Bennetti | .... | parking coordinator | |
| Jesse Blanco | .... | transportation cars | |
| Tom Briggs | .... | driver | |
| Mark Brown | .... | driver: production van | |
| Gary Cheek | .... | driver | |
| Ken Farnell | .... | driver | |
| Chris Ferrence | .... | picture vehicle assistant | |
| Keith D. Fisher | .... | transportation co-captain | |
| J. Armin Garza II | .... | driver: camera car | |
| Bill Lopez-Arjona | .... | driver (as William Arjona) | |
| Bill Lopez-Arjona | .... | transportation | |
| John Lybrand | .... | driver: cast | |
| Cyril O'Neil | .... | picture car coordinator | |
| Aaron Skalka | .... | transportation coordinator | |
| Paul Tumber | .... | transportation | |
Divers | |||
| Dominic Bartolone | .... | digital utility | |
| Fawn Boardley | .... | assistant: Ms. Pinkett Smith | |
| Chad Bronson | .... | assistant accountant | |
| Matthew B. Chamberlin | .... | key assistant location manager | |
| Christopher Ciketic | .... | assistant accountant | |
| Angie Lee Cobbs | .... | assistant production coordinator | |
| Keith Collea | .... | video | |
| Deborah A. Cornett | .... | post first assistant accountant | |
| Jeff Crandall | .... | staff assistant | |
| Jan Dennehy | .... | production accountant | |
| Ava DuVernay | .... | publicity consultant | |
| Mike Eisenberg | .... | assistant: Mr. Giuliano (as Michael L. Eisenberg) | |
| Eric Fierstein | .... | on-set location manager | |
| Peggy Flood | .... | additional voice | |
| Lisa K. Fowle | .... | video production assistant | |
| Ran Francke | .... | security: Jada Pinkett Smith | |
| Chris W. Freeman | .... | production assistant | |
| Sue Frey | .... | executive assistant: Mr. Cruise | |
| David Fulton | .... | publicist | |
| Sean P. Galvin | .... | production assistant | |
| Shawn Gillespie | .... | first assistant accountant | |
| Sydney Gilner | .... | script supervisor | |
| Monica Goldstein | .... | executive assistant: Mr. Mann | |
| Rob Gomes | .... | production assistant | |
| Mick Gould | .... | technical advisor (as Michael Gould) | |
| Kurt Greufe | .... | first assistant accountant | |
| Christopher Griffie | .... | production assistant | |
| Jennifer Hammon | .... | production assistant: Mr. Cruise | |
| Chris Hampel | .... | assistant: Mr. Mann | |
| Julie Hannum | .... | location manager | |
| Josh Harris | .... | assistant: Mr. Cruise | |
| David Hollander | .... | researcher | |
| Susan Hollander | .... | scenario coordinator | |
| Susan Hollander | .... | script coordinator | |
| Lindsay Hudson | .... | construction medic | |
| Martin L. Hudson | .... | assistant location manager | |
| Kenneth Hunter | .... | location scout | |
| Karen Jarnecke | .... | production coordinator | |
| Jay Johnson | .... | main title design | |
| Aakomon Jones | .... | co-choreographer | |
| Steve Karnes | .... | weapons armorer | |
| Michael Kehoe | .... | craft service | |
| Jason Z. Kemp | .... | production assistant | |
| John D. Kim | .... | voice-over | |
| Perry M. Kimura | .... | digital film scanning and recording | |
| Matti Klutz | .... | set production assistant | |
| Ove Langevei | .... | production assistant | |
| Steven S. Lee | .... | key assistant location manager | |
| Justin Liberman | .... | production assistant | |
| Thomas Longo | .... | extras coordinator: on-set | |
| Johnny Mack | .... | assistant: Mr. Foxx | |
| Chuck Maldonado | .... | dancer | |
| La Wanna May | .... | product placement | |
| Brendan McDonald | .... | production assistant | |
| Peter McKernan | .... | pilot: picture ship | |
| Meaghan F. McLaughlin | .... | set production assistant | |
| Dauv McNeely | .... | computer and video playback technician | |
| Steven R. Molen | .... | production executive | |
| Ellen J. Morris | .... | production assistant | |
| Guy Morrison | .... | assistant location manager | |
| Robert Nagle | .... | driving instructor | |
| Thomas E. Nicholson | .... | production assistant | |
| Cameron Pearce | .... | graphic advisor | |
| Gayle Phelps | .... | coyote trainer | |
| Janice Polley | .... | supervising location manager | |
| Bryant Powell | .... | stand-in | |
| Stan Purdy | .... | personal security | |
| Willy Roberts | .... | production assistant | |
| Fatima Robinson | .... | choreographer | |
| David Romano | .... | payroll accountant | |
| Sam Sako | .... | adr voice | |
| Ivor Shier | .... | helicopter pilot | |
| David Silverton | .... | production assistant | |
| Sabrina Somma | .... | construction medic | |
| Jina Song | .... | photo model | |
| Jeremiah Stafford | .... | production assistant | |
| Sheri St Lawrence | .... | second assistant accountant | |
| Charles A. Tamburro | .... | aerial coordinator (as Chuck Tamburro) | |
| Charles A. Tamburro | .... | pilot (as Chuck Tamburro) | |
| John Tamburro | .... | aerial coordinator | |
| John Tamburro | .... | pilot | |
| Hector Tinoco | .... | location manager | |
| Marshall Tyler | .... | assistant: Mr. Mann | |
| Coree Van Bebber | .... | assistant: Mr. Beebe | |
| Edward S. Viola | .... | digital imaging assistant | |
| Catherine Wall | .... | manufacturing foreperson | |
| Justin Wells | .... | digital utility | |
| Chris Winn | .... | key craft service | |
| Coco Yuon | .... | assistant location scout | |
| Chic Daniel | .... | police technical advisor (uncredited) | |
| Robert Deamer | .... | police technical advisor (uncredited) | |
| Liam Ford | .... | data manager: CO3 (uncredited) | |
| Asal Masomi | .... | production assistant (uncredited) | |
| John Minor | .... | location scout (uncredited) | |
Merci | |||
| Jesse Jam Miranda | .... | very special thanks | |
Untitled Michael Mann Project (USA) (working title)
suite
Rated R for violence and language.
120 min
2,35 : 1 suite
DTS | Dolby Digital | SDDS
USA:R (certificate #40965) | Iceland:16 | Ireland:15 | Switzerland:16 (canton of Zurich) | Malaysia:18SG | Brazil:14 | India:A | Netherlands:12 (TV rating) | Canada:13+ (Quebec) | Canada:14 (Nova Scotia) | Canada:14A (Alberta/British Columbia/Manitoba/Ontario) | France:U (with warning) | Hungary:16 | Spain:18 | Argentina:13 | Australia:MA | Chile:14 | Czech Republic:15 | Denmark:15 | Finland:K-15 | Germany:16 | Hong Kong:IIB | Netherlands:16 | New Zealand:R13 | Norway:15 | Peru:14 | Philippines:R-13 | Portugal:M/16 | Singapore:NC-16 | South Korea:15 | Sweden:15 | Switzerland:14 (canton of Geneva) | Switzerland:14 (canton of Vaud) | UK:15
The train sequence was shot with a green screen background because director Michael Mann had very precise ideas about what should be visible through the train windows. suite
Continuité: When Annie and Max are running from Vincent, they come to the subway platform. The train they board is marked for the "M" platform, although the platform they're on is marked "L". suite
[first lines]
Vincent:
You OK?
Airport Man:
Yeah, I'm fine mate, don't worry about it.
suite
figure dans The 77th Annual Academy Awards (2005) (TV) suite
Güero Canelo suite
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| The Departed | Live Free or Die Hard | Scarface | Karam | Chik yeung tin si |
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| Casting et équipe complète | Remerciements de la Société | Revues externes |
| IMDb Crime section | IMDb USA section | Add this title to MyMovies |
Max thinks his day is looking up when he gets a beautiful fare who gives him a tip and her business card when she gets out. Resting on his laurels, Max nearly misses his next fare; Vincent, in LA for just one night to close out 5 deals, get signatures and then fly out by 6am and he offers Max a few hundred dollars to taxi him around for the night and then drop him at the airport. Max agrees and takes him to the first stop, only to discover that Vincent's job is actually to kill a list of 5 people and, now that Max has witnessed one killing, Vincent has no choice but to keep him with him.
I loved this film; there is no point in trying to hide that fact, but I am not blind to the problems that it has: too many reviewers have either loved it without exception or overly criticised it. The plot has holes there, I've said it. The plot relies on some actions that don't ring true and other times rely on coincidences or just write things in to move the plot. However this is not a massive problem because it is still very enjoyable and gripping and its other strengths cover these problems. Of course, even with the holes it is still very enjoyable but demands your patience because, although it is tense, it isn't a roller coaster for the vast majority of the time. It has very fast moments but a lot of it is talky and patient not a problem for me, but I can see why some multiplexers may have had itchy feet waiting for action. However even with this patience, the film is still very tense helped by some very sudden moments of violence that come out of nowhere and help put the audience on edge. Much was made in Heat of key moments where opposite characters find common ground and in this film it is the opposite but done to similarly interesting effect. Here Max and Vincent are opposites who get under each others' skins over the course of the night; their relationship is very strange and I think the script does well to bring this across even if it is hard to understand at times (part of this is their relationship getting tied up in some of the plot weaknesses).
A big part of the plot problems being covered is due to the strong direction from Mann, who can shoot a city like nobody else. As others have said, the fly-overs look great but for me the surprise was to see Mann add digital film to his cannon. This allows him to mix very rough, intimate shots with film to bring the audience in closer. I also noticed that he seemed to do very close angles and frames with 'proper' film as well, all increasing the feel of being 'there' and intimately involved. Of course, on top of this we still had Mann's usual shooting of LA at night fluorescent lighting, empty streets and so on nothing new but it is still very effective and great to look at. If it weren't for the very heavy cast involved here then Mann would be the main star of the film but, as it is, his direction is just part of the film pulling together to produce the goods.
The cast is impressive and those who have come on the basis of Cruise alone will be surprised to find so many well known faces who are very able. Cruise wants an Oscar and he has done several of the Oscar tricks to get one his most recent attempt here is to play totally against type. He does it pretty well, making for a convincing cold killer on the surface but still able to reveal an empty core when he is pushed. If he had been allowed to do this more then maybe he would have been more impressive but he isn't and the end result is just a good performance. Of course it doesn't help that Cruise has to play opposite Jamie Foxx delivering one of his most assured performances yet. Based on seeing him in stuff like Booty Call and his own comedy show, I was worried when I saw him due to star in this movie but it turns out that he can act! In fact he dominates the film with a quiet role that runs a gauntlet of emotions while Cruise mostly sits in 'cold killer' mode, meaning that, in most scenes, Foxx is the one we are watching. The support cast is surprisingly deep and the amount of familiar faces makes some moments of violence all the more unexpected. While none of them are really given the time to shine, there are quality turns from Smith, Berg, McGill, Hall, Henley and Ruffalo and it gives the (albeit false) impression of an all-star ensemble; although why Jason Stratham bothered to turn out for the one day of shooting he must have done for the airport scene is beyond me.
Overall this is a very effective film. The atmosphere is just right and is helped by the script, the cast and the director all combining to provide a patient pace that still manages to be very tense and exciting. Mann's direction is great, mixing film with digital to good effect and Cruise is very good playing against type with a good support cast of well-known faces.
However the genuine surprise of the film is Jamie Foxx; better known for clichéd ethnic comedy roles, he steps up here and just about steals every scene he is in.