Directed by
David Schwimmer |
Writing Credits
Michael Ian Black | ... | (screenplay) & |
Simon Pegg | ... | (screenplay) |
Michael Ian Black | ... | (story) |
Cast (in credits order) verified as complete
Produced by
Martha Coleman | ... | executive producer |
Sarah Curtis | ... | producer |
Alexa L. Fogel | ... | executive producer |
Camela Galano | ... | executive producer |
Nigel Green | ... | executive producer |
Joseph Infantolino | ... | executive producer |
Robert Jones | ... | producer |
Cathy Lord | ... | line producer |
Rolf Mittweg | ... | executive producer |
Music by
Alex Wurman |
Cinematography by
Richard Greatrex | ... | director of photography |
Editing by
Michael Parker |
Casting By
Michelle Guish |
Production Design by
Sophie Becher |
Art Direction by
Julia Castle |
Set Decoration by
Kay McGlone |
Costume Design by
Annie Hardinge |
Makeup Department
Candice Banks | ... | additional makeup artist |
Carol Robinson | ... | wig maker |
Jan Sewell | ... | hair stylist: Thandie Newton / makeup artist: Thandie Newton |
Jane Walker | ... | hair designer / makeup designer |
Production Management
Finlay Bradbury | ... | unit manager (as Finlay Pile) |
Polly Duval | ... | post-production supervisor |
Lolli Kimpton | ... | production manager |
Second Unit Director or Assistant Director
Oscar Beuselinck | ... | second assistant director |
Paul Butterworth | ... | third assistant director: daycall |
Melanie Dicks | ... | first assistant director |
Lucy Egerton | ... | third assistant director |
Henry Forsyth | ... | third assistant director: additional photography |
Ian Hughes | ... | daily crowd assistant director |
Andrew McEwan | ... | second assistant director: additional photography |
Emily Perowne | ... | assistant director: reshoots |
George Taylor | ... | floor assistant director |
Charlie Watson | ... | first assistant director: additional photography |
Art Department
Neil Barnes | ... | props |
Tina Charad | ... | art director: re-shoots |
James Husbands | ... | storyboard artist |
Graham Mitchell | ... | carpenter |
Antony Parnell | ... | props |
Steve Parnell | ... | property master |
Anastasia Portas | ... | trainee: art department |
Amandeep Rahi | ... | assistant set decorator |
Stuart Sinclair | ... | standby painter |
Lucienne Suren | ... | stand-by art director |
Jeff Woodbridge | ... | stand-by carpenter |
Sound Department
Ricky Butt | ... | foley artist |
Craig Butters | ... | additional sound effects editor |
Lee Crichlow | ... | additional sound effects editor |
Alistair Crocker | ... | production sound mixer |
Robert Edwards | ... | adr recordist |
Chris Gurney | ... | sound recordist: second unit |
Paul Hamblin | ... | re-recording mixer |
James Harbour | ... | sound maintenance |
Stuart Hilliker | ... | re-recording mixer (as Stu Hilliker) |
Steve Little | ... | dialogue editor |
Michael Miller | ... | adr mixer |
Rob Saunders | ... | sound trainee |
Alexandros Sidiropoulos | ... | adr recordist |
Chris Sturmer | ... | sound consultant: dolby |
Andy Thompson | ... | adr mixer |
Victoria Thorn | ... | foley editor |
Lee Walpole | ... | supervising sound editor |
Special Effects by
John Jones | ... | prosthetic mold maker (uncredited) |
Visual Effects by
Phil Ashton | ... | imaging supervisor |
Phil Attfield | ... | creative supervisor: Men from Mars |
Emilios Avraam | ... | junior digital artist |
Kevin Baguley | ... | digital operator |
Paul Beard | ... | visual effects line producer |
Gary J. Brown | ... | digital effects artist (as Gary Brown) |
Kelly Bruce | ... | digital compositor |
Dales Bulleid | ... | digital operator |
Adam Christopher | ... | digital colourist |
Alex Creasey | ... | conform editor: Men From Mars |
Simon Frame | ... | visual effects supervisor |
Rhodri James | ... | system engineer |
Henry Jefferson | ... | lead visual effects artist: Men from Mars |
Alasdair McNeill | ... | lead visual effects artist: Men from Mars |
Dan Pearce | ... | digital effects artist |
Maggie Walby | ... | digital artist: Men From Mars |
Joby Hollis | ... | visual effects artist (uncredited) |
Christopher T. Page | ... | vfx runner (uncredited) |
Audrius Urbonavicius | ... | digital matte artist (uncredited) |
Stunts
Sean Adames | ... | Stunt Double: Hank Azaria |
Andy Bradford | ... | stunt coordinator: daily |
Gary Connery | ... | stunt coordinator |
Levan Doran | ... | stunt double |
Jason Hunjan | ... | stunt driver |
Ian Kay | ... | stunt performer |
Paul Kennington | ... | stunt performer |
Emma Mac | ... | stunt performer |
Roy Taylor | ... | stunt performer |
Arran Topham | ... | stunt performer |
Camera and Electrical Department
Jim Alloway | ... | camera operator: "b" camera / director of photography: second unit |
Sebastian Barraclough | ... | daily second assistant camera |
Paddy Blake | ... | focus puller: "b" camera |
Harry Bowers | ... | clapper loader: "b" camera |
Alex Crowe | ... | trainee grip |
Pearce Crowley | ... | assistant camera |
Paul Edwards | ... | steadicam operator |
John Evans | ... | second assistant camera |
Pat Garrett | ... | key grip |
Will Handley | ... | wescam technician |
Adam Harris | ... | additional electrician |
Christian Hayes | ... | playback and video assist |
Dermot Hickey | ... | focus puller: "a" camera |
Ahmet Husseyin | ... | camera trainee |
Gary Parnham | ... | rigging electrician |
Mike Rees | ... | daily second assistant camera |
Terry Richards | ... | rigger |
Alex Tate | ... | grip |
Ollie Upton | ... | still photographer (as Oliver Upton) |
Casting Department
Grace Browning | ... | casting assistant |
Brendan Donnison | ... | voice casting |
Pippa Hall | ... | casting: children |
Costume and Wardrobe Department
Charlie Knight | ... | set costumer |
Kate Laver | ... | costume design assistant: additional photography |
Janine Marr | ... | costume assistant: Simon Pegg |
Holly Smart | ... | costume assistant |
Aaron Timperley | ... | costume assistant |
Ermenegildo Zegna | ... | wardrobe: Hank Azaria |
Editorial Department
Adam Christopher | ... | digital colorist |
Simon Diggins | ... | post production assistant |
Alex Panton | ... | digital intermediate producer |
Jesse Parker | ... | second assistant editor |
Brenna Rangott | ... | assembly editor |
Mathieu Reid | ... | color timer |
Paul Staples | ... | digital preview colorist |
Mark Wright | ... | negative cutter |
Leroy Wolf | ... | color timer (uncredited) |
Location Management
Lucy Foulds | ... | location coordinator |
Benjamin Greenacre | ... | location manager |
Richard Hill | ... | assistant location manager |
Amelia McNeil | ... | location scout |
Charlotte Wright | ... | location scout |
Music Department
Becky Bentham | ... | music supervisor |
Mark Berrow | ... | musician: violin |
Thomas Bowes | ... | orchestra leader (as Tom Bowes) |
Tom Brissette | ... | score mixing assistant |
Paul Broucek | ... | executive in charge of music |
Tom Calderaro | ... | conductor / orchestrator |
Peter Clarke | ... | music editor |
Peter Cobbin | ... | score recordist |
Steve Durkee | ... | score mixer |
Andrew Jaimez | ... | musician: drums |
Andy Kitchen | ... | assistant scoring engineer |
Teddy Kumpel | ... | musician: guitars (as Edward Kumpel) |
Dig Lewis | ... | musician: bass |
Erik Lundborg | ... | additional orchestrator |
Laura McLean | ... | assistant to composer |
Sam Okell | ... | assistant engineer (as Sam Okel) |
Tom Pigott Smith | ... | musician: violin |
Nyree Pinder | ... | music supervisor |
Marc Robinson | ... | soundtrack executive |
Kle Savidge | ... | music supervisor |
Lori Silfen | ... | music business affairs |
Alex Wurman | ... | musician: piano, keyboards / score producer |
Rachel Bolt | ... | musician: viola (uncredited) |
Bruce White | ... | musician: viola (uncredited) |
Transportation Department
Paul Hutchinson | ... | action vehicle coordinator |
Cain Lee | ... | driver: camera car |
Barrie Williams | ... | transportation captain |
Additional Crew
Monika Agorelius | ... | electronic press kit |
Sophia Avgousti | ... | title designer: end credits |
Kellie Belle | ... | clearances |
Charles Bodycomb | ... | armorer |
Kate Bone | ... | production assistant |
Trisha Caney | ... | first assistant accountant |
Katie Clifford | ... | production runner |
Patty Covarrubias | ... | assistant: Mr Schwimmer |
Sara Curran | ... | production legal services |
Camilla Curtis | ... | assistant production coordinator |
Kay Di Rezze | ... | cashier |
Tanya Dyce | ... | stand-in & picture double: Thandiwe Newton |
Zoë Edwards | ... | production coordinator |
Synnove Godeseth | ... | daily location assistant (as Synnöve Godeseth) |
Nicole Gregory | ... | unit publicist |
Brendan Mason | ... | assistant: Beech Hill producers |
Andrew Matthews | ... | financial advisor |
Clive Noakes | ... | laboratory liaison |
Frances Patterson | ... | assistant: producer |
Roger Phillips | ... | title designer |
Irfan Ramzan | ... | assistant: Robert Jones |
Joshua Ravetch | ... | production resources |
Myles Robey | ... | production assistant: re-shoot |
Ruth Robinson | ... | assistant: Nigel Green |
Daniel Sewell | ... | avid support engineer |
Suzie Shearer | ... | production coordinator: re-shoot |
Alex Ship | ... | clearances assistant |
Joss Spry | ... | set runner / stand-in |
Danielle Tate | ... | runner: assistant director |
Morag Webster | ... | unit nurse |
Gareth Lewis | ... | floor runner: additional photography (uncredited) |
Thanks
Carl Barât | ... | thanks (as Carl Barat) |
Dirty Pretty Things | ... | thanks |
Tallulah Jones | ... | thanks |
Robert Shaye | ... | thanks (as Bob Shaye) |