| Photos (see all 1 | slideshow) |
| Patrick Stewart | ... | Narrator (voice: English version) |
Réalisé par | |||
| Alastair Fothergill | |||
| Mark Linfield | |||
Scénaristes(in alphabetical order) | ||
| Alastair Fothergill | writer | |
| Mark Linfield | writer | |
| Leslie Megahey | writer | |
Produit par | |||
| Stefan Beiten | .... | executive producer | |
| Melissa Caron | .... | associate producer | |
| Alastair Fothergill | .... | series producer | |
| Amanda Hill | .... | associate producer | |
| Andre Sikojev | .... | executive producer (as André Sikojev) | |
| Sophokles Tasioulis | .... | producer | |
| Alix Tidmarsh | .... | producer | |
| Nikolaus Weil | .... | executive producer | |
Musique originale | |||
| George Fenton | |||
Image | |||
| Richard Brooks Burton | |||
| Andrew Shillabeer | |||
Montage | |||
| Martin Elsbury | |||
Directeur de production | |||
| Richard Lloyd | .... | post-production supervisor | |
Technicien du son | |||
| Robert Edwards | .... | adr recordist | |
| Matthew Gough | .... | sound re-recording mixer | |
| Kate Hopkins | .... | sound editor | |
| Brian Moseley | .... | foley artist | |
| Tim Owens | .... | sound editor | |
| Bruno Seznec | .... | sound studio manager | |
| Bruno Seznec | .... | sound | |
| Andrew Wilson | .... | sound re-recording mixer | |
Camera and Electrical Department | |||
| David Baillie | .... | aerial cinematographer | |
| Richard Brooks Burton | .... | aerial cinematographer | |
| Michael Kelem | .... | aerial cinematographer | |
Editorial Department | |||
| Luke Rainey | .... | colorist | |
| Jon Thompson | .... | digital intermediate producer | |
Music Department | |||
| Julian Kershaw | .... | orchestrator | |
| Steven Price | .... | music editor | |
Divers | |||
| Tim Desbois | .... | aerial coordinator | |
| Steve Harrow | .... | pre-production consultant | |
| Jack James | .... | data manager | |
| Jason Roberts | .... | location manager | |
| Richard Rowntree | .... | assistant: Steve Harrow | |
| Jonathan Smiles | .... | high definition video supervisor | |
Thanks | |||
| Yves Chevalier | .... | very special thanks | |
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| An Inconvenient Truth | Red Crabs Crazy Ants | Marche de l'empereur, La | Call of Life: Facing the Mass Extinction | The Platypus Man |
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| Full cast and crew | Company credits | External reviews |
| IMDb Documentary section | IMDb Germany section | Add this title to MyMovies |
I was really looking forward too seeing this movie as it has been advertised as a must-see movie for people that love movies about nature. The movie shows different climates and the animals associated with them by starting at the North Pole and going down south as the movie progresses. The footage from this movie is often breathtakingly beautiful and I many times wondered how on Earth they could have taken some of the shots under water or in the sky. However beautiful, a large part of the footage I had already seen in the TV series 'Planet Earth', narrated by David Attenborough. I found Attenborough's narration of Planet Earth to be much better than the narration of Earth. 'Earth' is an easier movie. It skips much of the scientific detail that Attenborough covers in his 'Planet Earth' series. For instance, Earth will tell you that a tropical sea is an ideal nursery for a young humpback whale, because there are few predators. Planet Earth will tell you that a tropical sea is a good nursery, because the water is low in oxygen and doesn't contain enough nutrients to support very large animals, like large sharks, etc. To me, that's an important difference. That, together with Attanborough's far superior voice make Planet Earth a far better documentary than Earth. Still, however, I think Earth is worth watching for the beautiful footage and the fact that it's easier to understand makes it interesting for children too.