| Photos (Voir toutes les 34 | Diaporama) | Videos (see all 7 NOUVEAU) |
| Hilary Duff | ... | Tanzie Marchetta | |
| Haylie Duff | ... | Ava Marchetta | |
| Maria Conchita Alonso | ... | Inez | |
| Anjelica Huston | ... | Fabiella | |
| Brent Spiner | ... | Tommy Katzenbach | |
| Lukas Haas | ... | Henry Baines | |
| Marcus Coloma | ... | Rick | |
| Ty Hodges | ... | Etienne | |
| Reagan Dale Neis | ... | Jaden | |
| Obba Babatundé | ... | Craig | |
| Henry Cho | ... | Ned Nakamori | |
| Misti Traya | ... | Martinique | |
| Christina R. Copeland | ... | Brigitta (as Christina Copeland) | |
| Brandon Beemer | ... | Mic Rionn | |
| Colleen Camp | ... | Charlene | |
| Dennis Lee Kelly | ... | Joe Tweeney | |
| Judy Tenuta | ... | Margo Thorness | |
| Joanne Baron | ... | Gretchen | |
| Faith Prince | ... | Pam | |
| Damian d'Entremont | ... | Gene | |
| Dot Jones | ... | Butch Brenda (as Dot Marie Jones) | |
| Cheryl Hawker | ... | Big Sue | |
| Tanya Alexander | ... | LaPorscha | |
| Philip Casnoff | ... | Victor Marchetta | |
| Natalie Lander | ... | Actress / Model / Whatever | |
| Larry Poindexter | ... | Sol | |
| Carl Lewis | ... | "People" Reporter | |
| Lalena Nash | ... | Hotel Receptionist | |
| Timothy Davis-Reed | ... | Security Guard | |
| Anthony Crivello | ... | Surly Man | |
| Beckie King | ... | Actress in "Long Island" | |
| Alejandro Rose-Garcia | ... | Phone Repairman | |
| Annie McKnight | ... | Jailer | |
| Carson Brown | ... | Girl at Tribute | |
| Kayla Ewell | ... | Fabiella Receptionist | |
| Terri Seymour | ... | "Extra" Reporter | |
| Suzanne Whang | ... | TV News Anchor | |
| Tonya Rowland | ... | Fundraiser | |
| Joel Madden | ... | Mistaken Valet #1 | |
| Benji Madden | ... | Mistaken Valet #2 | |
| Brad Parker | ... | 'E' Reporter (as Brad Blumenthal) | |
| Troy Rowland | ... | Burly Bouncer | |
| William Barillaro | ... | Bus Driver | |
| Miguel A. Gaetan | ... | Street Vendor (as Miguel Gaetan) | |
| Jason Huber | ... | Photographer | |
| Jaclyn Whitman | ... | Jacqueline Tweeney | |
| Cheyenne Haynes | ... | Inez's Daughter #1 | |
| Andrea Ramírez | ... | Inez's Daughter #2 | |
| Kim Estes | ... | Security Guard | |
| Darcy Halsey | ... | Second Scarred Woman | |
| Kristen Hagen | ... | Gossip Weekly Reporter | |
| Charlie Pineda | ... | Reporter | |
| reste de la distribution par ordre alphabétique: | |||
| Richard Harter | ... | Creep on the bus | |
| Arnold Chun | ... | Tran (uncredited) | |
| Gina Fricchione | ... | Board of Director (uncredited) | |
| Michael Lugenbuehl | ... | Swedish Masseuse (uncredited) | |
| Albert Malafronte | ... | Nelson (uncredited) | |
| Dee Mas | ... | Club Goer (uncredited) | |
| Eduardo Renta | ... | Fabiela's Ex. (uncredited) | |
| Keith E. Smith | ... | Tribute Dinner Security (uncredited) | |
| Breanna Startzel | ... | Woman at the Party (uncredited) | |
Réalisé par | |||
| Martha Coolidge | |||
Scénaristes(WGA) | ||
| John Quaintance | (written by) and | |
| Jessica O'Toole | (written by) & | |
| Amy Rardin | (written by) | |
Produit par | |||
| Greg Carney | .... | executive producer | |
| Ronald Colby | .... | line producer | |
| Haylie Duff | .... | co-producer | |
| Hilary Duff | .... | producer | |
| Susan Duff | .... | producer | |
| Brent Emery | .... | co-producer | |
| David Faigenblum | .... | producer | |
| Gary Hamilton | .... | executive producer | |
| Milton Kim | .... | producer | |
| Eve LaDue | .... | producer | |
| Michael Mendelsohn | .... | executive producer | |
| Mirjana Mijojlic | .... | co-producer | |
| Mark Morgan | .... | producer | |
| Guy Oseary | .... | producer | |
| Tara Pirnia | .... | executive producer | |
| Troy Rowland | .... | co-producer | |
| Austen Tayler | .... | executive producer | |
| Tim Wesley | .... | producer | |
Musique originale | |||
| Jennie Muskett | |||
Image | |||
| Johnny E. Jensen | |||
Montage | |||
| Steven Cohen | |||
Distribution des rôles | |||
| Aleta Chappelle | |||
Création des décors | |||
| James H. Spencer | |||
Direction artistique | |||
| Ian Phillips | |||
Décorateur de plateau | |||
| Kathryn Peters | |||
Création des costumes | |||
| Van Broughton Ramsey | |||
Maquillage | |||
| Kathrine Gordon | .... | hair department head | |
| Tonie Keyton | .... | additional makeup artist | |
| Cindy J. Williams | .... | makeup department head | |
Directeur de production | |||
| Jennifer Campbell | .... | production supervisor | |
| Ronald Colby | .... | unit production manager | |
| Tim Wesley | .... | executive in charge of production | |
Assistant réalisateur | |||
| Anya Adams | .... | additional assistant director | |
| Xochi Blymyer | .... | second assistant director | |
| Cara Giallanza | .... | first assistant director | |
| John Tagamolila | .... | second second assistant director | |
| Maileen Williams | .... | trainee assistant director | |
Département Art | |||
| Eddie Acuña | .... | labor foreman | |
| Kieran Brown | .... | scenic | |
| Leslee Burdette | .... | set dressing assistant | |
| Ryan P. Dreyer | .... | swing gang boss | |
| Chris Forster | .... | construction coordinator | |
| Yvonne Garnier-Hackl | .... | set designer | |
| Wendy Jerde | .... | stand-by painter | |
| Eric P. Paczkowski | .... | flooring foreman | |
| Eric Reichardt | .... | lead scenic | |
| Abigail Sheiner | .... | art department coordinator | |
| Nathan A. Smith | .... | set dresser | |
| Andy Visser | .... | art department assistant | |
| Bob Warner | .... | painter | |
| Heather L. Watson | .... | lead man | |
| Thomas 'Noe' Welch | .... | set dresser | |
| Fante Zamora | .... | set dresser | |
Technicien du son | |||
| Robert Althoff | .... | sound recordist | |
| Ron Bedrosian | .... | adr mixer | |
| Bob Costanza | .... | sound effects editor | |
| Nerses Gezalyan | .... | sound mixer | |
| David MacMillan | .... | sound mixer | |
| Kathryn Madsen | .... | adr supervisor | |
| Harrison D. Marsh | .... | boom operator | |
| Robert Morrisey | .... | first assistant sound editor | |
| Todd Murakami | .... | sound effects editor | |
| Chris Navarro | .... | adr recordist | |
| Bob Newlan | .... | foley supervisor | |
| Melissa Sherwood Hofmann | .... | sound re-recording mixer | |
| Greg Steele | .... | adr mixer | |
| Eric Thompson | .... | adr mixer | |
Effets spéciaux | |||
| Kelly Kerby | .... | special effects director | |
Visual Effects | |||
| Travis Baumann | .... | Inferno artist | |
| Chad Buehler | .... | compositor | |
| Stephen Craig | .... | visual effects production assistant: Digiscope | |
| Brennan Prevatt | .... | digital artist | |
| Francis Puthanangadi | .... | digital compositor | |
| Christopher Stack | .... | imaging supervisor: Digiscope | |
Cascadeur | |||
| John Branagan | .... | stunt coordinator | |
| Bridgett Riley | .... | stunts | |
| Christie Sanders | .... | stunt double: Hilary Duff | |
Caméra et Département Electrique | |||
| Bryan Booth | .... | dimmer board operator | |
| Bill Brao | .... | camera operator | |
| Michael Duarte | .... | grip | |
| Peter Geraghty | .... | assistant camera | |
| Scott Graves | .... | rigging best boy electric | |
| Gene Hara | .... | electrician | |
| David L. Merrill | .... | key grip | |
| Glenn E. Moran | .... | rigging gaffer | |
| Juan Morse | .... | electrician | |
| David Parks | .... | electrician | |
| Brandon Ponticelle | .... | assistant camera | |
| Mark Santoni | .... | first assistant camera | |
| Richard Scarpone | .... | key video assist operator | |
| Mika Sogawa | .... | electrician | |
| Michael Svitak | .... | film loader | |
| Stephen Thorp | .... | electrician (as Steve Thorpe) | |
| Roger Wall | .... | assistant camera | |
| Rachel Wells | .... | lighting technician | |
| William D. Wynn | .... | dolly grip | |
Département Casting | |||
| Sasha Adkinson | .... | extras casting | |
| Natasha Ward | .... | casting associate | |
Département Costume et garde-Robe | |||
| Becky Gelbart | .... | costumer | |
| Linda Henrikson | .... | costume supervisor | |
| Sonny Merritt | .... | key costumer | |
| Betsey Potter | .... | costumer | |
| Cheri Reed | .... | set costumer | |
Dpartement Editorial | |||
| David Orr | .... | color timer | |
| Debra L. Tennant | .... | first assistant editor | |
Département Musique | |||
| Stephen Coleman | .... | orchestrator | |
| Ron Finn | .... | composer: additional music | |
| Ron Finn | .... | music editor | |
| Brad Haehnel | .... | scoring mixer | |
| Chris McGeary | .... | music editor | |
| Andrew Shulman | .... | musician | |
| Dawn Soler | .... | music supervisor | |
| Gina Zimmitti | .... | orchestra contractor | |
Département Transport | |||
| Rod Bearden | .... | transportation coordinator | |
| Gary Edelman | .... | production driver | |
| J. Armin Garza II | .... | driver: camera car | |
| Kathryn Moll | .... | driver | |
| Harold L. Woods | .... | driver: production van | |
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| Kiss Kiss Bang Bang | American Psycho | The Miracle of Morgan's Creek | Intolerable Cruelty | Annie Hall |
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| Casting et équipe complète | Remerciements de la Société | Revues externes |
| IMDb Comedie section | IMDb USA section | Add this title to MyMovies |
Material Girls
reviewed by Sam Osborn
rating: 1 out of 4
There's a moment in Material Girls when the infinitely wise and humble lawyer at the Free Legal Clinic bears down on the equally infinite stupidity of Ava Marchetta (Haylie Duff) and coolly snarls, "you're all frosting, without the cupcake." Granted, this one-liner is of no great wit or intelligence it does hold a kind of all-encompassing truth about Material Girls. Except, in saying Material Girls has as much density as a cupcake's frosting is probably giving the film a world of credit it has no business deserving.
The gimmick of Material Girls is in the Duff sisters. Whatever film photographed behind them on the film's posters is immaterial. For all we care, this could be Hong Kong Kung Fu Fury, just as long as it stars the Duff sisters. So in the same way people go to see Snakes on a Plane just to see some actual snakes on an actual plane, people will go see Material Girls only to watch they're adolescent idols bouncing and hopping and giggling about in front of the camera. The quality of the film behind them is irrelevant; just a prettily painted canvas for a blonde hullabaloo. But for all those parents goaded into bringing their ten-year old daughter, I suppose a synopsis is appropriate. Ava and Tanzie Marchetta (Haylie and Hilary Duff) are the faces of Marchetta Facial Products. They're glistening socialites in the vane world inhabited in reality by Paris Hilton and her partying cohortsminus the sex tapes. They're father, Victor Marchetta, passed away two years earlier and the company will soon be left in the girls' hands. But when a cut-rate newscaster breaks a scandal on Marchetta products causing cancer, the girls' stock plummets and they're left, gasp, without their credit cards. The girls must unite and disprove the accusations in order to save the image of their father. In the process of course, Ava and Tanzie must learn humility and sincerity through the conduit of their loss of funds and fortune.
Director Martha Coolidge stumbles in her approach to the material. The film's intention bounces between parody and sentimentality. Sometimes it strives to ooze sympathy for its ditzy protagonists and rolls out the morals by the bushel. But other times, Coolidge ravages her characters with a volley of farcical gags. There's a happy middle-ground between the two intentions that a better director would likely find: where the believably clueless socialites learn to interact with the similarly convincing world of middle-class American society. But Coolidge veers more towards the feel of a sitcom, sans laugh-track. Without it, the jokes fall flat. Neither of the Duffs have a sense of comic timing and the screenplay doesn't bother with helping them along. Material Girls is so woefully unfunny that not even the heaps of twelve-year girls could be heard laughing.
Just before the film started, I mistimed my restroom break and admittedly missed the opening minute or two of the movie. I asked my girlfriend, who'd been kind enough to sit through its entirety, what I'd missed afterwards in that opening minute. She explained it to me and I felt a deep sympathy for her. She was subjected to two more minutes of Material Girls, and the thought of any more torture was physically painful to me. That's essentially the effect Material Girls has: it is physically painful to endure.
-www.samseescinema.com