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Réalisé par | |||
| Olivier Dahan | |||
Scénaristes(dans l'ordre alphabétique) | ||
| Olivier Dahan | writer | |
| Isabelle Sobelman | writer | |
Produit par | |||
| Timothy Burrill | .... | co-producer | |
| Axel Decis | .... | assistant producer | |
| Alain Goldman | .... | producer | |
| Marc Jenny | .... | co-producer | |
| Oldrich Mach | .... | co-producer | |
| Catherine Morisse | .... | associate producer | |
| Marc Vadé | .... | line producer | |
Musique originale | |||
| Christopher Gunning | |||
Image | |||
| Tetsuo Nagata | |||
Montage | |||
| Richard Marizy | |||
Distribution des rôles | |||
| Olivier Carbone | |||
Création des décors | |||
| Olivier Raoux | |||
Direction artistique | |||
| Beata Brendtnerovà | |||
| Mick Lanaro | |||
| Laure Lepelley-Monbillard | (as Laure Lepelley) | ||
| Stanislas Reydellet | |||
Décorateur de plateau | |||
| Stéphane Cressend | |||
| Petra Kobedova | |||
| Cecile Vatelot | |||
| Christine Gilbert | (uncredited) | ||
Création des costumes | |||
| Marit Allen | |||
Maquillage | |||
| Jan Archibald | .... | key hair stylist | |
| Linda Dvorakova | .... | hair stylist | |
| Barbara Kichi | .... | hair stylist | |
| Barbara Kichiova | .... | hair stylist | |
| Didier Lavergne | .... | key makeup artist | |
| Ruzena Novotna | .... | hair stylist | |
| Gabriela Polakova | .... | makeup artist | |
| Loulia Sheppard | .... | hair stylist | |
| Matthew Smith | .... | prosthetic makeup artist | |
| Hovette Stephanie | .... | wig maker | |
| Ivo Strangmüller | .... | hair stylist | |
| David White | .... | prosthetic makeup designer | |
Directeur de production | |||
| Abraham Goldblat | .... | post-production manager | |
| Michal Prikryl | .... | production manager | |
Assistant réalisateur | |||
| Seb Caudron | .... | second unit director | |
| Vojta Hlavicka | .... | second assistant director | |
| Mathias Honoré | .... | first assistant director | |
| Oldrich Mach | .... | first assistant director | |
Département Art | |||
| Mario N. Bonassin | .... | art assistant | |
| Emmanuel Delis | .... | property master | |
| Karim Djerbi | .... | art department coordinator | |
| Antoine Dore | .... | props | |
| Bradd Fillmann | .... | art assistant | |
| Rouches Frank | .... | prop buyer | |
| Antoine Galinié | .... | props | |
| Natasha Giraldo | .... | art coordinator | |
| Sonia Gloaguen | .... | set decoration assistant | |
| Benoit Godde | .... | concept illustrator | |
| Virginie Hernvann | .... | assistant art director | |
| Alexis Imbert | .... | props | |
| Radan Kapinos | .... | stand-by props | |
| Gabriela Rezacova | .... | props | |
Technicien du son | |||
| Guadalupe Cassius | .... | assistant sound editor | |
| Boris Chapelle | .... | assistant dialogue editor | |
| Mathieu Descamps | .... | trainee sound | |
| Marc Doisne | .... | sound re-recording mixer | |
| Robert Dufek | .... | location sound: second unit | |
| Jean-Baptiste Faure | .... | boom operator | |
| Jean-Paul Hurier | .... | sound mixer | |
| Nikolas Javelle | .... | sound editor | |
| Edouard Murcier | .... | adr supervisor | |
| Gael Nicolas | .... | sound editor | |
| Sandy Notarianni | .... | assistant sound editor | |
| Florian Penot | .... | assistant foley artist | |
| Philippe Penot | .... | foley artist | |
| Pierre Picq | .... | boom operator | |
| Gréggory Poncelet | .... | sound recordist (as Grégory Poncelet) | |
| Caroline Reynaud | .... | foley editor | |
| Pascal Villard | .... | supervising sound editor | |
| Christophe Vingtrinier | .... | post-synchronization | |
| Laurent Zeilig | .... | sound | |
Effets spéciaux | |||
| Jan Holub | .... | special effects crew | |
| Miroslav Miclik | .... | special effects technician | |
| Pavel Policar | .... | special effects technician | |
Visual Effects | |||
| Lucy Ainsworth-Taylor | .... | visual effects | |
| Serge Anthony | .... | color grader | |
| Richard Bain | .... | digital compositor: BainVFX | |
| Jim Bowers | .... | digital matte painter | |
| Stephanie Broussaud | .... | Lustre assistant | |
| Izet Buco | .... | compositor | |
| Stuart Bullen | .... | digital compositor | |
| Earle Stuart Callender | .... | visual effects producer: Rainmaker UK | |
| Seb Caudron | .... | visual effects supervisor | |
| Jimmy Cavé | .... | computer graphic artist | |
| Hal Couzens | .... | visual effects supervisor | |
| Mark Curtis | .... | compositor: MPC | |
| Nicolas Daniel | .... | Lustre assistant | |
| Nick Drew | .... | visual effects production manager: CIS London | |
| François Dupuy | .... | digital intermediate technical director | |
| Michael Elson | .... | executive producer: MPC | |
| Adam Gascoyne | .... | visual effects supervisor: Rainmaker UK | |
| Uel Hormann | .... | visual effects supervisor | |
| Simon Hughes | .... | digital compositor: Rainmaker UK | |
| Élodie Ichter | .... | Lustre assistant | |
| Abdel Ali Kassou | .... | technical manager | |
| Aurelie Lajoux | .... | senior compositor | |
| Laurent Larapidie | .... | lead cgi artist | |
| Tim Mendler | .... | movematcher | |
| Roma O'Connor | .... | executive producer: visual effects | |
| Carine Poussou | .... | visual effects coordinator | |
| Aled Robinson | .... | visual effects editor: MPC | |
| John Van Hoey Smith | .... | digital compositor | |
| Hugh Welchman | .... | visual effects supervisor | |
Caméra et Département Electrique | |||
| Christian Abomnes | .... | focus puller | |
| Jean-Christophe Allain | .... | focus puller | |
| Bruno Calvo | .... | still photographer | |
| Mathieu Caudroy | .... | Steadicam operator | |
| Patrick Contesse | .... | head gaffer | |
| Roberto De Angelis | .... | Steadicam operator | |
| Roberto De Angelis | .... | camera operator: "a" camera | |
| Ingo Gardner | .... | balloon light technician | |
| Manuel Gaspar | .... | electrician | |
| Gaston Grandin | .... | key grip | |
| Roman Hodek | .... | key grip | |
| Alex Ivanco | .... | electrician | |
| Vladimir Muller | .... | Steadicam operator | |
| Olivier Nedelcu | .... | electrician | |
| Zdenek Pozar | .... | electrician | |
| Sylvain Rodriguez | .... | additional video assist | |
| Martin Schmarc | .... | video assist operator | |
| Jaromir Simek | .... | gaffer: Czech Republic | |
| Petr Svoboda | .... | electrician | |
Dpartement Editorial | |||
| Elisa Aboulker | .... | assistant editor | |
| Serge Anthony | .... | color timer | |
| Yves Beloniak | .... | additional editor | |
| Sophie Delecourt | .... | additional editor | |
| Natacha Louis | .... | digital color grader | |
| Tuong Vi Nguyen-Long | .... | assistant editor | |
| Fabien Pascal | .... | colorist | |
| Virginie Seguin | .... | first assistant editor | |
Département Musique | |||
| Guy Barker | .... | musician: trumpet solo | |
| Becky Bentham | .... | music supervisor | |
| Becky Bentham | .... | score coordinator | |
| Katia Boutin | .... | music editor | |
| Marcia Crayford | .... | musician: first violin | |
| Edouard Dubois | .... | musical director | |
| Isobel Griffiths | .... | orchestra contractor | |
| Dave Hartley | .... | musician: piano | |
| Igor Outkine | .... | musician | |
| Édith Piaf | .... | singing voice | |
| Guillaume Roussel | .... | assistant orchestrator | |
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| Die Blechtrommel | The Curious Case of Benjamin Button | Valentino | Novecento | Ray |
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| Casting et équipe complète | Remerciements de la Société | Revues externes |
| IMDb Biographie section | IMDb France section | Add this title to MyMovies |
...a song about a singer.
I adore it. Nothing else is there to be said, really. The acting, all round, is sensational, but the lead, Marion Cotillard's portrayal of Edith Piaf, is beyond words. More astonishing even, I'd dare to say, than what Bruno Ganz did with Adolf Hitler in Der Untergang (although Ganz had only a mass murderer and historical criminal to work with, while Cotillard was dealing with, pardon me for saying, the soul of an entire nation).
I would like to comment on the script. The little symbolic moments, full of grief, full of such a profound sadness...I have never seen this done so well. Certain elements of the story, a conversation or object, are only within the lasting of the film transformed from everyday, mundane stuff into everlasting symbols of affection, of redemption and personal torment.
You see, this is the strong point of the film - it tries to(and often it manages) make you cry because of her tough life, but at the end you are crying because of the good things that happened to her. They too, are over: Edith never even regrets the bad ones.
The music is a whole story on its own. I've loved Piaf for some years now, but, alas, I don't speak French, and now, at last, I have some context to place the songs into...and it breaks me. It really does.
I saw the movie yesterday, went home, and listened to Edith's albums for hours, and they meant so much...they spoke volumes.
Anyway, the direction is perfect, although there is one scene towards the end which has problems - it tells, for the very first time, of a rather important event in the much earlier years of the singer's life , and the event in question seems to be out of place, sort of neglected - as if it should have been dealt with an hour earlier. But this is only one tiny scene, and even it, in itself, is masterfully done. Everything else is flawless.
The cuts and the singing are blended brilliantly together. I was especially struck, which is strange, by the end credits: they are very unusual and touching for a movie which is this musical (find out why!).
Anyway, my deepest recommendations. See it, it is really excellent. It is dark and human and bright, and full of spectacular music.
It is the 20th century.
I fell in love with it.
You might too.