| Laurent Lucas | ... | Bruno | |
| Lio | ... | Carole Stevens | |
| Michael Lonsdale | ... | Le gardien | |
| Margot Abascal | ... | Lisa | |
| Noël Akchoté | ... | Noël | |
| Jean-Pierre Léonardini | ... | Monsieur William | |
| Eva Ionesco | ... | Vanessa | |
| Violetta Sanchez | ... | La réceptionniste hôtel | |
| Louis-Do de Lencquesaing | ... | Le physionomiste club échangiste (as Louis-Dominique de Lencquesaing) | |
| Annick Roux | ... | La femme rousse | |
| Bernard Nissile | ... | Le maître d'hôtel | |
| Astrid Adverbe | ... | La voisine de Bruno | |
| Yannick Rivalain | ... | Le voisin de Bruno | |
| Cécile Adélaïde | ... | La secrétaire de Carole | |
| David Seys | ... | Le videur | |
| Oscar Fontenat | ... | Antoine | |
| Philippe Katerine | ... | L'ingénieur du son | |
| Julia Faure | ... | L'assistante ingénieur du son |
Réalisé par | |||
| Thierry Jousse | |||
Scénaristes(in alphabetical order) | ||
| Emmanuèle Bernheim | collaboration | |
| Thierry Jousse | scenario | |
| Camille Taboulay | scenario | |
| Louis-Stéphane Ulysse | scenario | |
Produit par | |||
| François Marquis | .... | producer | |
Musique originale | |||
| Noël Akchoté | |||
| David Grubbs | |||
| Matmos | |||
| Andrew Sharpley | |||
Image | |||
| Josée Deshaies | |||
Montage | |||
| Tatjana Jankovic | |||
| Yannick Kergoat | |||
Création des décors | |||
| Antoine Platteau | |||
Création des costumes | |||
| Elisabeth Mehu | |||
Maquillage | |||
| Jean-Marie Cuvilo | .... | hair stylist | |
| Laurence Grosjean | .... | key makeup artist | |
Directeur de production | |||
| David Daurier | .... | assistant production manager | |
| Virginie Decarra | .... | assistant production manager | |
| Thomas Douineau | .... | assistant unit manager | |
| Sophie Goldman | .... | post-production supervisor | |
| Vincent Léonard | .... | assistant unit manager | |
| Sybil Nicolas | .... | production manager | |
| Valentina Novati | .... | assistant production manager | |
| Valentina Novati | .... | production team | |
Assistant réalisateur | |||
| Emile Louis | .... | first assistant director | |
| Fany Pouget | .... | second assistant director | |
Art Department | |||
| William Mordos | .... | assistant art director | |
Technicien du son | |||
| Emmanuel Croset | .... | sound mixer | |
| Jean-Jacques Ferran | .... | sound | |
| Hervé Guyader | .... | sound editor | |
| Jonathan Liebling | .... | foley artist | |
Editorial Department | |||
| Tristan Meunier | .... | assistant editor | |
Divers | |||
| Bethsabée Dreyfus | .... | script supervisor | |
| Valentina Novati | .... | production assistant | |
| Rémi Roy | .... | production administrator | |
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| Harry un ami qui vous veut du bien | Swimming Pool | 5x2 | Vendredi soir | 30 ans |
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| Full cast and crew | Company credits | External reviews |
| IMDb Drame section | IMDb France section | Add this title to MyMovies |
I don't think I have ever been so bored by a film in my life, or been made to feel so claustrophobic by watching one. Maybe I completely missed some very interesting contextual subplot (as the critics reviews seem to be positive..), but if it is so dull you can't watch it, then what is the point?
The "plot" is that a man makes headache inducing music in his bedroom. He has a relationship with a woman who doesn't want to see what he looks like, so we are treated to many scenes of a blank, dark screen. Then a jazz man takes him off to a weird sex club, which still manages to remain boring. More music involving banging railings, and traffic noises. Film ends.
I can't believe it was 85 minutes long, and only stayed as everyone else did. I was told that was the only reason they stayed as well.