| Photos (see all 4 | slideshow) |
| Aziza Nadir | ... | Zaïna | |
| Sami Bouajila | ... | Mustapha | |
| Michel Favory | ... | Abdellatif | |
| Simon Abkarian | ... | Omar | |
| Assaad Bouab | ... | Kadour | |
| Lounès Tazairt | ... | Barak | |
| Hassam Ghancy | ... | Djilhali | |
| Taieb Ajedig | ... | Moncef | |
| Mohamed Bouhriri | ... | Hassan | |
| Mohamed Majd | ... | Imam | |
| Gamil Ratib | ... | Récitant / Narrator (voice) |
Réalisé par | |||
| Bourlem Guerdjou | |||
Scénaristes(in alphabetical order) | ||
| Bourlem Guerdjou | writer | |
| Juliette Sales | writer | |
Musique originale | |||
| Cyril Morin | |||
Image | |||
| Bruno de Keyzer | |||
Distribution des rôles | |||
| Marie de Laubier | |||
Création des décors | |||
| Laurent Allaire | |||
Création des costumes | |||
| Emma Bellocq | |||
| Anaïs Romand | |||
Maquillage | |||
| Amina El Halhouli | .... | makeup artist | |
| Annick Legout | .... | key makeup artist | |
| Hicham Sahi | .... | assistant hair stylist | |
Directeur de production | |||
| Miloud Akdim | .... | assistant unit manager | |
| Zoubir Belgsir | .... | unit production manager | |
| Driss Benchhiba | .... | assistant unit manager | |
| Mohamed Idrissi Chaouki | .... | assistant unit manager | |
| Asen Kanchev | .... | music production manager | |
| Vincent Léonard | .... | assistant unit manager | |
| Khalid Maya | .... | assistant unit manager | |
| Abderrahim Naji | .... | assistant unit manager | |
| Sybil Nicolas | .... | unit production manager | |
| Abderrahim Rbibe | .... | assistant unit manager | |
| Naji Tfil | .... | assistant unit manager | |
| Pierre Wallon | .... | production manager | |
Assistant réalisateur | |||
| Zazie Carcedo | .... | first assistant director | |
| Marie Dimberton | .... | assistant director | |
| Larbi Idrissi | .... | assistant director | |
| Amine Lamriki | .... | assistant director | |
| Mohamed Nesrate | .... | assistant director (as Mohamed Nesrat) | |
Art Department | |||
| Karim Haffad | .... | property master | |
| Guy Vanderplaetsen | .... | property master | |
| Halima Zniber | .... | set dresser | |
Technicien du son | |||
| Jean-Philippe Angelini | .... | assistant post-synchronization | |
| Vladislav Boyadjiev | .... | ProTools engineer | |
| Fanchon Brûlé | .... | dialogue editor (as Fanchon Brûlé-Gaillard) | |
| Annabel Callard | .... | assistant post-synchronization | |
| Annabel Callard | .... | assistant sound editor | |
| Frank Ceven | .... | assistant foley artist (as Franck Ceven) | |
| Pascal Chauvin | .... | foley artist | |
| Michel Filippi | .... | post-synchronization | |
| Dominique Hennequin | .... | sound mixer | |
| Mourad Louanchi | .... | sound | |
| Gilles Missir | .... | assistant post-synchronization | |
| Olivier Schwob | .... | sound | |
| Christophe Vingtrinier | .... | sound mixer | |
Visual Effects | |||
| Servadio Adrien | .... | digital artist | |
| Benjamin Ageorges | .... | digital artist | |
| Stephane Bidault | .... | visual effects supervisor | |
| Christophe Chanvin | .... | visual effects supervisor | |
| Nicolas Delbecq | .... | digital artist | |
| Émilie Feret | .... | visual effects coordinator | |
| Élodie Ichter | .... | Lustre assistant | |
| Jean-Antoine Lacolle | .... | digital compositor | |
| Christian Tomikowski | .... | digital compositor | |
| Matthias Weber | .... | visual effects producer | |
Cascadeur | |||
| Faycal Attougui | .... | stunts | |
| Othman Ilyassa | .... | stunt double | |
| Philippe Losson | .... | stunts | |
| Francois Poirier | .... | stunts | |
| Cedric Proust | .... | assistant stunt coordinator | |
| Joel Proust | .... | stunt coordinator | |
| Florian Robin | .... | stunts | |
| Olivier Schneider | .... | stunts | |
Camera and Electrical Department | |||
| Nicolas Beauchamp | .... | assistant camera | |
| Adil Benmohamed | .... | assistant camera | |
| Tiphaine Birotheau | .... | assistant camera | |
| Francis Demange | .... | still photographer | |
| Brahim El Mazghi | .... | gaffer (as Brahim Mazghi) | |
| Renaud Fidon | .... | key grip | |
| Raphaël Gaillard | .... | still photographer | |
| Rodolphe Gonckel | .... | electrician | |
| Emile Laisné | .... | key grip | |
| Michel LeFrançois | .... | electrician | |
| Jean-Luc Luyssen | .... | still photographer | |
| Djmilah Mohcine | .... | gaffer (as Mohcine Jmila) | |
| Peggy Peigné | .... | assistant camera | |
| Dominique Pinto | .... | camera operator | |
| Charlet Recors | .... | aerial camera operator | |
| Abdelghami Rifki | .... | grip | |
| Redouane Rifki | .... | grip | |
Casting Department | |||
| Noureddine Aberdine | .... | extras casting | |
| Mustapha Benstiti | .... | casting assistant | |
| Mustapha Grumij | .... | extras casting | |
| Pascal Tessaud | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Abderrahim Benkhayi | .... | costumer | |
| Deborah Benzaquen | .... | costumer | |
| Mohammed Boukhouima | .... | costumer (as Si Mohamed Boukhouima) | |
| Houssine El Behja | .... | costumer | |
| Marika Viviane Reitzman | .... | costumer | |
Editorial Department | |||
| Jean-Loup Bro | .... | digital color grader | |
| Jean-Denis Buré | .... | assistant editor | |
| Nicolas Criqui | .... | digital conformation | |
| Philippe Reinaudo | .... | digital intermediate technical director | |
| Anne Souriau | .... | assistant editor | |
| Sylvie Van der Vorm | .... | assistant editor | |
| Clement Zveguintzoff | .... | digital conformation | |
Music Department | |||
| Jérôme Devoise | .... | score mixer | |
| Bruno Mercere | .... | music recording mixer | |
Divers | |||
| Jean-Loup Bro | .... | digital grader | |
| Rabii El Bakki | .... | location scout | |
| Anne-Marie Garcia | .... | script supervisor | |
| Mona Houd | .... | production secretary | |
| Samira Oukaroum | .... | administrator | |
| Édith Pavageau | .... | administrator | |
| Blandine Rayer | .... | production secretary | |
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| Flicka | Hidalgo | Pickpocket | Élisa | Stealing Beauty |
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| Full cast and crew | Company credits | External reviews |
| IMDb Aventure section | IMDb France section | Add this title to MyMovies |
*** This comment may contain spoilers ***
Europe is a continent which lends itself easily for starting up co-productions. ZAÏNA, CAVALIÈRE DE L'ATLAS is another proof of it. France, Morocco and Germany joined forces to produce this movie, which story takes place a long time ago somewhere in North-Africa. This results in the strange fact that, during that time period, all the inhabitants seemed to speak French. Oh, well, we'll forgive the producers because this clearly is a decision made from a commercial point of view.
Zaïna is an 11-year-old girl whose mother just died. According to Zaïna, her stepfather, Omar, was responsible for this incident. Then her real father, Mustapha, shows up. Until recently he didn't know of Zaïna's existence. She is entrusted to Mustapha and must accompany him during a 20-day-long voyage to Marrakech. There Mustapha will join the most prestigious horse-race of North-Africa. Omar, being very displeased with all this, starts to pursue them. During their difficult journey through the inhospitable Atlas-mountains father and daughter slowly grow towards each other.
This movie promises us adventure and excitement. Sadly it results in a movie lacking those elements. The only (not very spectacular) action-scenes are a sword-fight between the gangs of Omar and Mustapha, a nightly encounter with horse-thieves and the horse-race in the end (which is not so prestigious after all). The three sword-fights you can find in the movie are always over before they really started. And the blue/green-screen effects during the scene were our protagonists cross a ridge in the mountains are painfully obvious. I admit, this is not an American big-budget production, so you can forgive the effects being a bit transparent, but you can't forgive the Hollywoodian ending of this movie. Further more, this movie tries to make a statement about the place of women in society as portrayed during that time-period the movie takes place in, only to deny that statement at the end.
The dialogues are rather scarce and not really fluent. And it doesn't help that most of the actors give a fairly wooden performance. Though the three main characters do shed some tears at one point or another, all the actors seem kind of emotionless (except for the cheering ladies in the end).
So are there any reasons to see this movie? Most certainly. The settings and photography of the landscapes are astonishingly beautiful. From the desolate, rocky desert over the snowy mountain-ranges to the idyllic green oasis with a gentle rippling little stream running through it. Aziza Nadir, though very young, gives a decent performance as Zaïna and keeps strong between all the male testosterone. The way Mustapha and Zaïna start to appreciate each other more and more is beautiful to behold. And, of course, there's so many horses (not to mention the extol of them) that any horse-lover would want to see this movie.
ZAÏNA, CAVALIÈRE DE L'ATLAS is probably not Oscar-material (though it tries hard), but it is worth a watch. If only for the magnificent landscapes supported by an adequate soundtrack.