| Photos (see all 10 | slideshow) | Videos (see all 9) |
| Julia Ormond | ... | Elizabeth Anderson | |
| Bill Pullman | ... | Sam Hallaway | |
| Pell James | ... | Bobbi Prescott | |
| Ryan Simpkins | ... | Stephanie | |
| French Stewart | ... | Jim Conrad | |
| Kent Harper | ... | Jack Bennet | |
| reste de la distribution par ordre alphabétique: | |||
| Caroline Aaron | ... | Secretary | |
| Kyle Briere | ... | Curtis | |
| Hugh Dillon | ... | Dad | |
| Gill Gayle | ... | Degrasso | |
| Daryl Haney | ... | Drug Dealer | |
| Michael Ironside | ... | Captain Billings | |
| Shannon Jardine | ... | Elaine Meyer | |
| Mac Miller | ... | Johnny | |
| Charlie Newmark | ... | Officer Wright | |
| Cheri Oteri | ... | Mom | |
| Anita Smith | ... | Tina | |
| Josh Strait | ... | Keith | |
| Kent Wolkowski | ... | David | |
Réalisé par | |||
| Jennifer Chambers Lynch | |||
Scénaristes(in alphabetical order) | ||
| Kent Harper | writer | |
| Jennifer Chambers Lynch | writer | |
Produit par | |||
| Rhonda Baker | .... | line producer | |
| Gill Gayle | .... | associate producer | |
| Jeff Geoffray | .... | co-executive producer | |
| Gary Hamilton | .... | co-executive producer | |
| Kent Harper | .... | producer | |
| Walter Josten | .... | co-executive producer | |
| David Lynch | .... | executive producer | |
| Marco Mehlitz | .... | producer | |
| David Michaels | .... | producer | |
| Mark Montague | .... | producer trainee | |
| Stephen Onda | .... | co-producer | |
| Robert C. Romanus | .... | associate producer | |
| Shane Dax Taylor | .... | associate producer | |
Musique originale | |||
| Todd Bryanton | |||
Image | |||
| Peter Wunstorf | |||
Montage | |||
| Daryl K. Davis | |||
Distribution des rôles | |||
| Lina Todd | |||
Création des décors | |||
| Sara McCudden | |||
Décorateur de plateau | |||
| Andrea Spakowski | |||
Création des costumes | |||
| Cathy McComb | |||
Maquillage | |||
| Lisa Campbell | .... | key hair stylist | |
| Jennifer Forberg | .... | assistant makeup artist | |
| Tracy George | .... | makeup department head | |
| Kaitlyn Rae | .... | daily assistant makeup artist | |
Directeur de production | |||
| Peter Measroch | .... | post-production supervisor | |
Assistant réalisateur | |||
| Kenny Chaplin | .... | second assistant director | |
| Trevor Cunningham | .... | first assistant director | |
| Elizabeth Farrer | .... | third assistant director | |
Art Department | |||
| Shelly Bowes | .... | art department coordinator | |
| Adrienne Conley | .... | set designer | |
| Lee Kolenick | .... | props | |
| Mark Montague | .... | storyboard artist | |
| Adrian Traquair | .... | set dresser | |
| Johann Wessels | .... | lead scenic artist | |
Technicien du son | |||
| Rob Bryanton | .... | supervising sound editor | |
| Cal Harle | .... | foley artist | |
| Steve Hasiak | .... | sound re-recording mixer | |
| Michael Playfair | .... | production sound mixer | |
| Evan Rust | .... | sound re-recording mixer | |
| Jeff Smulan | .... | foley recordist | |
| J. David Taylor | .... | foley recordist | |
Cascadeur | |||
| Janene Carleton | .... | stunt double: Julia Ormond | |
| Shannon Jardine | .... | stunt performer | |
| Kirk Jarrett | .... | stunt coordinator | |
| Rick Skene | .... | stunt performer | |
Camera and Electrical Department | |||
| Chad Biesenthal | .... | grip | |
| Layton Burton | .... | camera operator | |
| Latif Cavanaugh | .... | grip | |
| Kirk Chiswell | .... | first assistant camera | |
| Allan Feildel | .... | still photographer | |
| Donovan Fraser | .... | first assistant camera: "b" camera | |
| Shawn Fulton | .... | best boy electric | |
| Rob Hillstead | .... | best boy electric | |
| Nick Lamb | .... | second assistant camera: "a" camera | |
| Kyle Mrazek | .... | lighting technician | |
| Lana Palmer | .... | camera trainee | |
| Carly Stinn | .... | second assistant camera | |
Casting Department | |||
| Lavinia Fiama | .... | casting assistant | |
| Brenda McCormick | .... | casting | |
| Alexa Wilding | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Sonja Clifton-Remple | .... | co-costume designer | |
| Kerri La Londe | .... | costume truck supervisor | |
| Robin Merrifield | .... | tailor | |
| Joanna Vollhoffer | .... | costume coordinator | |
Editorial Department | |||
| Marie-Hélène Bourget | .... | digital intermediate technician | |
| Arthur Montreuil | .... | film timer | |
| Julien Tremblay | .... | digital intermediate technician | |
Music Department | |||
| Bryan Ray Turcotte | .... | music supervisor | |
Transportation Department | |||
| Sylvain Buteau | .... | picture car coordinator | |
| Sylvain Buteau | .... | transportation captain | |
Divers | |||
| Holly Baird | .... | assistant production coordinator | |
| Shelly Bowes | .... | assistant production coordinator | |
| Jason Bryant | .... | stand-in | |
| Lisa Falk | .... | script supervisor | |
| Tibo Galbois | .... | post production coordinator | |
| Natasha Getz | .... | assistant to producers | |
| Joel Goldes | .... | dialect coach: post-production | |
| Adam Harding | .... | producer: EPK | |
| Glenda Huynink | .... | set tutor | |
| Kathleen McInnis | .... | unit publicist | |
| Terry Mialkowsky | .... | location manager | |
| Nathan Mosewich | .... | assistant location manager | |
| Dennis Moyer | .... | armorer | |
| Pam Simons | .... | production coordinator | |
| Jon Tewksbury | .... | pre-production assistant | |
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| Kalifornia | Untraceable | Natural Born Killers | Suspect Zero | Lo strano vizio della Signora Wardh |
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| Full cast and crew | Company credits | External reviews |
| IMDb Crime section | IMDb USA section | Add this title to MyMovies |
A good thriller is my favorite genre and I was hooked into this film within the first few seconds and stayed involved for the entire ride. It kept me guessing throughout. The contrast between eerie cop shop and stark, beautiful prairies is a stylish treat for the eyes. The performances are believable and compelling. Well cast, without exception. The little girl is surprisingly good. Her even performance made me wonder about what had happened to her and drew me into the story. When she wasn't on screen, I worried about her safety. The ending is a clever, eerie choice. I was taken completely by surprise and I usually predict a telegraphed ending a mile away. In this case, any other choice would be a cop-out (pardon the pun). I was glad that the director resisted the temptation for a blood-fest. It could have gone much further in that vein. Instead the tension relied upon intelligent visual storytelling. Kudos to everyone involved. I thoroughly enjoyed this film.