White Noise (2005)
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- PG-13
- 1h 41min
- Drama, Horror
- 07 Jan 2005 (USA)
- Movie
An architect's desire to speak with his wife from beyond the grave becomes an obsession with supernatural repercussions.
Director:
Writer:
Awards:
- 1 win & 2 nominations.
- See more »
Reviews:
Photos and Videos
Complete, Cast awaiting verification
| Michael Keaton | ... |
Jonathan Rivers
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| Chandra West | ... |
Anna Rivers
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| Deborah Kara Unger | ... |
Sarah Tate
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| Ian McNeice | ... |
Raymond Price
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| Sarah Strange | ... |
Jane
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| Nicholas Elia | ... |
Mike Rivers
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| Mike Dopud | ... |
Detective Smits
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| Marsha Regis | ... |
Police Woman
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Brad Sihvon | ... |
Minister
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| Mitchell Kosterman | ... |
Work Man
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| L. Harvey Gold | ... |
Business Man
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| Amber Rothwell | ... |
Susie Tomlinson
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Suzanne Ristic | ... |
Mary Freeman
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| Keegan Connor Tracy | ... |
Mirabelle
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| Miranda Frigon | ... |
Car Crash Woman
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| Aaron Douglas | ... |
Young Father
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| Anthony Harrison | ... |
Doctor
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| Bruce Dawson | ... |
Mark
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| Benita Ha | ... |
TV Reporter
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Anastasia Corbett | ... |
Young Girl (EVP)
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Micki Maunsell | ... |
Edith Tomlinson
(as Miki Maunsell)
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Ross Birchall | ... |
Young Boy (EVP)
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| Peter Bryant | ... |
Man (EVP)
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Bill Tarling | ... |
Presence #1
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Chuck Walkinshaw | ... |
Presence #2
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| Colin Chapin | ... |
Presence #3
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| April Telek | ... |
John's Secretary
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Michale Ascher | ... |
Woman
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| Rest of cast listed alphabetically: | |||
| Gardiner Millar | ... |
Husband (uncredited)
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Directed by
| Geoffrey Sax | ||
Written by
| Niall Johnson | ... | (written by) |
Produced by
| Paul Brooks | ... | producer |
| Simon Brooks | ... | executive producer |
| Stephen Hegyes | ... | executive producer |
| Scott Niemeyer | ... | executive producer |
| Jonathan Shore | ... | associate producer |
| Norm Waitt | ... | executive producer |
| Shawn Williamson | ... | producer |
Music by
| Claude Foisy | ||
Cinematography by
| Chris Seager | ... | director of photography |
Editing by
| Nick Arthurs | ||
Editorial Department
| Simon Giblin | ... | assistant digital on-line editor: Pepper Post Production |
| Lalit Goyal | ... | first assistant editor |
| Nicola Instone | ... | post-production coordinator |
| Gary Lam | ... | first assistant editor |
| Steve Lee | ... | assistant digital on-line editor: Pepper Post Production |
| Elizabeth Mueller | ... | post-production accountant: EP Canada |
| Jet Omoshebi | ... | digital intermediate colorist: Pepper Post Production |
| Iain Read | ... | assistant digital on-line editor: Pepper Post Production |
| Shane Warden | ... | digital on-line editor: Pepper Post Production |
| Jill Allanson | ... | telecine assistant (uncredited) |
| Chris Andrews | ... | negative cutter (uncredited) |
| Rhonda Blewett | ... | telecine assistant (uncredited) |
| Sarah Carefoot | ... | colorist: dailies (uncredited) |
| Veronica Marcano | ... | negative cutter (uncredited) |
Casting By
| Maureen Webb | ||
Production Design by
| Michael S. Bolton | ||
Art Direction by
| Gregory G. Venturi | ||
Set Decoration by
| Penny A. Chalmers | ... | (as Penny Chalmers) |
Costume Design by
| Karen L. Matthews | ... | (as Karen Matthews) |
Makeup Department
| Mary L. Mastro | ... | hair stylist: Michael Keaton (as Mary Mastro) |
| Gene McCormick | ... | makeup artist |
| Julio Pallares | ... | special effects makeup assistant |
| Robert Ryan | ... | makeup artist: Michael Keaton |
| Adina Shore | ... | key hair stylist |
| Deborah Slonowski | ... | first assistant makeup artist |
| Margaret Solomon | ... | key makeup artist |
| Bill Terezakis | ... | special makeup effects coordinator |
| Maureen Terezakis | ... | special effects makeup coordinator |
| Barbara J. Wozniak | ... | first assistant hair (as Barb Wozniak) |
| Vince Yoshida | ... | special effects makeup assistant (as Vincent Akira Yoshida) |
| Emanuela Daus | ... | assistant makeup artist (uncredited) |
| Howard Lau | ... | fabricator (uncredited) |
| Keith Lau | ... | fabricator (uncredited) |
Production Management
| Lisa Sweet | ... | post-production supervisor: Pepper Post Production |
| Pascal Verschooris | ... | production manager |
| Emma Zee | ... | post-production supervisor: J&E Post Production |
Second Unit Director or Assistant Director
| Karin Behrenz | ... | third assistant director |
| Glenn Bottomley | ... | second assistant director |
| Graham Cairns | ... | trainee assistant director |
| Richard Coleman | ... | first assistant director |
| Eunice Choi | ... | assistant director (uncredited) |
Art Department
| David Allcock | ... | storyboard artist |
| Richard Barrett | ... | lead carpenter |
| Tim Bartlett | ... | props buyer / truck coordinator |
| Tony Beck | ... | set dresser (as Anthony Beck) |
| David Beetham | ... | lead hand |
| Mark Black | ... | assistant props master |
| Walter Coleman | ... | set dresser |
| Dave Conway | ... | construction coordinator |
| Doris Deutschmann | ... | graphic designer |
| Richard Dobbin | ... | construction foreman (as Rich Dobbin) |
| Frank Haddad | ... | head greens person |
| Iesza Jessica Jordan | ... | sculptor (as Iesza Snowdon) |
| Andy Koessler | ... | on set dresser (as Andrew Koessler) |
| Tina Krohn | ... | set dresser |
| Angus McDonell | ... | set dresser (as Angus MacDonell) |
| Roy Obermann | ... | lead carpenter |
| Amber Pankratz | ... | set dec buyer |
| Dorian Reese | ... | lead greens |
| Kimberley Regent | ... | property master |
| Lenna Reid | ... | props assistant |
| Chris Renshaw | ... | set dresser |
| Alex Ross | ... | set dresser |
| Sandra Smolski | ... | set dec buyer |
| Charlotte Stratton | ... | props assistant |
| Robin Thomas | ... | paint coordinator (as Robin Michelle Thomas) |
| Judi Varga | ... | scenic artist (as Judy E. Varga) |
| Larry Walske | ... | lead labourer (as Lawrence Walske) |
| David Weber | ... | lead carpenter (as David James Weber) |
| Debbie Wilson | ... | assistant set decorator |
| Ling Yang | ... | storyboard artist |
| Donald Yanko | ... | scenic carpenter (as Don Yanko) |
Sound Department
| Owen Bleasdale | ... | foley editor: Videosonics Cinema Sound |
| Gianluca Buttari | ... | foley mixer: Videosonics Cinema Sound |
| Dan Green | ... | adr recordist: Videosonics Cinema Sound |
| Mike Grimes | ... | sound effects editor: Videosonics Cinema Sound |
| Tirso Guinon | ... | sound effects editor: Videosonics Cinema Sound |
| Stewart Henderson | ... | dialogue editor: Videosonics Cinema Sound |
| Dan Johnson | ... | second re-recording mixer: Videosonics Cinema Sound |
| Hugh Johnson | ... | re-recording mixer: Videosonics Cinema Sound / sound designer: Videosonics Cinema Sound |
| Melissa Lake | ... | foley artist: Videosonics Cinema Sound |
| Walter Ledesma | ... | adr recordist |
| Ben Meechan | ... | sound effects editor: Videosonics Cinema Sound |
| Mark Noda | ... | boom operator |
| Bernard O'Reilly | ... | sound designer: Videosonics Cinema Sound / supervising sound editor: Videosonics Cinema Sound |
| William Skinner | ... | sound mixer |
| Barnaby Smyth | ... | adr recordist: Videosonics Cinema Sound (as Barnaby Smith) |
| Jack Stew | ... | foley artist: Videosonics Cinema Sound |
| Andrew Stirk | ... | second re-recording mixer: Videosonics Cinema Sound |
| David Turner | ... | technical coordinator: Videosonics Cinema Sound |
| Michele Woods | ... | adr editor: Videosonics Cinema Sound |
| Hilary Wyatt | ... | supervising dialogue editor: Videosonics Cinema Sound |
| Rory Ambron | ... | sound (uncredited) |
| Jose R. Castellon | ... | adr recordist (uncredited) |
| Miha Jaramaz | ... | sound editor (uncredited) |
| Mark Kenna | ... | consultant: Dolby film sound (uncredited) |
| Deni King | ... | adr supervisor (uncredited) |
| Patrick Knup | ... | voice recordist: French version (uncredited) |
| Adam Sharpe | ... | adr mixer (uncredited) |
Special Effects by
| James Kozier | ... | special effects set supervisor |
| Ron Kozier | ... | special effects assistant |
| Don Leask | ... | special effects best boy (as Don B. Leask) |
| Tim Storvick | ... | special effects coordinator |
Visual Effects by
| Simon Allmark | ... | visual effects editor: Stargate Digital London |
| George Barbour | ... | 3D artist: Stargate Digital London |
| Gavain Browne | ... | 2D artist: Stargate Digital London |
| Sarah Cloutier | ... | visual effects coordinator: Stargate Digital London (as Sarah Michon Cloutier) |
| Tom Collier | ... | 2D artist: Stargate Digital London |
| Graham Cristie | ... | cgi supervisor: Stargate Digital London |
| Simon Giles | ... | visual effects supervisor: Stargate Digital London |
| Pawel Grochola | ... | 3D artist: Stargate Digital London |
| Christian Jelen | ... | 3d artist: Stargate Digital, London |
| Sharon Lark | ... | visual effects producer: Stargate Digital London |
| David Margolis | ... | 2D artist: Stargate Digital London |
| Jennifer McEachern | ... | visual effects supervisor: Stargate Digital London |
| Pablo Renedo | ... | 2D artist: Stargate Digital London |
| Brendan Taylor | ... | visual effects coordinator: Stargate Digital London |
| Kenneth Bailey | ... | visual effects: Stargate Digital (uncredited) |
| Louis Bravo | ... | visual effects editor (uncredited) |
| Darren Frankel | ... | head of post production: Stargate Digital (uncredited) |
| Martin Halle | ... | visual effects: pre-vis (uncredited) |
| Kyle J. Healey | ... | visual effects (uncredited) |
| Jared Jones | ... | previs artist (uncredited) |
| Sean Mattini | ... | co-visual effects sequence coordinator (uncredited) |
| Valeri Pfahning | ... | compositing supervisor (uncredited) |
| Chad Schott | ... | visual effects (uncredited) |
| Paul Vorsman | ... | title sequence designer (uncredited) |
Stunts
| Carolyn Anderson | ... | stunt double: Deborah Kara Unger: stunt double |
| Randy Lee | ... | stunt coordinator |
| Ed Anders | ... | stunt driver (uncredited) |
| Curt Bonn | ... | stunt performer (uncredited) |
| Garvin Cross | ... | lead stunt double (uncredited) |
Camera and Electrical Department
| Sandes Ashe | ... | first assistant camera: "b" camera |
| Scott Cozens | ... | second assistant camera: "b" camera |
| Ken Decker | ... | genny operator |
| John Dekker | ... | gaffer |
| Dave Dibdin | ... | dolly grip |
| Glen A. Dickson | ... | camera operator: "b" camera (as Glen Dickson) |
| Myke Draaijers | ... | lamp operator |
| Lionel Hebert | ... | best boy grip |
| Chris Helcermanas-Benge | ... | still photographer |
| Rick Jermakowicz | ... | grip |
| Simon Jori | ... | first assistant camera: "a" camera |
| Barry Kaiser | ... | video assistant |
| Spiro Karfakis | ... | remote head technician |
| Trevor Kenny | ... | head technician |
| Dave Klassen | ... | best boy rigging electric (as David Robert Klassen) |
| Jose Lau | ... | second assistant camera (as Josa Lau) |
| Michael George Legree | ... | grip |
| Josephine Li | ... | lamp operator |
| Robert Little | ... | rigging grip |
| Rick Lobb | ... | grip (as Richard M. Lobb) |
| Paul Logan | ... | grip |
| Sandy MacDougall | ... | remote head technician |
| Michael Mayo | ... | best boy rigging electric |
| Wayne McAuley | ... | grip |
| David McClung | ... | lamp operator |
| Brian Knox McGugan | ... | playback coordinator (as Brian McGugan) |
| Marty McInally | ... | camera operator: "a" camera / steadicam operator |
| Eduardo Meneses | ... | lamp operator |
| Andrew Millard | ... | video playback |
| Paul T. Murakami | ... | grip (as Paul Murakami) |
| Rod Newby | ... | rigging gaffer |
| Daniel Nielsen | ... | grip |
| Thomas Novak | ... | lamp operator |
| John O'Neill | ... | rigging grip |
| Brad Oleksy | ... | grip |
| Jesse Olver | ... | grip |
| Jos Oman | ... | second assistant camera: "a" camera (as Joshua Oman) |
| Rob Orr | ... | grip |
| Dave Palmer | ... | lamp operator |
| R. Michael Parks | ... | rigging gaffer (as Michael Parks) |
| Pavel G. Pineda | ... | second assistant camera (as Pavel Garcia Pineda) |
| Darren Plester | ... | grip |
| Ryan Purcell | ... | dolly grip |
| Jules Quesnel | ... | grip |
| Wayne S. Ralph | ... | lamp operator (as Wayne Ralph) |
| Greg Rideout | ... | lamp operator |
| Rob Riley | ... | video playback |
| Dave Roman | ... | first assistant camera |
| Neil Rowe | ... | lamp operator |
| Mikil Lee Rullman | ... | first assistant camera (as Mikil Rullman) |
| Derek Saari | ... | lamp operator |
| Sukhi Sangha | ... | lamp operator |
| Jesse Sannerud | ... | camera trainee |
| Ron Sarava | ... | grip |
| Jeff Sayle | ... | second assistant camera |
| Igor Shtenz | ... | grip |
| Mario Silva | ... | lamp operator |
| Richard Sinclair | ... | second assistant camera: "a" camera (as Rich Sinclair) |
| Brad Steven David Smith | ... | rigging grip |
| Maximilian Spohr | ... | lamp operator (as Maximillian Spohr) |
| Jim Stacey | ... | camera operator video |
| Jon Stephenson | ... | dolly grip: "b" camera |
| Gary Stockport | ... | crane technician |
| Jeffery Stokes | ... | lamp operator |
| Rod Swan | ... | grip |
| Rom Taipalus | ... | rigging grip |
| Julie Tanas | ... | lamp operator |
| Michael Taschereau | ... | key grip |
| Robert D. Taylor | ... | truck crane operator (as Robert D. Taylor) |
| Scott Vere | ... | grip |
| Johnny Walker | ... | key rigging grip |
| Bryce M.G. Ward | ... | crane operator |
| Jason Weir | ... | best boy (as Jason R. Weir) |
| Barrie Wells | ... | technocrane technician |
| Scott Wells | ... | remote head technician |
| Brendan Wilson | ... | lamp operator |
| Jerrit Wilson | ... | lamp operator |
| Dikran Yazedjian | ... | gaffer |
| Brent Young | ... | lamp operator |
| Gerhard Ramone Young | ... | grip (as Gerhard Young) |
| Jo Zen | ... | grip |
| Max Torroba | ... | playback operator (uncredited) |
Casting Department
| Abigail Barbier | ... | adr voice casting |
| Colleen Bolton | ... | co-casting director (as Colleen Rogers) |
| Louis Elman | ... | adr voice casting |
| James Forsyth | ... | extras casting director |
| Mandy Milicevic | ... | extras casting set assistant |
Costume and Wardrobe Department
| Elaine Arsens | ... | set costumer |
| Michelle Lambert | ... | costumer |
| Linda Leduc | ... | assistant costume designer |
| Glenna Owen | ... | set costumer |
| Michelle Reid | ... | costumer |
| Shelly Shaw | ... | set supervisor |
| Ines Zagoudakis | ... | set costumer (as Ines Zagdudakis) |
Location Management
| Greg Jackson | ... | location manager |
| Randy Kennedy | ... | location production assistant |
| Jason Lambert | ... | location production assistant |
| Shane Lennox | ... | assistant location manager |
| Kimberly Lozinski | ... | location scout (as Kimberley Lozinski) |
| Jade Pawiuk | ... | location production assistant |
| Stephanie Scott | ... | location production assistant |
| David Tamkin | ... | trainee assistant location manager |
| Pete Tsopeis | ... | location scout |
| Joel Hurley | ... | location scout (uncredited) |
Music Department
| Claude Foisy | ... | orchestrator / pianist / score producer |
| Scott Cochran | ... | score mixer (uncredited) |
| Randy Gerston | ... | music supervisor (uncredited) |
| Lee Kerr | ... | music editor (uncredited) |
| Brian Leff | ... | music coordinator (uncredited) |
Script and Continuity Department
| Natalie Allan | ... | script coordinator (as Natalie Erin Allan) |
| Jessica Clothier | ... | script supervisor |
| Chad F. Verigin | ... | script coordinator |
| Jen Oberem | ... | script supervisor: second unit (uncredited) |
Transportation Department
| Reg Advocaot | ... | driver (as Reg Advocaat) |
| David R. Anderson | ... | transportation coordinator (as David Raye Anderson) |
| Dean Capstick | ... | transportation captain |
| Donald James Davey | ... | transportation co-captain |
| John Hardyono | ... | construction driver (as John Hardjono) |
| John Ronald Kennedy | ... | special equipment driver |
| Paul Lucien Klein | ... | driver |
| Clif Kosterman | ... | camera truck driver |
| Ross Kulak | ... | cast driver |
| Sean Labelle | ... | driver |
| Oscar Lucchetta | ... | driver: hair/makeup/wardrobe |
| Joe MacEachen | ... | cable truck driver (as A. Joseph MacEachen) |
| Garry Manseau | ... | driver |
| Tom Mascotto | ... | driver |
| Terry Maxwell | ... | driver: class 1 |
| Basil McDonald | ... | driver: class 1 |
| Wally McDonald | ... | driver |
| Paul Mercier | ... | driver (as Paul D. Mercier) |
| Bob Miele | ... | driver (as Robert Miele) |
| Dave Moroz | ... | transportation co-captain (as David Moroz) |
| W. Corky Murray | ... | cast driver |
| Jack Nemeta | ... | driver (as Jack Nemeth) |
| William J. Parsons | ... | driver |
| Frank Penko | ... | driver: class 1 |
| Dan Piercey | ... | driver |
| Geoff Porteous | ... | driver |
| Reginald Porter | ... | driver |
| John Purser | ... | special equipment driver |
| Doug Rama | ... | driver |
| Steve Reddy | ... | driver (as Steven Reddy) |
| Ed Robertson | ... | driver |
| Ian J. Scoular | ... | special equipment driver |
| Stephen Siegel | ... | driver: electric pre-rig |
| Ron Steele | ... | driver |
| Guy Russell Steer | ... | cable truck driver |
| Dave Swidrowich | ... | driver |
| Charlie Teeple | ... | driver: class 1 (as Charles D. Teeple) |
| Ian Thompson | ... | driver (as Ian B. Thompson) |
| Rob Tyrell | ... | driver |
| Greg Voje | ... | driver |
| Allan Voth | ... | driver (as Allan Edward Voth) |
| Bud Waterman | ... | driver: class 1 |
| Paul Whittle | ... | driver: class 1 |
| Jerry Wilkinson | ... | driver: class 1 (as Jerry G. Wilkinson) |
| Gary Young | ... | driver (as Garry Young) |
| Max Zaritsky | ... | driver: class 1 |
| Chris Zimmerman | ... | driver: class 1 (as Chris R. Zimmerman) |
| Andrew Zych | ... | driver |
| Jason Wayne Spencer | ... | driver: van (uncredited) |
Additional Crew
| Steve Adams | ... | watchman |
| Kimberlee Alexander | ... | staff: Vancouver Film Studios |
| Kim Arnott | ... | chartered accountant: Ellis Foster (as Kimberley Arnott) |
| Lawren Bancroft-Wilson | ... | office production assistant |
| Andrew Boutilier | ... | development: Brightlight Pictures |
| Hsun-Wei David Chang | ... | assistant: Mr. Shore, Brightlight Pictures (as David Chang) |
| Neal Clarance | ... | chartered accountant: Ellis Foster (as Neil Clarence) |
| Rob Court | ... | male utility stand-in |
| Elizabeth Davis | ... | legal counsel: Davenport Lyons |
| Natasha Dickson | ... | staff: Vancouver Film Studios |
| Marion Dodd | ... | epk |
| Byron Drinkle | ... | video playback |
| Shalia Edl | ... | first assistant coordinator |
| Karyn Edwards | ... | legal counsel: Brightlight Pictures |
| Erika Espinosa | ... | head chef: Reel Apetites |
| Arthur Evrensel | ... | legal counsel: Heenan Blaikie |
| Suraj Gohill | ... | production financing |
| Jane Grimston | ... | legal assistant: Brightlight Pictures |
| Jonathan Heine | ... | production financing |
| Alan Homma | ... | assistant accountant |
| Jamie Humphrey | ... | first aid/craft service |
| Leanne Hussey | ... | insurance: Aon/Ruben Winkler Entertainment Insurance Brokers |
| Anne Jacobsen | ... | production accountant |
| Steve Joberns | ... | chartered accountant: AGN Shipleys |
| Susan Kearney | ... | security |
| Micah Kelpin | ... | assistant: Mr. Williamson, Brightlight Pictures |
| Tom Key | ... | security |
| Lauri Kimberley | ... | security |
| Carol Korm | ... | background coordinator |
| Garry Kussey | ... | security officer (as Gary Thomas James Kussey) |
| Jeff Levine | ... | executive production consultant |
| Joan Lewis | ... | security |
| Darren Ling | ... | security |
| Garry Little | ... | security (as Garry N. Little) |
| Eric Lyde-Stad | ... | head chef: Reel Apetites |
| John MacCulloch | ... | production assistant |
| Alison Maguire | ... | chartered accountant: AGN Shipleys |
| Alan Martin | ... | production executive |
| Jarod McCullough | ... | security |
| Kevin McGill | ... | security |
| Sasha McLean | ... | staff: Vancouver Film Studios |
| Adam R. Mehr | ... | attorney |
| Robert Milicevic | ... | security |
| Warren David Miller | ... | security (as Warren David Dean Miller) |
| Peter Mitchell | ... | staff: Vancouver Film Studios (as Pete Mitchell) |
| Cameron Morris | ... | production assistant |
| Samantha Morris | ... | assistant: Mr. Williamson, Brightlight Pictures |
| Richard Moxon | ... | legal counsel: Davenport Lyons |
| Roz Murray | ... | production assistant |
| Marni Nelko | ... | production assistant |
| Buckley Norris | ... | insurance: Aon/Ruben Winkler Entertainment Insurance Brokers |
| Michele O'Flanagan | ... | production coordinator |
| David Okropiridze | ... | security |
| Perry Palmer | ... | security (as Perry Todd Palmer) |
| Dave Panovic | ... | security (as David Panovic) |
| John Pereira | ... | security (as John Manuel Pereira) |
| Lori K. Peterson | ... | background coordinator (as Lori Peterson) |
| Eric Petrie | ... | security |
| Jason Phillips | ... | production assistant |
| Patrick P. Pon | ... | security (as Patrick Pon) |
| Mary Quinn | ... | assistant: Mr. Hegyes, Brightlight Pictures |
| Yan Rana | ... | security |
| Morgan H. Rector | ... | production financing (as Morgan Rector) |
| Dale Robinson | ... | production assistant |
| Anthony Rodney | ... | production assistant |
| Luz Gabriela Rosas Rojas | ... | assistant chef: Reel Apetites |
| Marshall Sabiston | ... | security |
| John-Baptist Sarkar | ... | security |
| Karina Sax | ... | assistant to director |
| William Sickles | ... | security |
| Shirley Smale | ... | first aid/craft service |
| Tracy D. Smith | ... | development assistant: Brightlight Pictures (as Tracy Smith) |
| Jason Wayne Spencer | ... | production assistant (as Jason Spencer) |
| Chris Tait | ... | security |
| David Tamkin | ... | office production assistant (as David W. Tamkin) |
| Walter Turko | ... | security |
| Jodi Vanderjagt | ... | accounting clerk (as Jodi Mitchell) |
| Franz-Josef von Linden | ... | security |
| Wendy Von Statt | ... | security officer (as Wendy S. von Statt) |
| David Wallander | ... | security (as David Wellander) |
| Lilly Warkentin | ... | assistant chef: Reel Apetites (as Lilly Warkenith) |
| Anne Watson | ... | production assistant |
| Dan Lee West | ... | production assistant: Brightlight Pictures |
| Tyler Whitcher | ... | balloon technician |
| David Wilson | ... | security |
| Loralee Wilson | ... | security coordinator |
| Keri Winters | ... | insurance: Aon/Ruben Winkler Entertainment Insurance Brokers |
| Kelly Wiwichar | ... | female utility stand-in |
| Korrie Claudette Woolward | ... | security |
| Robert E. Worms | ... | security |
| Marni Wynnyk | ... | security (as Marnie Wynnyk) |
| Michael Barnes | ... | financial legal services (uncredited) |
| Teresa Binkle | ... | production assistant: second unit (uncredited) |
| Mike Bogdanovic | ... | production assistant (uncredited) |
| Rich Bokides | ... | runner: pre-production (uncredited) |
| Leon Thomas Braun | ... | production assistant (uncredited) |
| Trevor Brokop | ... | production assistant (uncredited) |
| Raimey Casiro | ... | key production assistant (uncredited) |
| Chris Doss | ... | executive in charge of finance (uncredited) |
| Brad Erickson | ... | key production assistant (uncredited) |
| Les Ford | ... | computer playback designer (uncredited) |
| Alexander Glua | ... | production assistant (uncredited) |
| Krista Johnston | ... | clearance (uncredited) |
| Noah Lee Margetts | ... | adr group (uncredited) |
| Alexander Nicolas | ... | marketing (uncredited) |
| Corrie Rothbart | ... | finance executive (uncredited) |
| Stephen Tibbetts | ... | stand-in (uncredited) |
| Annie Wilkinson | ... | set tutor (uncredited) |
Thanks
| Doug Hansen | ... | special thanks |
| Jim Sternberg | ... | special thanks |
Production Companies
- Brightlight Pictures
- Universal Pictures (presents)
- Gold Circle Films (presents)
- White Noise UK Ltd.
- Endgame Entertainment (in association with)
- Corus (in association with)
- The Movie Network (TMN) (in association with)
- Province of British Columbia Film Incentive BC (with the participation of)
- Canadian Film or Video Production Tax Credit (CPTC) (with the assistance of)
Distributors
- Senator International (2005) (World-wide) (world sales)
- Entertainment Film Distributors (2005) (United Kingdom) (theatrical)
- Universal Pictures (2005) (United States) (theatrical)
- Bioscop (2005) (Czechia) (theatrical)
- Buena Vista International Finland (2005) (Finland) (theatrical)
- Central Partnership (2005) (Russia) (theatrical)
- Gulf Film (2005) (United Arab Emirates) (theatrical)
- Independent Films (2005) (Netherlands) (theatrical)
- Panasia Films (2005) (Hong Kong) (theatrical)
- Shaw Organisation (2005) (Singapore) (theatrical)
- TVA International (2005) (Canada) (theatrical)
- United International Pictures (UIP) (2005) (Germany) (theatrical)
- United International Pictures (UIP) (2005) (France) (theatrical)
- United International Pictures (UIP) (2005) (Italy) (theatrical)
- United International Pictures (2005) (Argentina) (theatrical)
- Viva International Pictures (2005) (Philippines) (theatrical)
- Vértigo Films (2005) (Spain) (theatrical)
- Dutch FilmWorks (DFW) (2005) (Netherlands) (DVD)
- Entertainment in Video (2005) (United Kingdom) (DVD)
- Film1 (2006) (Netherlands) (tv) (limited)
- HBO Max (2021) (United States) (video)
- Hollydan Works (2006) (Yugoslavia) (DVD)
- Home Box Office (HBO) (2021) (United States) (tv)
- Iris (2016) (Italy) (tv)
- Mainostelevisio (MTV3) (2011) (Finland) (tv)
- Starz (2019) (United States) (tv) (as Starz)
- Sub (2014) (Finland) (tv)
- TVA Films (2005) (Canada)
- Tien (2007) (Netherlands) (tv)
- Universal Pictures Finland (2005) (Finland) (DVD) (VHS)
- Universal Pictures Finland (2011) (Finland) (DVD) (re-release)
- Universal Pictures Home Entertainment (UPHE) (2005) (United States) (DVD)
- Universal Pictures Home Entertainment (UPHE) (2019) (United States) (Blu-ray)
- Universal Pictures (2005) (Germany) (DVD)
- Universal Pictures (2012) (Germany) (Blu-ray) (DVD)
- Universal Studios Home Entertainment (2014) (United States) (Blu-ray) (DVD)
Special Effects
- Stargate Digital London (digital visual effects)
Other Companies
- Best Shot Footage (stock footage provided by)
- Canadian Film or Video Production Tax Credit (CPTC) (financing)
- Comerica Entertainment Group (production financing)
- Directors Guild of Canada - British Columbia (acknowledgement) (Directors Guild Of Canada - British Columbia District Council)
- EP Canada (payroll service)
- Film Finances Canada (completion guarantor)
- Film Incentive B.C. (financing)
- Footage Bank (stock footage provided by)
- Gold Circle Films (cofinancing)
- I.A.T.S.E. Local 669 (acknowledgement) (I.A.T.S.E. 669)
- I.A.T.S.E. Local 891 (acknowledgement) (I.A.T.S.E. 891 - Motion Picture Technicians)
- Independent Film Financing Inc. (consulting services)
- Lightworks (edited on)
- Line 21 Media Services (combined dialogue, continuity & spotting list)
- London Editing Machines Ltd. (editing equipment)
- Matrix Film Finance (sale and leaseback: UK)
- Panavision (cameras provided by)
- Pepper Post Production (digital intermediate post-production)
- Reel Appetites (catering)
- Senator International (cofinancing)
- Teamsters Local 155 (acknowledgement) (Teamsters 155)
- The Research House Clearance Services (script clearance)
- UBCP/ACTRA (acknowledgement) (Union of B.C. Performers - B.C. Branch of the ACTRA Performers Guild)
- UK Computamatch (negative cutting)
- Videosonics Cinema Sound (sound post-production)
- Videosonics Cinema Sound (sound re-recording)
- William F. White International (grip and lighting equipment)
Storyline
| Plot Summary |
The car of successful author Anna Rivers is found disabled next to the river, the thought being that she accidentally fell into the river while trying to change a flat tire. Her dead body is found upstream several weeks later, consistent with the accidental death theory. Based on incidents around him, her grieving husband, architect Jonathan Rivers, decides several months later to visit with Raymond Price, who approached John prior to Anna's body being found with news that she was trying to contact him from beyond. At that time, John was skeptical of Raymond's claims of electronic voice phenomena (EVP): that he is contacted from the beyond through electronic means - radio, television - which he is able to record. Along with Sarah Tate, another of Raymond's "clients" whose fiancé passed away, John becomes obsessed with EVP as he gets more and more audio and video messages, however fuzzy, from Anna from beyond. That obsession takes a slight change in focus when John believes that Anna is trying to pass along information to help others. But the nature of those messages and their connection to Raymond in combination with John learning that not all good comes through EVP leads to the possible belief that he dabbling in EVP in and of itself may be dangerous and the cause of those potentially deadly issues in which he is supposed to assist in helping. John has to decide whether or not to continue with his work in EVP, not continuing which means that he may actually prevent bad things from happening, and continuing which means that he gets his much wanted connection with Anna. Written by Huggo |
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| Taglines | The line separating the living from the dead has been crossed... See more » |
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| Parents Guide | View content advisory » |
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Box Office
| Budget | $10,000,000 (estimated) |
| Opening Weekend United Kingdom | GBP1,787,478, 09 Jan 2005 |
| Cumulative Worldwide Gross | $91,196,419 |
Did You Know?
| Trivia | The EVP recording from the trailer ("I will see you no more") that is attributed to a woman named Ruth Baxter, who died in 1987, is supposedly a recording from Point Lookout, a "haunted" lighthouse in Maryland, made by an EVP researcher named Sarah Estep. The lighthouse was used as a hospital during the Civil War, and some interpretations of the recording believe it to say, "I was seeing the war", or "I was seeing the water". While the recording is said to be authentic by the AAEVP, the Ruth Baxter story is fictional. See more » |
| Goofs | Though the story is set in Washington, the filmmakers make no attempt to conceal British Columbia licence plates. See more » |
| Movie Connections | Featured in Top 10 Movies That Will Make You Paranoid (2015). See more » |
| Soundtracks | Burn Away See more » |
| Crazy Credits | The opening of the film starts with: "Nobody knows whether our personalities pass on to another existence or sphere, but if we can evolve an instrument so delicate to be manipulated by our personality as it survives in the next life such an instrument ought to record something..." Thomas Edison 1928 E.V.P.; (Electronic Voice Phenomenon) The recording of voices and images of the dead, using de-tuned receiving apparatus. Identified in 1939, and now the subject of increasing scientific research worldwide, to finally evidence communication with the deceased. See more » |
| Quotes |
Raymond Price:
[after John hears a ghost cursing at them]
There are some very bad people out there. They can't all be Anna. See more » |