Filmmaker regularly offers crowdfunding filmmakers on our curated Kickstarter page the opportunity to write a guest essay about their campaign. Here’s Sasha Solodukhina on the struggles of funding a first-time work, How to Disappear Completely. To learn more about her 30-minute film, visit its Kickstarter page, where the campaign is in its final three days. Unlike Spike Lee, or Charlie Kaufman, or The Coolest Cooler, even unlike the potato salad – I am not yet a product. I have no brand to articulate me, or any kind of large body of work to stand behind. At this point, you have […]...
- 8/26/2014
- by Sasha Solodukhina
- Filmmaker Magazine-Director Interviews
Filmmaker regularly offers crowdfunding filmmakers on our curated Kickstarter page the opportunity to write a guest essay about their campaign. Here’s Sasha Solodukhina on the struggles of funding a first-time work, How to Disappear Completely. To learn more about her 30-minute film, visit its Kickstarter page, where the campaign is in its final three days. Unlike Spike Lee, or Charlie Kaufman, or The Coolest Cooler, even unlike the potato salad – I am not yet a product. I have no brand to articulate me, or any kind of large body of work to stand behind. At this point, you have […]...
- 8/26/2014
- by Sasha Solodukhina
- Filmmaker Magazine - Blog
NBC
In 1995 author Doug Richmond published the book How To Disappear Completely And Never Be Found, subtitled “Planning a disappearance, arranging for new identification, finding work, establishing credit, pseudocide (creating the impression you’re dead), and more”. A wholly practical guide, the book claimed to give the most thorough and foolproof steps to follow in order to fake your own death successfully. Besides inspiring a Radiohead song of the same name we’re not sure how successful the book was in helping people commit pseudocide, although perhaps the fact we’ve never heard any testimonials from people it’s worked for is a testimony in itself…?
The fact that journalist Richmond was able to travel around the world and collect enough stories about people faking their deaths to literally write the book on it suggests that it happens a lot more often than you’d expect. It’s not just...
In 1995 author Doug Richmond published the book How To Disappear Completely And Never Be Found, subtitled “Planning a disappearance, arranging for new identification, finding work, establishing credit, pseudocide (creating the impression you’re dead), and more”. A wholly practical guide, the book claimed to give the most thorough and foolproof steps to follow in order to fake your own death successfully. Besides inspiring a Radiohead song of the same name we’re not sure how successful the book was in helping people commit pseudocide, although perhaps the fact we’ve never heard any testimonials from people it’s worked for is a testimony in itself…?
The fact that journalist Richmond was able to travel around the world and collect enough stories about people faking their deaths to literally write the book on it suggests that it happens a lot more often than you’d expect. It’s not just...
- 8/5/2014
- by Tom Baker
- Obsessed with Film
Nessa Stein is Batman. She’s born into a world of wealth and privilege. She’s lost both of her parents, and even watched her father’s gruesome death enacted before her. And now, bound to no specific law, she wields her parents’ power.
But Nessa doesn’t live in Gotham City. She’s a second generation Israeli. Her father wasn’t a do-gooder philanthropist but a Holocaust survivor–turned–weapons manufacturer. And while Nessa begins The Honorable Woman by donning a new costume (the ceremonial member robes of House of Lords), her actions are predicated not on some abstract ideal,...
But Nessa doesn’t live in Gotham City. She’s a second generation Israeli. Her father wasn’t a do-gooder philanthropist but a Holocaust survivor–turned–weapons manufacturer. And while Nessa begins The Honorable Woman by donning a new costume (the ceremonial member robes of House of Lords), her actions are predicated not on some abstract ideal,...
- 8/1/2014
- by Jackson McHenry
- EW - Inside TV
New Films by Przemyslaw Wojcieszek, Marcin Krzysztalowicz, Jolanta Dylewska and Andrzej Wajda, will be presented to the foreign professionals during the key industry event of the 14th T-Mobile New Horizons International Film Festival. The organizers expect around 150 guests to attend.
Polish Days is the most important industry event at the 14.T-Mobile New Horizons International Film Festival (24 July – 3 August 2014), where industry representatives including programmers, sales agents, producers, film funds and distributors from all over the world watch the latest Polish films at closed screenings.
This year’s edition of Polish Days will take place on July 30 – August 1. Six completed Polish films and ten works-in-progress will be shown at closed screenings, while eleven projects will be pitched to the international audience.
Among the finished films, the representatives of the international film industry will have the chance to see "15 Corners of the World" by Zuzanna Solakiewicz, which will have its world premiere in the Films on Art International Competition at the T-Mobile New Horizons Iff and then international premiere in the Settimana della Critica section of the Locarno Ff in August. Other films shown in full at the closed screenings during Polish Days include "Gods" by Lukasz Palkowski, "Call me Marianna" by Karolina Bielawska, "Performer" by Lukasz Ronduda and Maciej Sobieszczański and two films that will compete in the Main Competition of the T-Mobile International Film Festival - "How to Disappear Completely" by Przemyslaw Wojcieszek and "Calling" by Marcin Dudziak. The organisers hope to secure one extra title in the last moment before the event starts.
Projects in development presented in the pitching session include, among others, "Hungry" by Katarzyna Klimkiewicz, "I’m the Killer" by Maciej Pieprzyca, "Volhynia" by Wojciech Smarzowski, "Window" by Anna Jadowska, "Rosa" by Denijal Hasanovic and "Toxaemia" by Julia Kolberger.
This year, for the first time, two projects presented in the section will be awarded with post-production awards given by Polish Days’ new partners - post-production companies Toya Studios and Chimney Poland.
The works in progress section will show clips from the following films, which are currently in production: "And There Was Love in the Ghetto " by Jolanta Dylewska and Andrzej Wajda, "Carte Blanche" by Jacek Lusiński, "Journey to Rome" by Tomasz Mielnik, "I, Olga Hepnarova" by Tomás Weinreb and Petr Kazda , "The Here After" by Magnus von Horn, "Walser" by Zbigniew Libera and "Close Ups" by Magdalena Piekorz, among others.
The organizers are expecting around 150 guests at the event. Confirmed attendees include programmers from Berlin, Cannes, Rotterdam, Istanbul, Edinburgh, and Hong-Kong, as well as a number of buyers such as Level K, Ndm, Premium Films, Film Republic, Alpha Violet, Indie Sales, New Europe Film Sales, Just Film Distribution, Imagine Film, Soda Pictures and Epicentre. This year’s special guests will be a group of Turkish film professionals invited to Wrocław in cooperation with the international film festival in Istanbul, the Adam Mickiewicz Institute and the Turkish Ministry for Culture and Tourism to celebrate the 600 years of diplomatic relations between the two countries.
Polish Days are co-organized with the Polish Film Institute, Odra Film and the Wrocław Film Commission with the support of the Lower Silesia municipality and the city of Wrocław. Event partners include Film Commission Poland, Łódź Film Commission, Mazovia Warsaw Film Commission, Poznań Film Commission, Kraków Film Commission, Silesia Film Commission, National Audiovisual Institute, as well as post-production studios Toya Studios and Chimney Poland.
Full list of presented films:
Finished Films
"15 Corners of the World" (15 stron świata) , dir. Zuzanna Solakiewicz
"Gods" (Bogowie) , dir. Lukasz Palkowski
"How to Disappear Completely" (Jak całkowicie zniknąć) , dir. Przemysław Wojcieszek
"Call me Marianna" (Mów mi Marianna) , dir. Karolina Bielawska
"Performer" dirs. Lukasz Ronduda and Maciej Sobieszczański
"Calling" (Wołanie) , dir. Marcin Dudziak
Pitching
"Hungry" (Głodna) , dir. Katarzyna Klimkiewicz
"I’m the Killer" (Jestem mordercą) , dir. Maciej Pieprzyca
"All Gone Mad" (Krokodyl) , dir. Aleksandra Niemczyk
"Maya + Theo and Others" (Maja + Theo i inni) , dir. Filip K. Kasperaszek
"Window" (Okno) , dir. Anna Jadowska
"The Wounded Beast" (Ranne Zwierzę) , dir. Piotr Trzaskalski
"Nano" (Rdzeń) , dir. Piotr Ryczko
"Rosa" , dir. Denijal Hasanovic
"Owl, the Baker’s Daughter" (Sowa, córka piekarza) , dir. Grzegorz Jarzyna
"Toxaemia" (Toksymia) , dir. Julia Kolberger
"Volhynia" ( Wołyń) , dir. Wojciech Smarzowski
Works in Progress
"Carte Blanche" dir. Jacek Lusiński
"Journey to Rome" (Droga do Rzymu) , dir. Tomasz Mielnik
"And There Was Love in the Ghetto" (I była miłość w getcie) , dir. Jolanta Dylewska, Andrzej Wajda
"I, Olga Hepnarova" (Ja, Olga Hepnarova) , dir. Tomás Weinreb & Petr Kazda
"Summer Solstice" (Letnie przesilenie) , dir. Michal Rogalski
"The Wall" (Mur) , dir. Dariusz Glazer
"All About My Parents" (Pani z przedszkola) , dir. Marcin Krzysztalowicz
"The Here After" (Po śmierci) , dir. Magnus von Horn
"Walser" dir. Zbigniew Libera
"Close Ups" (Zbliżenia), dir. Magdalena Piekorz...
Polish Days is the most important industry event at the 14.T-Mobile New Horizons International Film Festival (24 July – 3 August 2014), where industry representatives including programmers, sales agents, producers, film funds and distributors from all over the world watch the latest Polish films at closed screenings.
This year’s edition of Polish Days will take place on July 30 – August 1. Six completed Polish films and ten works-in-progress will be shown at closed screenings, while eleven projects will be pitched to the international audience.
Among the finished films, the representatives of the international film industry will have the chance to see "15 Corners of the World" by Zuzanna Solakiewicz, which will have its world premiere in the Films on Art International Competition at the T-Mobile New Horizons Iff and then international premiere in the Settimana della Critica section of the Locarno Ff in August. Other films shown in full at the closed screenings during Polish Days include "Gods" by Lukasz Palkowski, "Call me Marianna" by Karolina Bielawska, "Performer" by Lukasz Ronduda and Maciej Sobieszczański and two films that will compete in the Main Competition of the T-Mobile International Film Festival - "How to Disappear Completely" by Przemyslaw Wojcieszek and "Calling" by Marcin Dudziak. The organisers hope to secure one extra title in the last moment before the event starts.
Projects in development presented in the pitching session include, among others, "Hungry" by Katarzyna Klimkiewicz, "I’m the Killer" by Maciej Pieprzyca, "Volhynia" by Wojciech Smarzowski, "Window" by Anna Jadowska, "Rosa" by Denijal Hasanovic and "Toxaemia" by Julia Kolberger.
This year, for the first time, two projects presented in the section will be awarded with post-production awards given by Polish Days’ new partners - post-production companies Toya Studios and Chimney Poland.
The works in progress section will show clips from the following films, which are currently in production: "And There Was Love in the Ghetto " by Jolanta Dylewska and Andrzej Wajda, "Carte Blanche" by Jacek Lusiński, "Journey to Rome" by Tomasz Mielnik, "I, Olga Hepnarova" by Tomás Weinreb and Petr Kazda , "The Here After" by Magnus von Horn, "Walser" by Zbigniew Libera and "Close Ups" by Magdalena Piekorz, among others.
The organizers are expecting around 150 guests at the event. Confirmed attendees include programmers from Berlin, Cannes, Rotterdam, Istanbul, Edinburgh, and Hong-Kong, as well as a number of buyers such as Level K, Ndm, Premium Films, Film Republic, Alpha Violet, Indie Sales, New Europe Film Sales, Just Film Distribution, Imagine Film, Soda Pictures and Epicentre. This year’s special guests will be a group of Turkish film professionals invited to Wrocław in cooperation with the international film festival in Istanbul, the Adam Mickiewicz Institute and the Turkish Ministry for Culture and Tourism to celebrate the 600 years of diplomatic relations between the two countries.
Polish Days are co-organized with the Polish Film Institute, Odra Film and the Wrocław Film Commission with the support of the Lower Silesia municipality and the city of Wrocław. Event partners include Film Commission Poland, Łódź Film Commission, Mazovia Warsaw Film Commission, Poznań Film Commission, Kraków Film Commission, Silesia Film Commission, National Audiovisual Institute, as well as post-production studios Toya Studios and Chimney Poland.
Full list of presented films:
Finished Films
"15 Corners of the World" (15 stron świata) , dir. Zuzanna Solakiewicz
"Gods" (Bogowie) , dir. Lukasz Palkowski
"How to Disappear Completely" (Jak całkowicie zniknąć) , dir. Przemysław Wojcieszek
"Call me Marianna" (Mów mi Marianna) , dir. Karolina Bielawska
"Performer" dirs. Lukasz Ronduda and Maciej Sobieszczański
"Calling" (Wołanie) , dir. Marcin Dudziak
Pitching
"Hungry" (Głodna) , dir. Katarzyna Klimkiewicz
"I’m the Killer" (Jestem mordercą) , dir. Maciej Pieprzyca
"All Gone Mad" (Krokodyl) , dir. Aleksandra Niemczyk
"Maya + Theo and Others" (Maja + Theo i inni) , dir. Filip K. Kasperaszek
"Window" (Okno) , dir. Anna Jadowska
"The Wounded Beast" (Ranne Zwierzę) , dir. Piotr Trzaskalski
"Nano" (Rdzeń) , dir. Piotr Ryczko
"Rosa" , dir. Denijal Hasanovic
"Owl, the Baker’s Daughter" (Sowa, córka piekarza) , dir. Grzegorz Jarzyna
"Toxaemia" (Toksymia) , dir. Julia Kolberger
"Volhynia" ( Wołyń) , dir. Wojciech Smarzowski
Works in Progress
"Carte Blanche" dir. Jacek Lusiński
"Journey to Rome" (Droga do Rzymu) , dir. Tomasz Mielnik
"And There Was Love in the Ghetto" (I była miłość w getcie) , dir. Jolanta Dylewska, Andrzej Wajda
"I, Olga Hepnarova" (Ja, Olga Hepnarova) , dir. Tomás Weinreb & Petr Kazda
"Summer Solstice" (Letnie przesilenie) , dir. Michal Rogalski
"The Wall" (Mur) , dir. Dariusz Glazer
"All About My Parents" (Pani z przedszkola) , dir. Marcin Krzysztalowicz
"The Here After" (Po śmierci) , dir. Magnus von Horn
"Walser" dir. Zbigniew Libera
"Close Ups" (Zbliżenia), dir. Magdalena Piekorz...
- 7/21/2014
- by Sydney Levine
- Sydney's Buzz
New Films by Andrzej Wajda and Jolanta Dylewska will be amongst those presented during industry event Polish Days which will take place during the 14th T-Mobile New Horizons International Film Festival.
Amongst the titles due to be screened at Polish Days are new films by Przemysław Wojcieszek, Marcin Krzyształowicz, Jolanta Dylewska and Andrzej Wajda.
The films will be presented at the industry event - which showcases Polish films to international sellers, buyers and programmers - as part of the 14th T-Mobile New Horizons International Film Festival. Over 150 foreign professionals are expected to attend.
Six completed Polish films and ten works-in-progress will be shown at the closed screenings, while eleven projects will be pitched to the international audience.
Among the finished films will be Zuzanna Solakiewicz’s 15 Corners of the world which will have its world premiere in the Films on Art International Competition at the T-Mobile New Horizons Iff.
Other films shown in full at the closed...
Amongst the titles due to be screened at Polish Days are new films by Przemysław Wojcieszek, Marcin Krzyształowicz, Jolanta Dylewska and Andrzej Wajda.
The films will be presented at the industry event - which showcases Polish films to international sellers, buyers and programmers - as part of the 14th T-Mobile New Horizons International Film Festival. Over 150 foreign professionals are expected to attend.
Six completed Polish films and ten works-in-progress will be shown at the closed screenings, while eleven projects will be pitched to the international audience.
Among the finished films will be Zuzanna Solakiewicz’s 15 Corners of the world which will have its world premiere in the Films on Art International Competition at the T-Mobile New Horizons Iff.
Other films shown in full at the closed...
- 7/17/2014
- by sarah.cooper@screendaily.com (Sarah Cooper)
- ScreenDaily
Running July 24-Aug 3, the festival will open with Wild Tales, Winter Sleep and Clouds of Sils Maria
The T-Mobile New Horizons International Film Festival has unveiled the line-up for its 14th edition, which runs July 24-Aug 3 in Wroclaw, Poland.
This year’s edition will screen almost 200 full-length features and will open with Damián Szifron’s Wild Tales, Nuri Bilge Ceylan’s Winter Sleep and Olivier Assayas’ Clouds of Sils Maria.
Alice Rohrwacher’s The Wonders, winner of this year’s Grand Prix at Cannes, will be screened during the awards gala.
13 features will compete for the New Horizons International Competition, which includes the world premieres of Przemyslaw Wojcieszek’s How to Disappear Completely and Marcin Dudziak’s Calling.
This year’s festival will also screen the latest films from international auteurs such as Naomi Kawase (Still the Water), Tsai Ming-liang (Stray Dogs and Journey to the West), Jean Luc-Godard (Goodbye to Language 3D), Lukas Moodysson (We Are...
The T-Mobile New Horizons International Film Festival has unveiled the line-up for its 14th edition, which runs July 24-Aug 3 in Wroclaw, Poland.
This year’s edition will screen almost 200 full-length features and will open with Damián Szifron’s Wild Tales, Nuri Bilge Ceylan’s Winter Sleep and Olivier Assayas’ Clouds of Sils Maria.
Alice Rohrwacher’s The Wonders, winner of this year’s Grand Prix at Cannes, will be screened during the awards gala.
13 features will compete for the New Horizons International Competition, which includes the world premieres of Przemyslaw Wojcieszek’s How to Disappear Completely and Marcin Dudziak’s Calling.
This year’s festival will also screen the latest films from international auteurs such as Naomi Kawase (Still the Water), Tsai Ming-liang (Stray Dogs and Journey to the West), Jean Luc-Godard (Goodbye to Language 3D), Lukas Moodysson (We Are...
- 7/9/2014
- by ian.sandwell@screendaily.com (Ian Sandwell)
- ScreenDaily
Damián Szifrón’s Cannes Competition film Wild Tales and Palm d’Or winner Winter Sleep to open the T-Mobile New Horizons International Film Festival in Wroclaw.
A total of 20 films from Cannes Film Festival have been secured for the 14th New Horizons International Film Festival (July 24-Aug 3), Poland’s largest film event.
The festival, held in Wroclaw, will comprise screenings of around 365 films, including 199 features.
The opening film will be Damián Szifrón’s Cannes Competition film Wild Tales, an Argentinian satire co-produced by Pedro Almodovar.
A second opening film will be this year’s Palme d’Or winner Winter Sleep, by Nuri Bilge Ceylan.
Third, after the opening gala, will be Olivier Assayas’ Sils Maria starring Juliette Binoche and Kristen Stewart.
The festival will close with Cannes Grand Prix winner The Wonders by Italian director Alice Rohrwacher.
Main programme
The main programme will include Aleksey German’s Hard to be God, Naomi Kawase’s Still...
A total of 20 films from Cannes Film Festival have been secured for the 14th New Horizons International Film Festival (July 24-Aug 3), Poland’s largest film event.
The festival, held in Wroclaw, will comprise screenings of around 365 films, including 199 features.
The opening film will be Damián Szifrón’s Cannes Competition film Wild Tales, an Argentinian satire co-produced by Pedro Almodovar.
A second opening film will be this year’s Palme d’Or winner Winter Sleep, by Nuri Bilge Ceylan.
Third, after the opening gala, will be Olivier Assayas’ Sils Maria starring Juliette Binoche and Kristen Stewart.
The festival will close with Cannes Grand Prix winner The Wonders by Italian director Alice Rohrwacher.
Main programme
The main programme will include Aleksey German’s Hard to be God, Naomi Kawase’s Still...
- 7/2/2014
- by michael.rosser@screendaily.com (Michael Rosser)
- ScreenDaily
Creative England has chosen 20 new non-London films for production through its inaugural iShorts programme.
The entry level shorts initiative is aimed at film-makers outside of London who have some experience in self-funded shorts or student films, have written an unproduced screenplay, or have produced work that has not yet attracted financial support from within the industry.
Each project receives £5,000 ($8,400) towards its production budget and ongoing support. They have also received production and development training from Creative Skillset.
Film-makers have been chosen from all over the country, including Exeter, Gateshead and Brighton, with projects that include comedy, horror, magical realism, sci-fi and road movies.
Creative England head of film Chris Moll said: “Over 350 applications went through a rigorous process of assessment that included interviews and workshops at our Talent Centres in Sheffield and Brighton. For the talent we are supporting, we hope this will be a pivotal moment in their filmmaking careers.”
iShorts is supported...
The entry level shorts initiative is aimed at film-makers outside of London who have some experience in self-funded shorts or student films, have written an unproduced screenplay, or have produced work that has not yet attracted financial support from within the industry.
Each project receives £5,000 ($8,400) towards its production budget and ongoing support. They have also received production and development training from Creative Skillset.
Film-makers have been chosen from all over the country, including Exeter, Gateshead and Brighton, with projects that include comedy, horror, magical realism, sci-fi and road movies.
Creative England head of film Chris Moll said: “Over 350 applications went through a rigorous process of assessment that included interviews and workshops at our Talent Centres in Sheffield and Brighton. For the talent we are supporting, we hope this will be a pivotal moment in their filmmaking careers.”
iShorts is supported...
- 4/30/2014
- ScreenDaily
News.
Every cinephile's favourite producer/distributor is at it again: Harvey Weinstein plans to axe 20 minutes from Bong Joon-Ho's Snowpiercer. Critic and programmer Tony Rayns had this to say:
"The Weinstein Company people have told Bong that their aim is to make sure the film 'will be understood by audiences in Iowa ... and Oklahoma.' Effectively, the notorious Hollywood executive believes the American mid-west is too stupid for Snowpiercer, a movie which essentially chronicles the journey of a few people at the back of a train who stage a revolt and proceed, in a straight line, towards the front. Leaving aside the issue of what Weinstein thinks of its audience, it seems to say the least anomalous that the rest of the English-speaking world has to be dragged down to the presumed level of American mid-west hicks."
According to the "acting" page on Vincent Gallo's website, it appears the...
Every cinephile's favourite producer/distributor is at it again: Harvey Weinstein plans to axe 20 minutes from Bong Joon-Ho's Snowpiercer. Critic and programmer Tony Rayns had this to say:
"The Weinstein Company people have told Bong that their aim is to make sure the film 'will be understood by audiences in Iowa ... and Oklahoma.' Effectively, the notorious Hollywood executive believes the American mid-west is too stupid for Snowpiercer, a movie which essentially chronicles the journey of a few people at the back of a train who stage a revolt and proceed, in a straight line, towards the front. Leaving aside the issue of what Weinstein thinks of its audience, it seems to say the least anomalous that the rest of the English-speaking world has to be dragged down to the presumed level of American mid-west hicks."
According to the "acting" page on Vincent Gallo's website, it appears the...
- 8/8/2013
- by Adam Cook
- MUBI
Shortness has its virtues. In books. And sometimes in life. The theme of growing big (and small) is the slender thread at the heart of George's Marvelous Medicine by Roald Dahl, best known as a children's author.
Before you finish reading this review, go out, buy The Collected Stories of Roald Dahl (his adult work), and read it.
Ok, now that you've done that, on to George's Marvelous Medicine. A kid's book, but more than that, a good, maybe even great book.
It is concentrated. A short story really, but with the storytelling heft of a full novel, weighing in at something like 82 large-fonted, illustration-studded pages. But don't let that deter you. Anyone who's ever been pissed off and put upon by any authority figure (all of us!) will love it. It's a vicious revenge tale.
Dahl has said that, especially when writing for children, you can't pull your punches.
Before you finish reading this review, go out, buy The Collected Stories of Roald Dahl (his adult work), and read it.
Ok, now that you've done that, on to George's Marvelous Medicine. A kid's book, but more than that, a good, maybe even great book.
It is concentrated. A short story really, but with the storytelling heft of a full novel, weighing in at something like 82 large-fonted, illustration-studded pages. But don't let that deter you. Anyone who's ever been pissed off and put upon by any authority figure (all of us!) will love it. It's a vicious revenge tale.
Dahl has said that, especially when writing for children, you can't pull your punches.
- 8/1/2013
- by Ken Krimstein
- www.culturecatch.com
The 7th annual Wndx Festival of Moving Image, in addition to the fest’s usually fantastic lineup of new experimental film and video, is presenting a virtual smorgasbord of special events. So, be on the look out for them as they completely take over the city of Winnipeg on Sept. 26-30.
The fun kicks off on Sept. 26 with the debut of “Situated Cinema,” a roving microcinema created by Thomas Evans and Craig Rodmore that will screen at different venues throughout the entire festival. The opening night will take place at Raw Gallery and feature five films curated by Solomon Nagler that will connect viewers with their environment. The filmmakers presenting work at this unique screening experience are Heidi Phillips, Alexandre Larose, Caroline Monnet, Izabella Pruska-Oldenhof and Alex MacKenzie.
Another fantastic multi-part special event at Wndx will be hosted by underground film historian Jack Sargeant, the world’s foremost authority on Beat Cinema.
The fun kicks off on Sept. 26 with the debut of “Situated Cinema,” a roving microcinema created by Thomas Evans and Craig Rodmore that will screen at different venues throughout the entire festival. The opening night will take place at Raw Gallery and feature five films curated by Solomon Nagler that will connect viewers with their environment. The filmmakers presenting work at this unique screening experience are Heidi Phillips, Alexandre Larose, Caroline Monnet, Izabella Pruska-Oldenhof and Alex MacKenzie.
Another fantastic multi-part special event at Wndx will be hosted by underground film historian Jack Sargeant, the world’s foremost authority on Beat Cinema.
- 9/24/2012
- by Mike Everleth
- Underground Film Journal
If you're attempting to disappear completely, there are certain things you should probably not do, such as become an overnight Hollywood sensation by directing back-to-back hit films like "Easy A" and "Friends with Benefits." Despite that fact, however, The Hollywood Reporter is reporting that Will Gluck has signed on to direct the upcoming film "How to Disappear Completely."
No offense, Will, but keeping a low profile doesn't really seem to be your strong suit.
Based on the acclaimed 2006 Swedish film "Vitus," "How to Disappear Completely" is sadly not a long-form music video for the Radiohead song of the same name but instead tells the story of a 12-year-old boy who happens to be a child prodigy. Fed up with the demands placed on him by his parents, he fakes a head injury and pretends to be just a normal kid, while secretly using his genius to change people's lives.
Now...
No offense, Will, but keeping a low profile doesn't really seem to be your strong suit.
Based on the acclaimed 2006 Swedish film "Vitus," "How to Disappear Completely" is sadly not a long-form music video for the Radiohead song of the same name but instead tells the story of a 12-year-old boy who happens to be a child prodigy. Fed up with the demands placed on him by his parents, he fakes a head injury and pretends to be just a normal kid, while secretly using his genius to change people's lives.
Now...
- 3/18/2012
- by Scott Harris
- NextMovie
Sony Pictures Entertainment has extended its first-look non-exclusive deal with Escape Artists, the independently financed film and television production company headed by partners Todd Black, Jason Blumenthal, and Steve Tisch, it was announced by Amy Pascal, co-chairman of Sony Pictures Entertainment, and Doug Belgrad, president of Columbia Pictures. The three-year deal renews Sony Pictures’ relationship with the company, which has been headquartered at the studio since 1998.
Recent Escape Artists films for Sony Pictures include The Pursuit of Happyness, Seven Pounds, and The Taking of Pelham 1 2 3. Among its current projects, the company is partnering with Mandate Pictures and Management 360 to produce Great Hope Springs, starring Meryl Streep, Tommy Lee Jones, and Steve Carell, which Sony Pictures will distribute with Metro-Goldwyn-Mayer Pictures in North America next December.
Escape Artists has several other projects currently in development with Sony Pictures, including:
Sex Tape, with Nicholas Stoller attached to direct...
Recent Escape Artists films for Sony Pictures include The Pursuit of Happyness, Seven Pounds, and The Taking of Pelham 1 2 3. Among its current projects, the company is partnering with Mandate Pictures and Management 360 to produce Great Hope Springs, starring Meryl Streep, Tommy Lee Jones, and Steve Carell, which Sony Pictures will distribute with Metro-Goldwyn-Mayer Pictures in North America next December.
Escape Artists has several other projects currently in development with Sony Pictures, including:
Sex Tape, with Nicholas Stoller attached to direct...
- 12/14/2011
- by Michelle McCue
- WeAreMovieGeeks.com
Recently, Sony Pictures and Escape Artist have come together and put out some decent films. The Pursuit of Happyness and Seven Pounds to name a few. Today it was announced, over on comingsoon, that the two companies are going to continue to make films together.
One of the films in the works between the two is a movie version of the 1980’s TV show The Equalizer. The film will star Denzel Washington as Robert McCall, a former spy turned private detective. I remember my parents watching this show when I was younger, and after reading about it, I think I am going to have to check it out myself. Here is a brief synopsis, from IMDb, of the show to give you an idea of what we can expect:
Robert McCall is a tough-as-nails, no-bs private eye who went into business for himself after leaving the shadowy agency he once worked for.
One of the films in the works between the two is a movie version of the 1980’s TV show The Equalizer. The film will star Denzel Washington as Robert McCall, a former spy turned private detective. I remember my parents watching this show when I was younger, and after reading about it, I think I am going to have to check it out myself. Here is a brief synopsis, from IMDb, of the show to give you an idea of what we can expect:
Robert McCall is a tough-as-nails, no-bs private eye who went into business for himself after leaving the shadowy agency he once worked for.
- 12/14/2011
- by rpmcmurphy
- GeekTyrant
Looks like Paul Haggis and Russell Crowe aren't going to revive '80s TV show The Equalizer, after all. Last year Haggis was in talks [1] to write a big-screen version of the show that starred Edward Woodward as a retired secret agent who tries to atone for his violent past by offering his services, pro bono, to those in need. The film also had Crowe attached [2] to play the lead role, and it was easy to guess how he'd work out in the role originated by Woodward. But things change, and in the year since we last heard about the project both Haggis and Crowe have evidently moved on. Today Sony released a statement about the company's continuing first-look deal with production company Escape Artists. The release runs down several in-development projects, one of which is The Equalizer. It says that the film is being developed as a starring vehicle for Denzel Washington.
- 12/13/2011
- by Russ Fischer
- Slash Film
The 2011 Black List, the Top Unproduced Screenplays of the year has been released. The best unproduced screenplays from The Black List 2011 is compiled by votes from over 300 “execs, agency guys, and high-level assistants. Titled The Black List, the compendium highlights both established screenwriters and up-and-comers, and has served as a launching pad in the past for projects like Juno, Lars and the Real Girl, and (500) Days of Summer. Last year’s list included Margin Call, Crazy, Stupid, Love, The Hunger Games, and Snow White and the Huntsman.”
Regarding the validity of The Black List, things to keep in mind:
some of these screenplays have already been acquired and are already in development, though…none will have entered principal photography by December 31, 2011. Also worth pointing out is that, as in previous years, there have been rumors that some of the participants have been accused of using the Black List to promote their own clients or friends.
Regarding the validity of The Black List, things to keep in mind:
some of these screenplays have already been acquired and are already in development, though…none will have entered principal photography by December 31, 2011. Also worth pointing out is that, as in previous years, there have been rumors that some of the participants have been accused of using the Black List to promote their own clients or friends.
- 12/13/2011
- by filmbook
- Film-Book
The Black List of 2011 continues with the second-half of the list showcasing the screenplays that received the most number of votes.
Remember, this is a list voted on by Hollywood professionals of what they personally believe to be the best unproduced screenplays written in 2011. You might recognize titles for movies that are in development. That's fine by The Black List rules; the only condition that the screenplay must meet is that it's not being filmed within this calendar year. For Black List 2011 selections like Quentin Tarantino's Django Unchained, that makes it valid for Black List inclusion.
If you've missed the first half of the list you can find it here.
13 Votes:
The Accountant by Bill Dubuque
The Treasury Department pursues a brilliant, autistic accountant who doubles as an assassin and “problem-solves” with precision in more ways than one.
Agency: Paradigm
Agent: Trevor Astbury
Management: Zero Gravity Management
Manager: Eric Williams...
Remember, this is a list voted on by Hollywood professionals of what they personally believe to be the best unproduced screenplays written in 2011. You might recognize titles for movies that are in development. That's fine by The Black List rules; the only condition that the screenplay must meet is that it's not being filmed within this calendar year. For Black List 2011 selections like Quentin Tarantino's Django Unchained, that makes it valid for Black List inclusion.
If you've missed the first half of the list you can find it here.
13 Votes:
The Accountant by Bill Dubuque
The Treasury Department pursues a brilliant, autistic accountant who doubles as an assassin and “problem-solves” with precision in more ways than one.
Agency: Paradigm
Agent: Trevor Astbury
Management: Zero Gravity Management
Manager: Eric Williams...
- 12/13/2011
- by Patrick Sauriol
- Corona's Coming Attractions
The 2011 Black List has arrived online and there are a bunch of the hottest scripts in Hollywood. Some have already been picked up by studios, while most are still unproduced. Here is the press release: The Black List was compiled from the suggestions of over 300 film executives, each of whom contributed the names of up to ten of their favorite scripts that were written in, or are somehow uniquely associated with, 2011 and will not have begun principal photography during this calendar year.
This year, scripts had to receive at least six mentions to be included on the The Black List.
All reasonable effort has been made to confirm the information contained herein. The Black List apologizes for all misspellings, misattributions, incorrect representation identification, and questionable 2011 affiliations.
It has been said many times, but it's worth repeating:
The Black List is not a "best of" list. It is, at best, a "most liked" list.
This year, scripts had to receive at least six mentions to be included on the The Black List.
All reasonable effort has been made to confirm the information contained herein. The Black List apologizes for all misspellings, misattributions, incorrect representation identification, and questionable 2011 affiliations.
It has been said many times, but it's worth repeating:
The Black List is not a "best of" list. It is, at best, a "most liked" list.
- 12/13/2011
- by Tiberius
- GeekTyrant
[1] Each December since 2004, studio executive Franklin Leonard has compiled the best unproduced screenplays of the year, as voted by hundreds of execs, agency guys, and high-level assistants. Titled The Black List, the compendium highlights both established screenwriters and up-and-comers, and has served as a launching pad in the past for projects like Juno, Lars and the Real Girl, and (500) Days of Summer. Last year's list included Margin Call, Crazy, Stupid, Love, The Hunger Games, and Snow White and the Huntsman. It should be noted that the headline is somewhat misleading -- some of these screenplays have already been acquired and are already in development, though according to Leonard none will have entered principal photography by December 31, 2011. Also worth pointing out is that, as in previous years, there have been rumors that some of the participants have been accused of using the Black List to promote their own clients or friends.
- 12/12/2011
- by Angie Han
- Slash Film
This year at the Austin Film Festival, studio executive and “Black List” founder Franklin Leonard introduced the opening film, Butter. It’s a fantastic satirical comedy written by Jason Micallef and Leonard’s post-screening Q&A with him was equally hilarious and unconventional.
Sitting in the upper deck at the Paramount Theatre, I was in awe at how Leonard had not only created the list just six years prior but how it provided such legitimacy to emerging screenwriters, like Micallef. He was relatively unknown in ‘08, but his script placed third on the list. Now he has a movie coming out starring Jennifer Garner, his new scripts have Jack Black and Jason Segel attached (separately), and he wrote a movie titled Good Vibrations about, um, marital aids starring Charlize Theron. That’s the power of the Black List.
Simply put, “The Black List” is a collection of the best unproduced screenplays...
Sitting in the upper deck at the Paramount Theatre, I was in awe at how Leonard had not only created the list just six years prior but how it provided such legitimacy to emerging screenwriters, like Micallef. He was relatively unknown in ‘08, but his script placed third on the list. Now he has a movie coming out starring Jennifer Garner, his new scripts have Jack Black and Jason Segel attached (separately), and he wrote a movie titled Good Vibrations about, um, marital aids starring Charlize Theron. That’s the power of the Black List.
Simply put, “The Black List” is a collection of the best unproduced screenplays...
- 12/12/2011
- by Jeff Leins
- newsinfilm.com
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