En discuter sur le forum More at IMDb Pro Add to My Movies Update Data
Liens rapides
Top liens
trailers and videosinterprètes et équipe techniqueanecdotesSites officielsphrases célèbresVue d'ensemble
infos principalesinfos complètesinterprètes et équipe techniquesociétés de productiontv scheduleRécompenses et critiques
avis des utilisateurscritiques externescritiques des forumsawardsnotes des utilisateursparents guidedans la lignéeForumSynopsis et citations
résumésynopsismots-clésrésumé du Amazon.comphrases célèbresCuriosités
anecdotesbêtisierinfos B.O.F.clins d'il dans génériqueinfos sur d'autres versionsliens avec d'autres uvresfoire aux questionsAutres infos
en ventebox office/businessdates de sortielieux de tournagecaractéristiques techniquesinfos laserdiscinfos DVDbibliographieA la UneMatériel publicitaire
accroches trailers and videos affiches Gallerie de photoLiens externes
horaires dans les sallesSites officielsdiversphotossound clipsvideo clipsThe Cutting Edge: The Magic of Movie Editing (2004) Plus avec IMDbPro »
Vue d'ensemble
Note Générale:
Réalisateur:
Scénariste:
Mark Jonathan Harris (written by)
Contact:
View company contact information for The Cutting Edge: The Magic of Movie Editing on IMDbPro.
Genre:
Intrigue:
Documentary about the art of film editing. Clips are shown from many groundbreaking films with innovative editing styles. | add synopsis
Avis des utilisateurs:
Great Documentary - shame about the historical inaccuracies plus de (6 total)
Ensemble
(Vue d'ensemble du casting, par ordre d'apparence)| Kathy Bates | ... | Narrator (voice) | |
| Zach Staenberg | ... | Himself | |
| Jodie Foster | ... | Herself | |
| Michael Tronick | ... | Himself | |
| Anthony Minghella | ... | Himself | |
| Sean Penn | ... | Himself | |
| Walter Murch | ... | Himself | |
| Martin Scorsese | ... | Himself | |
| Rob Cohen | ... | Himself | |
| Quentin Tarantino | ... | Himself | |
| Steven Spielberg | ... | Himself | |
| James Cameron | ... | Himself | |
| Antony Gibbs | ... | Himself | |
| Mark Goldblatt | ... | Himself | |
| Sally Menke | ... | Herself |
Détails supplémentaires
Parents Guide:
Durée:
USA:98 min | Spain:54 min (TV version)
Langue:
Couleur:
Rapport de forme:
1,85 : 1 suite
Son:
Classification:
Finland:K-15 | Canada:PG (Ontario)
Lieux de tournage:
Curiosités
Anecdotes:
This documentary is featured on the Two-Disc Special Edition DVD for Bullitt (1968), released in 2005. suite
foire aux questions
This FAQ is empty. Add the first question.plus de (6 total)
Forum
Discuter de ce film avec les autres utilisateurs sur Forum IMDb pour The Cutting Edge: The Magic of Movie Editing (2004) suiteRecommendations
|
|
|
|
|
| Welcome to Japan, Mr. Bond | James Bond: Shaken and Stirred | Brando | Easy Riders, Raging Bulls: How the Sex, Drugs and Rock 'N' Roll Generation Saved Hollywood | Reel Radicals: The Sixties Revolution in Film |
|
IMDb Note Générale:
|
IMDb Note Générale:
|
IMDb Note Générale:
|
IMDb Note Générale:
|
IMDb Note Générale:
|
Liens liés
| Casting et équipe complète | Remerciements de la Société | Revues externes |
| IMDb Documentaire section | IMDb USA section | Add this title to MyMovies |

This is a remarkable documentary, informative, interesting and successful in clarifying what is, for many, something of a mysterious process. The contributions to film making of directors, actors, designers, cinematographers and sound recordists is self evident, but the film editor's role has seldom been understood nor its importance fully recognised. This documentary is the first to give directors and editors an opportunity to explain exactly what goes on in the editing room and they have done it superbly. What a pity then, that references to the history of film editing woven into this story are cursory, inadequate and in some instances completely wrong. Martin Scorsese refers to Edwin Porters' 1902 film, Life of an American Fireman, as the very first film to be edited using crosscutting as a structuring device, and the commentary supports this view, despite convincing evidence to the contrary that was discovered in 1978. In fact the earliest discovered examples of this practise date from 1906. Equally mistaken is the assertion, made several times in this prize-winning documentary, that D.W.Griffith originated the important editing practise of action matching. In fact there is clear evidence of action matching in a British film made as early as 1903 and Griffith's first film was not made until 1908. There is considerable evidence that Griffith considered action matching to be of very little importance, and when used in his films it is often ill judged and clumsy. All this is curious in a documentary that seeks to explain the history and practise of film editing. One might have expected research on the topic to be as well informed as the comments made by most of the contributors, particularly given that the scriptwriter is Professor Mark Jonathan Harris of the School of Cinema and Television, University of Southern California.