IMDb > A Scanner Darkly (2006)
A Scanner Darkly
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A Scanner Darkly (2006) Plus avec IMDbPro »

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A Scanner Darkly (2006) -- An undercover cop in a not-too-distant future becomes involved with a dangerous new drug and begins to lose his own identity as a result.
A Scanner Darkly (2006) -- An undercover cop in a not-too-distant future becomes involved with a dangerous new drug and begins to lose his own identity as a result.
A Scanner Darkly (2006) -- ZuGuide.com - Trailer (Flash)
A Scanner Darkly (2006) -- Trailerfan.com - Trailer (Flash)
A Scanner Darkly (2006) -- Sinematurk - Trailer (Flash)

Vue d'ensemble

Note Générale:
7,2/10   37 390 votes
MOVIEmeter: ?
Up 13% in popularity this week. See why on IMDbPro.
Réalisateur:
Richard Linklater
Scénaristes (WGA):
Philip K. Dick (novel)
Richard Linklater (screenplay)
Contact:
View company contact information for A Scanner Darkly on IMDbPro.
Date de sortie:
28 juillet 2006 (USA) suite
Accroche:
What Does A Scanner See? suite
Intrigue:
An undercover cop in a not-too-distant future becomes involved with a dangerous new drug and begins to lose his own identity as a result. full summary | add synopsis
Récompenses:
2 wins & 6 nominations suite
Avis des utilisateurs:
Absolute best adaptation of book to screen. plus de (276 total)

Ensemble

  (Vue d'ensemble du casting, par ordre d'apparence)

Rory Cochrane ... Charles Freck

Robert Downey Jr. ... James Barris

Mitch Baker ... Brown Bear Lodge Host

Keanu Reeves ... Bob Arctor
Sean Allen ... Additional Fred Scramble Suit Voice (voice)
Cliff Haby ... Voice from Headquarters (voice)

Steven Chester Prince ... Cop

Winona Ryder ... Donna Hawthorne

Natasha Valdez ... Waitress
Mark Turner ... Additional Hank Scramble Suit Voice (voice)

Woody Harrelson ... Ernie Luckman

Chamblee Ferguson ... Medical Deputy #2

Angela Rawna ... Medical Deputy #1

Eliza Stevens ... Arctor's Daughter #1

Sarah Menchaca ... Arctor's Daughter #2
suite
Create a character page for: ?

Détails supplémentaires

MPAA:
Rated R for drug and sexual content, language and a brief violent image.
Durée:
100 min
Pays:
USA
Langue:
Anglais
Couleur:
Couleur
Rapport de forme:
1,85 : 1 suite
Lieux de tournage:
Austin, Texas, USA suite

Curiosités

Anecdotes:
When Barris is talking about the people who sold him the bike, he calls them "albino shape-shifting lizard bitches!" a reference to an album of the same name by the band Slip 187. suite
Goofs:
Continuité: When Ernie lifts the bike, he picks it up by the top wheel. When he is shown carrying the bike a second later, he is holding it by the lower bar. suite
Guillemet:
[first lines]
Freck: [on the phone] I looked them up. They're aphids. They're in my hair, on my skin, in my lungs. And the pain, Barris, it's unreasonable. They're all over the place. Oh, they've completely gotten Millie too.
suite
Connexions:
Référencé sur One Minutes (2009) suite
Bande son:
Black Swan suite

foire aux questions

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103 internautes sur 131 ont trouvé ce commentaire utile
Absolute best adaptation of book to screen., 7 janvier 2007
10/10
Auteur : XweAponX de Etats-Unis

1 Corinthians 13:12

"For now we see through a glass, darkly; but then face to face: now I know in part; but then shall I know even as also I am known".

In 1977 I was digging through a pile of books that had their front covers pulled off and thrown in the garbage. In this pile I found a book by Phillip K Dick.

That book happened to be A Scanner Darkly.

This made me pick up the book and take it home and read it. And what I read was one of the most depressing stories I have ever read in my life: I can honestly say that at the time I read it, I really did not have any idea what Dick was trying to say. But for some reason, I was attracted to the story and I read the whole book in about 2 days. 30 Years Later, I believe I understand now. Which validates the bible verse on which this whole work is based: What we do not understand will eventually be revealed to us.

Part of this film has to do with how we perceive reality, another part touches on what we do to lessen our daily pain. I really was not surprised by how the story ended. The book is not an exciting (and boring) tale of space opera, but it is one of the best works of speculative fiction ever written. And as such, it had become one of the most important books I have ever read.

And so I was surprised to find that this book was being filmed. I was interested in it when I saw that it was following the styles of such films as Sin City, Sky Captain and the World of Tomorrow, and Linklatter's "Waking Life" - However, I did not know how deep the animation well was.

As I watched this story unfold, I saw that this film used more of Phillip K Dick's actual dialog than any other film based on his works. As I kept watching, I understood that the story that was filmed was almost exactly the same story I read 30 years ago. No gunfights, explosions, or chase scenes were inserted. There is only one large liberty Linklatter took with the story: It is at the end of the film, I do not think Phillip K Dick fans would mind this small liberty taken. I can't say what it is, due to it being a spoiler.

If anyone is scratching their head after seeing this film, they ought to avoid films with substance and go back to the Phillip K Dick books that have been destroyed: Bladerunner, Total Recall, and Impostor, which bear little or no resemblance to the original books and short stories they were taken from.

I always judge movies on their Honesty. This one is an Honest movie. The story it tells is a hard one to swallow: Do you believe in what you see, or do you see what you believe? Where does reality divert from hallucination? Although this film deals with drug use and abuse, it also challenges our perception of what is going on around us.

The animation is something else: It is a marvel. I was surprised to see how it was done, each frame animated by hand. If any other story was being told, this would not have worked.

Coming back to this comment after a couple of years, there is really nothing else I can add to this comment. This film is visually well done, which allows the viewer to absorb the story that is being told.

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