| Photos (Voir toutes les 3 | Diaporama) | Videos (see all 3 NOUVEAU) |
| Martin Freeman | ... | Rembrandt van Rijn | |
| Emily Holmes | ... | Hendrickje | |
| Eva Birthistle | ... | Saskia | |
| Jodhi May | ... | Geertje | |
| Toby Jones | ... | Gerard Dou | |
| Jonathan Holmes | ... | Ferdinand Bol | |
| Michael Teigen | ... | Carel Fabritius | |
| Kevin McNulty | ... | Engelen | |
| Agata Buzek | ... | Titia Uylenburgh | |
| Natalie Press | ... | Marieke | |
| Fiona O'Shaughnessy | ... | Marita | |
| Reimer van Beek | ... | Titus - newborn | |
| Robert Zalecki | ... | Titus - 4 months old | |
| Kacper Kasiecki | ... | Titus - toddler | |
| Anna Antonowicz | ... | Catharina | |
| Harry Ferrier | ... | Carl Hasselburg | |
| Matthew Walker | ... | Matthias van der Meulen | |
| Hugh Thomas | ... | Jacob Jorisz | |
| Krzysztof Pieczynski | ... | Jacob de Roy | |
| Jonathan Young | ... | Visscher | |
| Andrzej Seweryn | ... | Piers Hasselburg | |
| Maciej Zakoscielny | ... | Egremont | |
| Christopher Britton | ... | Rombout Kemp | |
| Michael Culkin | ... | Herman Wormskerck | |
| Jochum ten Haaf | ... | Jongkind | |
| Gerard Plunkett | ... | Engelan | |
| Adrian Lukis | ... | Frans Banning Cocq | |
| Adam Kotz | ... | Willem van Ruytenburgh | |
| Rafal Mohr | ... | Floris | |
| Maciej Marczewski | ... | Clement | |
| Grazyna Barszczewska | ... | Banning Cocq's Mother-in-law | |
| Richard McCabe | ... | Bloemfeldt | |
| Robert J. Page | ... | Actor on stage | |
| Magdalena Gnatowska | ... | Orphanage Governess Martha | |
| Alicja Borkowska | ... | Orphanage Governess Lotte | |
| Dewi Williams | ... | Martin Geyle | |
| Magdalena Smalara | ... | Ineke | |
| Aleksandra Lemba | ... | Ispidie | |
| reste de la distribution par ordre alphabétique: | |||
| Katia Paliwoda | ... | Bride | |
| Elzbieta Romanowska | |||
Réalisé par | |||
| Peter Greenaway | |||
Scénaristes(dans l'ordre alphabétique) | ||
| Peter Greenaway | writer | |
Produit par | |||
| Jamie Carmichael | .... | executive producer | |
| Carlo Dusi | .... | co-producer | |
| Christine Haebler | .... | co-producer | |
| Grzegorz Hajdarowicz | .... | executive producer | |
| Benedicte Hermesse | .... | line producer | |
| Bénédicte Humbel | .... | line producer | |
| Eliane Huss | .... | co-line producer | |
| Linda James | .... | executive producer | |
| Kees Kasander | .... | producer | |
| Lisette Kelder | .... | assistant line producer | |
| Jenny Mitchell | .... | assistant producer | |
| Piotr Mularuk | .... | co-producer | |
| Magdalena Napieracz | .... | line producer | |
| Justyna Pawlak | .... | assistant producer | |
| Larry Sugar | .... | executive producer | |
| Natascha Teunissen | .... | assistant producer | |
Musique originale | |||
| Wlodzimierz Pawlik | |||
Image | |||
| Reinier van Brummelen | |||
Montage | |||
| Karen Porter | |||
Distribution des rôles | |||
| Corinne Clark | |||
| Janusz Gosschalk | |||
| Weronika Migon | |||
| Tania Polentarutti | |||
| Marina Wijn | |||
| Peter Wooldridge | |||
Création des décors | |||
| Maarten Piersma | |||
Direction artistique | |||
| James Willcock | |||
Création des costumes | |||
| Jagna Janicka | |||
| Marrit van der Burgt | |||
Maquillage | |||
| Sara Meerman | .... | key hair stylist | |
| Sara Meerman | .... | key makeup artist | |
| Kate Peterson | .... | makeup artist | |
| Marcin Rodak | .... | makeup artist | |
Directeur de production | |||
| Andrzej Besztak | .... | production manager | |
| Magdalena Daniszewska | .... | assistant production manager | |
| Owen Gower | .... | assistant production manager | |
| Leander Huizinga | .... | post-production manager | |
| Gerry Toomey | .... | production manager | |
| Jochem van Rijs | .... | post-production supervisor | |
Département Art | |||
| Domino Daugherty | .... | painter | |
| Rob Duiker | .... | carpenter | |
| Eljo Embregts | .... | production coordinator | |
| Anna Szymiec | .... | art department assistant | |
| Dione van der Hoeven | .... | painter | |
| Menno Verduin | .... | carpenter | |
| Marek Warszewski | .... | art department assistant | |
Technicien du son | |||
| Maurice Hillier | .... | sound | |
| Ian Mackie | .... | foley artist | |
| Roger Morris | .... | adr mixer | |
| Roger Morris | .... | dialogue editor | |
| Miguel Nunes | .... | adr editor | |
| Dorian Pareis | .... | foley editor | |
| Josephine Reynolds | .... | cable boy | |
| Greg Stewart | .... | sound re-recording mixer | |
Effets spéciaux | |||
| Doug McCarthy | .... | special effects floor supervisor | |
Visual Effects | |||
| Eri Adachi | .... | rotoscope artist: Rainmaker | |
| Simon Ager | .... | lead digital compositing artist | |
| Graeme Baitz | .... | roto lead: Rainmaker | |
| James Ballard | .... | digital intermediate assistant: Dragon DI | |
| Richie Basilan | .... | digital compositor | |
| Dan Brittain | .... | digital compositor | |
| Geoffrey R. Case | .... | DI colourist: Dragon DI | |
| Valentina Catena | .... | on-line assistant: Dragon I | |
| Kristin Dearholt | .... | digital production manager | |
| Maggie Evans | .... | visual effects producer | |
| Luis Alejandro Guevara | .... | visual effects editor | |
| Myfanwy Harris | .... | digital intermediate assistant: Dragon DI | |
| Peter Hart | .... | lead matchmove artist | |
| Alex Kyrou | .... | digital film I/O technician: Rainmaker | |
| Matthias Lowry | .... | digital compositing artist | |
| Benjamin Miller | .... | rotoscope artist | |
| Sam Nixon | .... | senior matchmove artist | |
| Vasho Pekar | .... | rotoscope artist: Rainmaker | |
| Enrico Perei | .... | senior digital compositing artist | |
| Lee Pierce | .... | digital compositing artist | |
| Drew Shields | .... | senior matchmove artist: Rainmaker | |
| Bruce Steele | .... | digital effect artist: Dragon DI | |
| Bruce Steele | .... | lead digital compositing artist | |
| Luke Vallee | .... | digital compositor | |
| Mike Washburn | .... | rotoscope artist | |
| Joni Williams | .... | rotoscope artist | |
| Jessica Woods | .... | roto artist | |
| Paul J. Wright | .... | scanning and recording manager: Dragon DI | |
Cascadeur | |||
| Sandor Bertalan | .... | stunt double | |
| Sándor Boros | .... | stunt performer | |
| László Imre | .... | stunt coordinator | |
| Levente Lezsák | .... | stunt performer | |
| Zbigniew Modej | .... | stunt coordinator | |
Caméra et Département Electrique | |||
| Ruzbeh Babol | .... | camera operator | |
| Kerry Brown | .... | still photographer: poster | |
| Gaetan Jalbert | .... | rigging gaffer: Europe | |
| Sara Pickett | .... | assistant camera | |
Département Costume et garde-Robe | |||
| Sarah Bozano | .... | wardrobe | |
| Rebecca Cunningham | .... | wardrobe | |
| Kasia Lewinska | .... | costumes | |
| Eleonora Owsianka | .... | wardrobe | |
| Jookje Zweedijk | .... | costumes | |
Dpartement Editorial | |||
| Elmer Leupen | .... | additional editor | |
| Kryssta Mills | .... | post-production coordinator | |
Divers | |||
| Jennine Baker | .... | production accountant | |
| Erik Bakker | .... | production accountant | |
| Barbara Bruni | .... | assistant to executive producer | |
| Phil Claydon | .... | production coordinator | |
| Ineke Kanters | .... | development executive | |
| Agnieszka Kik | .... | production coordinator | |
| Nick Leese | .... | head of publicity | |
| Graham Matthews | .... | location scout manager | |
| Jenny Mitchell | .... | assistant to producer | |
| Jorn Mooij | .... | production accountant | |
| Claudia Morgado Escanilla | .... | script supervisor (as Claudia Morgado) | |
| Anna Palka | .... | set manager | |
| Sara Pickett | .... | HDTV technician | |
| Mandy Posthuma | .... | assistant production accountant | |
| Melissa Ruffle | .... | production accountant | |
| Marita Ruyter | .... | personal assistant to director | |
| Joe Sisto | .... | legal services | |
| Natascha Teunissen | .... | assistant to producer | |
| Haydn Wazelle | .... | deliveries coordinator | |
| Peter Wooldridge | .... | dialogue coach | |
Merci | |||
| Rob Gray | .... | thanks | |
| Jenny Mitchell | .... | in loving memory of | |
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| Girl with a Pearl Earring | The Pillow Book | Edvard Munch | Watchmen | Viridiana |
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IMDb Note Générale:
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IMDb Note Générale:
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IMDb Note Générale:
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IMDb Note Générale:
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IMDb Note Générale:
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| Casting et équipe complète | Remerciements de la Société | Revues externes |
| IMDb Biographie section | IMDb Netherlands section | Add this title to MyMovies |
I've often said that Greenaway is my favorite living filmmaker. He is a true original and at least four of his feature films are outright masterpieces, especially Drowning by Numbers and A Zed & Two Noughts. That said he's gone too far up his own method in the last 20 years and his work has been less and less effective with each passing film.
Nightwatching is a step in the right direction after the hugely disappointing Tulse Luper Suitcases. All the technical elements of a Greenaway film are in place -- gorgeous lighting, minimalist music, theatrical staging, etc. -- but this time we actually have a decent story. Despite his distaste for narrative, all of Greenaway's best films have at least provided us with characters we can care about and ideas we can sink our teeth into. Here, we have an extended thesis on art theory and a depiction of Rembrandt as a haughty, passionate artist who has just as many flaws as we do. Martin Freeman's energetic and vulnerable performance is the heart and soul of the picture, holding the whole thing together.
Nightwatching is 134 minutes long but at least 20 minutes could've been cut. Plus, after Rembrandt finishes the painting, the plot has no idea where it wants to go and mostly meanders for the rest of the film. Aside from Freeman, the cast is absolutely awful. There are a few exceptions but on the whole everyone is either painfully wooden or absurdly over-the-top. Worst of all, most of the plot is revealed through the dialogue, and it's hard to focus on a complex story when the storytellers are so appalling. Finally, there is a surprising amount of profanity in this film, which is so excessive that it eventually borderlines on self-parody. Okay, people probably swore in those days, we get it. It's not edgy or groundbreaking, it's bad writing.
Still, with all its flaws, Nightwatching is the best film he's made in a very long time. While this is slightly more accessible than most Greenaway films, it will nevertheless irritate most casual film goers, so those of you expecting the average biopic should stay away. But those of you looking for a unique and visually breathtaking experience could do a lot worse than Nightwatching. I really hope it makes it to America someday.