| Photos (see all 13 | slideshow) | Videos (see all 2) |
| Julianne Moore | ... | Barbara Baekeland | |
| Stephen Dillane | ... | Brooks Baekeland | |
| reste de la distribution par ordre alphabétique: | |||
| Elena Anaya | ... | Blanca | |
| Simón Andreu | ... | Jean Pierre Souvestre | |
| Jim Arnold | ... | Joost Van Den Heuvels | |
| Xavier Capdet | ... | Gate man | |
| Barney Clark | ... | Tony as a child | |
| Hugh Dancy | ... | Sam | |
| Abel Folk | ... | Carlos Durán | |
| Mapi Galán | ... | Simone Lippe | |
| Martin Huber | ... | Aschwin Lippe | |
| Lina Lambert | ... | Missy | |
| Minnie Marx | ... | Midge Van Den Heuvels | |
| Peter Vives Newey | ... | Mishka | |
| Brendan Price | ... | PC Roberts | |
| Eddie Redmayne | ... | Tony Baekeland | |
| Anne Reid | ... | Nini Daly | |
| Belén Rueda | ... | Pilar Durán | |
| Unax Ugalde | ... | Black Jake | |
Réalisé par | |||
| Tom Kalin | |||
Scénaristes(WGA) | ||
| Howard A. Rodman | (screenplay) | |
| Natalie Robins | (book) & | |
| Steven M.L. Aronson | (book) | |
Produit par | |||
| Alberto Aranda | .... | co-producer | |
| Christian Baute | .... | co-executive producer | |
| Johnathan Dorfman | .... | executive producer | |
| Temple Fennell | .... | executive producer | |
| Xavier Granada | .... | co-producer | |
| Stephen Hays | .... | executive producer | |
| Pamela Koffler | .... | producer | |
| Iker Monfort | .... | producer | |
| Hengameh Panahi | .... | executive producer | |
| Howard A. Rodman | .... | associate producer | |
| Katie Roumel | .... | producer | |
| Elvira M. Sales | .... | co-executive producer | |
| Christine Vachon | .... | producer | |
| John Wells | .... | executive producer | |
Musique originale | |||
| Fernando Velázquez | |||
Image | |||
| Juan Miguel Azpiroz | |||
Montage | |||
| John F. Lyons | |||
Distribution des rôles | |||
| Laura Rosenthal | |||
Création des décors | |||
| Víctor Molero | |||
Direction artistique | |||
| Deborah Chambers | |||
Création des costumes | |||
| Gabriela Salaverri | |||
Maquillage | |||
| Ana López Puigcerver | .... | makeup department head | |
| Belén López Puigcerver | .... | hair department head | |
| Natalia Montoya | .... | additional hair stylist | |
| Jerry Popolis | .... | hair stylist: Julianne Moore | |
| Susan Reilly LeHane | .... | makeup artist: Julianne Moore | |
Directeur de production | |||
| Asen Kanchev | .... | music production manager | |
| Nicolás Tapia | .... | production manager | |
Assistant réalisateur | |||
| F. Javier Soto | .... | first assistant director | |
Art Department | |||
| Nuria Muni | .... | property master | |
| Octavio Tapia | .... | on-set propmaster | |
Technicien du son | |||
| Juan Borrell | .... | sound | |
| Bela María da Costa | .... | sound editor | |
| Jaime Fernández | .... | sound re-recording mixer | |
Visual Effects | |||
| Nuncle | .... | title design | |
Cascadeur | |||
| Antonio Higueruelo | .... | action coordinator | |
Camera and Electrical Department | |||
| Francesc Carreras | .... | first assistant camera | |
| Juan Gonzalez Guerrero | .... | electrician | |
| Migueltxo Molina | .... | still photographer | |
Casting Department | |||
| Pep Armengol | .... | casting: Spain | |
| Ali Farrell | .... | casting associate | |
| Luci Lenox | .... | casting: Spain | |
| Claire Saunders | .... | casting: UK | |
Divers | |||
| Núria Casanueva | .... | script supervisor | |
| Yee Yeo Chang | .... | assistant to producer | |
| Ramsey Fong | .... | production accountant: New York | |
| Ruben Gomez | .... | production assistant | |
| Pawel Grajnert | .... | chief researcher | |
| Mar Henche | .... | production accountant | |
| Miguel Ángel Muñoz | .... | accountant | |
| Nuncle | .... | title designer | |
| Eider Nunes | .... | production trainee | |
| Marc Panadés | .... | production trainee | |
| Alberto Poveda | .... | unit production assistant | |
| Marc 'Markus' Prat Trias | .... | production trainee | |
Thanks | |||
| Manuel Monzón Fueyo | .... | special thanks | |
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| Blow | Ray | Let Him Have It | Hoffa | Bound by Honor |
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| Full cast and crew | Company credits | External reviews |
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Having seen quite a few films produced by Christine Vachon, I recognised a similar aesthetic in this film. Vachon's films often portray unconventional sexuality or other challenging social themes, but in a stylised way that is more accessible to wider audiences than grittier art-house films. This film would make a terrific companion piece to Christophe Honoré's Ma mère, as it tackles similarly challenging themes, though it is based on a true story and is much more digestible for audiences. The parallels between these stories are remarkable.
Julianne Moore is an actress I admire and takes top billing. Her performance was as good as usual, portraying Barbara Daly Baekeland, wife of the Bakelite heir. Eddie Redmayne's portrayal of her homosexual son was for me the stand-out performance. The film is set in various countries - the US, France, Spain and England - and the visuals are excellent. It takes a while to get a handle on where the film wants to take us, but it culminates in a chilling end. Worth seeing for the brave risks it takes and succeeds in delivering.
The Melbourne International Film Festival screening I attended was introduced by the director, Tom Kalin.