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The Heartbreak Kid (2007)
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Vue d'ensemble
Note Générale:
Réalisateurs:
Scénaristes (WGA):
Scot Armstrong (screenplay) and
Leslie Dixon (screenplay) ...
(suite)
Date de sortie:
5 octobre 2007 (USA) suite
Accroche:
Love blows suite
Intrigue:
A newlywed man who believes he's just gotten hitched to the perfect woman encounters another lady on his honeymoon. full summary | add synopsis
Avis des utilisateurs:
Under Rated plus de (150 total)
Ensemble
(dans l'ordre des crédits) (complet, en attente de vérification)
Réalisé par | |||
| Bobby Farrelly | |||
| Peter Farrelly | |||
Scénaristes(WGA) | ||
| Scot Armstrong | (screenplay) and | |
| Leslie Dixon | (screenplay) and | |
| Bobby Farrelly | (screenplay) & | |
| Peter Farrelly | (screenplay) & | |
| Kevin Barnett | (screenplay) | |
| Bruce Jay Friedman | (short story "A Change of Plan") | |
| Neil Simon | (1972 screenplay) | |
Produit par | |||
| Matthew Aufdenspring | .... | associate producer | |
| Mark Charpentier | .... | co-producer | |
| John Davis | .... | executive producer | |
| Ellen Dumouchel | .... | associate producer | |
| Ted Field | .... | producer | |
| Marc S. Fischer | .... | executive producer | |
| Tony Lord | .... | co-producer | |
| Kris Meyer | .... | co-producer | |
| Hal Olofsson | .... | associate producer | |
| Joe Rosenberg | .... | executive producer | |
| Bradley Thomas | .... | producer | |
| Matt Weaver | .... | co-producer (as Matthew Weaver) | |
| Charles B. Wessler | .... | executive producer (as Charlie Wessler) | |
Musique originale | |||
| Bill Ryan | (music score by) | ||
| Brendan Ryan | (music score by) | ||
Image | |||
| Matthew F. Leonetti | (director of photography) | ||
Montage | |||
| Alan Baumgarten | |||
| Sam Seig | |||
Distribution des rôles | |||
| Joseph Middleton | |||
| Rick Montgomery | |||
Création des décors | |||
| Sydney J. Bartholomew Jr. | (as Sidney Bartholomew) | ||
| Arlan Jay Vetter | (as Jay Vetter) | ||
Direction artistique | |||
| Amy Lee Wheeler | (uncredited) | ||
Décorateur de plateau | |||
| Cindy Carr | |||
Création des costumes | |||
| Louise Mingenbach | |||
Directeur de production | |||
| Emmanuel Cabare | .... | assistant production manager: Mexico | |
| Abby Callahan | .... | post-production supervisor (as Abigail Callahan) | |
| Arturo Del Rio | .... | unit production manager: Mexico | |
| Ricardo Del Río | .... | production supervisor: Mexico | |
| Heidi Erl | .... | production supervisor: San Francisco (as Heidi Anna Erl) | |
| Marc S. Fischer | .... | unit production manager | |
| Ernesto Garabito | .... | unit manager: Mexico | |
| Eric Hedayat | .... | production supervisor | |
| David Witz | .... | unit production manager: additional photography (uncredited) | |
Assistant réalisateur | |||
| Renan Bendersky | .... | second assistant director: Mexico | |
| David Berke | .... | second second assistant director (as David Burke) | |
| Greg Guzik | .... | second assistant director | |
| Jose Jimenez | .... | first assistant director: Mexico (as Jose Abel Jimenez) | |
| Hal Olofsson | .... | first assistant director | |
| J.B. Rogers | .... | second unit director | |
| Sean Vawter | .... | second second assistant director: San Francisco | |
| Matthew Wilson Ross | .... | additional second assistant director | |
| Shea Farrell | .... | second second assistant director (uncredited) | |
| Alexander H. Gayner | .... | first assistant director: second unit (uncredited) | |
| Greg Guzik | .... | first assistant director: second unit (uncredited) | |
| Jonathan Sanchez | .... | second assistant director: second unit (uncredited) | |
| Geoffrey Sawyer | .... | second assistant director (uncredited) | |
| Geoffrey Sawyer | .... | second unit director (uncredited) | |
Technicien du son | |||
| Steve Bartkowicz | .... | re-recording engineer | |
| David Boulton | .... | adr mixer | |
| Jeanette Browning | .... | adr recordist (as Jeannette Browning) | |
| Rick Canelli | .... | adr recordist | |
| Steve Cantamessa | .... | sound mixer | |
| Kerry Ann Carmean | .... | supervising foley editor (as Kerry Carmean-Williams) | |
| Krissopher Chevannes | .... | adr recordist (as Kris Chevannes) | |
| Patrick Cusack | .... | assistant sound editor | |
| Andrew DeCristofaro | .... | supervising sound editor (as Andrew De Cristofaro) | |
| David Esparza | .... | sound effects editor | |
| Brian Gallagher | .... | adr recordist | |
| Nerses Gezalyan | .... | foley mixer | |
| Jeff Gomillion | .... | adr mixer | |
| Laura R. Harris | .... | dialogue editor (as Laura H. Atkinson) | |
| Bobby Johanson | .... | adr mixer | |
| Doc Kane | .... | adr mixer | |
| Scott La Rue | .... | cable person (as Scott LaRue) | |
| Scott Millan | .... | sound re-recording mixer | |
| Christian P. Minkler | .... | sound re-recording mixer | |
| James Moriana | .... | foley artist | |
| Steve Nelson | .... | sound effects editor (as Steven F. Nelson) | |
| Nancy Nugent | .... | supervising dialogue & adr editor (as Nancy Nugent Title) | |
| Thomas J. O'Connell | .... | adr mixer | |
| Michael Payne | .... | supervising sound effects editor | |
| Michelle Pazer | .... | dialogue editor | |
| Stephen P. Robinson | .... | sound effects editor | |
| Philip Rogers | .... | adr recordist (as Philip Rodgers) | |
| Unsun Song | .... | re-recordist | |
| Greg Steele | .... | adr mixer | |
| John C. Stuver | .... | dialogue editor | |
| Bruce Tanis | .... | sound effects editor | |
| Jon Taylor | .... | sound re-recording mixer | |
| Gary Thomas | .... | boom operator | |
| Jon Title | .... | sound effects editor | |
| Jeffrey Wilhoit | .... | foley artist | |
| David Williams | .... | dialogue editor | |
| Greg Zimmerman | .... | adr recordist (as Gregg Zimmerman) | |
Effets spéciaux | |||
| Mark R. Byers | .... | special effects coordinator (as Mark Byers) | |
| Steven Carlton Ficke | .... | special effects foreperson (as Steven C. Ficke) | |
| Matt Prosser | .... | special effects technician | |
| Suma Adams | .... | seaming department: Alterian Inc. (uncredited) | |
| Dan Crawley | .... | special effects technician (uncredited) | |
Visual Effects | |||
| John Baker | .... | CG artist: Furious FX | |
| Thad Beier | .... | technical supervisor: Hammerhead Productions | |
| Floyd Burks | .... | imaging technician: Technicolor Digital Intermediates (as Floyd A. Burks) | |
| Bryan Chavez | .... | CG artist: Furious FX | |
| Andy Chua | .... | data technician: Technicolor Digital Intermediates | |
| Daniel Chuba | .... | executive producer: Hammerhead Productions (as Dan Chuba) | |
| Christine Cram | .... | paint artist: Furious FX | |
| Erin M. Cullen | .... | rotoscope artist: Furious FX (as Erin Cullen) | |
| Jamie Dixon | .... | visual effects supervisor: Hammerhead Productions | |
| Scott Dougherty | .... | executive producer: Furious FX | |
| Michelle Eisenreich | .... | visual effects producer: Hammerhead | |
| Ashley Farber | .... | data technician: Technicolor Digital Intermediates | |
| Justin Jones | .... | compositing: Hammerhead Productions | |
| John Kearns | .... | digital restoration: Technicolor Digital Intermediates | |
| Paulina Kuszta | .... | visual effects coordinator | |
| Dan Levitan | .... | compositing: Hammerhead Productions | |
| David Lingenfelser | .... | executive visual effects supervisor: Furious FX | |
| Kevin Lingenfelser | .... | creative supervisor: Furious FX | |
| LaNelle Mason | .... | digital restoration: Technicolor Digital Intermediates | |
| Mamie McCall | .... | compositing: Hammerhead Productions | |
| Daniel Mellitz | .... | compositing: Hammerhead Productions | |
| Fatima Mojaddidy | .... | system administrator: Hammerhead Productions | |
| Erin L. Nelson | .... | digital restoration: Technicolor Digital Intermediates | |
| James P. Noon | .... | tracking | |
| Sean O'Connor | .... | compositor: Furious FX | |
| Ron Perez | .... | data technician: Technicolor Digital Intermediates | |
| Chris Serenil | .... | computer services manager: Furious FX | |
| Mark Shoaf | .... | CG supervisor: Furious FX | |
| Tiffany Smith | .... | visual effects producer: Furious FX (as Tiffany A. Smith) | |
| Brad Sutton | .... | digital restoration: Technicolor Digital Intermediates | |
| Tracy Takahashi | .... | visual effects producer: Furious FX | |
| Wilson Tang | .... | digital restoration: Technicolor Digital Intermediates | |
| Sam Dabbs | .... | titles (uncredited) | |
| Anthony Davis | .... | digital compositor: Technicolor Digital Services (uncredited) | |
| Shaina Holmes | .... | digital compositor (uncredited) | |
| Nicholas Kim | .... | digital compositor (uncredited) | |
| Karen M. Murphy | .... | visual effects (uncredited) | |
Cascadeur | |||
| Jonathan Arthur | .... | stunts | |
| William H. Burton Jr. | .... | stunts (as Billy Burton Jr.) | |
| Corey Michael Eubanks | .... | stunts (as Corey Eubanks) | |
| Greg Fitzpatrick | .... | stunt double: Ben Stiller | |
| Gina Mari | .... | stunts (as Gina Jensen) | |
| Gary Price | .... | stunts (as Gary Night Price) | |
| Betsy Rue | .... | stunts (as Besty Rue) | |
| Steve Schriver | .... | stunts | |
| Antonio Lewis Todd | .... | stunts (as Antonio Todd) | |
| Frank Torres | .... | stunts | |
| Michael Trisler | .... | stunts | |
| Dain Turner | .... | stunts | |
| Tierre Turner | .... | stunt coordinator | |
| Sabine Varnes | .... | stunts | |
| Scott Wilder | .... | stunts | |
| Steve Schriver | .... | stunt double: Danny McBride (uncredited) | |
Departement Animation | |||
| Ron Leidelmeijer | .... | digital color assistant: Technicolor Digital Intermediates | |
Département Casting | |||
| Sara Bachelder | .... | background casting: Mexico | |
| Deanna Brigidi | .... | casting associate | |
| Leslee Feldman | .... | casting executive | |
| Toby Guidry | .... | casting assistant | |
| Barbara Harris | .... | voice casting | |
| Chadwick Struck | .... | casting associate | |
| Jorge Valdés García | .... | background casting: Mexico (as Jorge Valdes) | |
| Nicole Abellera | .... | casting associate (uncredited) | |
| Stefan A. Anderson | .... | extras casting assistant: Mexico (uncredited) | |
| Michele Berumen | .... | casting assistant (uncredited) | |
| Jennifer Cram | .... | casting assistant (uncredited) | |
Département Costume et garde-Robe | |||
| Lucinda Campbell | .... | costume supervisor | |
| Judy Feil | .... | costume supervisor: San Francisco | |
| Kathleen Giordano | .... | costumer: San Francisco | |
| Kelly Gregson | .... | costumer | |
| Marylou Lim | .... | costumer | |
| Alison McCosh | .... | assistant costume designer (as Alison Mccosh) | |
| Andrea Napier | .... | costumer (as Andrea Michelle Napier) | |
| David Page | .... | costumer: Mr. Stiller | |
| Dalhia Schuette | .... | costumer | |
| Ivory Stanton | .... | costume ager/dyer | |
| Jennifer Starzyk | .... | costumer | |
| Wendy Willis | .... | costumer | |
| Stacy Caballero | .... | costumer (uncredited) | |
| Alyssa Kim | .... | costumer (uncredited) | |
Dpartement Editorial | |||
| Tim Belcher | .... | digital intermediate producer: Technicolor Digital Intermediates | |
| Gary Burritt | .... | negative cutter | |
| Cameron Duddy | .... | post-production assistant | |
| Shaun Paul Gordon | .... | post-production coordinator (as Shaun Gordon) | |
| Andrew Greenbury | .... | apprentice film editor | |
| Scott Gregory | .... | digital film colorist: Technicolor Digital Intermediates | |
| Andy Kaplan | .... | digital intermediate producer: Technicolor Digital Intermediates | |
| Michael Pedraza | .... | post-production assistant | |
| David Raymond | .... | first assistant editor | |
| Chris Regan | .... | color timer | |
| Michael Reilly | .... | post-production assistant | |
| Simon Scott | .... | post-production assistant | |
| Everette Webber | .... | digital intermediate editor: Technicolor Digital Intermediates (as Everette Jbob Webber) | |
| Matt Willard | .... | post-production assistant (uncredited) | |
Département Musique | |||
| Fernand Bos | .... | music editor | |
| Manish Raval | .... | music supervisor | |
| Tom Wolfe | .... | music supervisor | |
| Mark Agostino | .... | music playback operator (uncredited) | |
Merci | |||
| Severino Gomez | .... | the producers wish to thank | |
| Christopher Greenbury | .... | dedicated to (as Chris Greenbury) | |
| Mark Harmon | .... | the producers wish to thank | |
| Casey Landi | .... | dedicated to | |
| Caroline MacDonald | .... | the producers wish to thank (as Caroline Macdonald) | |
| Michael S. Meldman | .... | the producers wish to thank (as Michael Meldman) | |
| Renata Mohar | .... | the producers wish to thank | |
| Raymond Neary | .... | dedicated to | |
| Sergio Ruiz | .... | dedicated to: in memory of our great friend, who was a joy to be around during the making of this movie | |
| J.B. Turbidy | .... | the producers wish to thank | |
| Richard K. Wright | .... | dedicated to (as Richard Wright) | |
Companies de productionDistributeurs
- DreamWorks SKG (2007) (worldwide) (all media)
- Paramount Pictures (2007) (USA) (theatrical)
- United International Pictures (UIP) (2007) (Argentina) (theatrical)
- United International Pictures (UIP) (2007) (Peru) (theatrical)
- United International Pictures (UIP) (2007) (Sweden) (theatrical)
- United International Pictures (UIP) (2007) (Singapore) (theatrical)
- Universal Pictures International (UPI) (2007) (Switzerland) (theatrical)
- Universal Pictures International (UPI) (2007) (Germany) (theatrical)
- Universal Pictures International (UPI) (2007) (Netherlands) (theatrical)
- Argentina Video Home (2008) (Argentina) (DVD)
- Argentina Video Home (2009) (Argentina) (DVD) (Blu-ray)
- DreamWorks Home Entertainment (2007) (USA) (DVD)
- Kadokawa Entertainment (2009) (Japan) (DVD)
- Paramount Home Entertainment (2008) (UK) (DVD)
- Paramount Home Entertainment (2008) (Netherlands) (DVD)
- Alterian (special make-up effects)
- Furious FX (visual effects and animation)
- Hammerhead Productions (visual effects)
- Technicolor Digital Intermediates (opticals) (A Technicolor company)
- Custom Film Effects (opticals)
- Lund Background Pictures (translite backgrounds)
- Art In Motion production services provided by (as Art In Motion - Mexico, S.A. De C.V.)
- Asics the producers wish to thank
- Asociación Nacional de Actores (ANDA) with the collaboration of: Los Cabos, Mexico (as Asociacion Nacional de Actores, A.N.D.A.)
- Beau Bonneau Casting background casting: San Francisco
- California State Park System the producers wish to thank (as California State Parks)
- Casting Valdés extras casting: Mexico
- Chapman/Leonard Studio Equipment camera dollies by
- Chapman/Leonard Studio Equipment cranes
- Chileno Bay Club the producers wish to thank
- City of San Francisco the producers wish to thank
- Cletus Catering catering and craft service: Mexico
- Comisión Nacional De Filmaciones the producers wish to thank (as Comision Nacional De Filmaciones - Mexico)
- County of San Francisco the producers wish to thank
- Custom Film Effects opticals
- El Dorado Golf and Beach Club the producers wish to thank (as El Dorado Golf Course)
- Entertainment Clearances rights and clearances
- Esperanza - An Auberge Resort the producers wish to thank (as Le Esperanza, an Auberge Resort)
- Fraccionamiento Punta Ballena the producers wish to thank
- Gala Catering caterer: Los Angeles
- H. Ayuntamiento de Los Cabos the producers wish to thank
- International Alliance of Theatrical Stage Employees (IATSE) this picture made under the jurisdiction of (as I.A.T.S.E.®)
- J.L. Fisher camera dollies by
- Kodak motion picture film
- Otto Nemenz International cameras by (as Otto Nemenz)
- Packair Airfreight the producers wish to thank: customs broker [US]
- Plan R Soundtracks soundtrack available on
- Right Lobe Design Group title design
- Rockbottom Rentals cell phone rentals
- Rockbottom Rentals modem card rentals
- Rockbottom Rentals nextel cell phone rentals
- Runway post-production
- Section 49 of Sindicato de Trabajadores de la Industria Cinematográfica (STIC) with the collaboration of: Los Cabos, Mexico (as Sindicato de Trabajadores de la Industria Cinematografica, Seccion 49 S.T.I.C.)
- Show Bizz the producers wish to thank: customs broker [Mexico] (as Showbizz)
- Smith & Webster-Davis Casting background casting (as Smith & Webster Casting)
- State Government of Baja California Sur the producers wish to thank
- Technicolor Digital Intermediates digital intermediate by (A Technicolor Company)
- Technicolor Digital Intermediates opticals
- Todd-AO Radford re-recording services provided by
Détails supplémentaires
Autre(s) titre(s):
Seven Day Itch (USA) (working title)
Untitled Farrelly Brothers Project (USA) (working title)
suite
MPAA:
Rated R for strong sexual content, crude humor and language.
Parents Guide:
Durée:
116 min
Pays:
Couleur:
Rapport de forme:
2,35 : 1 suite
Son:
SDDS | DTS | Dolby Digital
Classification:
Netherlands:12 | Canada:16+ (Quebec) | Canada:18A (Alberta/British Columbia/Manitoba/Ontario) | UK:15 (cut) | UK:18 | Germany:12 | USA:R (Approved No. 43638) | Portugal:M/12 | Singapore:R21 | Switzerland:14 (canton of Geneva) | Switzerland:14 (canton of Vaud) | Taiwan:R-18 | Argentina:13 | Finland:K-13 | Australia:MA | Peru:14 | New Zealand:R16 | Sweden:11 | Malaysia:U | France:Unrated | Philippines:R-13 (MTRCB) | South Korea:18 | Ireland:15 (video rating) | Ireland:16 (cut) | Italy:VM14 | Brazil:16 | Iceland:12
Lieux de tournage:
Société:
Curiosités
Anecdotes:
The film marks the 20th Anniversary of Ben and Jerry Stiller working in a film together. Their first appearance was in the John Cusack comedy-adventure, Hot Pursuit (1987), in which they also played father and son villains. suite
Goofs:
Equipe ou équipement visible: While Eddie and Lila are driving down to Mexico on the Highway, their car is filmed from the side, passing by. You can clearly see the reflection of the crane the camera was mounted on in their cars' side. suite
Guillemet:
Eddie Cantrow:
[about Lila] She doesn't have a great sense of humor.
Doc:
Are you out of your mind? Funny's a male gene, you idiot. Haven't you ever noticed whenever you see a really funny girl, she's a little mannish? Think about it. Lily Tomlin, Ellen DeGeneres, Rosie O'Donnell...
Mac:
Oh, I got a thing for Ellen DeGeneres though. I do, I have to admit it. I think she's great, I think she's hot. Great ass. Check it out.
suite
Connexions De Film:
figure dans "Siskel & Ebert & the Movies: (2007-10-06)" (2007) suite
Bande son:
Take Em Or Leave Em suite
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Propriété d'
I'm a little surprised at how badly people are panning this movie; I usually find IMDb ratings to be a good indicator. Many of the negative comments seem to be based on the movie not conforming to the typical 'good guy always wins,' formula driven, oh-so predictable crap that Hollywood tends to pump out. I see one reviewer here actually put "they couldn't even deliver the cliché ending" as if that is something to be strived for. As for me, if I want a morality lesson I'll go to church. If you're looking for a comedy to give you lessons on how to live your life, you've got serious problems.
I'm still only giving the movie a seven because it's a comedy, it's not like it was so moving that it changed my life or anything. As comedies go, though, I found it pretty good. It's not one of those constant, laugh a minute, slapstick comedies, but the parts that did make me laugh literally made me laugh out loud, which is pretty rare for me. All in all, this is one of the best comedies I have seen in years.