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Memoirs of a Geisha (2005)
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Vue d'ensemble
Note Générale:
Date de sortie:
23 décembre 2005 (USA) suiteIntrigue:
Nitta Sayuri reveals how she transcended her fishing-village roots and became one of Japan's most celebrated geisha. full summary | add synopsisRécompenses:
Won 3 Oscars. Another 17 wins & 28 nominations suiteAvis des utilisateurs:
Breathtaking from the first scene plus de (523 total)Ensemble
(Vue d'ensemble du casting, par ordre d'apparence)| Suzuka Ohgo | ... | Chiyo | |
| Togo Igawa | ... | Tanaka | |
| Mako | ... | Sakamoto | |
| Samantha Futerman | ... | Satsu | |
| Elizabeth Sung | ... | Sakamoto's Wife | |
| Thomas Ikeda | ... | Mr. Bekku | |
| Li Gong | ... | Hatsumomo (as Gong Li) | |
| Tsai Chin | ... | Auntie | |
| Kaori Momoi | ... | Mother | |
| Zoe Weizenbaum | ... | Young Pumpkin | |
| David Okihiro | ... | Shamisen Teacher | |
| Miyako Tachibana | ... | Dance Teacher | |
| Kotoko Kawamura | ... | Granny | |
| Karl Yune | ... | Koichi | |
| Eugenia Yuan | ... | Korin |
Détails supplémentaires
MPAA:
Rated PG-13 for mature subject matter and some sexual content.Parents Guide:
Add content advisory for parentsDurée:
145 min | Philippines:140 minPays:
USACouleur:
CouleurRapport de forme:
2,35 : 1 suiteClassification:
Finland:K-11 | UK:12A | Australia:M | Singapore:PG | Ireland:12A | Czech Republic:12 | Sweden:7 | Argentina:13 | Hong Kong:IIA | Germany:12 | Netherlands:MG6 | Malaysia:18PL | Malaysia:U (cut version) | Indonesia:Dewasa | Switzerland:10 (canton of Geneva) | Switzerland:10 (canton of Vaud) | Brazil:14 | Canada:G (Quebec) | Canada:PG (Alberta/British Columbia/Canada Video Rating/Manitoba/Nova Scotia/Ontario) | Philippines:PG-13 (MTRCB) | France:Unrated | France:U | Singapore:NC-16 (special edition DVD) | Iceland:L | Hungary:14 | South Korea:15 | USA:PG-13 (certificate #41007) | China:(Banned)Curiosités
Anecdotes:
The actresses had a six-week crash course on geisha culture. suiteGoofs:
Révélant des erreurs: When Chiyo/Sayuri and Pumpkin are listening on Mrs. Nitta and Mameha's discussion of Chiyo's future, and the camera zooms in on the girls' eyes peering through the crack in the door, Chiyo's eyes move very fast and you can clearly see Chiyo's blue contact, since it does not move with the rest of her eye. suiteGuillemet:
Hatsumomo: I was a maiko once.Sayuri Nitta: Oh, of course. But that was a long, long, long, *long* time ago.
suite
Bande son:
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I lived in Japan for 3 years and I loved the book, rich with visual imagery. I went to the see the movie with a good deal of trepidation, convinced that they were going to butcher it and sex it up to appeal to American audiences. Instead I sat spellbound in my seat as I watched the images that Arthur Golden has created in my mind with words years before, play themselves out on the screen in front of me. Every shot, ever scene, every tiny detail was just beautiful. I literally did not look away from the screen the entire time. The acting wasn't spectacular. I think they could have found somebody better to play Sayuri. The children were all wonderful. The stand-out actress by far was Gong Li as Hatsumomo. The villain had the best opportunities to show her skills as a thespian. The plot stuck very closely to the book. They eliminated the scenes that they needed to in the interest of time, but they didn't try to take any shortcuts or speed up the plot. I really felt like the story was played out beginning to end without sacrificing any of the meat. You'll read a lot of reviews in the coming weeks praising the gorgeous photography. Every word is true. Words like "lush" and "exquisite" only begin to do it justice. I've never had the experience of being transported to another time by a movie in quite this way.