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In the Land of Women (2007) Plus avec IMDbPro »
111 utilisateurs sur 137 ont trouvé ce commentaire utile :

Completely misled..., 21 avril 2007
Auteur : Tracy_xx de Ohio
This film is getting a 9 based soley on the completely misleading promotion.
I went into this expecting a love story between Carter Webb (Adam Brody) and Lucy Hardwicke (Kristen Stewart). I was expecting a dramatic age-gap romance with an ending about his having to go back to Los Angeles.
What I got was a totally confusing love hexagon that ended up not being about love at all.
Carter just got dumped. So he decides to go to Michigan to live with his grandmother (who is by far the best and most interesting character) and ends up becoming really close to the women across the street.
While it was moving, touching, and all that good stuff, I left the theater with one thought in my mind. "What the hell just happened?" It was fantastic. I would highly recommend it. However, I would not recommend expecting what I did. Don't go into this hoping that the trailers and poster (which show a lovely romance between Carter and Lucy) ring true to the film. That is not at all what the story is about. It would make a great film, in my opinion, and I still wish it had taken that direction, but sadly it did not. While still fantastic, you should expect a film about real people (with many flaws and weaknesses that humans have, like the inability to to stand up for themselves) not a movie like "She's All That" where the two young, good-looking people fall in love with an epic romance.
That is not this film. Go see it. But see it to see a great study on characters, not story.
70 utilisateurs sur 98 ont trouvé ce commentaire utile :

Fresh, original and surprising!, 20 avril 2007
Auteur : BSeverin-1 de Etats-Unis
This movie was billed as a romantic comedy, but it's really a drama, and it was so much better than I expected! Redemptive and thought-provoking, this movie raises questions about if women and men can be friends without romantic undertones, and includes themes of forgiveness and living life fully. Meg Ryan is always real and lovable, and Adam Brody is a great counterpart. It's so great to see him as a leading man. I loved him in The O.C., but hopefully the bulk of his career is ahead of him. Scenes between him and the grandmother were hilarious. Very well directed. Definitely one to see with your friends and discuss over coffee afterwards--don't take your parents.
66 utilisateurs sur 95 ont trouvé ce commentaire utile :

Brilliant, 20 avril 2007
Auteur : jazzlynn_rice de Etats-Unis
It's hard to put this movie into words. It's the first movie I've ever really seen - ever really watched - that portrayed some true human emotion. And that's really what it's about, I think. Young Carter wanting to get away from life after a bad break-up, and finding something so much more than life. With really lovable characters on screen at all times (including Brody, I must say :]), it's hard to take your eyes away. With ups and downs in life that so many of us deal with, you can just take a breath and say, "Yeah, I know that feeling." Nobody I saw come out of the theater had white eyes. I'm not going to say if the ending was sad or happy, because I'm not a movie spoiler, but it's deep enough to make anybody cry. It's deep enough to make you laugh and cry at the same time. It's extraordinary. I wouldn't miss it if I were you.
59 utilisateurs sur 84 ont trouvé ce commentaire utile :

Not necessarily a chick flick, 21 avril 2007
Auteur : brucea127 de Fort Collins, CO
I admit to be surprised by how much I enjoyed this movie. Well cast, Meg Ryan in particular.
I enjoyed the dialog, the understated humor, and the story line. The grandmother's role left me somewhat confused, not sure I understand why it was written (or played) the way that it was. However that may be it was the device to get the main character Wisconsin, or was that Michigan? Meg Ryan finally had a role that she excel in. Just the right touch of someone who is more than they seem, and not realizing that themselves. Very interesting story between she and the main character...how they reach out and touch each other, impact each other's lives. Wish the movie had been about twenty minutes longer to better develop the characters and the interaction between them...but two hour movies just aren't the norm anymore and the 100 minutes must suffice. However, it was a 100 minutes well spent.
29 utilisateurs sur 39 ont trouvé ce commentaire utile :

Grace "In the Land of Women", 22 avril 2007
Auteur : jon.h.ochiai (jochiai@socal.rr.com) de Los Angeles, CA
Carter (Adam Brody) says to teenager Lucy (Kristen Stewart), "It's a big world out there. It's messy and you can't let fear turn you into an ass----." Carter reminds Lucy that she should cut her Mom a break, because she may be dying. Even at a young age, she needs to appreciate that the world does not revolve around her, and knock it off. This is the context of Writer and Director Jonathan Kasdan's (son of Lawrence Kasdan) "In the Land of Women". This is Kasdan's feature film debut as director. The material is not entirely original, we have seen similar before. However, Kasdan's storytelling is deeply personal, strikingly poignant, and bittersweet. Much like his Dad, he demonstrates an ease in composing relationships. He has also assembled a wonderful cast. Adam Brody (of "The O.C.") is amazing in the lead. Kristen Stewart ("Speak") is maturing as a powerful young star. Meg Ryan, who plays Lucy's suffering mother Sarah Hardwicke, is awesome giving one of her best performances in years. I think what "In the Land of Women" does so eloquently, is illustrate the pain of those things missing in life, and our blind spots created by our self-absorption. The indelible image of Meg Ryan's Sarah standing alone in the down pouring rain, crying in isolation is stark, moving, and so very human. More than anything, I think Kasdan touchingly pleads for compassion in our relationships that is decent and forgiving.
Carter Webb (Brody) is a soft core erotica writer, who is dating beautiful movie star Sofia (gorgeous Elena Anaya). As the movie opens, Sofia breaks up with Carter. Devastated Carter sees his mom Agnes (funny and good JoBeth Williams). Carter volunteers to take care of his ailing grandmother Phyllis (the great Olympia Dukakis) in Michigan, giving him an excuse to get out of Los Angeles for a while. Carter befriends Sarah Hardwicke (Ryan) and her daughter Lucy (Stewart), who lives across the street from his grandmother. Sarah is dealing with possible personal tragedyshe has discovered a lump in her breast. Lucy harbors an unusual disdain for her Mom, even for a teenager. Sarah tells Carter that she tries to stay out of her way, as not to "embarrass her". Sarah's husband Nelson (Clark Gregg) is having an affair with another woman, and both Sarah and Lucy are aware. Lucy proclaims that she does not ever want to be like her Mom. The under current in Lucy's judgment is that Mom is weak. Sad and strong Sarah eloquently says to Carter, "I don't want to look back on my life and wonder what part belonged to me " Carter forms a relationship with both Sarah and Lucythe twist being at Sarah's encouragement. Kasdan brilliantly orchestrates this relation tie, never awkward, becoming only something that evolves. After all, "In the Land of Women" is about women, and life.
Adam Brody is amazing as Carter. His low key presence, and insightful smarts work "In the Land of Women". His Carter's growth from arrogant heartbroken soul to being a "great listener", who cares about others, is moving. And Brody does this with a light and humorous touch. Kristen Stewart is a star. Stewart resonates in Lucy a bold spirit and smart edge. She beautifully captures Lucy's angst and vulnerability as a teenager defining her self. Makenzie Vega makes an impressive turn as Lucy's younger sister Paige, the precocious yoga practicing preteen. Vega has a touching scene with Mom Sarah in the ice cream shop. Olympia Dukakis is brilliantly subtle as Grandmother Phyllis. For the most part she is comic relief. However, her character provides a wake up call to Carter: "One day I am going to be dead, and you will still be alive " Meg Ryan is awesome as Sarah. I have always been a fan. She is older now, still beautiful and displaying great power as an actor. Ryan movingly imposes a quiet strength of character in Sarah, who endures a loveless marriage, daughter who hates her, and life and death. Sarah by nature has to always keep it together, so when she asks Carter for help it is out of tremendous courage. As she stands inconsolable in the rain, her suffering is heartbreaking. Meg Ryan's humanity gives "In the Land of Women" grace and poignancy.
John Kasdan's "In the Land of Women" is bittersweet and moving. Adam Brody, Meg Ryan, and Kristen Stewart are great in Kasdan's tale of compassion and forgiveness. Kasdan accomplishes this all with resounding heart and humor.
19 utilisateurs sur 20 ont trouvé ce commentaire utile :

Is Hollywood growing up?, 12 août 2008
Auteur : bw11 de Etats-Unis
Finally, Hollywood is getting closer to emotional maturity and creativity. In the Land of Women was a delightful surprise. I recommend it to anyone who enjoys delving into the underlying thread of emotion connecting our relationships. As we meander through the sometimes messy connections between characters -- I don't remember any Hollywood sterilization of the situations. We continue, sometimes blind, just like the characters in the story -- and we get an excellent play-out of what ordinary "good" people do to strive to survive and better themselves.
We need more movies like this one -- a "chick-flick" that is more. It makes us think and it makes us feel!
18 utilisateurs sur 24 ont trouvé ce commentaire utile :

In the Land of Women Movie Review, 30 octobre 2007
Auteur : joel massie (GoneWithTheTwins) de www.GoneWithTheTwins.com
With a title like "In the Land of Women," one might expect a grueling exercise in overdone immature comedy. Instead, Jonathan Kasdan delivers a heartfelt, poignant drama dissecting the values of life, love, and friendship, and the experiences that change the views held by its brilliant cast of interconnected characters.
After a disheartening breakup with his girlfriend, Carter (Adam Brody) attempts to distance himself from his troubles by traveling to suburban Michigan to visit his dying grandmother, Phyllis (Olympia Dukakis). Shortly after his arrival Carter meets Sarah Hardwicke (Meg Ryan), the neighborly mother who lives across the street, and he quickly becomes intrigued by her charming nature and unique outlook on life. When he meets Sarah's two daughters, Lucy (Kristen Stewart) and Paige (Makenzie Vega), and becomes a sort of confidant to all three girls, his own views on life and love begin to change as his relationship with each helps to mend the emotional tears in their family.
The characters are the true foundation of In the Land of Women, and finer performances are rarely seen. Carter is an instantly likable persona thanks to Adam Brody and his polished portrayal of a character with realistic flaws and believable aspirations. He is a writer who dreams of utilizing his talent for a more worthwhile venture and finds love in the unlikeliest of situations. Meg Ryan embodies a far more complex character than we're used to seeing, and evokes everything from affection to pathos from her audience. Both Kristen Stewart and Makenzie Vega are talented beyond their years and offer astonishingly intense and mature performances. The likeably morose Phyllis provides much of the comedy relief and also forces Carter to rethink his notions of death and view life in a new light. The compellingly poignant interactions between each character infuse a level of believability into their unusual predicaments to create a connection with the audience almost as strong as the ones they have with each other.
Perhaps Land's only flaw is also one of its finest points of originality and creativity. The intelligent dialogue that permeates the script both draws its audience into its world of intriguing characters while simultaneously keeping the viewer slightly distanced from the realism displayed. Do people truly have such emotionally charged and heart-wrenchingly challenging conversations? Perhaps not, but one can always hope, and the complex characters created here masterfully reveal an idyllic example of such individuals. While the situations portrayed may seem overly complicated, every character involved handles themselves exactly as one would want to see and every increasingly difficult predicament and strained relationship is made believable through exceptional acting and inspired dialogue. No real stumbles or faltering exists in their interactions, but a very real hesitation and a touch of uncertainty in certain conversations adds to the overall attractiveness of each character as they cope with their trying relationships. Only once was an intensely interesting moment cut short (an emotional sequence in a diner when Paige demands the truth from her mother, and consequently the respect involved with comprehending its weight), forcing me to ponder why one such memorable scene wasn't concluded more satisfactorily when all others were.
Subtle humor permeates much of the film, persuading the tone to remain light. Idyllic conclusions find their way into somber and delicate situations resulting in a moving, feel-good movie where tears of joy will likely replace those of sorrow. Though over-sentimentality may intrude upon satisfying drama from time to time, excellent pacing, endearing characters superbly acted, and thought-provoking, poignant dialogue make this Land one worth visiting.
- Joel Massie
14 utilisateurs sur 18 ont trouvé ce commentaire utile :

Good Stuff, 25 avril 2007
Auteur : wrangel31 de Etats-Unis
*** Ce commentaire peut contenir des spoilers ***
I don't always leave a movie feeling like everything might actually be OK. But this movie did it. It showed that life sends us in a million different directions. But its OK, cause thats life. As superficial as it might sound, we're alive(Phylis did a good job of showing us this). I think this was an awesome movie, even though it wasn't at all what I expected. However, it's kind of cool to finally be surprised in a movie, unlike the normal predictableness that has become Hollywood.
Adam Brody did an extremely exceptional job of playing a guy that didn't know where he was going in life, in the meantime taking care of his grandma, who was convinced she was dieing.
On the other hand, Meg Ryan played a sick mother who was trying to mend her broken relationship with her daughter. I feel there's something in the movie for everyone, or at least all women.
16 utilisateurs sur 24 ont trouvé ce commentaire utile :

Looking for Love in Seemingly Wrong Places, 31 octobre 2007
Auteur : gradyharp de Etats-Unis
The Kasdan Family has made a significant mark on the better films of Hollywood and Jon Kasdan (writer/director of IN THE LAND OF WOMEN) holds those values of fine cinema intact. Having appeared as an actor in some films of his father Lawrence Kasdan (Grand Canyon, The Big Chill, Body Heat, Mumford, Dreamcatcher, The Bodyguard, etc), he has not only inherited his father's credo of making meaningful statements about life as we are currently living it, he has absorbed the fluid character development of those films and added his own sensitive touch with graceful dialog. He is a talent to watch.
Soft porn writer Carter Webb (Adam Brody in a very fine performance) lives in Los Angeles near his depressed mother (JoBeth Williams) and has just been dumped by his actress girlfriend Sofia Buñuel (Elena Anaya). When his mother learns of her mother's failing state, the distraught Carter offers to travel to suburban Michigan to stay with his grandma Phyllis (Olympia Dukakis). Once in picturesque Michigan Carter deals with his lovable but eccentric grandma and meets the across the street neighbors - mother Sarah (Meg Ryan in fine form), daughters Lucy (Kristin Stewart) and the younger Paige (Makenzie Vega), and errant husband Nelson (Clark Gregg). In this setting of a 'woman world' Carter is key to aiding the various maladies of each of the women while addressing his own disappointing failed relationship. The manner in which he intervenes by simply being present and tender and caring makes a positive impact on not only those around him but also on his own life and talent as a meaningful writer.
In what could have been a soupy chick flick Jon Kasdan has instead provided a script that has a healthy dose of homespun philosophy and has guided his multi-talented cast to offer some of their finest moments on film. This is an entertaining movie, but it is also a balm for viewers who have experienced life-threatening illness, broken homes, coping with the elderly, and ultimately coping with death. It simply works. Grady Harp
26 utilisateurs sur 45 ont trouvé ce commentaire utile :

A Quality Drama-Comedy About Relationships, 20 avril 2007
Auteur : tabuno de utah
The mainstream drama with comedy continues to improve with time and "In The Land of Women" is no exception. In a return of Meg Ryan along with some new young actors, this movie has some fine moments of focus on higher level emotional and narrative dialogues without the stuffy intellectual performances. There is a rich content of feelings here dealing with good topics without necessarily becoming sappy. One criticism regarding the weak ending can be considered its strength. This storyline of this feature film doesn't follow the typical path of most romance dramas to its credit. More along the line of "Lost in Translation" with a plot, this movie touches more on mood and redirecting the audience to important concepts about relationships and real situations in an entertaining, sometimes funny, sometimes sad delivery. While no Neil Simon perfection and the balance between comedy and drama is off, as only a personal preference, this movie suffers from that difficulty fine balance. Nevertheless its a fine film. Eight out of Ten Stars.
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