| Judith Godrèche | ... | Élise Véronne | |
| Ariane Seguillon | ... | Delphine | |
| Coralie Revel | ... | Lou | |
| Wladimir Yordanoff | ... | Alain Varenne | |
| Sagamore Stévenin | ... | Arthur | |
| Dan Herzberg | ... | Olivier | |
| Patrick Chesnais | ... | Norbert | |
| Jules-Angelo Bigarnet | ... | Jérémie (as Jules Bigarnet) | |
| Philippe Lefebvre | ... | Antoine | |
| Véronique Boulanger | ... | Lorraine Bulot | |
| Guillaume Gallienne | ... | Pierre-Louis | |
| Stéphane Touitou | ... | Assistant casting | |
| Nicky Marbot | ... | Maxime | |
| Philippe Chevallier | ... | Himself | |
| Régis Laspalès | ... | Himself | |
| Monique Mauclair | ... | Monique | |
| Christophe Rossignon | ... | Le banquier | |
| Frédéric Beigbeder | ... | Himself | |
| Tonio Descanvelle | ... | Le voyou | |
| Alain Guillo | ... | Réalisateur 1 | |
| Marc Bodnar | ... | Le demandeur d'autographes | |
| Mélanie Page | ... | Noémie | |
| Aurélien Wiik | ... | Thierry | |
| Frédérique Bel | ... | Vanessa | |
| Léna Kerman | ... | Margot | |
| Marc Rioufol | ... | Daniel | |
| Elodie Frenck | ... | Nathalie | |
| Marc Lesage | ... | Metteur en scène Avignon | |
| Pierre Brichese | ... | Le buraliste | |
| Pierre Salvadori | ... | Metteur en scène 2 | |
| Benoît Poelvoorde | ... | Himself | |
| José Garcia | ... | Himself | |
| Dominique Segall | ... | Himself | |
| Matthieu Poirot-Delpech | ... | Le chef opérateur | |
| reste de la distribution par ordre alphabétique: | |||
| Euric Allaire | ... | L'assistant-réalisateur | |
| Antoine Duléry | ... | Le directeur du casting (voice) | |
| Cansel Elcin | ... | An actor | |
| Sarah Fuentes | |||
| Eric Greniard | |||
| David Kodsi | |||
| Bob Martet | |||
| Patrick Mazet | |||
| Lysiane Meis | |||
| Eric Naggar | |||
| Dominique Noguez | |||
| Emmanuel Patron | |||
| Arnaud Riou | |||
| Nicolas Ullman | |||
| Philippe Harel | ... | Himself (uncredited) | |
Réalisé par | |||
| Philippe Harel | |||
Scénaristes(in alphabetical order) | ||
| Eric Assous | writer | |
| Philippe Harel | writer | |
Produit par | |||
| Pierre Kubel | .... | producer | |
| Marie-Castille Mention-Schaar | .... | producer | |
| Patrick Nebout | .... | associate producer | |
Musique originale | |||
| Alexandre Desplat | |||
Image | |||
| Matthieu Poirot-Delpech | |||
Montage | |||
| Julie Clemencin | |||
Distribution des rôles | |||
| Stéphane Touitou | |||
Création des décors | |||
| Emmanuelle Duplay | |||
Création des costumes | |||
| Anne Schotte | |||
Maquillage | |||
| Judith Gayo | .... | key makeup artist | |
| Caroline Philiponnat | .... | key hair stylist | |
Directeur de production | |||
| Bruno Daniault | .... | post-production manager | |
| Alexandrine Kol | .... | unit production manager | |
| Pascal Ralite | .... | production manager | |
Assistant réalisateur | |||
| Euric Allaire | .... | first assistant director | |
| Gabriel Levy | .... | third assistant director | |
| Colombe Savignac | .... | second assistant director | |
Art Department | |||
| Nicolas Contre | .... | property master | |
| Quentin Lestienne | .... | props | |
Technicien du son | |||
| Thierry Delor | .... | sound mixer | |
| Julien Gonzalez | .... | boom operator | |
| Marion Lorthioir | .... | post-synchronisation | |
| Agnes Ravez | .... | dialog editor | |
| Dominique Warnier | .... | sound | |
| Nicolas Waschkowski | .... | boom operator | |
Editorial Department | |||
| Julie Clemencin | .... | editor | |
| Guillaume Paqueville | .... | assistant editor trainee (uncredited) | |
Music Department | |||
| Valérie Lindon | .... | music supervisor | |
Divers | |||
| Virginie Berrotte | .... | production assistant | |
| Delphine Berroyer | .... | production secretary | |
| Laetitia Galitzine | .... | production assistant | |
| Véronique Lagrange | .... | script supervisor | |
| Sylvie Lalanne | .... | production administrator | |
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| Les randonneurs à Saint-Tropez | Les randonneurs | Le vélo de Ghislain Lambert | La femme défendue | Une hirondelle a fait le printemps |
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| Full cast and crew | Company credits | IMDb Comedie section |
| IMDb France section | Add this title to MyMovies |
I went to see this one, just to make pleasure to a lady friend ! In the end both her and I were bored to death and came out of the cinema with the feeling of having wasted two tickets !
What one can say is that if you're a man, you might as well rule this one out from the start ! It can only appeal to ladies, and not all ladies. It will appeal to ladies who have an empty head, who have a less than subtle sense of humour and who may possibly be able to "identify" with the problems of the female protagonist. It's what the Americans call a "chick flick" but not a good chick flick. I'm sure that the same them treated Hollywood fashion would be far more passable script-wise !
The level of spoken language is pretty poor, there are countless utilisations of vulgar words and whilst I can imagine the leading actress possibly pleasing some people, she is absolutely not my cup of tea either physically or with her character.
The film doesn't seem to go anywhere and is debased even further when we have to put up with several scenes of drunken women sprawled over sofas muttering gibberish. I was above all shocked by the shallow relationships these women had with men ( who were know better than them ) and the only actor I knew and liked, i.e. Patrick Chesnais, Elisa's father, had a relatively minor role. I like films with intense and passionate love stories, this film is exactly the opposite, it is about poor "paumées" who drink their way through life and do not know where they're going !
In, short, then , only go to see this film if you are 1) female and 2) completely stoned. Its only saving grace is that it is not overlong and, lest I forget, the soundtrack is not uninteresting !!