Les lutteurs immobiles (TV Movie 1988) Poster

(1988 TV Movie)

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9/10
"The Society of the Protection of Objects- SPO."
morrison-dylan-fan28 January 2022
Warning: Spoilers
While currently watching the original series of The Outer Limits for the first time,I was pleased to find that this obscure French Sci-Fi title has recently gotten English subtitles, leading to me discovering the duties of the SPO.

View on the film:

Running at just over 58 minutes and made for the TV channel FR3, co-writer (with Bernard-Pierre Donnadieu) / director Andre Farwag displays an ingenuity in crossing multiple sub-genres of Sci-Fi with remarkable ease, from the striking, multi-coloured dystopia of the opening scanning the busy bodies of the SPO, to the Steadicam treading across a vast Post-Apocalypse style wasteland.

Featuring an impressive/ chilling extended shot of a stuntman on fire, Farwag takes the previously kooky presentation of the SPO forcing the consumer society to bond with their objects, and brilliantly twists it, into the edge of darkness macabre final murmur.

Despite being extremely popular In France,The Deep Sea Diver's Syndrome is currently the only novel by Serge Brussolo to have been translated into English.

Thankfully, the screenplay by Donnadieu & Farwagi offer a taster to the unpredictability in their adaptation which has made Brussolo, via recycling pushed to a satirical level of extreme in the refusal of the SPO for anything to be wasted, to the verging on an obsessive bond that consumers have with objects,which they will always be together with, in electric dreams.
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Could have been better but also worse
searchanddestroy-123 April 2016
That's one of the too few films adapted from Serge Brussolo, the French Stephen King, a novelist specialized in terrific and unexpected tales in science fiction, crime, schemes. Novels absolutely outstanding to read and so hard to put on screen, at least faithfully...

There has already been another film made from one of his novels: LES EMMURES; I commented this film too. Back to this one, it's not badly made, and it could have been far worse. A good TV product. Anyway, I would never imagine such a scheme on the big screen. Destined to very narrow audiences, aired during the summer 1988, I am not surprised that no one has commented it. The work done here is corny but, I repeat, rather faithful to the novelist Brussolo's soul and spirit. Depressing story in the line of 1984, from Georges Orwell. A mastermind for Brussolo. A tale about hope for the future. Not for all audiences
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