Control (2007)

Réalisateur:

Anton Corbijn

Scénaristes:

Deborah Curtis (autobiography "Touching from a Distance")
Matt Greenhalgh (writer)

Date de sortie:

12 septembre 2007 (Belgium)

Genre:

Biographie | Drame | Musique

Intrigue:

A profile of Ian Curtis, the enigmatic singer of Joy Division whose personal, professional, and romantic troubles led him to commit suicide at the age of 23.

Plot Keywords:

Band | Singer | Suicide | Musician | Kitchen Sink Realism

Récompenses:

Nominated for 2 BAFTA Film Awards. Another 25 wins & 20 nominations

Avis des utilisateurs:

Depressingly Beautiful

Ensemble

Sam Riley	...	Ian Curtis
Samantha Morton	...	Deborah Curtis
Alexandra Maria Lara	...	Annik Honoré
Joe Anderson	...	Peter Hook
James Anthony Pearson	...	Bernard Sumner
Harry Treadaway	...	Stephen Morris
Craig Parkinson	...	Tony Wilson
Toby Kebbell	...	Rob Gretton
Andrew Sheridan	...	Terry Mason
Robert Shelly	...	Twinny
Richard Bremmer	...	Ian's Father
Tanya Myers	...	Ian's Mother
Martha Myers Lowe	...	Ian's Sister (as Martha Myers-Lowe)
Matthew McNulty	...	Nick Jackson
David Whittington	...	Chemistry Teacher

MPAA:

Rated R for language and brief sexuality.

Durée:

122 min

Pays:

UK | USA | Australia | Japan

Langue:

Anglais

Couleur:

Noir et Blanc

Rapport de forme:

2,35 : 1

Son:

Dolby Digital

Classification:

Ireland:15A | Canada:14A | USA:R | Netherlands:6 | France:Unrated | Australia:MA | Portugal:M/16 | Finland:K-13 | Germany:12 | Sweden:7 | Japan:PG-12 | Singapore:M18 | South Korea:15 | Switzerland:14 (canton of Geneva) | Switzerland:14 (canton of Vaud) | Norway:15 (TV rating)

Lieux de tournage:

Macclesfield, Cheshire, England, UK

Société:

3 Dogs and a Pony

Anecdotes:

Actor Toby Kebbell, who plays Joy Division's manager Rob Gretton appeared in Dead Man's Shoes (2004) playing Paddy Considine's younger brother. Interestingly Paddy Considine himself also played Rob Gretton in Michael Winterbottom's 24 Hour Party People (2002), which focused more on the biography of Tony Wilson and the Manchester music movement, and also partially featured a condensed time line for singer Ian Curtis' life.

Goofs:

Anachronismes: When Ian is recording the vocals for "Isolation," he appears to be using a modern Shure KSM27 studio condenser microphone.

Guillemet:

Ian Curtis: I wish I were a Warhol silk screen hanging on the wall. Or little Joe or maybe Lou. I'd love to be them all. All New York's broken hearts and secrets would be mine. I'd put you on a movie reel, and that would be just fine.

Connexions De Film:

Références The Sound of Music (1965)

Bande son:

She's Lost Control

Depressingly Beautiful

For every icon, there is an unknown predecessor who paves the way. Before there was Kurt Cobain, there was Ian Curtis, lead singer of the post-punk band, Joy Division. 27 years after his tragic death, Curtis' incredible contribution to music is finally being recognized in Anton Corbijn's film, "Control." It's only fitting that Corbijn serve as director since it was his early photographs of Joy Division that reflected the band's dark, introspective songs. Corbijn went on to photograph and direct videos for such musical greats as U2, David Bowie, Depeche Mode, R.E.M. and Metallica.

With his first feature film, Corbijn avoids the pitfalls of many music video directors who inundate us with flashy and unnecessary edits and camera angles. Instead, he lets the stark black and white of the film tell the story of a lead singer tortured by epilepsy, guilt, depression and suicidal thoughts. The use of black and white also captures the factory town of Manchester, England in the late 1970s, a city crumbling under industrial and economic stress. Manchester has since rebounded and is once again thriving.

Curtis is played by relative newcomer, Sam Riley, who's quiet and unassuming approach portrays an artist inspired by his heroes, David Bowie and Iggy Pop. At a chance meeting following a Sex Pistols concert, Curtis bonds with three fellow musicians to form the band.

As Joy Division begins to flourish, Ian's relationship with his young wife, Deborah, continues to distance itself. Academy Award nominee, Samantha Morton plays the confused wife trying to understand her husband's depressed soul. The film is based on Deborah Curtis' autobiography, "Touching From A Distance", so it comes as a surprise that Morton's character does not have more scenes in the movie.

The key to Control is understanding Curtis' depression, which the film accomplishes to near perfection. As he battles epilepsy, the young singer lives in constant fear that his next seizure will be his last. His only option is to swallow a daily cocktail of prescription drugs with side effects so terrible, that most of us would rather tempt fate than endure the aftermath of the pills.

Ian's spirit is also tortured by overwhelming guilt brought on by an extra-marital affair with a part-time journalist, played by Romanian-born Alexandra Maria Lara.

The most telling scene comes when Ian records an in-studio track for the song "Isolation." While Curtis stoically sings into the microphone, his band mates are distracted with the normal banter that typically occurs in a studio.

"Mother, I tried, please believe me. I'm doing the best that I can. I'm ashamed of the things I've been put through. I'm ashamed of the person I am." The lyrics seem to fall on deaf ears except for those of the sound engineer who refers to it as "genius." But Ian's brilliance is also a desperate cry for help ignored by everyone in the studio.

The 27-year-old Riley does an excellent job of capturing Curtis' aloofness on stage. Singers such as Jim Morrison, Kurt Cobain and even the early years of Michael Stipe would often drift into the moment of the song. But when Curtis performed, he immersed himself into his own world where the music simply served as the soundtrack. Riley skillfully draws us into Ian's dark world with a range of subtle head movements and facial expressions to a whirling explosion of arm gyrations that came to personify the singer's stage performances.

Overwhelmed with grief, shame and depression, Ian finally succumbs to his demons at the young age of 23. He left behind a wife, a child and a musical legacy that is finally receiving its just rewards nearly three decades later.

For those looking for a story solely about Joy Division, Control may not be for you. But for those seeking an intuitive perspective into the anguished spirit of one of the most influential alternative bands in history, you will certainly find it in this depressing but incredibly beautiful film.