Brokeback Mountain (2005)

Réalisateur:

Ang Lee

Scénaristes (WGA):

Annie Proulx (short story)
Larry McMurtry (screenplay) ...

Date de sortie:

16 décembre 2005 (USA)

Genre:

Drame | Romance | Western

Accroche:

Love Is A Force Of Nature

Intrigue:

Based on the 'E. Annie Proulx' story about a forbidden and secretive relationship between two cowboys and their lives over the years.

Plot Keywords:

Wyoming | Ranch Hand | Ranch | Rodeo | Cowboy

Récompenses:

Won 3 Oscars. Another 78 wins & 64 nominations

Avis des utilisateurs:

Powerful, Numbing

Ensemble

Heath Ledger	...	Ennis Del Mar
Jake Gyllenhaal	...	Jack Twist
Randy Quaid	...	Joe Aguirre
Valerie Planche	...	Waitress
David Trimble	...	Basque
Victor Reyes	...	Chilean Sheepherder #1
Lachlan Mackintosh	...	Chilean Sheepherder #2
Michelle Williams	...	Alma
Larry Reese	...	Jolly Minister
Marty Antonini	...	Timmy
Tom Carey	...	Rodeo Clown
Dan McDougall	...	Bartender #1
Don Bland	...	Biker #1
Steven Cree Molison	...	Biker #2
Anne Hathaway	...	Lureen Newsome

Autre(s) titre(s):

Souvenirs de Brokeback Mountain (Canada: French title)

MPAA:

Rated R for sexuality, nudity, language and some violence.

Durée:

134 min

Pays:

Canada | USA

Langue:

Anglais

Couleur:

Couleur

Rapport de forme:

1,85 : 1

Son:

DTS | Dolby Digital

Classification:

UK:15 | Norway:11 | Finland:K-11 | Australia:M | Canada:13+ (Québec) | Switzerland:14 (canton of Geneva) | Switzerland:14 (canton of Vaud) | Sweden:7 | Hong Kong:IIB | Netherlands:12 | Canada:14A (Alberta/British Columbia/Manitoba/Nova Scotia/Ontario) | Singapore:R21 | Spain:13 | Portugal:M/12 | Malaysia:(Banned) | Japan:PG-12 | France:U | Brazil:16 | Taiwan:R-12 | Germany:12 | Belgium:KT | Chile:14 | Poland:18 | India:A | USA:R (certificate #41600) | Ireland:16 (theatrical rating) | Ireland:18 (video rating) | South Korea:15 (uncut) | China:(Banned) | Iceland:12 | Argentina:16 | Philippines:R-18 | New Zealand:M | Denmark:11 | Venezuela:PG-13

Lieux de tournage:

Calgary, Alberta, Canada

Société:

Alberta Film Entertainment

Anecdotes:

According to an interview that Heath Ledger gave to the Philadelphia Inquirer's Steven Rea, there was a sequence that was filmed for the movie in which Jack and Ennis help some hippies get their car out of a river. According to Ledger, the scene took three days to shoot and was disliked almost immediately by everyone involved. The scene was written by James Schamus as an attempt to show Jack and Ennis in a heroic situation, but it does not appear in Annie Proulx's original short story, the published screenplay, or the final cut of the movie.

Goofs:

Continuité: When Aguirre comes to tell Jack about his sick uncle, Jack has the ax in his right hand. When the conversation is over and Aguirre rides away, the ax is in Jack's left hand.

Guillemet:

[first lines]
Joe Aguirre: You pair of deuces lookin' for work, I suggest you get your scrawny asses in here pronto.

Connexions De Film:

Référencé sur In the Loop (2009)

Bande son:

Battle Hymn of the Republic

Powerful, Numbing

I just saw this at the Toronto International Film Festival (TIFF) to a packed house (with Ang Lee present for today's screening). And I have to say, it absolutely transfixed me and was worth the watch. Out of 24 movies I screened at the TIFF this year, this was the only one I rated a 10/10! Three things really stood out for me making this a stand-out of a film:

1) HONESTY: Heath Ledger and Jake Gyllenhaal really pulled this off. I wasn't expecting performances so real and nuanced, and was warmly surprised. Kudos, also, to Mr. Lee for making such a poignant and refreshingly honest film!

2) STORY: Great story-telling. In fact you're not actually being *told* a story. The story unfolds and the viewer watches what happens pulling you in. What a great experience! In fact, I want to experience this story again -- I'm going to look for the short story.

3) NUMBING: In a thought-provoking kind of way. I left the theatre digesting the story even as I sat on the streetcar thinking about the characters. I cared for them, and wondered what could/might happen to them after the screen went black. My mind was playing out scenarios and in that sense, it was numbing, in a thought-provoking, emotionally heavy way.

This is powerful cinema and is definitely worth checking out. It's the best Ang Lee film I've seen to date (I've seen most, but not all of his feature films).