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Ronald Harwood (screenplay)
Jean-Dominique Bauby (book)
23 mai 2007 (Belgium) suite
Let your imagination set you free
The true story of Elle editor Jean-Dominique Bauby who suffers a stroke and has to live with an almost totally paralyzed body; only his left eye isn't paralyzed. full summary | add synopsis
Nominated for 4 Oscars. Another 40 wins & 33 nominations suite
Cinematic Art achieved plus de (127 total)
| Mathieu Amalric | ... | Jean-Do | |
| Emmanuelle Seigner | ... | Céline | |
| Marie-Josée Croze | ... | Henriette Roi | |
| Anne Consigny | ... | Claude | |
| Patrick Chesnais | ... | Le Docteur Lepage | |
| Niels Arestrup | ... | Roussin | |
| Olatz López Garmendia | ... | Marie Lopez | |
| Jean-Pierre Cassel | ... | Père Lucien et le Vendeur | |
| Marina Hands | ... | Joséphine | |
| Max von Sydow | ... | Papinou | |
| Gérard Watkins | ... | Le Docteur Cocheton | |
| Théo Sampaio | ... | Théophile | |
| Fiorella Campanella | ... | Céleste | |
| Talina Boyaci | ... | Hortense | |
| Isaach De Bankolé | ... | Laurent | |
| Emma de Caunes | ... | L'Impératrice Eugénie | |
| Jean-Philippe Écoffey | ... | Le Docteur Mercier et Nortier de Villefort | |
| Nicolas Le Riche | ... | Nijinski | |
| Anne Alvaro | ... | Betty | |
| Françoise Lebrun | ... | Madame Bauby | |
| Zinedine Soualem | ... | Joubert | |
| Georges Roche | ... | Fourneau | |
| Agathe de La Fontaine | ... | Inès | |
| Yves-Marie Coppin | ... | Le pêcheur | |
| François Delaive | ... | L'infirmier | |
| Franck Victor | ... | Paul | |
| Laure de Clermont-Tonnerre | ... | Diane (as Laure de Clermont) | |
| Virginie Delmotte | ... | L'infirmière | |
| Daniel Lapostolle | ... | Aide-soignant 1 | |
| Philippe Roux | ... | Aide-soignant 2 | |
| François Filloux | ... | L'infirmier de nuit | |
| Elvis Polanski | ... | Jean-Do enfant | |
| Cedric Brelet von Sydow | ... | Papinou jeune | |
| Sara Séguéla | ... | La paraplégique Lourdes | |
| Vasile Negru | ... | Le Violoniste | |
| Marie Meyer | ... | Mannequin | |
| Ilze Bajare | ... | Mannequin | |
| Anna Chyzh | ... | Mannequin | |
| Antoine Bréant | ... | Assistant Jean-Baptiste Mondino | |
| Azzedine Alaïa | ... | Himself | |
| Michael Wincott | ... | Fashion Photographer | |
| Jean-Baptiste Mondino | ... | Himself | |
| Lenny Kravitz | ... | Himself | |
| Farida Khelfa | ... | Herself |
Réalisé par | |||
| Julian Schnabel | |||
Scénaristes(WGA) | ||
| Ronald Harwood | (screenplay) | |
| Jean-Dominique Bauby | (book "Le scaphandre et le papillon") | |
Musique originale | |||
| Paul Cantelon | |||
Image | |||
| Janusz Kaminski | |||
Montage | |||
| Juliette Welfling | |||
Création des décors | |||
| Michel Eric | |||
| Laurent Ott | |||
Création des costumes | |||
| Olivier Bériot | |||
Maquillage | |||
| Olivier Alonso | .... | assistant special effects makeup artist (as Olivier Alonso) | |
| Florence Batteault | .... | makeup artist | |
| Sandrine Cirilli | .... | makeup artist | |
| Raphael Cornillon | .... | wigs (as Raphaël Cornillon) | |
| Elizabeth Delesalle | .... | makeup artist | |
| Thierry Di Cecca | .... | hair stylist | |
| Mélanie Gerbeaux | .... | wigs | |
| Christian Gruau | .... | key hair stylist | |
| Myriam Hottois | .... | key makeup artist | |
| Benoît Lestang | .... | special makeup effects artist | |
| Laure Moulin | .... | hair stylist | |
| Geoffroy Selley | .... | assistant special effects makeup artist (as Geoffroy Felley) | |
| Chloé Van Lierde | .... | makeup artist | |
Directeur de production | |||
| Virginia Anderson | .... | post-production manager | |
| David Artigala | .... | assistant unit manager | |
| Virginie Bernard | .... | assistant unit manager | |
| Olivier Billard | .... | assistant unit manager | |
| Delphine Brunet | .... | assistant unit manager | |
| Gwenael Camuzard | .... | assistant unit manager | |
| Xavier Champagnac | .... | assistant unit manager | |
| Sebastien Cosset | .... | assistant unit manager | |
| Sébastien Coulet | .... | assistant unit manager | |
| Mathieu Desouches | .... | assistant unit manager | |
| Deborah Dours | .... | assistant unit manager | |
| Stephan Guillemet | .... | unit production manager | |
| Maud Hubert | .... | assistant unit manager | |
| Olivier Jacob | .... | unit manager | |
| Emilie Larribaut-Guinguene | .... | assistant unit manager | |
| Vincent Lefeuvre | .... | assistant production manager | |
| Logan Lelièvre | .... | assistant unit manager | |
| Julien Linières | .... | assistant unit manager | |
| Anne-Claire Loridant | .... | assistant unit manager | |
| Emmanuel Mathieu | .... | unit manager | |
| Julien Minet | .... | assistant unit manager | |
| Jean-Patrick Nourricier | .... | assistant unit manager | |
| Laurent Platiau | .... | assistant unit manager | |
| David Thooris | .... | assistant unit manager | |
Assistant réalisateur | |||
| Mathilde Cavillan | .... | second assistant director | |
| Stéphane Gluck | .... | first assistant director | |
| Sébastien Marziniak | .... | assistant director | |
| Lucie Wagner | .... | trainee assistant director | |
Département Art | |||
| Christian Gazio | .... | property master | |
| Alain Pitrel | .... | set dresser | |
| Franck Gies | .... | carpenter (uncredited) | |
Technicien du son | |||
| Damien Bera | .... | assistant sound mixer (as Damien Lazzérini) | |
| Damien Bera | .... | sound re-recording mixer | |
| Boris Chapelle | .... | assistant sound editor | |
| Philippe Dongé | .... | sound mix technician | |
| Dominique Gaborieau | .... | sound | |
| Yann Lebrun | .... | sound detection | |
| Frédérique Liébaut | .... | post-synchronization | |
| Vincent Milner | .... | assistant foley artist | |
| Jean-Paul Mugel | .... | sound recordist | |
| Yves-Marie Omnes | .... | boom operator | |
| Philippe Penot | .... | foley artist | |
| Cyrille Richard | .... | dialogue editor | |
| Francis Wargnier | .... | sound editor | |
Effets spéciaux | |||
| Olivier Afonso | .... | special effects makeup | |
| Philippe Alleton | .... | special effects | |
| Jean-Claude Dauphinot | .... | special effects | |
| Georges Demétrau | .... | special effects supervisor | |
| Clive R. Kay | .... | special effects contact lenses | |
| Jérome Miel | .... | special effects | |
Visual Effects | |||
| Luc Augereau | .... | visual effects producer | |
| Anita Lech Bedez | .... | digital artist | |
| Yann Blondel | .... | senior visual effects supervisor | |
| Adrien Borzakian | .... | digital artist | |
| Arnaud Damez | .... | digital artist | |
| Elodie Ly Tri | .... | retouch and restoration | |
| Charlotte Quemy | .... | retouch and restoration | |
| Fred Roz | .... | titles | |
| Laurence Vidot | .... | visual effects coordinator | |
| Aurélie Villard | .... | digital artist | |
Cascadeur | |||
| Pascal Guégan | .... | stunt coordinator | |
Département Casting | |||
| Rachel Berger | .... | casting assistant | |
| Sana El Ghoul | .... | casting assistant | |
| Jérôme Sacerdot | .... | extras casting assistant | |
| Laurent Soulet | .... | extras casting | |
Département Costume et garde-Robe | |||
| Alexia Crisp-Jones | .... | on-set costumer | |
| Alexia Crisp-Jones | .... | wardrobe | |
| Camille Janbon | .... | assistant costume designer | |
| Camille Joste | .... | costumer | |
| Lucia Lefebvre | .... | on-set costumer | |
| Sylvie Néant | .... | on-set costumer | |
| Daniella Telle | .... | costumer | |
Dpartement Editorial | |||
| Marcela Figueroa | .... | assistant editor | |
| Marie-Pierre Frappier | .... | assistant editor | |
| Margot Meynier | .... | assistant editor | |
| Nelly Ollivault | .... | assistant editor | |
| Carlos Pinto | .... | second assistant editor | |
| Gilles Granier | .... | dailies color grader (uncredited) | |
Département Musique | |||
| Christian Chevalier | .... | music clearance | |
| Julian Schnabel | .... | music supervisor | |
Département Transport | |||
| Arnaud Bisselbach | .... | driver | |
| Hélène Millet | .... | driver | |
Divers | |||
| Edith Barrier | .... | production administrator | |
| Virginie Bernard | .... | production assistant | |
| Catherine Brelet | .... | personal assistant: Mr. Max Von Sydow (as Catherine Brelet-Von Sydow) | |
| Bernard Caroff | .... | groupman | |
| David Caroff | .... | groupman | |
| Maguy J.B. Cohen | .... | personal assistant: Mr. Schnabel (as Maguy Cohen) | |
| Sean Cooney | .... | post-prodution executive | |
| Amélie Dibon | .... | production secretary | |
| Marion Gervais | .... | coach: children | |
| Claudy Gibier | .... | groupman | |
| Marie Guillon | .... | production administrator | |
| Elyse Klaits | .... | associate: Ms. Kennedy | |
| Bianca Turetsky | .... | personal assistant: Mr. Schnabel | |
Merci | |||
| Laurie Anderson | .... | special thanks | |
| Kathleen Brennan | .... | special thanks | |
| Naomi Campbell | .... | special thanks | |
| Jean-Pierre Cassel | .... | dedicatee | |
| Ferdinand Chesnais | .... | dedicatee | |
| Aurelio De Laurentiis | .... | special thanks | |
| Raffaella De Laurentiis | .... | special thanks | |
| Linda Evangelista | .... | special thanks | |
| Laird John Hamilton | .... | special thanks (as Laird Hamilton) | |
| Dennis Hopper | .... | special thanks | |
| François Ivernel | .... | special thanks | |
| Mike Medavoy | .... | special thanks | |
| Luce Mellor | .... | special thanks | |
| Tatjana Patitz | .... | special thanks | |
| Roman Polanski | .... | special thanks | |
| Lou Reed | .... | special thanks | |
| Jack Schnabel | .... | dedicatee | |
| Sebastián Silva | .... | special thanks | |
| Joe Strummer | .... | special thanks | |
| U2 | .... | special thanks | |
| Tom Waits | .... | special thanks | |
The Diving Bell and the Butterfly (International: English title) (UK) (USA)
Le scaphandre et le papillon (France)
suite
Rated PG-13 for nudity, sexual content and some language.
France:112 min | USA:112 min
1,85 : 1 suite
Switzerland:12 (canton of Vaud) | Switzerland:12 (canton of Geneva) | Ireland:12A | Canada:PG | Netherlands:6 | Taiwan:PG-12 | Sweden:7 | Singapore:NC-16 | Finland:K-7 | South Korea:12 | USA:PG-13 (certificate #43714) | Hong Kong:IIB | Greece:K-13 | Argentina:13 | Australia:M | UK:12 | Peru:14
Actor Johnny Depp had originally been set to play the lead character, Jean-Dominique Bauby. However, he dropped from the project due to scheduling conflicts (filming for Pirates of the Caribbean: At World's End). suite
Continuité: In the scene where Jean-Do shaves his father, he shaves the moustache area and the shaving cream is removed, but in the next shot this area is covered with shaving cream again. In the following shot the father's upper lift is clean of shaving cream again. suite
Papinou: Having a mistress is no excuse for leaving the mother of your children; the world has lost its values. suite
Références Singin' in the Rain (1952) suite
Chains of Love suite
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| 8½ | Edvard Munch | Die Blechtrommel | The Lonely Passion of Judith Hearne | Die Fälschung |
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| Casting et équipe complète | Remerciements de la Société | Revues externes |
| Films du Top 250 IMDb | IMDb Biographie section | IMDb France section |
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One of the best films in years, and in artistic cinematic terms, one of the best films I've ever seen. That's a heavy statement to make, but off the top of my head, I cannot think of another film that explores the inner workings of a character so intimately and believably, while blending cinematography, sound effects, and musical score in such harmony -- but in a fashion we (as American's at least) are not trained to enjoy. I felt the French influence strongly cinematically and, of course in the dialogue, but the writing and acting was so fluid it felt like the subtitles weren't even there.
The film deals with a rare physical condition, and I was physically there with the character from start to finish. I felt each moment as if it were my own. That is a rare accomplishment in cinema. Julian Schnabel directed a stellar cast. Mathieu Amalric was unusually charming as Jean-Dominique Bauby, and Max Von Sydow was heartbreaking as his lonely widower father. The female leads were all equally impressive as they were beautiful. I don not mean to generalize them, but they were all so excellent that they blend seamlessly in my mind, in terms of performance.
Overall, this film was as pure a cinematic experience as I've witnessed in a long time. A true artist turns out a film that is truly a piece of art. Julian Schnabel takes his time in between films, but with work like this, there's no need to rush. Like a good painting, one can enjoy it for a lifetime.