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Vue d'ensemble
Note Générale:
Réalisateur:
Scénaristes (WGA):
Dan Futterman (screenplay)
Gerald Clarke (book)
Date de sortie:
3 février 2006 (USA) suite
Genre:
Biographie | Crime | Drame suite
Intrigue:
Truman Capote (Hoffman), during his research for his book In Cold Blood, an account of the murder of a Kansas family, the writer develops a close relationship with Perry Smith, one of the killers. full summary | add synopsis
Récompenses:
Won Oscar. Another 44 wins & 43 nominations suite
Avis des utilisateurs:
Mr. Hoffman, you are Truman Capote. plus de (382 total)
Ensemble
(Vue d'ensemble du casting, par ordre d'apparence)| Allie Mickelson | ... | Laura Kinney | |
| Kelci Stephenson | ... | Nancy Clutter | |
| Philip Seymour Hoffman | ... | Truman Capote | |
| Craig Archibald | ... | Christopher | |
| Bronwen Coleman | ... | Barbara | |
| Kate Shindle | ... | Rose | |
| David Wilson Barnes | ... | Grayson | |
| Michael J. Burg | ... | Williams (as Michael J. Berg) | |
| Catherine Keener | ... | Nelle Harper Lee | |
| Kwesi Ameyaw | ... | Porter | |
| Andrew Farago | ... | Car Rental Agent | |
| Ken Krotowich | ... | Courthouse Guard | |
| Chris Cooper | ... | Alvin Dewey | |
| R.D. Reid | ... | Roy Church | |
| Rob McLaughlin | ... | Harold Nye (as Robert Mclaughlin) |
Détails supplémentaires
MPAA:
Rated R for some violent images and brief strong language.
Parents Guide:
Durée:
114 min | Canada:110 min (Toronto International Film Festival)
Langue:
Couleur:
Rapport de forme:
2,35 : 1 suite
Son:
Classification:
Canada:14A (British Columbia) | Canada:PG (Ontario) | Australia:M | UK:15 | Germany:12 | Norway:15 | Netherlands:16 | Ireland:15A | Singapore:NC-16 | Finland:K-15 | Switzerland:14 (canton of Vaud) | Switzerland:14 (canton of Geneva) | Brazil:14 | Malaysia:U | Argentina:13 | Hong Kong:IIB | USA:R (certificate #41953) | France:U | Sweden:11 | Iceland:16 | Hungary:16 | Canada:13+ (Quebec) | South Korea:15 | Portugal:M/12
Lieux de tournage:
Société:
Curiosités
Anecdotes:
Philip Seymour Hoffman lost 40 pounds for his role. suite
Goofs:
Continuité: Harper and Truman are dining together in a restaurant. Shot from Truman's left, he is holding a glass in his right hand, and his left hand is empty. In the next shot, from his front, he has a fork in his left hand. A few seconds later, back to his left side, his left hand is empty again. suite
Guillemet:
[first lines]
Laura Kinney:
Hello? Nancy?
suite
Connexions De Film:
Références In Cold Blood (1967) suite
Bande son:
My Man Is Gone suite
foire aux questions
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The easiest role for an actor to play is a historical figure - we have no idea how Julius Caesar really sounded, how he moved his body, punctuated his speech, bit his lip, walked into a room, held his cigarette. The hardest role is the living, or recently deceased, celebrity whom we watched, heard, studied, mimicked and thought we understood. JFK, Martin Luther King, Ray Charles, and, above all, the inventor of self referential celebrity, Truman Capote (with apology to Andy Warhol and, of course, Noel Coward)..
After exploding to meteoric fame with his novella Breakfast at Tiffany's, Capote became the New York café society's darling, heir to Coward's gay-man-child-bon-vivant. He drank and held court with the best of New York, which just also happened to be the nexus of television in the early 60s. Before long Capote was the quintessential modern celebrity, famous for being famous. And he did it all before our eyes.
Philip Seymour Hoffman does not so much play Capote as become him. And not just in mannerism, no mean feat, but in personality, because we are convinced that Hoffman feels what Capote felt, cries over the lies, accepts his moral failings. For a short story writer-raconteur from New Orleans, Capote found himself at the center of a nationally enthralling multiple homicide, facing the ultimate journalist's Faustian dilemma: if he perpetrates a lie for the sake of exposing the truth, is he ever worthy of redemption. Capote, in the end, concluded that he wasn't; he never wrote another book. He descended into drunkenness and died a lonely soul. This is not the stuff of Holly Golightly.
I saw this picture at the Toronto Film Festival with Hoffman, Catherine Keener and director Bennett Miller in attendance. Though they had seen it many many times before, it was obvious even they were moved by it and by our reaction. As we stood and applauded them, we turned to one another, glowing in the realization that we had witnessed an amazing performance.
We knew Truman Capote. We watched him live on television. Truman Capote was (we imagined) our friend. Mr. Hoffman, you are Truman Capote.