Eve's Christmas (2004)
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- TV-PG
- 1h 36min
- Comedy, Family
- 06 Dec 2004 (USA)
- TV Movie
A wealthy and successful career woman gets a second chance in life when a magical wish transports her back in time eight years to when she walked away from her fiance to lead a business life in New York.
Director:
Writers:
Award:
- 1 nomination.
- See more »
Photos and Videos
Complete, Cast awaiting verification
| Elisa Donovan | ... |
Eve
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| Sebastian Spence | ... |
Scott
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| Cheryl Ladd | ... |
Diane
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Winston Rekert | ... |
William
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| Kavan Smith | ... |
Neil
(as Kazan Smith)
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| Erin Karpluk | ... |
Mandy
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| Peter Williams | ... |
Brother James
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| James Kirk | ... |
Drew
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| Jocelyne Loewen | ... |
Casey
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| Tabitha St. Germain | ... |
Dominique
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Lisa Bayliss | ... |
Debbie
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| Adam Battrick | ... |
Brian
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| Peter Hanlon | ... |
Clark Gustafson
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Lori Jaymes | ... |
Tracy
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Marlaina Stewartt | ... |
Gladdy
(as Marlaina Stewart)
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| Jared Keeso | ... |
Bartender
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| Melanie Blackwell | ... |
Dominique's Assistant
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Buddy | ... |
Stoney
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Directed by
| Timothy Bond | ||
Written by
| Jeffrey Schenck | ... | (story by) and |
| Peter Sullivan | ... | (story by) |
| Peter Sullivan | ... | (written by) |
Produced by
| Stanton W. Kamens | ... | executive producer |
| Jeffrey Schenck | ... | executive producer (uncredited) |
| James Shavick | ... | producer |
| Kirk Shaw | ... | executive producer |
| Stacey Shaw | ... | associate producer (as Stacey Belecos Shaw) |
| Randall H. Zalken | ... | co-executive producer (as Randy Zalken) |
Music by
| Peter Allen | ||
Cinematography by
| Anthony C. Metchie | ... | director of photography (as Anthony Metchie) |
Editing by
| Kevin Willis | ||
Editorial Department
| Lionel Barton | ... | colorist |
| Richard Harrison | ... | post-production technician |
| Kirk Moses | ... | on-line editor: Insight |
| Asim Nuraney | ... | assistant editor |
| B.F. Painter | ... | post-production coordinator |
| Neil Thompson | ... | assistant on-line editor (uncredited) |
Casting By
| Corinne Clark | ||
| Jennifer Page | ||
Production Design by
| Nathalie Morin | ||
Art Direction by
| Nicole Miller | ||
Set Decoration by
| Nancy Pownall | ||
Costume Design by
| Marie Hock | ||
Makeup Department
| Leeann Charette | ... | first assistant hair stylist (as Leanne Charette) / first assistant makeup artist (as Leanne Charette) |
| Amanda McGowan | ... | key hair stylist / key makeup artist |
Production Management
| Janet Kendrick | ... | post-production supervisor |
| Dwane Launt | ... | unit production manager (as Dwayne Launt) |
| Michelle Samuels | ... | production manager |
| Rick Short | ... | executive in charge of post-production |
| Orrin Stroll | ... | executive in charge of production |
Second Unit Director or Assistant Director
| Eddy Hardy | ... | second assistant director |
| Collin Leadlay | ... | first assistant director |
| Dustin Marks | ... | third assistant director (as Dustin Neufeld) |
Art Department
| Andy Amoroso | ... | dresser |
| Kevin Fleming | ... | dresser |
| Leor Froelich | ... | lead dresser (as Leor Freolitch) |
| Sandrine Hanna | ... | props assistant |
| Tim Higgins | ... | on-set dresser (as Tim Higgings) |
| Valentine Pavuls | ... | props master |
| George Perigo | ... | construction coordinator |
Sound Department
| Hennie Britton | ... | foley recordist |
| Matthew Gionet | ... | post-production sound assistant (as Matt Gionet) |
| Tony Gronick | ... | sound supervisor |
| Michael Keeping | ... | foley artist (as Michael P. Keeping) |
| Tad Nazar | ... | sound mixer |
| Vince Renaud | ... | dialogue editor / re-recording mixer |
| Jo Rossi | ... | background editor / re-recording mixer |
| Clive Turner | ... | sound effects editor |
| Michael Watkins | ... | boom operator |
Special Effects by
| Paul Benjamin | ... | special effects coordinator |
Visual Effects by
| Douglas Kerr | ... | senior CGI artist |
| Angus Laing | ... | cgi artist |
| Krista Lomax | ... | visual effects department member |
| Maryvonne Micale | ... | visual effects department member |
| Richard Mintak | ... | visual effects supervisor |
| Aaron Parrott | ... | cgi artist |
| Mark T. Reid | ... | digital compositor (uncredited) |
Camera and Electrical Department
| Chris Banting | ... | camera operator: "a" camera / steadicam operator |
| Satu Bell | ... | stills photographer (as Satu Wainio) |
| Martin Biggerstaff | ... | dolly grip |
| Toby Brittan | ... | first assistant camera: "a" camera (as Toby Britten) |
| David Burstow | ... | second company grip (as Dave Burstow) |
| Geoff Dane | ... | lamp operator |
| Andy Dittrich | ... | first company grip |
| Timothy Hedgecock | ... | best boy electric |
| Rayne Holloway | ... | generator operator |
| Martin Kostian | ... | lamp operator |
| Brad Oleksy | ... | best boy grip (as Brad Olesky) |
| Andrew Pepper | ... | key grip |
| Brian Scholz | ... | second assistant camera: "a" camera |
| J. Scott Smiley | ... | second assistant camera: "b" camera (as Scott Smilie) |
| Jim Swanson | ... | gaffer |
| Katie Weekley | ... | first assistant camera: "b" camera |
| Simon Bayley | ... | best boy electric (uncredited) |
Casting Department
| L.A. Hilts | ... | extras casting (as LA Hilts) |
Costume and Wardrobe Department
| Kim Aspden | ... | set supervisor (as Kim Aspen) |
| Susan Berencsi | ... | costume assistant |
| Robyn Hamel | ... | wardrobe truck supervisor |
| Natalie Simon | ... | assistant costume designer |
Location Management
| Richard Greenhalgh | ... | location production assistant |
| Rod Kalius | ... | assistant location manager (as Rod Kaulius) |
| John Mio | ... | location production assistant |
| Richard Phoenix | ... | location manager |
| John Wittmayer | ... | location manager (uncredited) |
Music Department
| Peter Allen | ... | music supervisor / orchestrator: music score |
| Ryen Froggatt | ... | music editor |
Script and Continuity Department
| Danielle de Smit | ... | script supervisor (as Danielle deSmit) |
Transportation Department
| Reese Alexander | ... | driver |
| Richard Chilton | ... | transport coordinator |
| Randy Clair | ... | driver (as Randy 2Dawgs) |
| Cameron Foss | ... | driver |
| Rainer Scheelisch | ... | driver: cast (as Reiner Scheelisch) |
Additional Crew
| Karen Austin | ... | production accountant |
| Matt Barisoff | ... | craft service / first aid |
| Violet Barisoff | ... | craft service / first aid |
| Mark Bowman | ... | key production assistant |
| Brian Boyd | ... | assistant chef: Untouchable Caterers |
| Doran Chandler | ... | legal services: Roberts & Stahl |
| Luke Chisholm | ... | key production assistant |
| Michael Farias | ... | key production assistant (as Mike Farias) |
| Katherine Frost | ... | business affairs |
| Philomena Hebbert | ... | accounting assistant |
| Udo Herke | ... | controller |
| Tony Kent | ... | office production assistant |
| Rob Lycar | ... | production coordinator |
| Lindsay MacAdam | ... | assistant: Mr. Shaw (as Lindsay Macadam) |
| Brenda McClellan | ... | accounting assistant |
| Wendy McKernan | ... | production associate |
| Barbara Parisi | ... | office administrator: Insight |
| Kathleen Rawlinson | ... | post-production accountant |
| Lily Shavick | ... | assistant: Mr. Shavick |
| Laura Toplass | ... | office production assistant |
| Michael Tse | ... | chef: Untouchable Caterers |
| Shane Erron West | ... | production assistant: assistant director (as Shane West) |
| James Wood | ... | security captain |
| Ainsley Dowle | ... | production assistant (uncredited) |
| Krista Lomax | ... | web site designer (uncredited) |
| Adam D. Wright | ... | distribution executive (uncredited) |
Thanks
| John Genzel | ... | the producers would like to thank: Royal Bank of Canada |
| David W. Hamilton | ... | the producers would like to thank: Jones Brown (as David Hamilton) |
| Eva B. Schmieg | ... | the producers would like to thank: Heenan Blaikie (as Eva Schmieg) |
Production Companies
- Shavick Entertainment
- Insight Film Studios
- Regent Entertainment (in association with)
- Sonar Productions
Distributors
- Regent Entertainment (World-wide)
- Hallmark Channel (2004) (United States) (tv)
- Hellenic Broadcasting Corporation (ERT) (2017) (Greece) (tv)
- Image Entertainment (2005) (United States) (DVD)
- Lighthouse Home Entertainment (2012) (Germany) (DVD)
- Narrative Capital (2020) (World-wide)
- Net5 (2007) (Netherlands) (tv)
- TF1 (2005) (Andorra) (tv)
- TF1 (2005) (France) (tv)
- TF1 (2005) (Monaco) (tv)
Special Effects
Other Companies
- Airwaves Sound Design (audio post production)
- Canadian Film or Video Production Tax Credit (CPTC) (with the participation of)
- Directors Guild of Canada (acknowledgment)
- Domaine de Chaberton Estates (the producers would like to thank)
- HSRNY (additional adr recording)
- Heenan Blaikie (the producers would like to thank)
- Insight Film Studios (post production services by: Vancouver)
- Intersound (additional adr recording)
- Jones Brown Insurance (the producers would like to thank)
- Peter Allen Associates Studios (music score recorded at)
- Province of British Columbia Film Incentive BC (with the participation of)
- Rainmaker Digital Pictures (post production services by: Vancouver)
- Roberts & Stahl Entertainment Law (legal services by)
- Royal Bank of Canada (the producers would like to thank)
- Union of B.C. Performers (made possible with the support of the membership of) (also as U.B.C.P.)
- Untouchable Caterers (catering)
Storyline
| Plot Summary |
It's Christmas Eve, 2004. Eve Simon is a wealthy and successful advertising executive with Bernstein & Barlow on Madison Avenue, but her personal life is less than satisfying. Beyond her assistant Mandy who has been her best friend since grammar school, her married boss and lover, Neil Barlow, is the only other significant person in her personal life. She has not been home to Eastborough, Oregon since she left eight years ago, and rarely speaks to her loving and supportive family there. When Neil tells Eve that he will be spending Christmas with his wife and kids instead of her as was originally planned leaving her alone for Christmas, Eve reflects on her life, most specifically the decision she made eight years ago not to marry her then fiancé and love, Scott Gustafson, who she has not seen or heard of since, but rather accept the internship with Bernstein & Barlow that began the day after Christmas. Christmas was to be the day of her wedding. That decision not to get married was in part because she, despite loving Scott, knew that he would always feel obligated to take over the failing family business, a bookstore, in Eastborough rather than follow her to New York. Making a wish on a Christmas star before she goes to sleep, Eve awakens the next morning transported back in time and place with all the knowledge of her present life to December 19, 1996 in Eastborough, still living at home and preparing for her wedding to Scott. Her sarcastic guardian angel, Brother James, arranged this miracle for her, and is urging her to make what he considers the right decision to marry Scott this second time around. But Eve may fall into the same traps she did the first time around, despite knowing that Neil hired her more for the photograph attached to her resume than for anything else included within it. Regardless of what does happen this second time around, there is no guarantee that it will change her life in 2004. Written by Huggo |
| Plot Keywords | |
| Taglines | If life gave you a second chance...What would you wish for? See more » |
| Genres | |
| Parents Guide | Add content advisory for parents » |
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Box Office
| Budget | CAD500,000 (estimated) |
Did You Know?
| Goofs | When the Eve picks up the newspaper at her front door to look for the advert for the bookstore, the paper clearly shows an advert for a Boxing Day Sale. Boxing Day is not celebrated in the US, so the local paper is obviously from Canada where Boxing Day is celebrated. See more » |
| Soundtracks | A Christmas Dance With You See more » |
| Quotes |
Eve Simon:
What are you trying to do? Give me a heart attack! Brother James: With your workout routine, that would be impossible. See more » |