Le temps des porte-plumes (2006) User Reviews

warm and beautiful

[zwang-1 · 9/10 · 9 March 2006]

A story about the adopted child in France farmer's family. A warm reminder of my childhood, maybe also yours. There is not much conflict between the child and the parent, the focus is on the feeling of a child in a strange environment and his boyish reaction. There are not much talks. That makes me feel easy (Not a good French speaker viewing a French film with no sub-title!) The mutual understanding is reached by a lot of glances between the parents and the child. The child has his own quietness and charm, which very similar to the farmers. I think that is the reason you find harmony between them. Not many films would give you the same peace in mind in the numerous selections of films. Overall a relaxing and comfortable film, which is good for everybody.

Think Ink

[writers_reign · 9/10 · 28 June 2006]

Daniel Duval has some fifty acting credits to his name not least the father in Will It Snow For Christmas and this is by far the best of the handful of films he's directed overflowing with warmth and charm. In some ways it covers similar ground to Le Grand Chemin inasmuch as a young boy is initially a fish out of water in the countryside but learns to adapt. This time around he's an orphan adopted by Jean-Paul Rouve and Ann Brochet who take him back to their farm half a century ago. There seems to be something of a vogue at the moment for lost Ruralism in France and perhaps it takes a townie like me to revel in lyrical scenes of ploughing, haymaking etc from a seat in the cinema where I don't have to rely on a well for water or a kettle to make it hot. The icing on the cake is Annie Girardot and the touching and loving relationship between her and our young hero is at the very core of the film and Denis Podalydes is also on hand as the local schoolmaster who thinks nothing in those far off days when PC meant only a Police Constable of grabbing a boy by the ear and marching him to the front of the class or even out the door. If, like me, you enjoy nostalgia once-removed then this is surely for you.

Beautiful sensitive film

[searchanddestroy-1 · 16 December 2022]

I guess this is s semi autobiographic story, because director Daniel Duval was also a child who was raised by foster parents, in the Allier departement; French countryside. I also guess this is a realistic feature, bringing many details, showing accurate things not necessarily known from large audiences. This is not LES HAUTS MURS, though, also a drama speaking of orphans behind the gates of an orphanage between two world wars. This movie, LES HAUTS MURS, was rough, brutal, but also poignant. This one is also gripping but far smoother, a film easily destined to all kind of people, young or less young. It is obviously a film which can't hope a large success, not gigantic gross in the end. But Daniel Duval has never been such a director; on the contrary, his filmography - even as a director, because he was mainly an actor - proves that each of this movies was something else than meaningless. All moving stories. This one is the best proof. Also a gripping performance of Annie Girardot, as usual.