Directed by
| Kris Booth | ||
Writing Credits (in alphabetical order)
| Raj Panikkar | ||
Cast (in credits order)
Produced by
| Bryce Mitchell | ... | producer |
| Raj Panikkar | ... | producer |
Music by
| Keegan Jessamy | ||
| Bryce Mitchell | ||
Cinematography by
| Samy Inayeh | ||
Editing by
| Nicole Bassett | ||
Casting By
| Jenny Lewis | ||
Production Design by
| Glen Hall | ||
Art Direction by
| Julia Fong | ||
Costume Design by
| Kelsey Hart | ||
Makeup Department
| Molly Adey | ... | key makeup artist |
| Heidi Armstrong | ... | makeup artist |
Production Management
| Ryan Hyland | ... | assistant production manager |
| Mike Masters | ... | production manager |
Second Unit Director or Assistant Director
| Mike Masters | ... | first assistant director |
| Augustina Saygnavong | ... | trainee assistant director |
Art Department
| Sherrie Dai | ... | set dresser |
| Joanne Filleti | ... | scenic painter |
| David Gonzalez | ... | graphic artist |
| Bev Hall | ... | carpenter |
| John Harmony | ... | painter |
| Ruth Tait | ... | storyboard artist |
| Anna Wasylenki | ... | painter |
| Toshiyo Yoshioka | ... | property master |
Sound Department
| Mark Beck | ... | sound effects editor |
| Michael Borlace | ... | sound recordist |
| Alan deGraaf | ... | re-recording mixer |
| John Dykstra | ... | foley engineer |
| John Gare | ... | re-recording mixer |
| Jonas Kuhnemann | ... | dialogue editor |
| Sid Lieberman | ... | foley artist |
| Rob Rouse | ... | boom operator |
Camera and Electrical Department
| Donnie Armstrong | ... | dolly grip / key grip |
| Elizabeth Caruana | ... | second assistant camera |
| Alex Gomez | ... | camera operator |
| Ian Watson | ... | still photographer |
Script and Continuity Department
| Anuta Bondarenko | ... | script supervisor |