| Videos (see all 2 NOUVEAU) |
| Ángel Tavira | ... | Don Plutarco | |
| Gerardo Taracena | ... | Genaro | |
| Dagoberto Gama | ... | Capitán | |
| Mario Garibaldi | ... | Lucio | |
| Fermín Martínez | ... | Teniente | |
| Silverio Palacios | ... | Comandante Cayetano | |
| Octavio Castro | ... | Zacarías | |
| Mercedes Hernández | ... | Jacinta | |
| Gerardo Juárez | ... | Pedro | |
| Ángeles Cruz | ... | Jefa Guerrilera 1 | |
| Norma Pablo | ... | Jefa Guerrilllera 2 | |
| Ariel Galvan | ... | Joaquín | |
| Amorita Rasgado | ... | Prostitutas | |
| María Elena Olivares | ... | Doña Lupe | |
| Esteban Castellanos | ... | Manuel | |
| reste de la distribution par ordre alphabétique: | |||
| José Aviles | ... | Campesinos torturados | |
| Carlos Balderrama | ... | Soldado | |
| Francisco Casasola | ... | Cabo | |
| José Castilla | ... | Soldatos | |
| Carolina Cervantes | ... | Prostitutas | |
| Cornelia Cruz | ... | Vendedora | |
| Cristina Domínguez | ... | Despazada | |
| Jimena Dominguez | ... | Nina del final | |
| Manuel Dominguez | ... | Jovene Golpeados | |
| Mauricio Dominguez | ... | Jovene Golpeados | |
| Benito Hernandez | ... | Campesinos cantina | |
| Cristian Martínez | ... | Campesinos torturados | |
| Justo Martínez | |||
Réalisé par | |||
| Francisco Vargas | |||
Scénaristes(dans l'ordre alphabétique) | ||
| Francisco Vargas | writer | |
Produit par | |||
| Ángeles Castro | .... | producer | |
| Hugo Rodríguez | .... | producer | |
| Francisco Vargas | .... | producer | |
Musique originale | |||
| Armando Rosas | |||
| Cuauhtémoc Tavira | |||
Image | |||
| Martín Boege | |||
| Oscar Hijuelos | |||
Montage | |||
| Ricardo Garfias | |||
| Francisco Vargas | |||
Direction artistique | |||
| Claudio Contreras | |||
Création des costumes | |||
| Rafael Ravello | |||
Maquillage | |||
| Rubén Molina | .... | makeup artist | |
Technicien du son | |||
| Eric Dounce | .... | co-sound designer | |
| Esteban Golubicki | .... | foley recordist | |
| Enrique Greiner | .... | sound designer | |
| Isabel Muñoz | .... | sound (as Isabel Muñoz Cota) | |
Dpartement Editorial | |||
| Adriana Martínez | .... | first assistant editor | |
Divers | |||
| Ramirez Francisco Juan Antonio | .... | production accountant | |
| Veronica Novelo | .... | production coordinator | |
| Recent Posts (updated daily) | User |
|---|---|
| Moving film | Masey3 |
| PREMIOS EN FESTIVALES | starkistuna |
| Great film! | brentfriedman00 |
| Don Plutarco | cito-3 |
| available at Blockbuster. | kdlaurence |
| english subtitles | subhadeep_iitkgp |
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| The Treasure of the Sierra Madre | Custer's Last Stand | From Here to Eternity | The Dancer Upstairs | Major Dundee |
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| Casting et équipe complète | Remerciements de la Société | Revues externes |
| IMDb Drame section | IMDb Mexico section | Add this title to MyMovies |
Imagine that you look like a grandfather in real life. Imagine that your right palm has been amputated but you play a violin with a bow strapped to the maimed arm. Imagine a director wanting to use you as a lead actor in a feature film. Imagine you win a Cannes Film Festival Best Actor prize for the "Un Certain Regard" section of the festival for the role. It's not a dream--it happened to Mexican actor Don Angel Tavira in the Mexican film "El Violin" or the Violin, directed by Francisco Vargas.
I caught up with this film at the on-going International Film Festival of Kerala, India, where it won the Silver Crow Pheasant, an award for the best competition entry chosen by the delegates (in contrast to the jury). The award was bestowed on the basis of votes from 6200 delegates attending the festival.
I do not know how Tavira lost his palm but I learned that the director made the film keeping the future actor in mind. Tavira looks like Charles Vanel in his later years. He exudes a sincerity that touches the viewer and is not easily forgettable. He mixes sincerity with the wizened touch of an old fox.
The film is similar to Irish filmmaker Ken Loach's "The wind that shakes the barley" in many ways. Only "The violin" is shot in black and white while Ken Loach shot his film in lush color. The photography is in no way amateurish. Both films are about the poor fighting mighty oppressors--in the case of "El Violin" poor villagers fighting a cruel Mexican army.
Finer points of the film include a marvelous dialog between grandfather and grandson that speaks highly of the director screenplay writer's Vargas' writing capability. Yet he has only made four films.
As one might have guessed the violin case and violin player are key to the development of the film. Music is a great leveler--the brutes and the aesthetes both appreciate good music.
Vargas choice to film in black and white is commendable. The violence and rape that launches the film is not extended into the film as other directors would have been tempted to do. Interestingly the strength of the film is that it does not show violence at later stages--something that Ken Loach could not restrain himself from. Violence for Vargas is not gratuitous--it is to provide the focal point. The rest of the violence is only for the viewer to imagine. Now that's good cinema.
This time Vargas had a great actor. Can he make equally good films without such innate talent of Don Tavira? My guess is that he can repeat this feat with others too. Vargas has an eye for talent, for good photography and a flair for good scriptwriting.