| Photos (see all 1 | slideshow) |
| Laure Marsac | ... | Louise Coleman | |
| Denis Podalydès | ... | Dominique | |
| Claire Borotra | ... | La mère | |
| Alexia Stresi | ... | L'amie | |
| Justine Gallou | ... | Louise enfant | |
| Gisèle Casadesus | ... | La vieille dame | |
| Ivan Taieb | ... | Mathieu | |
| Emmanuelle Lepoutre | ... | La caissière de la cafétéria | |
| Lily Taieb | ... | Aurore | |
| Grégoire Auclerc-Galland | ... | Le jeune homme | |
| Julie Leibowitch | ... | La dame de l'auto-école |
Réalisé par | |||
| Laure Marsac | |||
Scénaristes(in alphabetical order) | ||
| Laure Marsac | writer | |
Produit par | |||
| Ivan Taieb | .... | producer | |
Musique originale | |||
| Grégoire Auclerc-Galland | |||
Image | |||
| Nicolas Le Forestier | |||
Montage | |||
| Audrey Maurion | |||
Distribution des rôles | |||
| Dominique Vinant | |||
Création des costumes | |||
| Elena Raggi | |||
| Nena Woreth | |||
Maquillage | |||
| Christian Gruau | .... | key hair stylist | |
| Marie Lastennet | .... | key makeup artist (as Marie Lastenet) | |
Directeur de production | |||
| Aymeric Boutard | .... | assistant unit manager | |
| Anne Farrer | .... | assistant unit manager | |
| Jean-Marc Gullino | .... | unit production manager | |
| Christelle Marty | .... | unit production manager | |
| Stephanie Micco | .... | assistant unit manager | |
| Eric Nebot | .... | assistant production manager | |
| Benoît Pilot | .... | production manager | |
| Arnaud Wyrzykowski | .... | assistant production manager | |
Assistant réalisateur | |||
| Carlo Da Fonseca Parsotam | .... | first assistant director | |
| Raphaël De Vellis | .... | assistant director | |
| Delphine Lamarche | .... | assistant director | |
| Célia Lévi | .... | assistant director | |
Technicien du son | |||
| Damien Berger | .... | boom operator | |
| Emmanuel Croset | .... | sound mixer | |
| Xavier Dreyfuss | .... | sound editor | |
| Xavier Dreyfuss | .... | sound | |
| Daniel Gries | .... | foley artist | |
Camera and Electrical Department | |||
| Sarah Bensaïd | .... | assistant camera | |
| Edwin Broyer | .... | key grip | |
| Vincent Buron | .... | assistant camera | |
| Ludovic Colbeau-Justin | .... | additional cinematographer | |
| Christophe Duroyaume | .... | grip | |
| Philippe Hohndorf | .... | still photographer | |
| Joël Ravon | .... | grip | |
| Fabien Veillas | .... | grip | |
Casting Department | |||
| Paul Louisor | .... | casting assistant | |
| Olivia Seigneurgens | .... | casting assistant | |
Editorial Department | |||
| Jimmy Christophe | .... | color timer | |
| Coralie Van Rietschoten | .... | assistant editor | |
Transportation Department | |||
| Olivier Suffert | .... | picture car | |
Divers | |||
| Gilles Cappelletto | .... | travelling car | |
| Stephanie Micco | .... | location manager runner | |
| Eric Nebot | .... | production coordinator | |
| Isabelle Ribis | .... | script supervisor | |
| Alysa Sun | .... | production assistant | |
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| Two for the Road | J'ai toujours rêvé d'être un gangster | Christiane F. - Wir Kinder vom Bahnhof Zoo | The Three Burials of Melquiades Estrada | Los amantes del Círculo Polar |
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| Full cast and crew | Company credits | External reviews |
| IMDb Drame section | IMDb France section | Add this title to MyMovies |
The first feature film by actress-turned-director Laure Marsac, 'Le quatrième morceau de la femme coupée en trois' ("The Fourth Piece of a Woman Cut in Three") is divided, as the title suggests, into three parts. Each of the sections give the first-time director a different subject, theme and treatment to work with and demonstrate her ability. The first section shows Louise (Laure Marsac) learning to drive with a particularly grouchy driving instructor (Denis Podalydès). The second piece shows her having passed her test getting stuck in the car park of an out-of-town shopping centre. Evoked by her experiences of wanting to drive, the third part of the film is a memory of a significant car journey she undertook with her mother as a young child.
As the title also suggests, the connections between each of the three sections of the film give light to a fourth part, an unspoken element never made explicit, that suggests complex reasons for Louise's desire to drive and be independent. Marsac manages to evoke memories and sentiments as a strong, formative influence through light, music and contemplation in a manner that recalls Sofia Coppola's expert working with mood in 'The Virgin Suicides' and succeeds in elevating the film from the mundanity of its seemingly commonplace situations.
As well as demonstrating strong technical, structural and writing skills as a first-time director, Marsac also shows that, like Eric Rohmer, she is capable of drawing subtle resonances from the mundane and the ordinary aspects of life from a uniquely female perspective (the director refers to this accordingly as the "perfume" of the film). The sentiments evoked by 'Le quatrième morceau de la femme coupée en trois' are certainly minor, but expertly achieved, they show no small amount of talent.