Le temps qui reste (2005)

Note Générale:

7,2/10   

Réalisateur:

François Ozon

Scénariste:

François Ozon (writer)

Date de sortie:

24 novembre 2005 (Netherlands)

Genre:

Drame

Intrigue:

A gay fashion photographer is given a diagnosis of terminal cancer. Slowly coming to terms with his situation, he is cruel to his lover, nasty to his pregnant sister and uncommunicative toward his parents.

Plot Keywords:

Photographer | Waitress | Death | Diagnosis | Food

Récompenses:

2 wins & 1 nomination

Avis des utilisateurs:

Melvil Poupaud and the essentials

Ensemble

Melvil Poupaud	...	Romain
Jeanne Moreau	...	Laura
Valeria Bruni Tedeschi	...	Jany (as Valeria Bruni-Tedeschi)
Daniel Duval	...	Le père
Marie Rivière	...	La mère
Christian Sengewald	...	Sasha
Louise-Anne Hippeau	...	Sophie
Henri de Lorme	...	Le médecin
Walter Pagano	...	Bruno
Violetta Sanchez	...	L'agent
Ugo Soussan Trabelsi	...	Romain enfant
Alba Gaïa Kraghede Bellugi	...	Sophie enfant (as Alba Gaïa Kradhege Bellugi)
Victor Poulouin	...	Laurent
Laurence Ragon	...	La notaire
Thomas Gizolme	...	L'assistant photographe

Autre(s) titre(s):

Time to Leave (Canada: English title) (festival title) (Hong Kong: English title) (International: English title) (UK) (USA)

Durée:

81 min

Pays:

France

Langue:

Français | Anglais | Allemand

Couleur:

Couleur

Rapport de forme:

2,35 : 1

Son:

DTS | Dolby Digital

Classification:

Switzerland:16 (canton of Geneva) | Switzerland:16 (canton of Vaud) | Netherlands:16 | Hong Kong:III | UK:18 | Germany:12 | Japan:R-15 | Sweden:11 | Finland:K-15 | USA:Unrated | Australia:M | Argentina:16 | Singapore:R21 (cut) | South Korea:18 | Portugal:M/16 | Chile:14 | France:U (with warning)

Société:

Fidélité Productions

Goofs:

Révélant des erreurs: The Canon IXUS i5 is not turned on when Romain uses it.

Connexions:

figurer Siren (2003) (VG)

Bande son:

Three Postludes - III: Postludium

Melvil Poupaud and the essentials

Dying? Why? How? Do I have the chance to look at my own demise from where I'm standing and I'm given the chance, even if brief, to do what I can to arrive to the fatal randez-vous without a heavy heart. Is that possible? We live the question in painful, stunning moments of reflection. Melvil Poupaud's face is not merely beautiful but transparent. I decided very early one that he/his character and I were diametrically opposites and yet, I felt the communion, I was with him I sort of understood. I wept for him and for me, I wept for everyone I've lost and for all the ones I'm going to loose before I go. I've also decided that I like François Ozon very much. That his movies take me places in a brutally gentle way and I come out of this experiences with something new. Thank you very much.