| Photos (see all 28 | slideshow) | Videos (see all 2) |
| Chris Haywood | ... | Gregory | |
| Tatea Reilly | ... | Susan | |
| Laura Linney | ... | Claire | |
| Sean Rees-Wemyss | ... | Tom | |
| Gabriel Byrne | ... | Stewart Kane | |
| Deborra-Lee Furness | ... | Jude | |
| John Howard | ... | Carl | |
| Eva Lazzaro | ... | Caylin-Calandria | |
| Maya Daniels | ... | Caylin-Calandria's Mother | |
| Bob Baines | ... | Doctor #1 | |
| Max Cullen | ... | Terry | |
| Stelios Yiakmis | ... | Rocco | |
| Simon Stone | ... | Billy 'The Kid' | |
| Victoria Allen | ... | Girl at Garage | |
| Leah Purcell | ... | Carmel | |
| Betty Lucas | ... | Vanessa | |
| Alice Garner | ... | Elissa | |
| Ted Bowers | ... | Ted | |
| Dean Freeman | ... | Younger Park Ranger | |
| Rod Mason | ... | Elder Park Ranger | |
| Fay Butcher | ... | Coral | |
| Glenda Linscott | ... | Detective | |
| Stephen Barker | ... | Top Cop | |
| Mala Ghedia | ... | Doctor #2 | |
| Mary Kostakidis | ... | Newsreader | |
| Jie Pitman | ... | Susan's Cousin (as Jie Pittman) | |
| Amanda Bond | ... | Susan's Cousin | |
| Braydn Pittman | ... | Susan's Cousin | |
| P.J. Williams | ... | Labourer #1 | |
| David Evans | ... | Labourer #2 | |
| Kevin Smith | ... | Susan's Father | |
| Pamela Young | ... | Susan's Mother | |
| Bronwyn Penrith | ... | Auntie #1 | |
| Barbara Stacy | ... | Auntie #2 | |
| Sylvia Scott | ... | Auntie #3 | |
| Ursula Yovich | ... | Alice - Susan's Sister | |
| Gordon Jenkinson | ... | Butcher | |
| Maureen Green | ... | Alma | |
| Binowee Bayles | ... | Mother | |
| Charles 'Bud' Tingwell | ... | Minister | |
| Biwali Bayles | ... | Son | |
| reste de la distribution par ordre alphabétique: | |||
| Michael Ienna | ... | Patron (uncredited) | |
Réalisé par | |||
| Ray Lawrence | |||
Scénaristes(in alphabetical order) | ||
| Raymond Carver | short story "So Much Water So Close to Home" | |
| Beatrix Christian | written by | |
Produit par | |||
| Philippa Bateman | .... | executive producer | |
| Garry Charny | .... | executive producer | |
| Catherine Jarman | .... | producer | |
| Tony Tvrdeich | .... | line producer | |
Musique originale | |||
| Paul Kelly | |||
| Dan Luscombe | |||
Image | |||
| David Williamson | |||
Montage | |||
| Karl Sodersten | |||
Distribution des rôles | |||
| Susie Maizels | |||
Création des décors | |||
| Margot Wilson | |||
Direction artistique | |||
| Deborah Riley | |||
Création des costumes | |||
| Margot Wilson | |||
Maquillage | |||
| Charmaine Connelly | .... | prosthetics | |
| Charmaine Connelly | .... | special makeup effects artist | |
| Rick Connelly | .... | prosthetics | |
| Rick Connelly | .... | special makeup effects artist | |
| Dylan Holmes | .... | moulding assistant | |
| Dylan Holmes | .... | sculptor | |
| Janita Shaw | .... | life casting assistant | |
| Sarah Smith | .... | life casting assistant | |
Directeur de production | |||
| Colleen Clarke | .... | post-production supervisor | |
| Paula Jensen | .... | production manager | |
Assistant réalisateur | |||
| Jamie Crooks | .... | first assistant director | |
| Jason Faulkner | .... | second assistant director | |
| Betty Fotofili | .... | third assistant director | |
| Douglas Ngai | .... | fourth assistant director | |
| Nora Saliba | .... | additional assistant director | |
Art Department | |||
| Daniel Birt | .... | assistant stand-by props | |
Technicien du son | |||
| Peter Grace | .... | sound recordist | |
| Michael McMenomy | .... | sound effects recordist | |
| Nada Mikas | .... | dialogue editor | |
| Peter Miller | .... | sound effects editor | |
| Linda Murdoch | .... | sound effects editor | |
| Andrew Plain | .... | supervising sound editor | |
| Robert Sullivan | .... | sound re-recording mixer | |
| William Ward | .... | assistant sound editor (as Will Ward) | |
Effets spéciaux | |||
| David Trethewey | .... | special effects supervisor | |
Visual Effects | |||
| Brad Dunn | .... | compositor | |
| Rebecca Dunn | .... | senior compositor | |
| Jamie Hediger | .... | compositor | |
| Michelle Hunt | .... | digital compositor | |
| Matthew North | .... | digital compositor | |
| Robert Sandeman | .... | digital effects supervisor | |
| Anthos Simon | .... | digital effects producer | |
| Takahiro Suzuki | .... | compositor | |
| Sandeep Vengsarkar | .... | compositor | |
| Shannon Wilson | .... | compositor | |
Cascadeur | |||
| Amanda Graver | .... | stunt double | |
| Andy Owen | .... | stunt rigger | |
| Glenn Ruehland | .... | stunt coordinator | |
| Greg Stuart | .... | stunt rigger | |
| Sheree Swords | .... | stunt double | |
Camera and Electrical Department | |||
| Andrew Conder | .... | camera operator | |
| Matthew Nettheim | .... | still photographer | |
| David Nichols | .... | key grip | |
| Matthew Spowart | .... | video split operator | |
| John Tsiavis | .... | still photographer | |
| Marc Windon | .... | assistant camera | |
| Matt Windon | .... | key first assistant camera | |
| Damian Wyvill | .... | additional photographer | |
Casting Department | |||
| Samantha Strauss | .... | extras casting | |
Costume and Wardrobe Department | |||
| Flip Wootten | .... | costume stand-by | |
Editorial Department | |||
| Leo Bahas | .... | negative cutter | |
| Chris Button | .... | telecine transferer | |
| Olivier Fontenay | .... | film and digital color grader | |
| Vicki McRitchie | .... | negative cutter | |
| Christine Trodd | .... | digital grader: high-definition | |
Music Department | |||
| Simon Polinski | .... | music engineer | |
| Adam Rhodes | .... | music engineer | |
| Adam Rhodes | .... | music mixer | |
| Christine Woodruff | .... | music supervisor | |
Divers | |||
| Sandi Archer | .... | clearance | |
| Kira Bohn | .... | script supervisor | |
| Merilyn Cook | .... | production secretary | |
| Davids Darzins | .... | legal | |
| Gina Hallas | .... | production accountant | |
| Katie Harris | .... | unit nurse | |
| Rebecca Howcroft | .... | assistant accountant | |
| Jenny Lalor | .... | legal | |
| David Lawrance | .... | laboratory liaison | |
| Simon MacRae | .... | title designer | |
| Colin McDougall | .... | location manager | |
| Marlay Mcintosh | .... | location assistant | |
| Nicki Roller | .... | head of production | |
| Glenn Ruehland | .... | safety supervisor | |
| Madeleine Shaw | .... | business affairs coordinator | |
| Greg Sitch | .... | legal | |
Thanks | |||
| Kevin Smith | .... | in memory of | |
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| The Da Vinci Code | Wonderland | Chinatown | Disturbia | Rear Window |
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| Full cast and crew | Company credits | External reviews |
| IMDb Crime section | IMDb Australia section | Add this title to MyMovies |
There are similarities between Ray Lawrence's "Jindabyne" and his last movie "Lantana" a dead body and its repercussions for already dysfunctional lives. But whereas "Lantana" offered some hope and resolution, "Jindabyne" leaves everything unresolved in a bleak way that will leave most viewers unsatisfied, perhaps even cheated.
The storyline - the aftermath of a fisherman's discovery of a corpse floating in a remote river - is based on a short story by Raymond Carver. It became an element in Robert Altman's classic 1993 ensemble "Short Cuts". Lawrence uses this theme for an exploration and exposition of relationships within a small Australian community under stress. The movie poses some moral questions "Would you let the discovery of a dead body ruin your good weekend?" and more poignantly for Australians "Would it make any difference if the dead person was an aboriginal?" The acting, especially by Gabriel Byrne and Laura Linney, is commendable. And there are elements of mysticism reinforced by haunting music, not unlike "Picnic at Hanging Rock".
If all this sounds like the basis for a great movie - be prepared for a let down, the pace is very slow and the murder is shown near the beginning, thereby eliminating the element of mystery. And so we are left with these desolate lives and a blank finale.