Leben der Anderen, Das (2006)

Réalisateur:

Florian Henckel von Donnersmarck

Scénariste:

Florian Henckel von Donnersmarck (writer)

Release Date:

23 mars 2006 (Germany)

Genre:

Drame

Accroche:

Before the Fall of the Berlin Wall, East Germany's Secret Police Listened to Your Secrets

Plot:

In 1984 East Berlin, an agent of the secret police, conducting surveillance on a writer and his lover, finds himself becoming increasingly absorbed by their lives.

Plot Keywords:

Power Abuse | East German Culture | Wiretapping | Boyfriend Girlfriend Relationship | Female Frontal Nudity

Awards:

Won Oscar. Another 55 wins & 22 nominations

Avis des utilisateurs:

Outstandingly great movie

Ensemble

Martina Gedeck	...	Christa-Maria Sieland
Ulrich Mühe	...	Hauptmann Gerd Wiesler
Sebastian Koch	...	Georg Dreyman
Ulrich Tukur	...	Oberstleutnant Anton Grubitz
Thomas Thieme	...	Minister Bruno Hempf
Hans-Uwe Bauer	...	Paul Hauser
Volkmar Kleinert	...	Albert Jerska
Matthias Brenner	...	Karl Wallner
Charly Hübner	...	Udo
Herbert Knaup	...	Gregor Hessenstein
Bastian Trost	...	Häftling 227
Marie Gruber	...	Frau Meineke
Volker Michalowski	...	Schriftexperte (as Zack Volker Michalowski)
Werner Daehn	...	Einsatzleiter in Uniform
Martin Brambach	...	Einsatzleiter Meyer

Autre(s) titre(s) :

Leben der Anderen - Die Sonate vom guten Menschen, Das (Germany) (working title)
The Lives of Others (USA)
Vie des autres, La (France) [fr]

MPAA:

Rated R for some sexuality/nudity.

Durée:

137 min

Pays:

Germany

Langue:

Allemand

Couleur:

Couleur

Aspect Ratio:

2.35 : 1

Son:

Dolby Digital

Classification:

Switzerland:10 (canton of Vaud) | Czech Republic:12 | South Korea:15 | Spain:7 | Netherlands:12 | UK:15 | Switzerland:10 (canton of Geneva) | Hong Kong:IIB | France:Unrated | Argentina:13 | Germany:12 | Australia:MA | Portugal:M/16 | Ireland:15A | Sweden:7 | Canada:14A (Ontario) | Italy:T | Singapore:M18 | Malaysia:U | USA:R | Brazil:12 | Finland:K-11

Emplacements De Pelliculage:

Altes Stadthaus, Klosterstraße, Berlin, Germany

Company:

Bayerischer Rundfunk (BR)

Anecdotes:

The cover of the prop Der Spiegel magazine featuring the Dreyman article was designed by the publication specifically for the film.

Goofs:

Continuity: When Wiesler and Grubitz are having lunch with some Stasi-members, there isn't anything on their plates.

Guillemet:

Hauptmann Gerd Wiesler: An innocent prisoner will become more angry by the hour due to the injustice suffered. He will shout and rage. A guilty prisoner becomes more calm and quiet. Or he cries. He knows he's there for a reason. The best way to establish guilt or innocence is non-stop interrogation.

Connexions De Film:

References Salesman (1968)

Outstandingly great movie

I wonder why there has been so little written and publicized about this movie. This should be seen in every country and its merits trumpeted from the skies.

It starts off slowly and the locale is the former East Germany, inhabited by 16 million people who are being spied upon relentlessly by their secret police. In this very real world of the Berlin Wall, there are many Stasi, 90,000, overseeing the populace, aided and abetted by hundreds of thousands of informants. Many of these snitches were blackmailed or other pressures exerted (threats to children and loved ones) and a few obliged voluntarily.

What is truly amazing is that this is Florian Henckel von Donnersmarck's directorial debut, and he maintains a masterful hand throughout and keeps the story and the tension rolling from the first scene of interrogation which is filmed back and forth between a tape educating new Stasi as to interview techniques and to the actual cell itself where it was recorded.

The movie circles around three main characters and there is a wider circle of the powerful who pull the puppet strings for a variety of reasons which become clear as the movie unfolds.

First is Georg Dreyman, a playwright on the verge of celebrating his 40th birthday. Sebastian Koch, a tall,handsome actor dressed in writerly rumple, shares an apartment with his actress girlfriend, Christa-Maria Sieland (Martina Gedeck), and exists within the strictures of the state-sponsored theatre. He is a decent man, and tries to win support for his blacklisted friends.

For reasons that become quite clear, Dreyman falls under suspicion and the whole sophisticated Stasi spying system comes into play in the era of 1984. His whole apartment is bugged and every sound is monitored.

The man in charge of all this is Captain Gerd Wiesler,(Ulrich Mühe). Ulrich's performance is nothing short of stunning. He starts as an almost robotic presence, dressed in gray, he almost disappears into every scene he's in. But one detects a clear intelligence in his bright eyes, the only part of him that's alive. Captain Wiesler lives in a non-descript arborited apartment, much like himself. He squeezes his food onto a plate from a tube.

But the captain starts to awaken slowly as he listens surreptitiously on the state of the art equipment secreted in the attic of Dreyman's building. He starts to fall in love with the couple and then pressure from above is brought to bear on him to dig for the dirt in Dreyman's life.

And he is in a dilemma now, as he is drawn further and further into the life of Dreman and his girlfriend.

I won't throw spoilers down. Suffice to say is that the story is enthralling right down to the very last frame. The acting is superb, the direction impeccable and the world of East Germany meticulously drawn with the viewer respected enough to find his or her own emotional path through the plot.

The ending is truly one of a kind. So right and true that I was left nodding, it was the only one possible.

A must see, I will sing the praises of this film to all I know. 10 out of 10 from me. Right up there in my top 50 of all time. I find it so disappointing that these movies don't get wider release AND compete for an Oscar in the best picture of the year and not just for best foreign film. Now there's a heretical thought!