| Photos (see all 75 | slideshow) | Videos (see all 2) |
| Sat. July 4 | 6:55 PM | TMC | |||
| Wed. July 8 | 11:30 PM | TMC | |||
| Sun. July 12 | 9:35 PM | TMC | suite |
| Russell Crowe | ... | Ben Wade | |
| Christian Bale | ... | Dan Evans | |
| Logan Lerman | ... | William Evans | |
| Dallas Roberts | ... | Grayson Butterfield | |
| Ben Foster | ... | Charlie Prince | |
| Peter Fonda | ... | Byron McElroy | |
| Vinessa Shaw | ... | Emma Nelson | |
| Alan Tudyk | ... | Doc Potter | |
| Luce Rains | ... | Marshal Weathers | |
| Gretchen Mol | ... | Alice Evans | |
| Lennie Loftin | ... | Glen Hollander | |
| Rio Alexander | ... | Campos | |
| Johnny Whitworth | ... | Darden | |
| Shawn Howell | ... | Jackson (as Shawn D. Howell) | |
| Pat Ricotti | ... | Jorgensen | |
| Ramon Frank | ... | Kinter | |
| Deryle J. Lujan | ... | Nez (as Deryle Lujan) | |
| James 'Scotty' Augare | ... | Nez (as James Augure) | |
| Brian Duffy | ... | Sutherland | |
| Jason Rodriguez | ... | Tighe | |
| Kevin Durand | ... | Tucker | |
| Chris Browning | ... | Crawley | |
| Chad Brummett | ... | Kane | |
| Forrest Fyre | ... | Walter Boles | |
| Luke Wilson | ... | Zeke | |
| Benjamin Petry | ... | Mark Evans (as Ben Petry) | |
| Arron Shiver | ... | Bill Moons | |
| Sean Hennigan | ... | Marshal Will Doane | |
| Girard Swan | ... | Deputy Harvey Pell | |
| Christopher Berry | ... | Deputy Sam Fuller | |
| David Oliver | ... | Evil Bartender | |
| Jason Henning | ... | Train Clerk | |
| reste de la distribution par ordre alphabétique: | |||
| Barbara Bartleson | ... | Contention Woman (uncredited) | |
| James Blackburn | ... | Gunfighter (uncredited) | |
| Harp Corrigan | ... | Bisbee Townsman (uncredited) | |
| Hugh Elliot | ... | Gunman (uncredited) | |
| Darren Gibson | ... | Gunman (uncredited) | |
| KC King | ... | Contention Gunman (uncredited) | |
| Melinda Kramer | ... | Bisbee Townsperson (uncredited) | |
| Brent Lambert | ... | Merchant (uncredited) | |
| Billy Lockwood | ... | Gunman (uncredited) | |
| J. Nathan Simmons | ... | Town Drunk (uncredited) | |
| Art Usher | ... | Contention Gunman (uncredited) | |
Réalisé par | |||
| James Mangold | |||
Scénaristes(WGA) | ||
| Halsted Welles | (screenplay) and | |
| Michael Brandt | (screenplay) & | |
| Derek Haas | (screenplay) | |
| Elmore Leonard | (short story) | |
Produit par | |||
| Stuart M. Besser | .... | executive producer (as Stuart Besser) | |
| Dixie J. Capp | .... | associate producer | |
| Aaron Downing | .... | associate producer | |
| Ryan Kavanaugh | .... | executive producer | |
| Cathy Konrad | .... | producer | |
| Lynwood Spinks | .... | executive producer | |
Musique originale | |||
| Marco Beltrami | |||
Image | |||
| Phedon Papamichael | (director of photography) | ||
Montage | |||
| Michael McCusker | |||
Distribution des rôles | |||
| Lisa Beach | |||
| Sarah Katzman | |||
Création des décors | |||
| Andrew Menzies | |||
Direction artistique | |||
| Greg Berry | (as Gregory A. Berry) | ||
Décorateur de plateau | |||
| Jay Hart | (as Jay R. Hart) | ||
Création des costumes | |||
| Arianne Phillips | |||
Maquillage | |||
| Svetlana Britt | .... | makeup artist | |
| John Caglione Jr. | .... | makeup artist: Ben Wade | |
| Gloria Pasqua Casny | .... | key hair stylist: Los Angeles (as Gloria Casney) | |
| Debra Clair | .... | hair stylist (as Debra R. Clair) | |
| Katie Douthit | .... | makeup artist | |
| Jane Galli | .... | makeup department head | |
| Susan Germaine | .... | hair stylist: Ben Wade | |
| Kathrine Gordon | .... | hair department head | |
| Mary Hedges Lampert | .... | hair stylist (as Mary Lampert) | |
| Deidre Parness | .... | makeup artist | |
| Lisa Taylor Roberts | .... | key makeup artist (as Taylor Roberts) | |
| Betty Lou Skinner | .... | key hair stylist | |
| Linda Vallejo | .... | makeup artist | |
| Corey Welk | .... | special makeup effects artist (as Cory Welk) | |
| Barbara Cantu | .... | key hair stylist: Los Angeles (uncredited) | |
| Vanessa Jaramillo | .... | makeup artist (uncredited) | |
| Karen McDonald | .... | makeup artist (uncredited) | |
| Scott McGowan | .... | assistant makeup artist (uncredited) | |
| Leah Vautrot | .... | makeup artist (uncredited) | |
Directeur de production | |||
| Stuart M. Besser | .... | unit production manager (as Stuart Besser) | |
| Aaron Downing | .... | post-production supervisor | |
Assistant réalisateur | |||
| Todd Amateau | .... | first assistant director: second unit (as Todd M. Amateau) | |
| Kate Marie Boyle | .... | second assistant director: second unit (as Kate M. Boyle) | |
| Freddie Hice | .... | second unit director | |
| Maria Mantia | .... | second assistant director | |
| Nicholas Mastandrea | .... | first assistant director | |
| Anastacia C. Nemec | .... | additional second assistant director (as Anastacia Nemec) | |
| Trish 'The Dish' Stanard | .... | second second assistant director (as Trish Stanard) | |
Art Department | |||
| Brett Andrews | .... | second assistant props | |
| Ronald S. Baratie | .... | stand-by greensman: Los Angeles (as Ron Berartie) | |
| David Barton | .... | tool foreman | |
| David D. Baumann | .... | first assistant props | |
| Lou Boggs | .... | propmaker foreman | |
| Lindsay Brayden | .... | art department intern | |
| Doug Butts | .... | propmaker foreman | |
| Thomas L. Caldwell | .... | greens foreman | |
| Lance Cheatham | .... | draper assistant | |
| Sage Emmett Connell | .... | set dresser gangboss (as Sage Connell) | |
| John Coven | .... | storyboard artist | |
| Mick Cummings | .... | set decoration buyer (as Mick C. Cummings) | |
| Ralph Diaz | .... | stand-by greensman | |
| Wendy Drapanas | .... | graphic designer | |
| Chadney Everett | .... | set dresser gangboss | |
| Kasra Farahani | .... | assistant art director | |
| Daniel J. Gillooly | .... | greens coordinator | |
| Linda R. Gore | .... | set dresser (as Linda Gore) | |
| Peter Grendle | .... | art department assistant | |
| Graham Griswold | .... | set dresser | |
| Mark Hitchler | .... | set designer | |
| Virginia Hopkins | .... | stand-by painter | |
| John Paul 'J.P.' Jones | .... | property master (as J.P. Jones) | |
| Frank Kilmartin | .... | propmaker foreman | |
| Andy Linderkamp | .... | propmaker | |
| Adrian Lobato | .... | greens gangboss | |
| Roger Lundeen | .... | set designer | |
| Roberta Marquez Seret | .... | art department coordinator (as Roberta Marquez) | |
| W. Scott Mason | .... | propmaker foreman | |
| Heidi Mayfield | .... | set decorator coordinator (as Heidi Elizabeth Mayfield) | |
| Edward McLoughlin | .... | set dresser | |
| Scott Nordhausen | .... | on-set dresser (as Scott L. Northausen) | |
| Earle Parker | .... | stand-by carpenter | |
| Christine Pawlowski | .... | construction auditor | |
| Dan Pemberton | .... | construction coordinator (as Daniel Pemberton) | |
| Frank Piercy | .... | lead painter | |
| Scott Plunkett | .... | set dresser | |
| Dennis Riewerts | .... | draper | |
| Rich Romig | .... | set designer | |
| Michael Ruby | .... | signwriter | |
| Wayne Shepherd | .... | leadman | |
| Maya Shimoguchi | .... | assistant art director | |
| Eric Smith | .... | paint foremen | |
| Anthony Syracuse | .... | construction co-coordinator | |
| Randy Syracuse | .... | propmaker foreman | |
| Tim Viera | .... | propmaker foreman | |
| James Walton | .... | propmaker | |
| Greg Wyszynski | .... | set dresser | |
| Mark Bankins | .... | set dresser (uncredited) | |
| Pierre Barrera | .... | set dresser (uncredited) | |
| Maurice Burns | .... | art department assistant (uncredited) | |
| Brooke Fair | .... | swing gang (uncredited) | |
| Pepper J. Gallegos | .... | set painter (uncredited) | |
| Darren Gibson | .... | carpenter (uncredited) | |
| Caylen Johnson | .... | welding foreman (uncredited) | |
| Mike Maloney | .... | propmaker foreman (uncredited) | |
| Gary Metzen | .... | paint gangboss (uncredited) | |
| Nichole Miller | .... | painter (uncredited) | |
| Randy Moffitt | .... | propmaker (uncredited) | |
| Joe Monaco | .... | set dresser (uncredited) | |
| Juan Souter | .... | daily greens (uncredited) | |
| Frank Spadafora | .... | painter gangboss (uncredited) | |
| David Thompson | .... | carpenter (uncredited) | |
Effets spéciaux | |||
| Robert Bolanowski | .... | special effects technician | |
| Ron Bolanowski | .... | special effects coordinator | |
| Darrell Burgess | .... | special effects on-set foreman | |
| Michael Clarke | .... | special effects technician (as Mike Clarke) | |
| Bob Everett | .... | special effects technician | |
| Scott Garcia | .... | special effects technician | |
| Joel Hobbie | .... | special effects technician | |
| William D. Lee | .... | special effects shop foreman | |
| Dirk Rogers | .... | special effects technician: k.n.b. Efx group | |
| Mike Stull | .... | special effects technician | |
| Lindsay Vivian | .... | special effects purchaser | |
| Brian Bero | .... | pyrotechnician (uncredited) | |
| Ronald W. Mathews | .... | pyrotechnician (uncredited) | |
Visual Effects | |||
| Brian Battles | .... | compositor: Digital Backlot | |
| Jamie Baxter | .... | digital compositor: Custom Film Effects | |
| Dorian Bustamante | .... | 3D artist: Digital Backlot | |
| Steve Caldwell | .... | digital compositor: Custom Film Effects | |
| Adrian Colbert | .... | digital intermediate scanner: Modern VideoFilm Inc. | |
| Sara Cueva | .... | visual effects editor | |
| Sam Dabbs | .... | digital compositor: Custom Film Effects | |
| Amit Dhawal | .... | digital artist: Digital Backlot | |
| Mark Dornfeld | .... | visual effects supervisor: Custom Film Effects | |
| Manny Dubon | .... | iq artist: Modern VideoFilm Inc. | |
| Michele Ferrone | .... | producer: visual effects, Custom Film Effects | |
| Christina Graff | .... | visual effects producer: Digital Backlot | |
| Paul Graff | .... | visual effects supervisor: Digital Backlot | |
| Kristopher Gregg | .... | digital imaging: Modern VideoFilm (as Kris Gregg) | |
| R.J. Harbour | .... | digital compositor: Custom Film Effects | |
| Nicholas Hasson | .... | iq artist: Modern VideoFilm Inc. (as Nick Hasson) | |
| Shaina Holmes | .... | digital compositor: Custom Film Effects | |
| Shaina Holmes | .... | digital coordinator: Custom Film Effects | |
| Jiyoung Hong | .... | digital compositor: Custom Film Effects | |
| Barry Howell | .... | 3D artist: Digital Backlot | |
| Mark Intravartolo | .... | Inferno artist: Modern VideoFilm Inc. | |
| Nicholas Kim | .... | digital compositor: Custom Fim Effects | |
| Paulina Kuszta | .... | visual effects coordinator | |
| Joshua LaCross | .... | lead compositor: Digital Backlot (as Joshua Adam LaCross) | |
| Lori C. Miller | .... | digital art director | |
| Eroc Moralls | .... | Inferno artist: Modern VideoFilm Inc. | |
| Mark Sawicki | .... | digital compositor: Custom Film Effects | |
| Robert Stromberg | .... | visual effects supervisor: Digital Backlot | |
| Ed Thompson | .... | digital imaging: Modern VideoFilm | |
| Adam Watkins | .... | 3D artist: Digital Backlot | |
| Amani Williams | .... | digital compositor: Custom Film Effects | |
| Ryan Beadle | .... | digital I/O (uncredited) | |
| Jeremy Lang | .... | head of information technology: Custom Film Effects (uncredited) | |
Casting Department | |||
| Jo Edna Boldin | .... | casting: New Mexico | |
| Charla Bowersox | .... | casting associate | |
| Elizabeth Gabel | .... | extras casting | |
| Katy Houska | .... | extras casting associate | |
| Marie A. Kohl | .... | casting associate: New Mexico (as Marie Kohl) | |
| Lewis Liu | .... | extras casting | |
Costume and Wardrobe Department | |||
| Pilar Agoyo | .... | seamstress | |
| Ada Akaji | .... | costume ager/dyer | |
| Aleah Ames | .... | set costumer | |
| Terry Anderson | .... | assistant costume designer | |
| Christine Cantella | .... | assistant costume designer | |
| Michael Castellano | .... | set costumer: Ben Wade | |
| Debra Chapman | .... | seamstress | |
| Bren Cook | .... | set costumer (as Brenda Cook) | |
| Wendy M. Craig | .... | key set costumer (as Wendy Craig) | |
| Tangi Crawford | .... | key costumer | |
| Lorraine Crossman | .... | set costumer | |
| R.A. Hossie | .... | tailor | |
| Juliet Hyde-White | .... | set costumer | |
| Linda Matthews | .... | costume supervisor | |
| Mustapha Mimis | .... | costumer | |
| Natasha Paczkowski | .... | cutter/fitter | |
| Natasha Paczkowski | .... | pattern maker | |
| Kent Alan Parker | .... | set costumer | |
| Claire Sandrin | .... | set costumer | |
| Leigh Anne Stoudenmire | .... | production assistant: costume department | |
| Phyllis Thurber-Moffit | .... | head ager and dyer (as Phyllis Thurber-Moffitt) | |
| Lizz Wolf | .... | costumer (uncredited) | |
Editorial Department | |||
| Shawn Broes | .... | digital intermediate editorial: Modern VideoFilm Inc. | |
| Mary Chamberlain | .... | dailies coordinator | |
| Marisa Clayton | .... | digital intermediate project manager: Modern VideoFilm Inc. | |
| Sara Cueva | .... | first assistant editor | |
| Joe Finley | .... | digital intermediate colorist: Modern VideoFilm Inc. | |
| Lee Grubin | .... | additional editor | |
| Marcie Jastrow | .... | digital intermediate supervisor: Modern VideoFilm Inc. | |
| Mato | .... | film color timer: FotoKem | |
| Pat Repola | .... | vice president feature post-production: Modern VideoFilm Inc. | |
| Kay Sievert | .... | high definition telecine colorist: FotoKem | |
| Adriaan van Zyl | .... | assistant editor | |
| Adriaan van Zyl | .... | post-production coordinator | |
Music Department | |||
| Marco Beltrami | .... | conductor | |
| William Boston | .... | orchestrator (as Bill Boston) | |
| Ted Caplan | .... | temporary music editor | |
| Jay Faires | .... | soundtrack producer | |
| Rossano Galante | .... | orchestrator | |
| Isobel Griffiths | .... | orchestra contractor | |
| Tricia Holloway | .... | music team | |
| John Kurlander | .... | score mixer | |
| John Kurlander | .... | score recordist | |
| Richard Lancaster | .... | score recordist: ProTools | |
| Dana Niu | .... | orchestrator | |
| Buck Sanders | .... | score co-producer | |
| Jim Schultz | .... | music editor | |
| Leila Stacey | .... | assistant orchestral contractor | |
| Jamie Steele | .... | pro tools operator | |
| Marcus Trumpp | .... | orchestrator | |
| Rosemary Warren-Green | .... | orchestra leader (as Rose Warren-Green) | |
| Mark Jan Wlodarkiewicz | .... | additional music editor (uncredited) | |
Thanks | |||
| Doug Hemphill | .... | thanks (as D.M. Hemphill) | |
| Alexander Mackendrick | .... | thanks | |
| Mark Jan Wlodarkiewicz | .... | thanks | |
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| The Phantom Rider | The Proposition | Ghost of Zorro | Rambo | Too Much Beef |
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| Full cast and crew | Company credits | External reviews |
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Long ago, I saw the original 3:10 to Yuma featuring Van Heflin and Glen Ford, but I don't remember it well enough to compare it with James Mangold's new remake. Instead, my review will focus exclusively on the new film.
Mangold's film is a tense, traditional western based on an Elmore Leonard story. Leonard is a solid writer, and gave the material upon which the film is based enough background and characterization to permit willful suspension of disbelief. Mangold's film does the same. Our protagonist and antagonist are, respectively, Dan Evans (Bale) and Ben Wade (Crowe). Evans is a would-be rancher and family-man whose family is suffering from a drought and a merciless landlord. Evans and his boys cross paths with notorious outlaw Ben Wade and his gang on their way into town to confront their landlord, and Wade whimsically lets them go. But the connection between these two men and Dan's eldest son is far from over. Eventually Dan will accept an offer made by a railroad agent to help escort Wade to a train headed to Yuma prison, while Wade's crew of murderers dogs their every step.
Two performances stood out for me - Bale and Ben Foster (Charlie Prince). Crowe was good, but it's not clear that he engaged with his role with his usual intensity. There are several very talented actors in supporting roles, and they each pull off the transition to the western genre quite nicely (Alan Tudyk, Logan Lerman, Gretchen Mol, Peter Fonda and others). The film showcases the acting talent very well without losing sight of its straightforward but interesting story.
More often than not, good westerns are at least as much character studies as they are 'shoot-em-ups'. After all, it pretty close to impossible to enjoy a film in which anybody might drop dead at any given time without caring about the people you are watching die, or those doing the killing. Mangold achieves this by drawing on the simple strengths of the original material and allowing relationships to dominate both the story's development and the cinematography. For a western, there is a tremendous amount of dialog in this film, coupled with the usual meaningful stares. Wade is so wily and unpredictable that you really never know what to expect out of him, and his crew is headed up by his loyal and equally nihilistic protégé Charlie Prince. Dan Evans is his polar opposite, and Dan's son is an unusually accurate and complex Hollywood portrayal of a teenager. These and other relationships are the strengths and the medium of the film. When the camera isn't being used to build tension before a battle or showing us a gun-fight, it is establishing relationships and character. And many of the characters and relationships we see are surprising, ambiguous and more than a little ironic.
Highly recommended for western fans.