| Laurent Lucas | ... | Bruno | |
| Lio | ... | Carole Stevens | |
| Michael Lonsdale | ... | Le gardien | |
| Margot Abascal | ... | Lisa | |
| Noël Akchoté | ... | Noël | |
| Jean-Pierre Léonardini | ... | Monsieur William | |
| Eva Ionesco | ... | Vanessa | |
| Violetta Sanchez | ... | La réceptionniste hôtel | |
| Louis-Do de Lencquesaing | ... | Le physionomiste club échangiste (as Louis-Dominique de Lencquesaing) | |
| Annick Roux | ... | La femme rousse | |
| Bernard Nissile | ... | Le maître d'hôtel | |
| Astrid Adverbe | ... | La voisine de Bruno | |
| Yannick Rivalain | ... | Le voisin de Bruno | |
| Cécile Adélaïde | ... | La secrétaire de Carole | |
| David Seys | ... | Le videur | |
| Oscar Fontenat | ... | Antoine | |
| Philippe Katerine | ... | L'ingénieur du son | |
| Julia Faure | ... | L'assistante ingénieur du son |
Réalisé par | |||
| Thierry Jousse | |||
Scénaristes(dans l'ordre alphabétique) | ||
| Emmanuèle Bernheim | collaboration | |
| Thierry Jousse | scenario | |
| Camille Taboulay | scenario | |
| Louis-Stéphane Ulysse | scenario | |
Produit par | |||
| François Marquis | .... | producer | |
Musique originale | |||
| Noël Akchoté | |||
| David Grubbs | |||
| Matmos | |||
| Andrew Sharpley | |||
Image | |||
| Josée Deshaies | |||
Montage | |||
| Tatjana Jankovic | |||
| Yannick Kergoat | |||
Création des décors | |||
| Antoine Platteau | |||
Création des costumes | |||
| Elisabeth Mehu | |||
Maquillage | |||
| Jean-Marie Cuvilo | .... | hair stylist | |
| Laurence Grosjean | .... | key makeup artist | |
Directeur de production | |||
| David Daurier | .... | assistant production manager | |
| Virginie Decarra | .... | assistant production manager | |
| Thomas Douineau | .... | assistant unit manager | |
| Sophie Goldman | .... | post-production supervisor | |
| Nicolas Leclère | .... | unit production manager | |
| Vincent Léonard | .... | assistant unit manager | |
| Sybil Nicolas | .... | production manager | |
| Valentina Novati | .... | production team | |
Assistant réalisateur | |||
| Emile Louis | .... | first assistant director | |
| Fany Pouget | .... | second assistant director | |
Département Art | |||
| William Mordos | .... | assistant art director | |
Technicien du son | |||
| Emmanuel Croset | .... | sound mixer | |
| Jean-Jacques Ferran | .... | sound | |
| Hervé Guyader | .... | sound editor | |
| Jonathan Liebling | .... | foley artist | |
Caméra et Département Electrique | |||
| Catherine Georges | .... | first assistant camera | |
Dpartement Editorial | |||
| Tristan Meunier | .... | assistant editor | |
Divers | |||
| Bethsabée Dreyfus | .... | script supervisor | |
| Valentina Novati | .... | production assistant | |
| Rémi Roy | .... | production administrator | |
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| Harry un ami qui vous veut du bien | Sous le sable | 5x2 | Vendredi soir | 30 ans |
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IMDb Note Générale:
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IMDb Note Générale:
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| Casting et équipe complète | Remerciements de la Société | Revues externes |
| IMDb Drame section | IMDb France section | Add this title to MyMovies |
Some daring choices regarding cinematography and camera placement. A claustrophobic, insular world. The story left the audience (given only a vague sense of expectation) unfulfilled. The lead character Bruno (Laurent Lucas) failed to elicit empathy on the part of this viewer; insufficient supporting characters to add dimension to Bruno.
But perhaps this is the point: the obsessed has time only to sleep and to obsess. He is by definition one-dimensional; such is the world of the auditory voyeur.
I wanted to ask the director at the post-screening Q&A at Facets Cinematheque in Chicago if he had been influenced by Coppola's "The Conversation" and Kieslowski's "Red". The question of length has to be addressed in a tighter re-edit.
Co-written by Emmanuele Bernheim, who also wrote the similarly toned "Swimming Pool" (2003).