| Photos (see all 41 | slideshow) | Videos (see all 12) |
| Sat. July 11 | 9:00 AM | USA |
| Abigail Breslin | ... | Olive Hoover | |
| Greg Kinnear | ... | Richard Hoover | |
| Paul Dano | ... | Dwayne | |
| Alan Arkin | ... | Grandpa Edwin Hoover | |
| Toni Collette | ... | Sheryl Hoover | |
| Steve Carell | ... | Frank Ginsberg | |
| Marc Turtletaub | ... | Doctor #1 | |
| Jill Talley | ... | Cindy | |
| Brenda Canela | ... | Diner Waitress | |
| Julio Oscar Mechoso | ... | Mechanic | |
| Chuck Loring | ... | Convenience Store Proprietor | |
| Justin Shilton | ... | Josh | |
| Gordon Thomson | ... | Larry Sugarman | |
| Steven Christopher Parker | ... | Teen Boy #1 | |
| Bryan Cranston | ... | Stan Grossman | |
| John Walcutt | ... | Doctor #2 | |
| Paula Newsome | ... | Linda | |
| Dean Norris | ... | State Trooper McCleary | |
| Beth Grant | ... | Pageant Official Jenkins | |
| Wallace Langham | ... | Kirby | |
| Lauren Shiohama | ... | Miss California | |
| Mary Lynn Rajskub | ... | Pageant Assistant Pam | |
| Jerry Giles | ... | Funeral Home Worker | |
| Geoff Meed | ... | Biker Dad | |
| Matt Winston | ... | Pageant MC | |
| Joan Scheckel | ... | Judge | |
| Casandra Ashe | ... | Girl in Hallway | |
| Mel Rodriguez | ... | Officer Martinez | |
| Alexandria Alaman | ... | Pageant Contestant | |
| Alissa Anderegg | ... | Pageant Contestant | |
| Brittany Baird | ... | Pageant Contestant | |
| Cambria Baird | ... | Pageant Contestant | |
| Brenae Bandy | ... | Pageant Contestant | |
| Kristen Holaas | ... | Pageant Contestant | |
| Maliah Hudson | ... | Pageant Contestant | |
| Destry Jacobs | ... | Pageant Contestant | |
| Lindsey Jordan | ... | Pageant Contestant | |
| Shane Murphy | ... | Pageant Contestant | |
| Annabelle Roberts | ... | Pageant Contestant | |
| Sydni Stevenson-Love | ... | Pageant Contestant | |
| Nicole Stoehr | ... | Pageant Contestant | |
| Lauren Yee | ... | Pageant Contestant | |
| reste de la distribution par ordre alphabétique: | |||
| Erik David | ... | Photographer (uncredited) | |
| Marc De'Antone | ... | Seminar class (uncredited) | |
| Tara Dawn Holland | ... | Herself (archive footage) (uncredited) | |
| Ksenia Jarova | ... | Pretty Girl (uncredited) | |
| Robert O'Connor | ... | Pageant Judge #1 (uncredited) | |
| Regis Philbin | ... | Himself (voice) (uncredited) | |
| Matthew W. Tate | ... | Funeral Worker #2 (uncredited) | |
Réalisé par | |||
| Jonathan Dayton | |||
| Valerie Faris | |||
Scénaristes(WGA) | ||
| Michael Arndt | (written by) | |
Produit par | |||
| Albert Berger | .... | producer | |
| Michael Beugg | .... | executive producer | |
| Jeb Brody | .... | executive producer | |
| David T. Friendly | .... | producer | |
| Bart Lipton | .... | associate producer | |
| Peter Saraf | .... | producer | |
| Marc Turtletaub | .... | producer | |
| Ron Yerxa | .... | producer | |
Musique originale | |||
| Mychael Danna | |||
| DeVotchKa | |||
Image | |||
| Tim Suhrstedt | (director of photography) | ||
Montage | |||
| Pamela Martin | |||
Distribution des rôles | |||
| Justine Baddeley | |||
| Kim Davis | (as Kim Davis-Wagner) | ||
Création des décors | |||
| Kalina Ivanov | |||
Direction artistique | |||
| Alan E. Muraoka | |||
Décorateur de plateau | |||
| Melissa M. Levander | (as Melissa Levander) | ||
Création des costumes | |||
| Nancy Steiner | |||
Maquillage | |||
| Susan Carol Schwary | .... | key hair stylist (as Susan Carol-Schwary) | |
| Janis Clark | .... | hair department head | |
| Dugg Kirkpatrick | .... | key hair stylist (as 'Dugg' Kirkpatrick) | |
| Angel Radefeld | .... | key makeup artist | |
| Nicole Sortillon | .... | makeup assistant (as Nicole Sortillion) | |
| Torsten Witte | .... | makeup department head | |
Directeur de production | |||
| Michael Bergyl | .... | unit production manager | |
| Bob Dohrmann | .... | production supervisor | |
| Michael Toji | .... | post-production supervisor | |
Assistant réalisateur | |||
| Heather Anderson | .... | additional second second assistant director | |
| Kate Greenberg | .... | second second assistant director | |
| Joe May | .... | additional second second assistant director | |
| Gregory J. Smith | .... | second assistant director (as Gregory Smith) | |
| Thomas Patrick Smith | .... | first assistant director | |
| Thomas Robinson Harper | .... | second unit director (uncredited) | |
| Bart Lipton | .... | second second assistant director (uncredited) | |
Art Department | |||
| Ellis J. Barbacoff | .... | assistant property master | |
| Tony Bonaventura | .... | property master | |
| Andrea Cantrell | .... | assistant props | |
| Jill Deibler | .... | buyer | |
| Joseph K. Garcia | .... | swing gang | |
| Theresa Greene | .... | art department coordinator | |
| Michael Klingerman | .... | leadman | |
| David Marple | .... | swing gang | |
| Rich Murray | .... | assistant art director | |
| Christopher Pappas | .... | on-set dresser | |
| Christopher Pappas | .... | props | |
| Rion Waller | .... | swing gang | |
Technicien du son | |||
| Rick Ash | .... | sound re-recording mixer | |
| Gregg Barbanell | .... | foley artist | |
| Kerry Ann Carmean | .... | foley editor | |
| Patrick Cusack | .... | assistant sound editor | |
| Andrew DeCristofaro | .... | supervising sound editor | |
| Craig Dollinger | .... | boom operator | |
| Bill Henderson | .... | sound re-recording engineer | |
| Stacey Michaels | .... | adr mixer | |
| Sterling Moore | .... | boom operator: additional photography | |
| Steven Morrow | .... | sound mixer | |
| Steve Nelson | .... | sound effects editor (as Steven F. Nelson) | |
| Nancy Nugent | .... | supervising adr editor (as Nancy Kyong Nugent) | |
| Buck Robinson | .... | sound mixer: additional photography | |
| Stephen P. Robinson | .... | supervising sound editor | |
| Terry Rodman | .... | sound re-recording mixer | |
| Robert Sharman | .... | utility sound technician | |
| Christopher Sidor | .... | sound mix technician | |
| Greg Steele | .... | adr mixer | |
| John C. Stuver | .... | dialogue editor | |
| Greg Zimmerman | .... | adr recordist | |
Effets spéciaux | |||
| Ian Eyre | .... | special effects technician | |
Visual Effects | |||
| Adam Avitabile | .... | visual effects supervisor | |
| Chad Buehler | .... | digital compositor | |
| Joshua D. Comen | .... | visual effects producer (as Josh Comen) | |
| Jenny Foster | .... | visual effects coordinator | |
| Rob Ostir | .... | digital effects artist | |
| Steve Rodriguez | .... | colorist | |
Cascadeur | |||
| Kenny Anderson | .... | assistant stunt coordinator | |
| Kacie Borrowman | .... | stunt double: Abigail Breslin | |
| Riley Harper | .... | stunt double | |
| Thomas Robinson Harper | .... | stunt coordinator (as Tom Robinson Harper) | |
| Traci Richelle Harrison | .... | stunts | |
| Christie Hayes | .... | stunt double | |
| Michael Hugghins | .... | stunt double | |
| Mark Kubr | .... | stunts and water safety | |
| Larry Rippenkroeger | .... | stunts | |
| Matthew Taylor | .... | stunt double: Greg Kinnear | |
Camera and Electrical Department | |||
| Thomas Bango | .... | first assistant camera | |
| Matt Bardocz | .... | best boy electric | |
| Clint Borden | .... | dolly grip: "b" camera | |
| Tom Boyd | .... | underwater camera operator | |
| Brian Cantrell | .... | electrician | |
| Jack Carpenter | .... | camera car grip | |
| Theda Cunningham | .... | first assistant camera: "a" camera | |
| Greg Dellerson | .... | assistant camera | |
| Josh Denering | .... | grip | |
| Carlos M. Gallardo | .... | dolly grip | |
| Paul Goodstein | .... | key grip | |
| Jeffrey Greeley | .... | camera operator | |
| Keith A. Hascher | .... | lighting technician | |
| Jimi Johnson | .... | video assist operator | |
| Lawrence Karman | .... | Steadicam operator | |
| Rick Lawrence | .... | grip | |
| Heather Lea | .... | first assistant camera | |
| Eric Lee | .... | still photographer | |
| Christopher Mack | .... | first assistant camera | |
| Paul McIlvaine | .... | gaffer | |
| Alan Morier | .... | lighting technician | |
| Tony Olivieri | .... | first assistant Steadicam | |
| Michelle Pizanis | .... | clapper loader | |
| Chris J. Rossi | .... | best boy grip | |
| Rigney Sackley | .... | assistant camera | |
| Atom Vyvial | .... | grip | |
Casting Department | |||
| Barbara Harris | .... | adr voice casting | |
| Kelly Hunt | .... | extras casting | |
| Rich King | .... | extras casting | |
Costume and Wardrobe Department | |||
| Bethany Bernhard | .... | set costumer | |
| Lisa Hyde | .... | set costumer | |
| Robin McMullan | .... | costume supervisor | |
| Jennifer Starzyk | .... | key costumer | |
Editorial Department | |||
| Ian Elias | .... | post-production assistant | |
| Joe Fineman | .... | post-production consultant | |
| Terel Gibson | .... | first assistant editor | |
| Jessica Otto | .... | post-production assistant: Jonathan Dayton and Valerie Faris | |
| Nick Wenger | .... | post-production assistant | |
| Lee Wimer | .... | color timer | |
Music Department | |||
| Elliott Goldkind | .... | assistant music editor | |
| Brad Haehnel | .... | music mixer | |
| Brad Haehnel | .... | scoring mixer | |
| Susan Jacobs | .... | music supervisor | |
| Anne Litt | .... | music supervisor | |
| Rob Simonsen | .... | assistant to composer | |
| Tony Tisdale | .... | additional music contributor | |
| Joshua Winget | .... | music editor (as Josh Winget) | |
Transportation Department | |||
| Mike Belt | .... | mechanic | |
| Angel Desanti | .... | transportation co-captain | |
| Dillan Esco | .... | driver | |
| J. Armin Garza II | .... | driver: camera car | |
| Geno Hart | .... | transportation coordinator | |
| Marty Osborne | .... | picture cars | |
| John Pellegrino | .... | transportation | |
| Adam Pinkstaff | .... | transportation captain | |
| William Smallwood | .... | driver: production van | |
Thanks | |||
| James Everett Dayton | .... | thanks | |
| Joan Scheckel | .... | the directors wish to thank: Joan Scheckel Lab | |
| Jocelyn Towne | .... | special thanks | |
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| Across the Universe | La buena vida | The Notebook | Les invasions barbares | Mysterious Skin |
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Keeping up with the recent buzz-worthy films coming out of Sundance the past couple years, Little Miss Sunshine is a gem of a movie. After loving crowd favorites Primer (2004) and Hustle and Flow (2005), I wasn't quite sure if the hat trick would be made. Sunshine seemed to have the cast, and direction (the debut of husband/wife team Valerie Faris and Jonathan Dayton, who have helmed some of my favorite music videos including the Smashing Pumpkins' Tonight, Tonight and the Red Hot Chili Peppers' Otherside), but the big question would be if it had the laughs to sustain the quirky indie comedy from not being overwrought and boring. While the film definitely has a couple moments where I was about to be lost, everything ends up happening for a reason; emotions are on a roller coaster ride and the lows always come out with meaning and momentum for the highs. Do yourself a favor and see this sweet, subtle at times and gut-bustingly hilarious at others, perfectly pitched ensemble piece.
The co-directors set us up for what is to come in a very nicely designed opening sequence by going character to character, showing us each person in a small vignette of their personalities. This is the quintessential messed-up family with good intentions. Mom and Dad are bickering on how to tell their young daughter about her uncle's attempted suicide, while he sits and stares in a strange melancholy next to the mute, troubled son, (on vow of silence in honor of nihilistic mind Nietzsche), while grandpa spews profanities about the lack of dinner variety. I mean this is the epitome of every family function I've ever been privy to. There is so much a viewer can relate to in each member, allowing for a certain amount of compassion for the views of all involved and seeing that each really does want the best for one another, even if they have a messed up way of showing it.
Greg Kinnear and Toni Collette are wonderful as the patriarchs, proving as always that they are probably two of the most under-appreciated actors working today. Very rarely do you get to see them in a starring vehicle, and even though this is an ensemble through and through, they definitely carry it as the driving force. Alan Arkin does his kooky, quasi-angry, sarcastic yelling that he is known for, kind of his role from Edward Scissorhands but r-rated and un- pc. Everything he has done comes to a surprising result at the eponymous beauty pageant for the biggest laughs of the movie, really great stuff subverting the grotesque surrealism surrounding any pageant of this kind. Paul Dano is great as the troubled teen, trying to find a place in the world for himself, and coming to grips with the need for struggle in order to grow as a person, and Abigail Breslin is phenomenal as the happiest girl alive. Once she finds out she has won her regional on default, (those primary school children and their diet pills), she is on cloud nine as the family makes the road trip all for her. She has the acting range of a pro and actually does the Dakota Fanning, but better, as she can act while still being a young child and not an adult in a child's body. Her emotional reactions are spot-on and she has remarkable presence and a self-effacing nature that allows her to be who she is and not be ashamed about it, which is the main purpose of Olive Hoover.
The real revelation to take from the antics on screen is a career-role for funnyman Steve Carrell. I've always liked his naïve, teddy-bear persona used to successfully in the Daily Show, The Office, and as the only funny part of Anchorman. Here however, he shows that he has the acting chops to not be pigeonholed and typecast in the over-the-top, lug roles his peer Will Ferrell will never be able to breakout of. Carrell has genuine talent and his suicidal, top Proust scholar in America, uncle is the shining moment of the film. He maintains the dejected quality throughout; even when doing something for the family, doing good, he is always a beaten man. That kind of character is what is needed for all his sharp, dry sarcastic retorts thrown about. He barely outshines the prop of the year, though, the family's yellow VW van. You will not see better prop-gags as the van takes a licking and keeps on ticking although the tick is faint and slowly fading away.
Little Miss Sunshine lives up to the strong buzz that surrounds it. It is heartwarming and funny at every turn. There are some dark moments, though, as there are in life. This film is a slice of reality, heightened just the right amount, for all to enjoy. While definitely in the vein of films such as I Heart Huckabees, Thumbsucker, and any Wes Anderson filmit wears its indie cred on its sleeveit is still accessible and hopefully with the drawing power of Carrell will garner an audience that would not otherwise see it.