The X Files: I Want to Believe (2008)

Note des utilisateurs:

6.0/10   

Réalisateur:

Chris Carter

Writers (WGA):

Frank Spotnitz (written by) and
Chris Carter (written by) ...

Release Date:

25 juillet 2008 (USA)

Genre:

Crime | Horror | Mystery | Sci-Fi | Thriller

Accroche:

Believe Again

Plot:

Mulder and Scully are called back to duty by the FBI when a former priest claims to be receiving psychic visions pertaining to a kidnapped agent.

Plot Keywords:

FBI | Psychic | Psychic Vision | Priest | Paranormal

Avis des utilisateurs:

No Country for Old X-Files

US TV Schedule:

Sat. July 4	4:30 PM	HBO
Thur. July 9	9:30 AM	HBO

Ensemble

David Duchovny	...	Fox Mulder
Gillian Anderson	...	Dana Scully
Amanda Peet	...	ASAC Dakota Whitney
Billy Connolly	...	Father Joseph Crissman
Xzibit	...	Agent Mosley Drummy (as Alvin 'Xzibit' Joiner)
Mitch Pileggi	...	Walter Skinner
Callum Keith Rennie	...	2nd Abductor - Janke Dacyshyn
Adam Godley	...	Father Ybarra
Alex Diakun	...	Gaunt Man
Nicki Aycox	...	2nd Victim - Cheryl Cunningham
Fagin Woodcock	...	1st Abductor - Franz Tomczeszyn
Marco Niccoli	...	Christian Fearon
Carrie Ruscheinsky	...	Margaret Fearon
Spencer Maybee	...	Blair Fearon
Veronika Hadrava	...	Female Assistant

Autre(s) titre(s):

The X Files 2 (USA) (working title)
The X Files: Done One (USA) (working title)
The X-Files (USA) (promotional abbreviation)
The X-Files Movie (USA) (promotional title)
The X-Files: I Want to Believe (USA) (alternative spelling)
Untitled X Files Sequel (USA) (working title)
X-Files: Je veux y croire (Canada: French title)
X-Files: Régénération (France) [fr]

MPAA:

Rated PG-13 for violent and disturbing content and thematic material.

Durée:

104 min | USA:108 min (director's cut)

Pays:

USA | Canada

Langue:

Anglais | Russe | Tchèque

Couleur:

Couleur

Aspect Ratio:

2.35 : 1

Son:

DTS | Dolby Digital | SDDS (uncredited)

Classification:

UK:15 | Finland:K-15 | Ireland:15A | Argentina:13 | Australia:M | Singapore:PG | Malaysia:U | Canada:13+ (Quebec) | Canada:14A (British Columbia) (Canadian Home Video rating) | Hong Kong:IIB | South Korea:15 | Germany:16 | USA:PG-13 (Approved No. 44443) | Netherlands:16 | Switzerland:14 (canton of Vaud) | Switzerland:14 (canton of Geneva) | Sweden:15 | Portugal:M/16 (Qualidade) | Italy:T | Philippines:PG-13 (MTRCB) | New Zealand:M | Peru:14 | Austria:14 | Denmark:15

Emplacements De Pelliculage:

Burnaby, British Columbia, Canada

Company:

Twentieth Century-Fox Film Corporation

Anecdotes:

The television show ("The X Files" (1993)) upon which this movie is based was filmed for its first five seasons in Vancouver, British Columbia, Canada. The show's production moved to Los Angeles for seasons 6-9, but this movie was once again filmed in and around Vancouver. While the show was made in Vancouver, the show often used local Canadian actors in guest and secondary roles, often reusing the same actors in different parts in multiple episodes. With the franchise's return to Vancouver, the producers were able to continue the tradition by recasting many of the same actors they had used so often on the show. For example, Alex Diakun (Gaunt Man) appeared as different characters in three episodes; Lorena Gale (On Screen Doctor) appeared as different characters in three episodes; Stephen E. Miller (Feed Store Proprietor) appeared as different characters in three episodes including the pilot; Sarah-Jane Redmond (Special Agent In Charge) appeared as different characters in two episodes; Stacee Copeland (Doctor) appeared as different characters in two episodes. Callum Keith Rennie (2nd Abductor - Janke Dacyshyn) appeared as different characters in two episodes and was the original choice to play the long-running character Alex Krycek. Several other secondary and tertiary members of the movie cast had also appeared on the show as other characters.

Goofs:

Factual errors: When Scully and Mulder accompany Father Joe to the scene of the agent's abduction for the first time the sun is rising and the screen reads "Somerset, West Virginia, 5:02 AM". During mid-winter in that part of the country it would still be completely dark for over two hours more.

Guillemet:

Fox Mulder: Are you asking me to give up?
Dana Scully: No. No, I can't ask you to do that... But I can tell you I won't be coming home tonight.

Movie Connections:

Features "The Jeffersons" (1975)

Soundtrack:

The X-Files Theme (UNKLE Remix)

No Country for Old X-Files

The world is a greatly changed place since the heyday of "The X-files." Back in the late 1990's the TV show was at its height and tapping into the shared fears of the day: fear of the unknown, fear of the impending millennium, and fear that something larger than us (the government or alien invaders) was up to no good. Flash forward to the year 2008 and we know all that hubbub about the millennium was for nothing, our government has been up to no good for years, and it's not space invaders we need to worry about but other people terrorizing us. The murky, gloomy, grim style of "The X-Files" is now the norm with feverish and dark films like "There Will Be Blood" and "The Dark Knight" tapping into the mindset of culture today from opposite ends of the film spectrum.

Apparently creator Chris Carter didn't realize his baby was irrelevant now. His only mission should've been to please the faithful. If he wanted to revive his series on film, he had best stick to the labyrinthine alien mythology that still has some die-hard fans buzzing, or at the very least deliver a fun stand-alone monster-of-the-week style flick that would make fans jump in their seats. With "The X-Files: I Want to Believe" he does neither of those things. Instead, he gives us a story where Mulder and Scully come out of hiding to work on a case where the FBI are using a psychic criminal priest to help locate a missing agent and track down a potential serial killer. The plot fits more into the mold of his far less popular companion series "Millennium" than it does to "The X-Files." Apparently Carter wanted to please no one except perhaps himself.

The weirdest thing about the film is that it isn't all that bad. Carter as a director lays on some decent atmosphere (with all the global-warming defying snow and some eerie nighttime shots) and creates some palpable tension as the horrors of the case grow grimmer. The chemistry between Mulder (a lazy but effective David Duchovny) and Scully (an amazingly fully ranged and emotional Gillian Anderson) is still there, and Anderson's performance is especially gripping. Billy Connolly, cast against type, gives an interesting turn as the corrupted priest searching for redemption through his visions that probably would've garnered an Emmy nod had this been a very special two-part TV episode. Also good is Amanda Peet, looking smashing in her smart FBI pantsuits.

Most interesting is the story arc given Dana Scully. I honestly had stopped watching the show after the sixth season, and aside from the mythology storyline that built up to the first film released ten years ago, I recall some of my favorite episodes being the ones where Scully questioned her faith and struggled with reconciling her Catholicism with her scientific approach to the paranormal investigations. This is again explored here, as Scully, always the skeptic, so desperately wants to believe in something. However, it's an odd choice for Carter to focus on this internal human drama when he should be focusing on how to bring fans back into the fold. It would've been an interesting and compelling layer had Carter not been so inept with the rest of the plot.

In the end some fine performances and a moody atmosphere do not add up to a good time. Eventually it becomes an uncomfortable and anachronistic creep-fest that plays like the type of suspense thriller that ruled the roost in the mid-1990's after films like "Silence of the Lambs" and "Seven" made police detection and serial killing popular entertainment. Well, it's 2008, Mr. Carter, and it's time to wake up from your prolonged nightmare that was rendered uninteresting in 2001.