| Photos (Voir toutes les 51 | Diaporama) | Videos (see all 10) |
Richard Wenk (written by)
3 mars 2006 (USA) suite
For a New York cop and his witness, the distance between life and death just got very short. suite
An aging cop is assigned the ordinary task of escorting a fast-talking witness from police custody to a courthouse. There are however forces at work trying to stop prevent them from making it. full summary | add synopsis
1 nomination suite
I underestimated 16 Blocks plus de (275 total)
Réalisé par | |||
| Richard Donner | |||
Scénaristes(WGA) | ||
| Richard Wenk | (written by) | |
Produit par | |||
| D.J. Carson | .... | line producer | |
| Boaz Davidson | .... | executive producer | |
| Danny Dimbort | .... | executive producer | |
| Stephen J. Eads | .... | associate producer (as Stephen Eads) | |
| Randall Emmett | .... | producer | |
| George Furla | .... | executive producer | |
| Todd Gilbert | .... | associate producer | |
| Manfred D. Heid | .... | co-executive producer (as Manfred Heid) | |
| Derek Hoffman | .... | co-producer | |
| Jochen Kamlah | .... | co-producer | |
| Gerd Koechlin | .... | co-executive producer | |
| Josef Lautenschlager | .... | executive producer | |
| Avi Lerner | .... | producer | |
| Brian Read | .... | co-producer | |
| Hadeel Reda | .... | executive producer | |
| Ilyse A. Reutlinger | .... | associate producer (as Ilyse Reutlinger) | |
| Arnold Rifkin | .... | producer | |
| Trevor Short | .... | executive producer | |
| Andreas Thiesmeyer | .... | executive producer | |
| John Thompson | .... | producer | |
| Jim Van Wyck | .... | producer | |
Musique originale | |||
| Klaus Badelt | |||
Image | |||
| Glen MacPherson | (director of photography) | ||
Montage | |||
| Steve Mirkovich | (as Steven Mirkovich) | ||
Distribution des rôles | |||
| Robin D. Cook | |||
| Louis DiGiaimo | (as Louis Di Giaimo) | ||
| Sarah Finn | (as Sarah Halley Finn) | ||
| Randi Hiller | |||
Création des décors | |||
| Arvinder Grewal | |||
Direction artistique | |||
| Brandt Gordon | |||
Décorateur de plateau | |||
| Steve Shewchuk | |||
Création des costumes | |||
| Vicki Graef | |||
Maquillage | |||
| Katie Brennan | .... | second assistant makeup artist (as Kate Brennan) | |
| Rose Chatterton | .... | additional hair stylist: New York | |
| Victor DeNicola | .... | key hair stylist: New York | |
| Paul R.J. Elliot | .... | hair department head (as Paul Elliot) | |
| Lynn Gardner | .... | second assistant hair stylist | |
| Burton J. LeBlanc | .... | first assistant makeup artist (as Burton Leblanc) | |
| Suzy Mazzarese-Allison | .... | additional hair stylist: New York (as Suzy Mazzarese Allison) | |
| Rita Ogden | .... | additional makeup artist: New York | |
| Patricia Regan | .... | key makeup artist: New York | |
| Jordan Samuel | .... | makeup department head | |
| Sondra Treilhard | .... | assistant hair stylist | |
| Eleanor Sabaduquia | .... | key makeup artist: pick-up shots, Los Angeles (uncredited) | |
Directeur de production | |||
| D.J. Carson | .... | unit production manager | |
| Bryan Thomas | .... | unit production manager | |
| Sean Deveaux | .... | production supervisor (uncredited) | |
Assistant réalisateur | |||
| Eric Henriquez | .... | second assistant director: New York | |
| Tudor Jones | .... | second second assistant director: New York | |
| Matthew McLoota | .... | DGA trainee: New York (as Matt McLoota) | |
| Jayson Merrill | .... | second assistant director | |
| Christo Morse | .... | second assistant director: New York | |
| Andrew Pritchard | .... | trainee assistant director | |
| Tim Singh | .... | second assistant director | |
| Jim Van Wyck | .... | first assistant director | |
| Jonathan Wright | .... | second assistant director | |
| Karen Young | .... | third assistant director | |
| Raymond J. Duff | .... | assistant director (uncredited) | |
Effets spéciaux | |||
| Jim Bliz | .... | special effects technician: New York | |
| Jason Board | .... | rigging key special effects | |
| Jason Board | .... | shop foreman | |
| Jeff Brink | .... | special effects coordinator: New York | |
| Conrad V. Brink Jr. | .... | special effects technician: New York (as Conrad Brink) | |
| Edward Drohan | .... | special effects technician: New York (as Eddie Drohan) | |
| Cody Gibson | .... | on-set second assistant special effects | |
| Mike Kavanagh | .... | on-set first assistant special effects | |
| Arthur Langevin | .... | key special effects (as Art Langevin) | |
| Arthur Langevin | .... | on-set special effects coordinator (as Art Langevin) | |
| Laird McMurray | .... | special effects coordinator | |
| Shane Million | .... | assistant to special effects coordinator | |
| Marcus Rait | .... | on set key special effects | |
| Marcus Rait | .... | special effects supervisor | |
| Charlie Simunik | .... | special effects foreman: New York (as Charlie Simunek) | |
| Jeff Skochko | .... | special effects technician | |
| Steve Skochko | .... | special effects technician | |
Visual Effects | |||
| Dennis Berardi | .... | visual effects executive producer: Mr. X Inc. | |
| Kristy Blackwell | .... | digital compositor | |
| Cyril Frederick Chu | .... | digital paint artist | |
| Rob Del Ciancio | .... | digital compositor | |
| Bonnie Dickson | .... | compositing assistant | |
| Bonnie Dickson | .... | tape operator | |
| Jeremy Dineen | .... | visual effects animator | |
| Jason Giberson | .... | film scanning and recording | |
| Robert Greb | .... | digital compositor | |
| Annu Gulati | .... | digital compositor | |
| Noel Hooper | .... | digital compositor | |
| Evan Jacobs | .... | visual effects supervisor | |
| Matt Ralph | .... | visual effects animator | |
| Chris Ross | .... | digital effects scanning | |
| Avi Salem | .... | compositor | |
| Avi Salem | .... | rotoscope artist | |
| Geoff D.E. Scott | .... | visual effects (as Geoff Scott) | |
| Michael Stewart | .... | digital compositor: Mr. X Inc. | |
| Wilson Tang | .... | digital restoration | |
| Brendan Taylor | .... | visual effects coordinator | |
| Mark Tureski | .... | film scanner operator | |
| Everette Webber | .... | digital intermediate editor | |
| Aaron Weintraub | .... | compositing supervisor | |
| Fiona Campbell Westgate | .... | visual effects producer | |
| Kyle Yoneda | .... | visual effects animator | |
Département Casting | |||
| Lisa Baylin | .... | casting assistant | |
| Tamara Hunter | .... | casting associate | |
| Millie Tom | .... | casting associate: Toronto | |
Département Costume et garde-Robe | |||
| Pam Aaron | .... | set costumer: New York | |
| Arlynn Abseck | .... | set costumer | |
| Catherine Ashton | .... | assistant costume designer | |
| Renée Bravener | .... | costumer: Mr. Willis | |
| Lynne Maureen Curtis | .... | wardrobe supervisor: New York | |
| Courtney Aura Freeman | .... | costume design production assistant: New York (as Courtney Freeman) | |
| Susan MacLeod | .... | wardrobe supervisor | |
| Roseann Milano | .... | wardrobe supervisor: New York | |
| Susan Nycz | .... | costume truck supervisor | |
| Andre Schulz | .... | costume supervisor | |
Dpartement Editorial | |||
| JuliAnne Bonnett | .... | telecine assistant | |
| Doug Caron | .... | assistant editor: Canada | |
| Rick Grayson | .... | assistant editor | |
| Trent Johnson | .... | digital film colorist | |
| Candice Levy | .... | post-production intern | |
| Janet Ogletree | .... | first assistant editor | |
| Sarah Ogletree | .... | editorial assistant | |
| Sarah Parker | .... | post-production coordinator | |
| Mila Patriki | .... | dailies colorist | |
| Angela Rentzelos | .... | apprentice editor: Canada | |
| Mark Sahagun | .... | digital intermediate editor | |
| Devin Sterling | .... | digital intermediate producer | |
Département Musique | |||
| Selena Arizanovic | .... | music coordinator | |
| Christopher Brooks | .... | score co-producer | |
| Andy Brown | .... | conductor | |
| Wolfram de Marco | .... | composer: additional music | |
| Wolfram de Marco | .... | synthesizer orchestrator | |
| Vic Fraser | .... | music preparation | |
| John Samuel Hanson | .... | technical score assistant (as John Hansen) | |
| Ian Honeyman | .... | music arranger | |
| Ian Honeyman | .... | synthesizer orchestrator | |
| Daryl B. Kell | .... | music editor (as Daryl Kell) | |
| Nathaniel Kunkel | .... | music mixer | |
| The London Metropolitan Orchestra | .... | music performed by | |
| Richard McIlvery | .... | additional music scoring engineer (uncredited ) | |
| Richard McIlvery | .... | musician: guitar solos | |
| Stephen McLaughlin | .... | score engineer | |
| Ashley Miller | .... | music supervisor | |
| Andrew Raiher | .... | music arranger | |
| Andrew Raiher | .... | synthesizer orchestrator | |
| Jochen Schild | .... | assistant to composer | |
| Jeff Toyne | .... | orchestrator | |
| John Warhurst | .... | scoring music editor | |
Département Transport | |||
| John Coles | .... | driver | |
| Jason Leeking | .... | transportation co-captain | |
| Jennifer Mccormack | .... | driver: honeywagon | |
| Bill Hong | .... | driver: camera car and insert car (uncredited) | |
16 Blocks (Germany)
Sixteen Blocks (USA) (alternative spelling)
suite
Rated PG-13 for violence, intense sequences of action, and some strong language.
USA:105 min | Philippines:110 min
2,35 : 1 suite
DTS | Dolby Digital | SDDS
Canada:PG (Ontario) | UK:12A | Ireland:12A | Singapore:PG | Brazil:14 | Germany:12 | Finland:K-11 | South Korea:15 | Malaysia:U | Netherlands:12 | Philippines:PG-13 (MTRCB) | Sweden:11 | Hungary:16 | Australia:M | Argentina:Atp | Portugal:M/12 | Iceland:14 (original rating) | Denmark:11 | Norway:15 | USA:PG-13 (Certificate #41681)
Casey's Bar - 613 S. Grand Avenue, Downtown, Los Angeles, California, USA suite
The empty bottle Jack pulls from his desk drawer near the beginning is a bottle of Gosling's Black Seal Rum, from Bermuda. suite
Révélant des erreurs: When Jack Mosley is in the bus talking to the negotiator, you can see the screen of the Nextel phone. Even though Jack is carrying on a conversation, the phone screen does not indicate the phone is in a call. suite
[first lines]
Jack Mosley:
[tape recording] This is Detective Jack Mosley, Shield number 227. I guess this will be my last will and testament. This is for Diane. Now, they're gonna come talk to you and they're gonna tell you things. But what they tell you isn't really what happen. So Diane, I think you should know what really happened. I was trying to do a good thing.
suite
Référencé sur "Cuenta atrás: Antiguo matadero de Navalafuente, 15:35 horas (#1.11)" (2007) suite
Good Flower Round Moon suite
|
|
|
|
|
| The Fugitive | The Salton Sea | Hot Fuzz | Split Second | Swiri |
|
IMDb Note Générale:
|
IMDb Note Générale:
|
IMDb Note Générale:
|
IMDb Note Générale:
|
IMDb Note Générale:
|
| Casting et équipe complète | Remerciements de la Société | Revues externes |
| IMDb Action section | IMDb Allemagne section | Add this title to MyMovies |
I wasn't entirely sure this movie would stick out from the rest but I chose to go since I had nothing else to do. Hell am I glad I was bored. 16 Blocks is a wonderful thrill ride with lots of action/suspense and mild comedy. Any Bruce Willis fan would love this like they did Hostage. Willis plays Jack Mosley, a drunk/hungover cop that seems to have lost his touch. He gets all the scrap jobs that no one wants and one of these jobs brings him straight to Mos Def who plays Eddie, a very hard to understand, very talkative guy who has apparently witnessed something and is due to testify at 10 sharp. It's about 2 hours until he has to be at the court house which is 16 blocks away and a hell of a lot of cops standing in the middle. Mosley doesn't entirely know what to believe, the kid or his ex partner of 20 years but he puts his faith into the kid and the thrill ride begins. Hands down the best dirty cop film I've seen in a while.