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Yimou Zhang
Yasuo Furuhata (co-director: Japan)
Bin Wang (story)
Yimou Zhang (story)
(suite)
22 décembre 2005 (China) suite
A Japanese father travels to China's Yunnan province in the place of his ailing son to film a famous folk-opera star. full summary | add synopsis
4 wins & 6 nominations suite
The Movie Did Not Connect With Me At All plus de (53 total)
| Ken Takakura | ... | Gou-ichi Takata | |
| Shinobu Terajima | ... | Rie Takata | |
| Kiichi Nakai | ... | Ken-ichi Takata (voice) | |
| Ken Nakamoto | ... | Electrician | |
| Jiamin Li | ... | Li Jiamin | |
| Jiang Wen | ... | Jasmine | |
| Lin Qiu | ... | Lingo | |
| Li Bin Li | ... | Director (as Bin Li) | |
| Ziliang Chen | ... | Warden Chen | |
| Zhezhou He | ... | Village Chief | |
| Zhenbo Yang | ... | Yang Yang |
Réalisé par | |||
| Yimou Zhang | |||
| Yasuo Furuhata | (co-director: Japan) | ||
Scénaristes(dans l'ordre alphabétique) | ||
| Bin Wang | story | |
| Yimou Zhang | story | |
| Jingzhi Zou | screenplay | |
| Jingzhi Zou | story | |
Produit par | |||
| William Kong | .... | producer (as Bill Kong) | |
| Jian Xiu | .... | producer | |
| Weiping Zhang | .... | producer | |
| Yimou Zhang | .... | producer | |
| Zhenyan Zhang | .... | associate producer | |
Musique originale | |||
| Wenjing Guo | |||
Image | |||
| Xiaoding Zhao | (director of photography) | ||
Montage | |||
| Long Cheng | |||
Création des décors | |||
| Li Sun | |||
Maquillage | |||
| Mitsue Sato | .... | makeup artist: Japan | |
| Fumi Takeshita | .... | hair stylist: Ms. Terajima, Japan | |
| Fumi Takeshita | .... | makeup artist: Ms. Terajima, Japan | |
| Xiaoxi Yu | .... | assistant makeup artist | |
Directeur de production | |||
| George Awburn | .... | supervising editor: Digital Pictures | |
| Tianhui Ge | .... | production manager | |
| Xinming Huang | .... | assistant unit manager | |
| Takahiro Kawada | .... | production manager: Japan | |
| Atsuo Kikuchi | .... | unit manager: Japan | |
| Jane Maguire | .... | post-production supervisor | |
| Akira Morishige | .... | unit manager: Japan | |
| Lun Pu | .... | production manager | |
| Kerri Schwarze | .... | post-production supervisor: Complete Post | |
| Ken'ichi Yamada | .... | unit manager: Japan (as Kenichi Yamada) | |
Département Art | |||
| Zhongshan Guo | .... | assistant art director | |
| Zhongquan Hu | .... | set dresser | |
| Yasuo Kashima | .... | assistant set dresser: Japan | |
| Chieko Kashiyama | .... | assistant art director: Japan | |
| Mu Ke | .... | property master (as Ke Mu) | |
| Minglai Li | .... | assistant set dresser | |
| Yuping Liu | .... | props assistant | |
| Yukiharu Seshimo | .... | assistant art director: Japan | |
| Taichi Utsunomiya | .... | props assistant: Japan | |
| Takaichi Wakamatsu | .... | production design: Japan | |
| Geming Wang | .... | assistant set dresser | |
| Wenyi Wang | .... | props assistant | |
| Takeshi Yanagisawa | .... | props assistant: Japan | |
| Min Yang | .... | props assistant | |
| Shuping Yao | .... | set dresser | |
| Quanrong Yu | .... | assistant set dresser | |
| Chaochen Zhang | .... | assistant set dresser | |
| Lisen Zhang | .... | assistant set dresser | |
Visual Effects | |||
| Clayton Bell | .... | digital data management: Digital Pictures | |
| Terence Cheng | .... | 3D animator/compositor: Asia Legend Limited | |
| Bessie Cheuk | .... | visual effects controller: Asia Legend Limited | |
| Manny Espino | .... | digital technical director: Digital Pictures | |
| Fiona Fry | .... | digital intermediate producer: Digital Pictures | |
| Ron Korpi | .... | digital data systems: Digital Pictures | |
| Ringo Lee | .... | 3D animator/compositor: Asia Legend Limited | |
| Eric Leung | .... | 3D animator/compositor: Asia Legend Limited | |
| Leo Lo | .... | visual effects producer: Asia Legend Limited | |
| Florian Martin | .... | consulting digital technical director: Digital Pictures (as Florian 'Utsi' Martin) | |
| Ross Mitchell | .... | optical effects: Cinevex Film Laboratories | |
| Peter Peric | .... | digital technical assessment: Digital Pictures | |
| Graeme Pitt | .... | digital data supervisor: Digital Pictures | |
| Tony Poriazis | .... | film recording supervisor: Digital Pictures | |
| Sarah Robertson | .... | image repair and negative dirt removal: Digital Pictures | |
| Henny Van Teyfingen | .... | digital technical support: Digital Pictures | |
| Lisa Ying | .... | 3D animator/compositor: Asia Legend Limited | |
| Donald Yip | .... | 3D animator/compositor: Asia Legend Limited | |
Département Casting | |||
| Hoei Project | .... | extras casting: Japan (as Project Hoei) | |
Département Costume et garde-Robe | |||
| Jin-Hua Gu | .... | costumer | |
| Tomoko Suzuki | .... | stylist: Ms. Terajima, Japan | |
| Kyoko Takahashi | .... | costumer: Japan | |
| Jianghong Zhou | .... | assistant costumer | |
Dpartement Editorial | |||
| Ian Anderson | .... | laboratory post-production manager: Cineves Film Laboratories | |
| Billy Browne | .... | editing assistant: Australia | |
| Paul Cross | .... | negative matching supervisor: Cinevex Film Laboratories | |
| Kerry Dibbs | .... | post-production assistant | |
| Franco Diciero | .... | negative matcher: Cinevex Film Laboratories | |
| John Fleming | .... | digital intermediate project manager: Digital Pictures | |
| Ling Geng | .... | post-production coordinator | |
| Alan Hansen | .... | digital grader | |
| Adrian Hauser | .... | senior colorist: Complete Post | |
| Akimasa Kawashima | .... | editor: Japan | |
| Rachel Knowles | .... | digital intermediate coordinator: Digital Pictures | |
| Eugene Leonello | .... | negative matcher: Cinevex Film Laboratories | |
| Stanley Lopuszanski | .... | colorist: Digital Pictures | |
| Leigh Segal | .... | post-production facilities manager: Complete Post | |
| Chieko Suzaki | .... | assistant editor: Japan | |
| Caroline Whiteley | .... | color grader | |
| Ligen Zhao | .... | assistant editor | |
Département Musique | |||
| Wei Chen | .... | musician: percussion | |
| Ross Cockle | .... | score remix engineer: opening and closing titles | |
| Ya Dai | .... | musician: flute | |
| Sida Guo | .... | musician: midi | |
| Xiaopei Li | .... | music recordist | |
| Fei Song | .... | musician: zhong hu | |
| Sha Yuan | .... | musician: string | |
| Quansheng Zhang | .... | musician: ma tou qin | |
| Jiazhen Zhao | .... | musician: gu qin | |
Département Transport | |||
| Masanobu Amemiya | .... | transportation: production, Japan | |
| Koji Sekiguchi | .... | transportation chief: Japan | |
| Mitsunobu Tono | .... | transportation: cast, Japan | |
Divers | |||
| Lesley Aitkin | .... | script services: post-production | |
| Tom Alper | .... | insurance: Speare and Company | |
| Jia Cui | .... | assistant to director | |
| Yexin Fan | .... | catering assistant | |
| Howard Frumes | .... | legal services: Alexander, Nau, Lawrence & Frumes | |
| Pamela Hammond | .... | client liaison: Digital Pictures | |
| Katsuko Hatayama | .... | production assistant: Japan | |
| Zhihua Hou | .... | assistant to director | |
| Wenrui Jia | .... | caterer | |
| Xiaowei Kang | .... | accountant | |
| Tomoko Katahara | .... | production assistant: Japan | |
| Emi Kawano | .... | script supervisor: Japan (as Emi Kawano) | |
| Gao Ke | .... | production assistant (as Ke Gao) | |
| Shiro Kido | .... | talent manager | |
| Takahiro Komura | .... | assistant to director: Japan | |
| Mingna Liu | .... | accountant | |
| Yinghui Li | .... | assistant to director | |
| Chris Lu | .... | subtitles: English | |
| Dan Lu | .... | script supervisor | |
| Sasha Luo | .... | documentary filmmaker | |
| Atsushi Naito | .... | legal services: Aoyama Law Offices | |
| Youko Nakagawa | .... | translator: Japanese script | |
| Kaoru Nakamura | .... | production coordinator: Japan | |
| Guanghe Ni | .... | second production assistant | |
| Liwei Pang | .... | assistant to director | |
| Li'an Qin | .... | interpreter | |
| Toshifumi Shimizu | .... | assistant to director: Japan | |
| Zhao Shufen | .... | accountant (as Shufen Zhao) | |
| Shuo Tian | .... | production interpreter | |
| Zhaojun Tian | .... | accountant | |
| Bin Wang | .... | story consultant | |
| Jianguo Wang | .... | second production assistant | |
| Gang Xu | .... | location production assistant | |
| Xiaoshun Xu | .... | production assistant | |
| Cloudy Yang | .... | translator: English script | |
| Li Yanlong | .... | catering assistant (as Yanlong Li) | |
| Alice Yeung | .... | production coordinator | |
| Yefei Yin | .... | interpreter | |
| Xiangchun Zeng | .... | location production assistant | |
| Jihu Zhang | .... | catering assistant | |
| Jingsheng Zhang | .... | chief interpreter | |
| Jingsheng Zhang | .... | subtitles: Japanese | |
| Xuemei Zhang | .... | accountant | |
| Darian Zhao | .... | second production assistant | |
| Ping Zhou | .... | physical therapist | |
| Jiajun Zhu | .... | second production assistant | |
| Renqiao Zuo | .... | location production assistant | |
Riding Alone (International: English title) (informal short title)
Riding Alone for Thousands of Miles (USA) (new title)
Tanki, senri o hashiru. (Japan)
suite
Rated PG for mild thematic elements.
107 min
1,85 : 1 suite
USA:PG | Singapore:PG | Malaysia:U | Sweden:Btl | Singapore:M18 (DVD rating) | Argentina:Atp | Australia:PG | South Korea:Tous | Iceland:L
The scenes filmed in Japan were directed by Yasuo Furuhata. He has had a long successful collaboration with lead actor Ken Takakura. suite
Continuité: In the village scene Mr. Takata has to move to the highest location to make a phone call. In the following scene however he can receive phone calls while at a banquet in the lower part of the village. suite
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| Casting et équipe complète | Remerciements de la Société | Revues externes |
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To be brutally honest, I have to confess that I spent a good part of this movie struggling not to succumb to the temptation to fall asleep. Director Yimou Zhang makes a deliberate attempt to tug on the viewers' heart strings with "Riding Alone" but aside from a handful of scenes near the end of the movie (particularly those that portrayed the relationship between Takata and Yang Yang) I can't say that I found myself especially moved. The story is about a Japanese man (Takata) whose son (Rie) is gravely ill in a Tokyo hospital. The two have been estranged for years and when Takata visits Rie in the hospital, Rie refuses to see him. Takata, however, takes home a video given to him by Rie's wife, which gives Takata a greater understanding of his son's dreams, and compels him to travel to Yunnan Province in China to fulfil one of those dreams. For whatever reason, this movie just didn't make a connection with me. The scenes set inside the Chinese prison particularly struck me as being very unlikely. I have difficulty believing that conditions in that environment would be so welcoming to a foreigner and so apparently comfortable for the inmates.The last half hour or so wasn't bad but I have to say that I had a lot of difficulty making it that far. 2/10