The X Files: I Want to Believe (2008)

Note Générale:

5,9/10   

Réalisateur:

Chris Carter

Scénaristes (WGA):

Frank Spotnitz (written by) and
Chris Carter (written by) ...

Date de sortie:

25 juillet 2008 (USA)

Genre:

Crime | Drame | Horreur | Mystère | Thriller

Accroche:

Believe Again

Intrigue:

Mulder and Scully are called back to duty by the FBI when a former priest claims to be receiving psychic visions pertaining to a kidnapped agent.

Plot Keywords:

FBI | Priest | Psychic | Psychic Vision | Catholic

Avis des utilisateurs:

Not as bad as people are making it out to be

US TV Schedule:

Sat. Nov. 14	4:45 PM	HBO
Fri. Nov. 20	12:00 AM	HBO

Ensemble

David Duchovny	...	Fox Mulder
Gillian Anderson	...	Dana Scully
Amanda Peet	...	ASAC Dakota Whitney
Billy Connolly	...	Father Joseph Crissman
Xzibit	...	Agent Mosley Drummy (as Alvin 'Xzibit' Joiner)
Mitch Pileggi	...	Walter Skinner
Callum Keith Rennie	...	2nd Abductor - Janke Dacyshyn
Adam Godley	...	Father Ybarra
Alex Diakun	...	Gaunt Man
Nicki Aycox	...	2nd Victim - Cheryl Cunningham
Fagin Woodcock	...	1st Abductor - Franz Tomczeszyn
Marco Niccoli	...	Christian Fearon
Carrie Ruscheinsky	...	Margaret Fearon
Spencer Maybee	...	Blair Fearon
Veronika Hadrava	...	Female Assistant

Autre(s) titre(s):

The X Files 2 (USA) (working title)
The X Files: Done One (USA) (working title)
The X-Files (USA) (promotional abbreviation)
The X-Files Movie (USA) (promotional title)
The X-Files: I Want to Believe (USA) (alternative spelling)
Untitled X Files Sequel (USA) (working title)
X-Files: Je veux y croire (Canada: French title)

MPAA:

Rated PG-13 for violent and disturbing content and thematic material.

Durée:

104 min | USA:108 min (director's cut)

Pays:

USA | Canada

Langue:

Anglais | Russe | Tchèque

Couleur:

Couleur

Rapport de forme:

2,35 : 1

Son:

DTS | Dolby Digital | SDDS (uncredited)

Classification:

UK:15 | Finland:K-15 | Ireland:15A | Argentina:13 | Australia:M | Singapore:PG | Malaysia:U | Canada:13+ (Quebec) | Canada:14A (British Columbia) (Canadian Home Video rating) | Hong Kong:IIB | South Korea:15 | Germany:16 | USA:PG-13 (Approved No. 44443) | Netherlands:16 | Switzerland:14 (canton of Geneva) | Switzerland:14 (canton of Vaud) | Sweden:15 | Portugal:M/16 (Qualidade) | Italy:T | Philippines:PG-13 (MTRCB) | New Zealand:M | Peru:14 | Austria:14 | Denmark:15 | France:U (with warning) | Brazil:12

Lieux de tournage:

Burnaby, British Columbia, Canada

Société:

Twentieth Century-Fox Film Corporation

Anecdotes:

When Scully first visits Mulder in his rural home, Mulder is seen tacking up a story about "Princeton closes ESP Lab after 40 years of paranormal study" This is referencing a real-life event and place, the Princeton Engineering Anomalies Research facility, which was closed in 2007 after school administrators felt it unjustified to continue funding it. Originally the lab was tasked to investigate possible phenomena for the defense industry, such as if the minor electrical field present in the human body could interfere with sensitive electrical equipment when the body was placed under extreme stress, such as a fighter pilot involved in a dogfight causing his controls to malfunction. While the lab in its time failed to provide conclusive evidence that such things could occur, they did find in large-scale experiments that there was a statistically detectable influence. This was however at the tamer end of PEAR's experiments which included such things as remote perception.

Goofs:

Erreurs factuelles: When Scully and Mulder accompany Father Joe to the scene of the agent's abduction for the first time the sun is rising and the screen reads "Somerset, West Virginia, 5:02 AM". During mid-winter in that part of the country it would still be completely dark for over two hours more.

Guillemet:

Assistant Director Walter Skinner: I know Mulder. He'd get to a phone and call first. He wouldn't do anything crazy.
[Scully stares at him]
Assistant Director Walter Skinner: Well, not *overly* crazy.

Connexions:

Références A Wild Hare (1940)

Bande son:

Movin' On Up

Not as bad as people are making it out to be

Honestly, I thought this was a good film. I'll even go so far as to say a great film. I really think that Chris Carter, David Duchovny, and Gillian Anderson delivered what they had promised to. All along, throughout the post-production and press campaign we've been told that this is a creepy story with Mulder and Scully's relationship at its core. Well, that's what it is ... plain and simple. I really think that all the negativity and people's harsh reviews are from false and hyped up expectations of what this movie is supposed to be. If anything, you should just try to walk into the theatre with an open mind.

But I almost think some people who reviewed this film, saw a different film than I did ...

1. I read a review in which the person said Gillian Anderson's acting was awful. That is false. It is quite the contrary. Gillian Anderson is probably one of the strongest aspects of this movie. Every time she's in a scene, you're captivated.

2. I had read that Mulder and Scully don't show up in the film until 45 minutes into it. False. Scully appears in the 3rd scene - so what? no more than 7 minutes? - and Mulder directly follows.

3. Someone complained about an irrelevant and torturously long scene where Mulder fills up his gas tank. This doesn't happen. He goes to a gas station, gets out of his car, and goes into a store.

4. Lastly, it was rumored that the actors where flubbing up their lines all the time. Okay, even if they did, that wouldn't end up in the final film. Obviously they do multiple takes for a reason. The lines are solid.

This movie is not boring. The surprises are there. It may not be scary in a 'horror film' sort of way where things are jumping out at you every 2 seconds, but it is scary. The acting is amazing. Gillian Anderson on her own is a joy to watch, but when you put her in a scene with David it's either going to break your heart or melt it. The supporting cast won't let you down, and neither will the storyline. It's not paranormal in the sense of freaks and monsters, but religion and God. It's very much in the fashion of "All Things"; seeing the signs and following them. Finally, it is just excellently put together. Whoever edited this film did a phenomenal job! The inter-cutting and juxtaposition was out of this world.

GIVE IT A CHANCE, FOLKS.